Club Epic: A Collection of Classic Dance Mixes, Volume 5

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Young Guns (Go for It) (12″ mix)
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1982)
recording of:
Young Guns (Go for It!)
Texter und Komponist(in):
George Michael
publisher:
Morrison Leahy Music Ltd.
Wham!6:54
2She Bop (special dance mix)
recording of:
She Bop
Verfasser(in):
Rick Chertoff, Gary Corbett, Cyndi Lauper und Steve Lunt (British musician, songwriter, music executive also credited as Stephen Broughton)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (beendet), ATV/Sony Songs, LLC, Concord Copyrights (BMI), Hobbler Music, Mushroom Music Pty. Ltd., Noyb Music Company, Perfect Punch Music (publisher), Rellla Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spirit One Music, Twenty Twenty 6 Music, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Wall to Wall Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (Nummer: 15)
Cyndi Lauper6:25
3I Could Be Happy (Martin Rushent remix)
recording of:
I Could Be Happy
Texter und Komponist(in):
Tich Anderson, Clare Grogan, Tony McDaid, Johnny McElhone und Jim McKinven
Altered Images5:37
4Brand New Lover (The Dust Monkey’s Love Bubble mix)
recording of:
Brand New Lover
Verfasser(in):
Pete Burns, Steve Coy, Tim Lever und Mike Percy
Dead or Alive9:05
5What I Like About You
Produzent(in):
Peter Solley (English pianist, songwriter and producer)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979) und Nemperor Records, Inc. (in 1979)
aufgenommen bei:
Coconut Recording in Miami, Florida, Vereinigte Staaten (in 1979-10)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 97) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 483)
recording of:
What I Like About You (in 1979-10)
Verfasser(in):
Jimmy Marinos (American drummer), Wally Palmar (guitarist and songwriter) und Mike Skill (Singer, bassist, guitarist, songwriter)
publisher:
EMI April Music Inc. und EMI Music Publishing Australia Pty. Limited (not for release label use!)
Teil von:
Freaky Friday (2003)
The Romantics4.552:56
6Goody Two Shoes
recording of:
Goody Two Shoes
Verfasser(in):
Adam Ant (English new wave singer and actor) und Marco Pirroni (British musician and producer)
publisher:
Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing MGB Limited und EMI Music Publishing Ltd. (PRS‐affiliated) (in 1982)
Adam Ant3:30
7State of Shock (dance mix)
recording of:
State of Shock
Texter:
Randy Hansen und Michael Jackson (“King of Pop”)
Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Jacksons5:41
810‐9‐8 (dance mix)
Face to Face5:44
9Voices Carry
assistierende(r) Techniker(in):
Jeff Lippay und Mike Krowiak
Techniker(in):
Domenic Maita
Produzent(in):
Mike Thorne (UK producer & keyboardist)
assistierende(r) Mix:
Moira Marquis
Mix:
Bob Clearmountain und Harvey Goldberg
Bassgitarre:
Aimee Mann
Gitarre:
Robert Holmes (guitarist, member of 'Til Tuesday)
Klavier und Synthesizer:
Joey Pesce
Perkussion und Schlagzeug:
Michael Hausman
vocals:
Aimee Mann, Joey Pesce und Robert Holmes (guitarist, member of 'Til Tuesday)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
aufgenommen bei:
RPM Studios in New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 56)
recording of:
Voices Carry
Texter:
Aimee Mann
Komponist(in):
Michael Hausman, Robert Holmes (guitarist, member of 'Til Tuesday), Aimee Mann und Joey Pesce
publisher:
'til tunes associates und Intersong U.S.A. (publisher)
’Til Tuesday4.554:21
10A Girl in Trouble (Is a Temporary Thing) (dance mix)
recording of:
A Girl in Trouble (Is a Temporary Thing)
Verfasser(in):
Debora Iyall, David Kahne, Peter Woods (member of Romeo Void, Ultrasheen) und Frank Zincavage
Romeo Void6:13
11Turn Me Loose
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer)
Techniker(in):
Bob Rock
Produzent(in):
Bruce Fairbairn
Bassgitarre:
Scott Smith (Canadian bassist for Loverboy) (in 1980)
Gitarre:
Paul Dean (Canadian guitarist) (in 1980)
Keyboard:
Doug Johnson (Canadian keyboardist for Loverboy) (in 1980)
Schlagzeug:
Matt Frenette (in 1980)
Sologesang:
Mike Reno (in 1980)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment) und Sony Music Canada Inc. (unlikely to be an imprint, 1990/12/14–1991/11/18) (in 1980)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada
recording of:
Turn Me Loose (in 1980)
Verfasser(in):
Paul Dean (Canadian guitarist) und Mike Reno
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dean of Music und EMI Songs
Loverboy4.65:38
12Der Kommisar
Bearbeitung von:
Der Kommissar von After the Fire
cover recording of:
Der Kommissar (English version) (in 1982)
Texter:
Johann Hölzel (Austrian pop & rock musician)
Komponist(in):
Robert Ponger
Übersetzer:
Andy Piercy
publisher:
IQ Music Ltd.
übersetzte Version von:
Der Kommissar
After the Fire55:42
1399 Luftballons
Techniker(in):
Imre Sereg (in 1982)
Produzent(in):
Reinhold Heil (in 1982) und Manfred Praeker (in 1982)
Mix:
Udo Arndt (in 1982)
E-Bass:
Jürgen Dehmel (in 1982)
E-Gitarre:
Carlo Karges (in 1982)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
Schlagzeug:
Rolf Brendel (in 1982)
Sologesang:
Nena Kerner (the person, performing solo since 1987) (in 1982)
phonographisches Urheberrecht (℗) von:
CBS Schallplatten GmbH (in 1983), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983) und Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 1983)
aufgenommen bei:
Spliff in Berlin, Deutschland (in 1982)
mixed at:
Audio-Studio in Berlin, Deutschland (in 1982)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 3), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 16), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 73) und Cachitos Nochevieja 2022 (Nummer: 105)
recording of:
99 Luftballons (in 1982)
Texter:
Carlo Karges (in 1982)
Komponist(in):
Uwe Fahrenkrog-Petersen (in 1982)
publisher:
Edition Hate Music (publisher), EMI Songs Australia Pty. Ltd. und EMI Songs Musikverlag GmbH
sub-publisher:
EMI Songs France (27, rue de Berri)
Nena4.13:50

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Veröffentlichungsgruppe

Teil von:Club Epic: A Collection of Classic Dance Mixes (Nummer: 5) (Reihenfolge: 5)