| # | Title | Artist | Rating | Length |
|---|
| 1 | Where Have All the Cowboys Gone? | Paula Cole | | 4:29 |
| 2 | Ode to My Family- assistant engineer and assistant producer:
- Julie Gardiner
- engineer and producer:
- Stephen Street
- acoustic guitar and electric guitar:
- Noel Hogan and Dolores O’Riordan
- bass guitar:
- Mike Hogan
- drums (drum set) and percussion:
- Fergal Lawler
- keyboard and lead vocals:
- Dolores O’Riordan
- background vocals:
- Noel Hogan
- phonographic copyright (℗) by:
- The Island Def Jam Music Group , Island Records, Inc. (in 1994), UMG Recordings, Inc. (in 1994) and Island Records (in 2002)
- recorded at:
- The Manor in Oxfordshire, England, United Kingdom (from 1993-11 until 1994-08) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom (from 1993-11 until 1994-08)
- mixed at:
- The Manor in Oxfordshire, England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom
- recording of:
- Ode to My Family
- lyricist:
- Dolores O’Riordan
- composer:
- Noel Hogan and Dolores O’Riordan
- publisher:
- Island Music Ltd.
| The Cranberries | 4.3 | 4:32 |
| 3 | De Do Do Do, De Da Da Da- engineer:
- Nigel Gray
- producer:
- Nigel Gray and The Police
- drums (drum set):
- Stewart Copeland (from 1980-07-07 until 1980-08-07)
- electric bass guitar, synthesizer and lead vocals:
- Sting (from 1980-07-07 until 1980-08-07)
- electric guitar:
- Andy Summers (from 1980-07-07 until 1980-08-07)
- background vocals:
- Stewart Copeland (from 1980-07-07 until 1980-08-07), Sting (from 1980-07-07 until 1980-08-07) and Andy Summers (from 1980-07-07 until 1980-08-07)
- phonographic copyright (℗) by:
- A&M Records (in 1980), A&M Records Ltd. (in 1980, in 2003) and A&M Records, Inc. (in 1980, in 1997)
- recorded at:
- Wisseloord Studios in Hilversum, Noord-Holland , Netherlands, Kingdom of the Netherlands (from 1980-07-07 until 1980-08-07)
- recording of:
- De Do Do Do, De Da Da Da (from 1980-07-07 until 1980-08-07)
- lyricist and composer:
- Sting
- publisher:
- Control (ended), EMI Blackwood Music Inc. (ended), GM Sumner, Magnetic Publishing Ltd., Chappell Music (from 1980 to ????), Chappell Music Co. (from 1980 to ????), Virgin Music (Publishers) Ltd. (from 1980 to ????), Virgin Music, Inc. (from 1980 to ????), Virgin Publishing (from 1984 to ????), EMI Music Publishing, Ltd. (from 2003 to ????) and Songs of Universal, Inc. (from 2022-02 to present)
| The Police | 3.55 | 4:07 |
| 4 | Love the One You're With- engineer:
- Andy Johns
- producer:
- Bill Halverson and Stephen Stills
- bass:
- Calvin Samuels (in 1970-03)
- congas:
- Jeff Whittaker (in 1970-03)
- guitar, organ, percussion and lead vocals:
- Stephen Stills (in 1970-03)
- steelpan:
- Stephen Stills
- background vocals:
- Rita Coolidge (in 1970-03), David Crosby (in 1970-03), Graham Nash (in 1970-03), Priscilla Jones (in 1970-03) and John Sebastian (in 1970-03)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1970)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (in 1970-03)
- recording of:
- Love the One You’re With (in 1970-03)
- lyricist and composer:
- Stephen Stills
- publisher:
- Sony/ATV Music Publishing LLC , Warner Chappell, ユニバーサル・ミュージック・パブリッシング Synch事業部 and Gold Hill Music, Inc. (in 1970)
- sub-publisher:
- EMI Music Publishing Scandinavia AB (in 1997)
| Stephen Stills | 3.5 | 3:09 |
| 5 | Brandy (You're a Fine Girl) | Looking Glass | 4.25 | 3:10 |
| 6 | Semi-Charmed Life | Third Eye Blind | 4.1 | 4:30 |
| 7 | Lookin' Out My Back Door | Creedence Clearwater Revival | | 2:35 |
| 8 | Walk on the Wild Side- producer:
- David Bowie , Lou Reed and Mick Ronson
- baritone saxophone:
- Ronnie Ross (in 1972-08)
- double bass and electric bass guitar:
- Herbie Flowers (in 1972-08)
- drums (drum set):
- John Halsey (in 1972-08)
- background vocals:
- The Thunder Thighs (in 1972-08)
- lead vocals:
- Lou Reed (in 1972-08)
- brass arranger and strings arranger:
- Mick Ronson
- arranger:
- David Bowie , Lou Reed and Mick Ronson
- phonographic copyright (℗) by:
- BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (in 1972) and Sony BMG Music Entertainment (in 1972)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1972-08)
- mixed at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- samples from:
- Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (number: 221)
- recording of:
- Walk on the Wild Side (in 1972-08)
- lyricist and composer:
- Lou Reed
- publisher:
- Dunbar Music, EMI Music Publishing Australia Pty. Limited , EMI Music Publishing Ltd. , Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. and Six Continents Music Publishing Inc.
| Lou Reed | 4.25 | 4:14 |
| 9 | This Masquerade | George Benson | | 3:20 |
| 10 | Ventura Highway | America | 4 | 3:36 |
| 11 | Doo Doo Doo Doo Doo (Heartbreaker) | The Rolling Stones | 3.35 | 3:30 |
| 12 | Suite: Judy Blue Eyes- recording engineer:
- Bill Halverson
- producer:
- David Crosby, Graham Nash and Stephen Stills
- mixer:
- David Crosby, Bill Halverson, Graham Nash and Stephen Stills
- bass guitar, guitar and percussion:
- Stephen Stills (in 1969)
- vocals:
- David Crosby (in 1969), Graham Nash (in 1969) and Stephen Stills (in 1969)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1969)
- recorded at:
- Wally Heider Recording Studio 3 in Hollywood, Los Angeles, California, United States (in 1969)
- mixed at:
- Wally Heider Recording Studio 3 in Hollywood, Los Angeles, California, United States
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 222) and Rolling Stone: 500 Greatest Songs of All Time (number: 418)
- recording of:
- Suite: Judy Blue Eyes (in 1969)
- lyricist and composer:
- Stephen Stills
- publisher:
- Gold Hill Music
| Crosby, Stills & Nash | 4.6 | 7:32 |
| 13 | Pictures of Lilly | The Who | | 2:45 |
| 14 | Turning Japanese | The Vapors | 3.6 | 3:47 |
| 15 | I Touch Myself- assistant engineer:
- Chris Albert and Vince Caro
- producer:
- Divinyls , Howard Shore and David Tickle
- phonographic copyright (℗) by:
- Virgin Records America, Inc. (in 1989, in 1990) and Virgin Records (in 1990)
- recorded at:
- BMG Recording Studios in Theater District, New York, New York, United States
- remixed at:
- Power Station in Hell's Kitchen, New York, New York, United States
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 54) and Billboard: The 500 Best Pop Songs (number: 326)
- recording of:
- I Touch Myself
- lyricist and composer:
- Christina Amphlett, Mark McEntee, Tom Kelly and William Steinberg
- publisher:
- EMI Music Publishing Australia Pty Ltd , EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Warner Chappell Music Publishing Ltd.
| Divinyls | 3.5 | 3:50 |
| 16 | She Bop- recording of:
- She Bop
- writer:
- Rick Chertoff, Gary Corbett, Cyndi Lauper and Steve Lunt
- publisher:
- PolyGram International Publishing, Inc. (ended), ATV/Sony Songs, LLC, Concord Copyrights , Hobbler Music, Mushroom Music Pty. Ltd., Noyb Music Company, Perfect Punch Music , Rellla Music Company, Sony Music Publishing (Japan) Inc. , Spirit One Music, Twenty Twenty 6 Music, Universal PolyGram International Publishing, Inc. , Wall to Wall Music, シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 , フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
- part of:
- “The Filthy Fifteen” (number: 15)
| Cyndi Lauper | | 3:44 |
| 17 | Loser- producer:
- Beck Hansen , Tom Rothrock and Karl Stephenson
- bass guitar, guitar, harmonica, percussion, synthesizer and lead vocals:
- Beck
- drums (drum set):
- Mike O'Connor
- samples:
- I Walk on Guilded Splinters by Johnny Jenkins and Kill The Moonlight Sample by Thomas Hendrix
- music videos:
- Loser by Beck
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 200), Billboard: The 500 Best Pop Songs (number: 235) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 458)
- recording of:
- Loser
- writer:
- Beck Hansen and Carl Stephenson
- publisher:
- BMG Songs, Inc. (ended), Nothin’ Fluxin’ Music (ended), Alder Dance Music Publishing, BMG Publishing Germany, Cyanide Breathmint, Funky Toe Publishing, Musik-Edition Discoton GmbH and Universal Music–MGB Songs
| Beck | 4.35 | 3:57 |
| 18 | Loser | 3 Doors Down | 3.65 | 4:27 |
| 19 | Theme from "Peter Gunn"- recorded in:
- Hollywood, Los Angeles, California, United States (from 1958-08-26 until 1958-09-29)
- producer:
- Simon Rady
- double bass:
- Rolly Bundock (from 1958-08-26 until 1958-09-29)
- drums (drum set):
- Jack Sperling (from 1958-08-26 until 1958-09-29)
- French horn:
- John Cave (from 1958-08-26 until 1958-09-29), Vincent DeRosa (from 1958-08-26 until 1958-09-29), John Graas (from 1958-08-26 until 1958-09-29) and Richard Perissi (from 1958-08-26 until 1958-09-29)
- guitar:
- Bob Bain (from 1958-08-26 until 1958-09-29)
- piano:
- John Williams (from 1958-08-26 until 1958-09-29)
- reeds:
- Plas Johnson (from 1958-08-26 until 1958-09-29), Ronnie Lang (from 1958-08-26 until 1958-09-29) and Ted Nash (from 1958-08-26 until 1958-09-29)
- trombone:
- Milt Bernhart (from 1958-08-26 until 1958-09-29), Kirk De Karske (from 1958-08-26 until 1958-09-29), Dick Nash (from 1958-08-26 until 1958-09-29) and Jimmy Priddy (from 1958-08-26 until 1958-09-29)
- trumpet:
- Frank Beach (from 1958-08-26 until 1958-09-29), Pete Candoli (from 1958-08-26 until 1958-09-29), Conrad Gozzo (from 1958-08-26 until 1958-09-29), Ray Linn (from 1958-08-26 until 1958-09-29) and Uan Rasey (from 1958-08-26 until 1958-09-29)
- vibraphone:
- Larry Bunker (from 1958-08-26 until 1958-09-29) and Victor Feldman (from 1958-08-26 until 1958-09-29)
- orchestra:
- The Henry Mancini Orchestra (from 1958-08-26 until 1958-09-29)
- conductor:
- Henry Mancini (from 1958-08-26 until 1958-09-29)
- arranger:
- Henry Mancini
- phonographic copyright (℗) by:
- Entertain Me Ltd. (in 2010)
- recording of:
- Peter Gunn (from 1958-08-26 until 1958-09-29)
- lyricist and composer:
- Henry Mancini
- part of:
- Peter Gunn
| Henry Mancini | | 2:08 |
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