Melodies and Choral Music

~ Release by Gabriel Fauré (see all versions of this release, 1 available)

Annotation

℗ & © «2024 Parlophone Records Limited»
℗ & © «A Warner Classics/Erato release»

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Annotation last modified on 2025-03-31 23:45 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Requiem, op. 48: I. Introït et Kyrie
producer:
Michel Garcin (French producer)
organ:
Philippe Corboz (from 1992-02-14 until 1992-02-16)
choir vocals:
Ensemble Vocal de Lausanne (from 1992-02-14 until 1992-02-16)
orchestra:
Ensemble Instrumental de Lausanne (from 1992-02-14 until 1992-02-16)
conductor:
Michel Corboz (conductor and composer) (from 1992-02-14 until 1992-02-16)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (from 1992-02-14 until 1992-02-16)
recording of:
Requiem, op. 48: I. Introït et Kyrie (1890, second version) (from 1992-02-14 until 1992-02-16)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
7:15
2Requiem, op. 48: II. Offertoire
producer:
Michel Garcin (French producer)
organ:
Philippe Corboz (from 1992-02-14 until 1992-02-16)
baritone vocals:
Peter Harvey (bass-baritone) (from 1992-02-14 until 1992-02-16)
choir vocals:
Ensemble Vocal de Lausanne (from 1992-02-14 until 1992-02-16)
orchestra:
Ensemble Instrumental de Lausanne (from 1992-02-14 until 1992-02-16)
conductor:
Michel Corboz (conductor and composer) (from 1992-02-14 until 1992-02-16)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (from 1992-02-14 until 1992-02-16)
recording of:
Requiem, op. 48: II. Offertoire (1890, second version) (from 1992-02-14 until 1992-02-16)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
6:47
3Requiem, op. 48: III. Sanctus
producer:
Michel Garcin (French producer)
organ:
Philippe Corboz (from 1992-02-14 until 1992-02-16)
choir vocals:
Ensemble Vocal de Lausanne (from 1992-02-14 until 1992-02-16)
orchestra:
Ensemble Instrumental de Lausanne (from 1992-02-14 until 1992-02-16)
conductor:
Michel Corboz (conductor and composer) (from 1992-02-14 until 1992-02-16)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (from 1992-02-14 until 1992-02-16)
recording of:
Requiem, op. 48: III. Sanctus (1890, second version) (from 1992-02-14 until 1992-02-16)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
3:53
4Requiem, op. 48: IV. Pie Jesu
producer:
Michel Garcin (French producer)
organ:
Philippe Corboz (from 1992-02-14 until 1992-02-16)
choir vocals:
Ensemble Vocal de Lausanne (from 1992-02-14 until 1992-02-16)
soprano vocals:
Magali Dami (soprano) (from 1992-02-14 until 1992-02-16)
orchestra:
Ensemble Instrumental de Lausanne (from 1992-02-14 until 1992-02-16)
conductor:
Michel Corboz (conductor and composer) (from 1992-02-14 until 1992-02-16)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (from 1992-02-14 until 1992-02-16)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (from 1992-02-14 until 1992-02-16)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
3:18
5Requiem, op. 48: V. Agnus Dei
producer:
Michel Garcin (French producer)
organ:
Philippe Corboz (from 1992-02-14 until 1992-02-16)
choir vocals:
Ensemble Vocal de Lausanne (from 1992-02-14 until 1992-02-16)
orchestra:
Ensemble Instrumental de Lausanne (from 1992-02-14 until 1992-02-16)
conductor:
Michel Corboz (conductor and composer) (from 1992-02-14 until 1992-02-16)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (from 1992-02-14 until 1992-02-16)
recording of:
Requiem, op. 48: V. Agnus Dei et Lux Aeterna (1890, second version) (from 1992-02-14 until 1992-02-16)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
5:49
6Requiem, op. 48: VI. Libera me
producer:
Michel Garcin (French producer)
organ:
Philippe Corboz (from 1992-02-14 until 1992-02-16)
baritone vocals:
Peter Harvey (bass-baritone) (from 1992-02-14 until 1992-02-16)
choir vocals:
Ensemble Vocal de Lausanne (from 1992-02-14 until 1992-02-16)
orchestra:
Ensemble Instrumental de Lausanne (from 1992-02-14 until 1992-02-16)
conductor:
Michel Corboz (conductor and composer) (from 1992-02-14 until 1992-02-16)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (from 1992-02-14 until 1992-02-16)
recording of:
Requiem, op. 48: VI. Libera me (1890, second version) (from 1992-02-14 until 1992-02-16)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
5:12
7Requiem, op. 48: VII. In Paradisum
producer:
Michel Garcin (French producer)
organ:
Philippe Corboz (from 1992-02-14 until 1992-02-16)
choir vocals:
Ensemble Vocal de Lausanne (from 1992-02-14 until 1992-02-16)
orchestra:
Ensemble Instrumental de Lausanne (from 1992-02-14 until 1992-02-16)
conductor:
Michel Corboz (conductor and composer) (from 1992-02-14 until 1992-02-16)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (from 1992-02-14 until 1992-02-16)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (from 1992-02-14 until 1992-02-16)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
4:08
84 Mélodies, op. 39: No. 4, Les roses d’Ispahan
piano:
Jean‐Philippe Collard (French classical pianist)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano)
recording of:
Les Roses d'lspahan, op. 39 no. 4
lyricist:
Leconte de Lisle
composer:
Gabriel Fauré (French composer) (in 1884)
part of:
4 Songs, op. 39
3:36
93 Mélodies, op. 85: No. 1, Dans la forêt de septembre
piano:
Jean‐Philippe Collard (French classical pianist)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano)
recording of:
Dans la forêt de septembre, op. 85 no. 1
lyricist:
Catulle Mendès
composer:
Gabriel Fauré (French composer) (in 1902)
part of:
Trois mélodies, op. 85
4:10
10Pavane, op. 50 (Version with Chorus)
6:21
113 Mélodies, op. 23: No. 1, Les berceaux
piano:
Alexandre Tharaud (pianist)
soprano vocals:
Sabine Devieilhe (soprano)
recording of:
Les Berceaux, op. 23 no. 1
lyricist:
Sully Prudhomme
composer:
Gabriel Fauré (French composer) (in 1879)
part of:
3 Songs, op. 23
2:51
123 Mélodies, op. 18: No. 3, Automne
executive producer:
Alain Lanceron
producer:
Etienne Collard - La Clef des Sons
piano:
Jérôme Ducros (pianist) (from 2008-07-07 until 2008-07-13)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2008-07-07 until 2008-07-13)
balance engineer:
Michel Pierre - MPA (audio engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2009) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 2009)
recorded at:
Chambre Syndicale Typographique Parisienne: Salle Akustica (ex-Studio Blanqui, Philips) in Paris, Île-de-France, France (from 2008-07-07 until 2008-07-13)
recording of:
3 Songs for Voice and Piano, op. 18: No. 3 Automne (from 2008-07-07 until 2008-07-13)
lyricist:
Paul-Armand Silvestre
composer:
Gabriel Fauré (French composer) (in 1878)
publisher:
Éditions Alphonse Leduc
part of:
3 Songs for Voice and Piano, op. 18
2:41
13Messe basse: I. Kyrie
recording engineer:
Michel Garcin (French producer)
sound engineer:
Peter Willemoës
editor:
Françoise Garcin (editor)
organ:
Marie‐Claire Alain (organist)
choir vocals:
Ensemble Vocal “Audite Nova” de Paris
solo soprano vocals:
Arlette Steyer
conductor:
Jean Sourisse (choral conductor)
recorded at:
Église de Saint-Germain-en-Laye in Saint-Germain-en-Laye, Yvelines, Île-de-France, France (in 1982-12)
recording of:
Messe basse: I. Kyrie
composer:
Gabriel Fauré (French composer)
part of:
Messe basse
2:23
14Messe basse: II. Sanctus
recording engineer:
Michel Garcin (French producer)
sound engineer:
Peter Willemoës
editor:
Françoise Garcin (editor)
organ:
Marie‐Claire Alain (organist)
choir vocals:
Ensemble Vocal “Audite Nova” de Paris
solo soprano vocals:
Arlette Steyer
conductor:
Jean Sourisse (choral conductor)
recorded at:
Église de Saint-Germain-en-Laye in Saint-Germain-en-Laye, Yvelines, Île-de-France, France (in 1982-12)
recording of:
Messe basse: II. Sanctus
composer:
Gabriel Fauré (French composer)
part of:
Messe basse
2:13
15Messe basse: III. Benedictus
recording engineer:
Michel Garcin (French producer)
sound engineer:
Peter Willemoës
editor:
Françoise Garcin (editor)
organ:
Marie‐Claire Alain (organist)
choir vocals:
Ensemble Vocal “Audite Nova” de Paris
solo soprano vocals:
Arlette Steyer
conductor:
Jean Sourisse (choral conductor)
recorded at:
Église de Saint-Germain-en-Laye in Saint-Germain-en-Laye, Yvelines, Île-de-France, France (in 1982-12)
recording of:
Messe basse: III. Benedictus
composer:
Gabriel Fauré (French composer)
part of:
Messe basse
2:22
16Messe basse: IV. Agnus Dei
recording engineer:
Michel Garcin (French producer)
sound engineer:
Peter Willemoës
editor:
Françoise Garcin (editor)
organ:
Marie‐Claire Alain (organist)
choir vocals:
Ensemble Vocal “Audite Nova” de Paris
solo soprano vocals:
Arlette Steyer
conductor:
Jean Sourisse (choral conductor)
recorded at:
Église de Saint-Germain-en-Laye in Saint-Germain-en-Laye, Yvelines, Île-de-France, France (in 1982-12)
recording of:
Messe basse: IV. Agnus Dei
composer:
Gabriel Fauré (French composer)
part of:
Messe basse
2:49
17Masques et bergamasques, op. 112: III. Madrigal, op. 35
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Masques et bergamasques, comédie musicale en 1 acte : III. Madrigal
composer:
Gabriel Fauré (French composer)
is based on:
Madrigal, op. 35
part of:
Masques et bergamasques, comédie musicale en 1 acte (original 8 part version)
4:56
182 Motets, op. 65: No. 1, Ave verum
recording of:
Ave verum corpus, op. 65 no. 1
composer:
Gabriel Fauré (French composer) (in 1894)
part of:
2 Motets, op. 65
3:34
192 Motets, op. 65: No. 2, Tantum ergo
recording of:
Tantum ergo, op. 65 no. 2
lyricist:
St. Thomas Aquinas
composer:
Gabriel Fauré (French composer) (in 1894)
part of:
2 Motets, op. 65
2:30
20La bonne chanson, op. 61: No. 1, Une sainte en son auréole (Version for Voice, Piano and String Quintet)
double bass:
Leon Bosch (double bassist)
piano:
Julius Drake (pianist)
string quartet:
Belcea Quartet
tenor vocals:
Ian Bostridge (tenor)
recording of:
La Bonne Chanson, op. 61: I. Une Sainte en son auréole (for voice, piano and string quintet)
lyricist:
Paul Verlaine (French poet)
composer:
Gabriel Fauré (French composer) (from 1892 until 1894)
arranger:
Gabriel Fauré (French composer) (in 1898)
arrangement of:
La Bonne Chanson, op. 61: I. Une Sainte en son auréole (for voice and piano)
part of:
La Bonne Chanson, op. 61 (for voice, piano and string quintet)
2:38
21La bonne chanson, op. 61: No. 2, Puisque l’arbre grandit (Version for Voice, Piano and String Quintet)
double bass:
Leon Bosch (double bassist)
piano:
Julius Drake (pianist)
string quartet:
Belcea Quartet
tenor vocals:
Ian Bostridge (tenor)
recording of:
La Bonne Chanson, op. 61: II. Puisque l'aube grandit (for voice, piano and string quintet)
lyricist:
Paul Verlaine (French poet)
composer:
Gabriel Fauré (French composer) (from 1892 until 1894)
arranger:
Gabriel Fauré (French composer) (in 1898)
arrangement of:
La Bonne Chanson, op. 61: II. Puisque l'aube grandit (for voice and piano)
part of:
La Bonne Chanson, op. 61 (for voice, piano and string quintet)
2:07
22La bonne chanson, op. 61: No. 3, La lune blanche luit dans les bois (Version for Voice, Piano and String Quintet)
double bass:
Leon Bosch (double bassist)
piano:
Julius Drake (pianist)
string quartet:
Belcea Quartet
tenor vocals:
Ian Bostridge (tenor)
recording of:
La Bonne Chanson, op. 61: III. La Lune blanche luit dans les bois (for voice, piano and string quintet)
lyricist:
Paul Verlaine (French poet)
composer:
Gabriel Fauré (French composer) (from 1892 until 1894)
arranger:
Gabriel Fauré (French composer) (in 1898)
arrangement of:
La Bonne Chanson, op. 61: III. La Lune blanche luit dans les bois (for voice and piano)
part of:
La Bonne Chanson, op. 61 (for voice, piano and string quintet)
3:00
23La bonne chanson, op. 61: No. 4, J’allais par des chemins perfides (Version for Voice, Piano and String Quintet)
double bass:
Leon Bosch (double bassist)
piano:
Julius Drake (pianist)
string quartet:
Belcea Quartet
tenor vocals:
Ian Bostridge (tenor)
recording of:
La Bonne Chanson, op. 61: IV. J'allais par des chemins perfides (for voice, piano and string quintet)
lyricist:
Paul Verlaine (French poet)
composer:
Gabriel Fauré (French composer) (from 1892 until 1894)
arranger:
Gabriel Fauré (French composer) (in 1898)
arrangement of:
La Bonne Chanson, op. 61: IV. J'allais par des chemins perfides (for voice and piano)
part of:
La Bonne Chanson, op. 61 (for voice, piano and string quintet)
1:48
24La bonne chanson, op. 61: No. 5, J’ai presque peur, en vérité (Version for Voice, Piano and String Quintet)
double bass:
Leon Bosch (double bassist)
piano:
Julius Drake (pianist)
string quartet:
Belcea Quartet
tenor vocals:
Ian Bostridge (tenor)
recording of:
La Bonne Chanson, op. 61: V. J'ai presque peur, en vérité (for voice, piano and string quintet)
lyricist:
Paul Verlaine (French poet)
composer:
Gabriel Fauré (French composer) (from 1892 until 1894)
arranger:
Gabriel Fauré (French composer) (in 1898)
arrangement of:
La Bonne Chanson, op. 61: V. J'ai presque peur, en vérité (for voice and piano)
part of:
La Bonne Chanson, op. 61 (for voice, piano and string quintet)
2:19
25La bonne chanson, op. 61: No. 6, Avant que tu ne t’en ailles (Version for Voice, Piano and String Quintet)
double bass:
Leon Bosch (double bassist)
piano:
Julius Drake (pianist)
string quartet:
Belcea Quartet
tenor vocals:
Ian Bostridge (tenor)
recording of:
La Bonne Chanson, op. 61: VI. Avant que tu ne t'en ailles (for voice, piano and string quintet)
lyricist:
Paul Verlaine (French poet)
composer:
Gabriel Fauré (French composer) (from 1892 until 1894)
arranger:
Gabriel Fauré (French composer) (in 1898)
arrangement of:
La Bonne Chanson, op. 61: VI. Avant que tu ne t'en ailles (for voice and piano)
part of:
La Bonne Chanson, op. 61 (for voice, piano and string quintet)
2:48
26La bonne chanson, op. 61: No. 7, Donc, ce sera par un clair jour d’été (Version for Voice, Piano and String Quintet)
double bass:
Leon Bosch (double bassist)
piano:
Julius Drake (pianist)
string quartet:
Belcea Quartet
tenor vocals:
Ian Bostridge (tenor)
recording of:
La Bonne Chanson, op. 61: VII. Donc, ce sera par un clair jour d'été (for voice, piano and string quintet)
lyricist:
Paul Verlaine (French poet)
composer:
Gabriel Fauré (French composer) (from 1892 until 1894)
arranger:
Gabriel Fauré (French composer) (in 1898)
arrangement of:
La Bonne Chanson, op. 61: VII. Donc, ce sera par un clair jour d'été (for voice and piano)
part of:
La Bonne Chanson, op. 61 (for voice, piano and string quintet)
2:58
27La bonne chanson, op. 61: No. 8, N’est‐ce pas ? (Version for Voice, Piano and String Quintet)
double bass:
Leon Bosch (double bassist)
piano:
Julius Drake (pianist)
string quartet:
Belcea Quartet
tenor vocals:
Ian Bostridge (tenor)
recording of:
La Bonne Chanson, op. 61: VIII. N'est-ce pas ? (for voice, piano and string quintet)
lyricist:
Paul Verlaine (French poet)
composer:
Gabriel Fauré (French composer) (from 1892 until 1894)
arranger:
Gabriel Fauré (French composer) (in 1898)
arrangement of:
La Bonne Chanson, op. 61: VIII. N'est-ce pas ? (for voice and piano)
part of:
La Bonne Chanson, op. 61 (for voice, piano and string quintet)
2:41
28La bonne chanson, op. 61: No. 9, L’hiver a cessé (Version for Voice, Piano and String Quintet)
double bass:
Leon Bosch (double bassist)
piano:
Julius Drake (pianist)
string quartet:
Belcea Quartet
tenor vocals:
Ian Bostridge (tenor)
recording of:
La Bonne Chanson, op. 61: IX. L'Hiver a cessé (for voice, piano and string quintet)
lyricist:
Paul Verlaine (French poet)
composer:
Gabriel Fauré (French composer) (from 1892 until 1894)
arranger:
Gabriel Fauré (French composer) (in 1898)
arrangement of:
La Bonne Chanson, op. 61: IX. L'Hiver a cessé (for voice and piano)
part of:
La Bonne Chanson, op. 61 (for voice, piano and string quintet)
3:20
29Super flumina Babylonis
assistant engineer:
Mélina Avenati (from 2011-11-08 until 2011-11-13) and Aude-Marie Piloz (from 2011-11-08 until 2011-11-13)
producer:
Philip Traugott
choir vocals:
Chœur de l'Orchestre de Paris (from 2011-11-08 until 2011-11-13)
orchestra:
Orchestre de Paris (from 2011-11-08 until 2011-11-13)
conductor:
Paavo Järvi (conductor) (from 2011-11-08 until 2011-11-13)
balance engineer:
Aurélie Messonier (engineer) (from 2011-11-08 until 2011-11-13)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2011)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (from 2011-11-08 until 2011-11-13)
live recording of:
Super flumina Babylonis (from 2011-11-08 until 2011-11-13)
lyricist:
[traditional] (special purpose artist)
composer:
Gabriel Fauré (French composer) (until 1863-07-14)
9:59
30Cantique de Jean Racine, op. 11
organ:
François-Henri Houbart (organist)
choir vocals:
Groupe vocal de France
conductor:
John Alldis (chorusmaster and conductor)
recording of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ)
lyricist:
Jean Racine (French dramatist)
composer:
Gabriel Fauré (French composer) (in 1865)
dedicated to:
César Franck (Belgian‐born French composer)
part of:
Works of Gabriel Fauré by opus number (number: op. 11)
5:15
312 Duos, op. 10: No. 1, Puisqu’ici‐bas
piano:
Dalton Baldwin (American pianist) (from 1970 until 1974)
soprano vocals:
Elly Ameling (soprano) (from 1970 until 1974)
recording of:
Puisqu’ici-bas toute âme, op. 10 no. 1
lyricist:
Victor Hugo (French poet and novelist)
composer:
Gabriel Fauré (French composer) (from 1863 until 1873)
part of:
2 Duets, op. 10
2:54
322 Duos, op. 10: No. 2, Tarentelle
piano:
Dalton Baldwin (American pianist) (from 1970 until 1974)
soprano vocals:
Elly Ameling (soprano) (from 1970 until 1974)
recording of:
Tarentelle, op. 10 no. 2
lyricist:
Marc Monnier
composer:
Gabriel Fauré (French composer) (in 1873)
part of:
2 Duets, op. 10
2:27
33Tu es Petrus
producer:
Michel Garcin (French producer)
organ:
Philippe Corboz (from 1992-02-14 until 1992-02-16)
baritone vocals:
Peter Harvey (bass-baritone) (from 1992-02-14 until 1992-02-16)
choir vocals:
Ensemble Vocal de Lausanne (from 1992-02-14 until 1992-02-16)
orchestra:
Ensemble Instrumental de Lausanne (from 1992-02-14 until 1992-02-16)
conductor:
Michel Corboz (conductor and composer) (from 1992-02-14 until 1992-02-16)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (from 1992-02-14 until 1992-02-16)
recording of:
Tu es Petrus
composer:
Gabriel Fauré (French composer)
1:44
34Les Djinns, op. 12
piano:
Jean‐Claude Pennetier (pianist)
vocals:
Chœurs et solistes de Lyon-Bernard Tétu
conductor:
Bernard Tétu (conductor)
recording of:
Les Djinns, op. 12
lyricist:
Victor Hugo (French poet and novelist)
composer:
Gabriel Fauré (French composer) (in 1875)
part of:
Works of Gabriel Fauré by opus number (number: op. 12)
3:47
35Le ruisseau, op. 22
recording of:
Le Ruisseau, op. 22
composer:
Gabriel Fauré (French composer) (in 1881)
part of:
Works of Gabriel Fauré by opus number (number: op. 22)
3:44
362 Mélodies, op. 1: No. 1, Le papillon et la fleur
engineer:
Daniel Zalay (from 1998-11-08 until 1999-10-04)
producer:
Daniel Zalay
piano:
Roger Vignoles (pianist) (from 1998-11-08 until 1999-10-04)
soprano vocals:
Véronique Gens (soprano) (from 1998-11-08 until 1999-10-04)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (from 1998-11-08 until 1999-10-04)
recording of:
Le Papillon et la fleur, op. 1 no. 1 (from 1998-11-08 until 1999-10-04)
lyricist:
Victor Hugo (French poet and novelist)
composer:
Gabriel Fauré (French composer) (in 1861)
part of:
2 Songs, op. 1
2:19
374 Mélodies, op. 39: No. 3, Le pays des rêves
piano:
Claude Lavoix (French pianist)
soprano vocals:
Rachel Yakar (soprano)
recording of:
Le Pays des rêves, op. 39 no. 3
lyricist:
Paul-Armand Silvestre
composer:
Gabriel Fauré (French composer) (in 1884)
part of:
4 Songs, op. 39
2:36
384 Mélodies, op. 51: No. 3, Spleen
engineer and mixer:
Frédéric Briant
producer and editor:
Étienne Collard
piano:
Philippe Cassard (pianist) (from 2014-06-16 until 2014-06-21)
soprano vocals:
Natalie Dessay (soprano) (from 2014-06-16 until 2014-06-21)
recorded at:
Salle Colonne (ex-Studio Blanqui, Philips) in Paris, Île-de-France, France (from 2014-06-16 until 2014-06-21)
recording of:
Spleen, op. 51 no. 3 (from 2014-06-16 until 2014-06-21)
lyricist:
Paul Verlaine (French poet)
composer:
Gabriel Fauré (French composer) (in 1888)
part of:
4 Mélodies, op. 51
1:59
392 Motets, op. 47: No. 2, Maria, Mater gratiae
organ:
François-Henri Houbart (organist)
baritone vocals:
Pascal Sausy
tenor vocals:
Graham O'Reilly (tenor and choir director)
recording of:
Marie, mater gratiae, op. 47 no. 2
composer:
Gabriel Fauré (French composer) (in 1888)
part of:
2 Songs, op. 47
2:42
40La naissance de Vénus, op. 29
piano:
Jean‐Claude Pennetier (pianist)
vocals:
Chœurs et solistes de Lyon-Bernard Tétu
conductor:
Bernard Tétu (conductor)
recording of:
La Naissance de Vénus, op. 29
lyricist:
Paul Collin (French poet)
composer:
Gabriel Fauré (French composer) (in 1882)
publisher:
J. Hamelle (in 1883)
was commissioned by:
Hamelle
part of:
Works of Gabriel Fauré by opus number (number: op. 29)
22:57
41Ecce fidelis servus, op. 54
recording of:
Ecce fidelis servus, op. 54
composer:
Gabriel Fauré (French composer) (in 1889)
publisher:
J. Hamelle (in 1893)
part of:
Works of Gabriel Fauré by opus number (number: op. 54)
2:54
422 Mélodies, op. 4: No. 1, Chanson du pêcheur
piano:
Dalton Baldwin (American pianist) (from 1970 until 1974)
baritone vocals:
Gérard Souzay (baritone) (from 1970 until 1974)
recording of:
Chanson du pêcheur (Lamento), op. 4 no. 1
lyricist:
Théophile Gautier
composer:
Gabriel Fauré (French composer)
part of:
2 Songs, op. 4
3:22
432 Mélodies, op. 4: No. 2, Lydia
piano:
Dalton Baldwin (American pianist) (from 1970 until 1974)
baritone vocals:
Gérard Souzay (baritone) (from 1970 until 1974)
recording of:
Lydia, op. 4 no. 2
lyricist:
Leconte de Lisle
composer:
Gabriel Fauré (French composer)
part of:
2 Songs, op. 4
2:38
44Caligula, op. 52: Prologue. “Nous sommes les heures guerrières”
choir vocals:
Ensemble Vocal Alix Bourbon
orchestra:
Orchestre national du Capitole de Toulouse (from 1980-06-18 until 1980-06-19)
conductor:
Michel Plasson (conductor) (from 1980-06-18 until 1980-06-19)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1980-06-18 until 1980-06-19)
partial recording of:
Caligula : musique de scène op. 52 pour chœur de femmes et orchestre (from 1980-06-18 until 1980-06-19)
composer:
Gabriel Fauré (French composer) (in 1888)
premiered at:
Odéon-Théâtre de l'Europe in Paris, Île-de-France, France (on 1888-11-08)
part of:
Works of Gabriel Fauré by opus number (number: op. 52)
7:07
45Caligula, op. 52: Chœur. “L’Hyver s’enfuit”
choir vocals:
Ensemble Vocal Alix Bourbon
orchestra:
Orchestre national du Capitole de Toulouse (from 1980-06-18 until 1980-06-19)
conductor:
Michel Plasson (conductor) (from 1980-06-18 until 1980-06-19)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1980-06-18 until 1980-06-19)
partial recording of:
Caligula : musique de scène op. 52 pour chœur de femmes et orchestre (from 1980-06-18 until 1980-06-19)
composer:
Gabriel Fauré (French composer) (in 1888)
premiered at:
Odéon-Théâtre de l'Europe in Paris, Île-de-France, France (on 1888-11-08)
part of:
Works of Gabriel Fauré by opus number (number: op. 52)
2:29
46Caligula, op. 52: Air de danse
orchestra:
Orchestre national du Capitole de Toulouse (from 1980-06-18 until 1980-06-19)
conductor:
Michel Plasson (conductor) (from 1980-06-18 until 1980-06-19)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1980-06-18 until 1980-06-19)
partial recording of:
Caligula : musique de scène op. 52 pour chœur de femmes et orchestre (from 1980-06-18 until 1980-06-19)
composer:
Gabriel Fauré (French composer) (in 1888)
premiered at:
Odéon-Théâtre de l'Europe in Paris, Île-de-France, France (on 1888-11-08)
part of:
Works of Gabriel Fauré by opus number (number: op. 52)
2:13
47Caligula, op. 52: Mélodrame et Chœur. “De roses vermeilles”
choir vocals:
Ensemble Vocal Alix Bourbon
orchestra:
Orchestre national du Capitole de Toulouse (from 1980-06-18 until 1980-06-19)
conductor:
Michel Plasson (conductor) (from 1980-06-18 until 1980-06-19)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1980-06-18 until 1980-06-19)
partial recording of:
Caligula : musique de scène op. 52 pour chœur de femmes et orchestre (from 1980-06-18 until 1980-06-19)
composer:
Gabriel Fauré (French composer) (in 1888)
premiered at:
Odéon-Théâtre de l'Europe in Paris, Île-de-France, France (on 1888-11-08)
part of:
Works of Gabriel Fauré by opus number (number: op. 52)
2:28
48Caligula, op. 52: Mélodrame et Chœur. “César a fermé la paupière”
choir vocals:
Ensemble Vocal Alix Bourbon
orchestra:
Orchestre national du Capitole de Toulouse (from 1980-06-18 until 1980-06-19)
conductor:
Michel Plasson (conductor) (from 1980-06-18 until 1980-06-19)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1980-06-18 until 1980-06-19)
partial recording of:
Caligula : musique de scène op. 52 pour chœur de femmes et orchestre (from 1980-06-18 until 1980-06-19)
composer:
Gabriel Fauré (French composer) (in 1888)
premiered at:
Odéon-Théâtre de l'Europe in Paris, Île-de-France, France (on 1888-11-08)
part of:
Works of Gabriel Fauré by opus number (number: op. 52)
3:23
49La chanson d’Ève, op. 95: No. 1, Paradis
piano:
Dalton Baldwin (American pianist) (from 1970 until 1974)
soprano vocals:
Elly Ameling (soprano) (from 1970 until 1974)
recording of:
La Chanson d'Ève, op. 95: No. 1. Paradis
lyricist:
Charles van Lerberghe
composer:
Gabriel Fauré (French composer) (from 1906 until 1910)
part of:
La Chanson d'Ève, op. 95
7:03
50La chanson d’Ève, op. 95: No. 2, Prima verba
piano:
Dalton Baldwin (American pianist) (from 1970 until 1974)
soprano vocals:
Elly Ameling (soprano) (from 1970 until 1974)
recording of:
La Chanson d'Ève, op. 95: No. 2. Prima verba
lyricist:
Charles van Lerberghe
composer:
Gabriel Fauré (French composer) (from 1906 until 1910)
part of:
La Chanson d'Ève, op. 95
2:16
51La chanson d’Ève, op. 95: No. 3, Roses ardentes
piano:
Dalton Baldwin (American pianist) (from 1970 until 1974)
soprano vocals:
Elly Ameling (soprano) (from 1970 until 1974)
recording of:
La Chanson d'Ève, op. 95: No. 3. Roses ardentes
lyricist:
Charles van Lerberghe
composer:
Gabriel Fauré (French composer) (from 1906 until 1910)
part of:
La Chanson d'Ève, op. 95
1:24
52La chanson d’Ève, op. 95: No. 4, Comme Dieu rayonne
piano:
Dalton Baldwin (American pianist) (from 1970 until 1974)
soprano vocals:
Elly Ameling (soprano) (from 1970 until 1974)
recording of:
La Chanson d'Ève, op. 95: No. 4. Comme Dieu rayonne
lyricist:
Charles van Lerberghe
composer:
Gabriel Fauré (French composer) (from 1906 until 1910)
part of:
La Chanson d'Ève, op. 95
1:54
53La chanson d’Ève, op. 95: No. 5, L’aube blanche
piano:
Dalton Baldwin (American pianist) (from 1970 until 1974)
soprano vocals:
Elly Ameling (soprano) (from 1970 until 1974)
recording of:
La Chanson d'Ève, op. 95: No. 5. L'Aube blanche
lyricist:
Charles van Lerberghe
composer:
Gabriel Fauré (French composer) (from 1906 until 1910)
part of:
La Chanson d'Ève, op. 95
1:29
54La chanson d’Ève, op. 95: No. 6, Eau vivante
piano:
Dalton Baldwin (American pianist) (from 1970 until 1974)
soprano vocals:
Elly Ameling (soprano) (from 1970 until 1974)
recording of:
La Chanson d'Ève, op. 95: No. 6. Eau vivante
lyricist:
Charles van Lerberghe
composer:
Gabriel Fauré (French composer) (from 1906 until 1910)
part of:
La Chanson d'Ève, op. 95
1:11
55La chanson d’Ève, op. 95: No. 7, Veilles‐tu, ma senteur de soleil ?
piano:
Dalton Baldwin (American pianist) (from 1970 until 1974)
soprano vocals:
Elly Ameling (soprano) (from 1970 until 1974)
recording of:
La Chanson d'Ève, op. 95: No. 7. Veilles-tu, ma senteur de soleil ?
lyricist:
Charles van Lerberghe
composer:
Gabriel Fauré (French composer) (from 1906 until 1910)
part of:
La Chanson d'Ève, op. 95
1:32
56La chanson d’Ève, op. 95: No. 8, Dans un parfum de roses blanches
piano:
Dalton Baldwin (American pianist) (from 1970 until 1974)
soprano vocals:
Elly Ameling (soprano) (from 1970 until 1974)
recording of:
La Chanson d'Ève, op. 95: No. 8. Dans un parfum de roses blanches
lyricist:
Charles van Lerberghe
composer:
Gabriel Fauré (French composer) (from 1906 until 1910)
part of:
La Chanson d'Ève, op. 95
1:59
57La chanson d’Ève, op. 95: No. 9, Crépuscule
piano:
Dalton Baldwin (American pianist) (from 1970 until 1974)
soprano vocals:
Elly Ameling (soprano) (from 1970 until 1974)
recording of:
La Chanson d'Ève, op. 95: No. 9. Crépuscule
lyricist:
Charles van Lerberghe
composer:
Gabriel Fauré (French composer) (from 1906 until 1910)
part of:
La Chanson d'Ève, op. 95
2:41
58La chanson d’Ève, op. 95: No. 10, Ô mort, poussière d’étoiles
piano:
Dalton Baldwin (American pianist) (from 1970 until 1974)
soprano vocals:
Elly Ameling (soprano) (from 1970 until 1974)
recording of:
La Chanson d'Ève, op. 95: No. 10. O mort, poussière d'étoiles
lyricist:
Charles van Lerberghe
composer:
Gabriel Fauré (French composer) (from 1906 until 1910)
part of:
La Chanson d'Ève, op. 95
2:39
59Tantum ergo, op. 55
recording of:
Tantum ergo, op. 55
lyricist:
St. Thomas Aquinas
composer:
Gabriel Fauré (French composer) (in 1890)
publisher:
A. Durand et Fils (1891–1909) (in 1893)
part of:
Works of Gabriel Fauré by opus number (number: op. 55)
2:56
60Tantum ergo
1:45
613 Mélodies, op. 7: No. 1, Après un rêve
recording of:
Après un rêve, op. 7 no. 1 (original; for voice and piano)
lyricist:
[anonymous] (special purpose artist)
composer:
Gabriel Fauré (French composer) (in 1877)
translator:
Romain Bussine
publisher:
Choudens (in 1878)
premiered at:
Société nationale de musique in Paris, Île-de-France, France (on 1879-01-11)
part of:
Trois mélodies, op. 7
3:09
623 Mélodies, op. 8: No. 3, Ici‐bas !
engineer:
Paul Vavasseur (engineer)
producer:
René Challan (French composer)
piano:
Aldo Ciccolini (pianist) (from 1967-09-18 until 1967-09-20)
tenor vocals:
Nicolai Gedda (tenor) (from 1967-09-18 until 1967-09-20)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1967-09-18 until 1967-09-20)
recording of:
Ici-bas !, op. 8 no. 3 (from 1967-09-18 until 1967-09-20)
lyricist:
Sully Prudhomme
composer:
Gabriel Fauré (French composer) (in 1874)
part of:
3 Songs, op. 8
1:30
63Pleurs d’or, op. 72
producer:
Christfried Bickenbach and Fritz Ganss (producer)
piano:
Gerald Moore (pianist) (from 1960-12-01 until 1960-12-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1960-12-01 until 1960-12-03)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1960-12-01 until 1960-12-03)
balance engineer:
Horst Lindner (engineer) (from 1960-12-01 until 1960-12-03)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recorded at:
Gemeindehaus Studios in Berlin, Germany (from 1960-12-01 until 1960-12-03)
recording of:
Pleurs d’or, op. 72 (from 1960-12-01 until 1960-12-03)
lyricist:
Albert Victor Samain
composer:
Gabriel Fauré (French composer) (in 1896)
part of:
Works of Gabriel Fauré by opus number (number: op. 72)
3:12