’60s Music Revolution

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1CD: Different Drum 1
2CD: Different Drum 2
3CD: Let the Sunshine in 1
4CD: Let the Sunshine in 2
5CD: Magic Carpet Ride 1
6CD: Magic Carpet Ride 2
7CD: Groovin’ 1
8CD: Groovin’ 2
9CD: Legends: Pluggin’ In
#TitoloArtistaValutazioneDurata
1Do You Believe in Magic
diritti fonografici (℗) detenuti da:
Kama Sutra (nel 1965)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 216) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 224)
registrazione di:
Do You Believe in Magic?
paroliere e compositore:
John Sebastian
editore:
Alley Music Corp., Koppelman–Rubin Enterprises, Inc. e Trio Music Co., Inc.
The Lovin’ Spoonful4.52:07
2Good Vibrations
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.33:38
3I Got You Babe
voce:
Sonny Bono (nel 1965) e Cher (nel 1965)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 331) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 444)
registrazione di:
I Got You Babe (nel 1965)
paroliere e compositore:
Sonny Bono
editore:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) e Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:13
4Eight Miles High
produttore:
Allen Stanton
chitarra a 12 corde :
Roger McGuinn (il 1966-01-25)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 150) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 181)
registrazione di:
Eight Miles High (il 1966-01-25)
autore:
Gene Clark (US singer-songwriter; founder of The Byrds), David Crosby e Roger McGuinn
editore:
Gene Clark Music, Reservoir One America, Tickson Music Co. e TRO Essex Music Ltd.
The Byrds4.23:38
5Just Like a Woman
produttore:
Bob Johnston (US record producer and early rockebilly singer)
registrata presso:
Columbia Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1966-03-08)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 230)
registrazione di:
Just Like a Woman (il 1966-03-08)
paroliere e compositore:
Bob Dylan (il 1965-11-25)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), M. Witmark & Sons e Dwarf Music (dal 1966 a oggi)
Bob Dylan44:55
6The Sound of Silence
produttore:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
batteria :
Bobby Gregg (dal 1964-03-10 al 1965-06-15)
chitarra :
Vinnie Bell (dal 1964-03-10 al 1965-06-15) e Al Gorgoni (guitarist, composer, arranger, and producer) (dal 1964-03-10 al 1965-06-15)
chitarra basso :
Bob Bushnell (dal 1964-03-10 al 1965-06-15)
voce principale:
Art Garfunkel (il 1964-03-10) e Paul Simon (of Simon & Garfunkel) (il 1964-03-10)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 74) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 156)
registrazione di:
The Sound of Silence (dal 1964-03-10 al 1965-06-15)
paroliere:
Paul Simon (of Simon & Garfunkel) (dal 1963-11 al 1964-02-19)
compositore:
Paul Simon (of Simon & Garfunkel) (dal 1963-11 al 1964-02-09)
editore:
Essex Music of Australia Pty. Ltd., J. Michel KG (publisher), MDW (publisher), Mother Culture Publishing, Pattern Music Ltd (publisher), Universal/MCA Music Ltd. (not for release label use!), WB Music Corp. (1929–2019), Paul Simon Music (nel 1964, nel 1992) e Magic Arts Publishing (nel 2000)
Simon & Garfunkel4.63:07
7I Heard It Through the Grapevine
produttore:
Norman Whitfield
basso [1962 Fender Precision Bass] :
James Jamerson (dal 1967-02-03 al 1967-04-10)
batteria :
Uriel Jones (dal 1967-02-03 al 1967-04-10)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (dal 1967-02-03 al 1967-04-10)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (dal 1967-02-03 al 1967-04-10)
congas e tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (dal 1967-02-03 al 1967-04-10)
corno francese :
Don Ozga (dal 1967-02-03 al 1967-04-10) e Edwin Jones (dal 1967-02-03 al 1967-04-10)
organo Hammond [B-3] :
Earl Van Dyke (dal 1967-02-03 al 1967-04-10)
piano elettrico Wurlitzer :
Johnny Griffith (dal 1967-02-03 al 1967-04-10)
strumenti:
The Funk Brothers (dal 1967-02-03 al 1967-04-10)
tom-tom :
Richard "Pistol" Allen (dal 1967-02-03 al 1967-04-10)
voce di accompagnamento:
The Andantes (dal 1967-02-03 al 1967-04-10), Marlene Barrow (dal 1967-02-03 al 1967-04-10), Louvain Demps (dal 1967-02-03 al 1967-04-10) e Jackie Hicks (dal 1967-02-03 al 1967-04-10)
voce principale:
Marvin Gaye (dal 1967-02-03 al 1967-04-10)
orchestra:
Detroit Symphony Orchestra (dal 1967-02-03 al 1967-04-10)
arrangiatore archi :
Paul Riser (dal 1967-02-03 al 1967-04-10)
orchestratore:
Paul Riser (dal 1967-02-03 al 1967-04-10)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968)
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1967-02-03 al 1967-04-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 80), Billboard: Greatest of All Time Hot 100 Songs (numero: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 119) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 307)
registrazione cover di:
I Heard It Through the Grapevine (dal 1967-02-03 al 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:16
8Brown Eyed Girl
tecnico di registrazione:
Brooks Arthur (il 1967-03-28)
produttore:
Bert Russell Berns
batteria :
Gary Chester (studio drummer and educator) (il 1967-03-28)
chitarra :
Al Gorgoni (guitarist, composer, arranger, and producer) (il 1967-03-28), Hugh McCracken (il 1967-03-28) e Van Morrison (il 1967-03-28)
chitarra basso :
Eric Gale (il 1967-03-28)
organo :
Garry Sherman (mid-20th century composer, arranger & conductor) (il 1967-03-28)
voce di accompagnamento:
The Sweet Inspirations (il 1967-03-28)
voce principale:
Van Morrison (il 1967-03-28)
esecutore:
Van Morrison (il 1967-03-28)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967), Charly Records (nel 1968) e Exile Productions Ltd. (not for Label Release) (nel 1973)
registrata presso:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-03-28) e A&R Recording Studio (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-04-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 71) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 109)
registrazione di:
Brown Eyed Girl (dal 1967-03-28 al 1967-04-07)
paroliere e compositore:
Van Morrison
editore:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (nel 1967) e Polygram Publishing AB (nel 1992)
Van Morrison3.53:05
9Proud Mary
produttore:
John Fogerty
batteria :
Doug Clifford (nel 1968)
chitarra :
John Fogerty (nel 1968) e Tom Fogerty (nel 1968)
chitarra basso :
Stu Cook (nel 1968)
voce:
John Fogerty (nel 1968)
arrangiatore:
John Fogerty
diritti fonografici (℗) detenuti da:
Fantasy, Inc. (not for release label use!) (nel 1969) e Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (nel 1976)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 152) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 155)
registrazione di:
Proud Mary (nel 1968)
paroliere e compositore:
John Fogerty
editore:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (il 1968-12-27) e Jondora Musikverlag (publisher) (nel 1970)
Creedence Clearwater Revival4.33:09
10Suspicious Minds
tecnico:
Al Pachucki
produttore:
Felton Jarvis e Chips Moman
basso :
Tommy Cogbill (il 1969-01-23) e Mike Leech (Nashville session musician and arranger) (il 1969-01-23)
batteria :
Gene Chrisman (il 1969-01-23)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1969-01-23) e Reggie Young (guitarist and songwriter) (il 1969-01-23)
chitarra steel :
John Hughey (il 1969-01-23)
organo :
Bobby Emmons (il 1969-01-23)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (il 1969-01-23)
voce:
J.D. Sumner & The Stamps, The Sweet Inspirations e Kathy Westmoreland
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1969-01-22)
arrangiatore:
Mike Leech (Nashville session musician and arranger) e Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1969), BMG Music (nel 1969, nel 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1973) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Stati Uniti (il 1969-01-23) e United Recording Studios (Las Vegas) in Las Vegas, Nevada, Stati Uniti (il 1969-08-07)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 91) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 363)
registrazione cover di:
Suspicious Minds (dal 1969-01-23 al 1969-08-07)
paroliere e compositore:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
editore:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Songs LLC
Elvis Presley4.14:31
11Somebody to Love
tecnico di registrazione:
David Hassinger (il 1966-11-03)
produttore:
Rick Jarrard (dal 1966-10-31 al 1966-11-22)
basso :
Jack Casady (dal 1966-10-31 al 1966-11-22)
batteria :
Spencer Dryden (dal 1966-10-31 al 1966-11-22)
chitarra [lead guitar] :
Jorma Kaukonen (American blues, folk, and rock guitarist) (dal 1966-10-31 al 1966-11-22)
chitarra [rhythm guitar] :
Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce:
Marty Balin (dal 1966-10-31 al 1966-11-22) e Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce principale:
Grace Slick (dal 1966-10-31 al 1966-11-22)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1967) e RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (nel 1967)
registrata presso:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-10-31 al 1966-11-22)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 274)
registrazione di:
Somebody to Love (Jefferson Airplane song) (dal 1966-10-31 al 1966-11-22)
paroliere e compositore:
Darby Slick
editore:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.553:00
12Hello, I Love You
tecnico e tecnico di missaggio:
Bruce Botnick
produttore:
Bruce Botnick e Paul A. Rothchild
batteria :
John Densmore
chitarra :
Robby Krieger (American guitarist, member of The Doors)
chitarra basso :
Doug Lubahn (rock bassist)
tastiera :
Ray Manzarek
voce:
Jim Morrison (lead vocalist of the Doors)
registrazione di:
Hello, I Love You
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Rondor Music (London) Ltd. e Nipper Music Co., Inc. (nel 1968)
The Doors3.552:15
13Sunshine of Your Love
tecnico di registrazione:
Tom Dowd (dal 1967-04 al 1967-05)
produttore:
Felix Pappalardi
basso :
Jack Bruce (dal 1967-04 al 1967-05)
batteria :
Ginger Baker (dal 1967-04 al 1967-05)
chitarra :
Eric Clapton (dal 1967-04 al 1967-05)
voce:
Jack Bruce (dal 1967-04 al 1967-05) e Eric Clapton (dal 1967-04 al 1967-05)
diritti fonografici (℗) detenuti da:
Robert Stigwood Group Ltd. (nel 1967), Robert Stigwood Organisation Ltd. (nel 1967, nel 1969) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1967-04 al 1967-05)
parte di:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 65) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Sunshine of Your Love (dal 1967-04 al 1967-05)
autore:
Pete Brown (UK poet & producer, with Cream and Jack Bruce), Jack Bruce e Eric Clapton
editore:
Casserole Music Corp., Dratleaf Music Ltd., E.C. Music (UK work publisher for Eric Clapton), Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music, Inc.
Cream4.14:13
14Foxy LadyJimi Hendrix3:20
15Piece of My HeartBig Brother & the Holding Company4:29
16Pinball Wizard
registrata a:
England, Regno Unito
tecnico:
Damon Lyon-Shaw
produttore:
Kit Lambert
produttore esecutivo:
Chris Stamp
chitarra :
Pete Townshend (of The Who) (il 1969-02-07)
voce principale:
Roger Daltrey (il 1969-02-07) e Pete Townshend (of The Who) (il 1969-02-07)
esecutore:
The Who
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1969) e Track Records Production (nel 1969)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito e Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (il 1969-02-07)
registrazione di:
Pinball Wizard (il 1969-02-07)
paroliere:
Pete Townshend (of The Who)
compositore:
Pete Townshend (of The Who) (nel 1969)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Eel Pie Publishing Ltd., Fabulous Music, Ltd. (this is a publisher, not an imprint!) e Towser Tunes, Inc.
The Who4.353:03
17Uncle John’s Band
registrazione di:
Uncle John’s Band
paroliere:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
compositore:
Jerry Garcia (guitarist / vocalist in Grateful Dead)
editore:
Ice Nine Publishing Company, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Grateful Dead4:45
18Suite: Judy Blue Eyes
tecnico di registrazione:
Bill Halverson
produttore:
David Crosby, Graham Nash e Stephen Stills
tecnico di missaggio:
David Crosby, Bill Halverson, Graham Nash e Stephen Stills
chitarra basso, chitarra e percussione :
Stephen Stills (nel 1969)
voce:
David Crosby (nel 1969), Graham Nash (nel 1969) e Stephen Stills (nel 1969)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1969)
registrata presso:
Wally Heider Recording Studio 3 in Hollywood, Los Angeles, California, Stati Uniti (nel 1969)
mixata presso:
Wally Heider Recording Studio 3 in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 222) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 418)
registrazione di:
Suite: Judy Blue Eyes (nel 1969)
paroliere e compositore:
Stephen Stills
editore:
Gold Hill Music (BMI)
Crosby, Stills & Nash4.67:28
19Black Magic Woman
produttore:
Fred Catero e Carlos Santana
chitarra :
Carlos Santana (il 1970-07-04)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (il 1970-07-04)
congas :
Michael Carabello (percussionist) (il 1970-07-04) e Jose Chepito Áreas (il 1970-07-04)
membranofono :
Michael Shrieve (drummer) (il 1970-07-04)
tastiera :
Gregg Rolie (keyboardist and vocalist) (il 1970-07-04)
timbales :
Jose Chepito Áreas (il 1970-07-04)
voce:
Gregg Rolie (keyboardist and vocalist) (il 1970-07-04) e Carlos Santana (il 1970-07-04)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1970) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1970, nel 1974)
registrata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti (il 1970-07-04)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 28)
registrazione cover di:
Black Magic Woman (il 1970-07-04)
paroliere e compositore:
Peter Green (former member of Fleetwood Mac)
editore:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. e Murbo Music Publishers, Inc.
Santana3.83:19
2025 or 6 to 4
tecnico:
Chris Hinshaw, Don Puluse e Brian Ross-Myring
produttore:
James William Guercio
voce principale:
Peter Cetera (nel 1969-08)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1970), Warner Strategic Marketing Inc. (nel 1970) e Rhino Entertainment Company (not for release label use!) (nel 2002)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 61)
registrazione di:
25 or 6 to 4 (nel 1969-08)
paroliere e compositore:
Robert Lamm (nel 1969)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Spirit Music Publishing Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Aurelius Music (nel 1986) e Lamminations Music (nel 1986)
Chicago4:52

Accreditamenti

Gruppo di pubblicazioni

parte di:Time Life Music (ordine: 6)