| # | Title | Artist | Rating | Length |
|---|
| 1 | Mass in B Minor, BWV 232: Credo in unum Deum Patrem omnipotentum- engineer:
- Elite Recordings, Inc.
- producer:
- Marc Aubort and Joanna Nickrenz
- conductor:
- Keith Holzman
- performer:
- The Bach Ensemble
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 4:04 |
| 2 | Mass in B Minor, BWV 232: Et in unum Dominum | Johann Sebastian Bach | | 4:23 |
| 3 | Mass in B Minor, BWV 232: Et incarnatus est | Johann Sebastian Bach | | 2:29 |
| 4 | Mass in B Minor, BWV 232: Crucifixus- engineer:
- Elite Recordings, Inc.
- producer:
- Marc Aubort and Joanna Nickrenz
- conductor:
- Keith Holzman
- performer:
- The Bach Ensemble
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:20 |
| 5 | Mass in B Minor, BWV 232: Et resurrexit | Johann Sebastian Bach | | 3:53 |
| 6 | Mass in B Minor, BWV 232: Et in Spiritum sanctum | Johann Sebastian Bach | | 5:43 |
| 7 | Mass in B Minor, BWV 232: Confiteor unum baptisma / Et Expecto- engineer:
- Elite Recordings, Inc.
- producer:
- Marc Aubort and Joanna Nickrenz
- conductor:
- Keith Holzman
- performer:
- The Bach Ensemble
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
- part of:
- h-Moll-Messe, BWV 232
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 6:42 |
| 8 | Mass in B Minor, BWV 232: Sanctus | Johann Sebastian Bach | | 4:27 |
| 9 | Mass in B Minor, BWV 232: Osanna in excelsis- engineer:
- Elite Recordings, Inc.
- producer:
- Marc Aubort and Joanna Nickrenz
- conductor:
- Keith Holzman
- performer:
- The Bach Ensemble
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:43 |
| 10 | Mass in B Minor, BWV 232: Benedictus | Johann Sebastian Bach | | 4:13 |
| 11 | Mass in B Minor, BWV 232: Osanna in excelsis- engineer:
- Elite Recordings, Inc.
- producer:
- Marc Aubort and Joanna Nickrenz
- conductor:
- Keith Holzman
- performer:
- The Bach Ensemble
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:43 |
| 12 | Mass in B Minor, BWV 232: Agnus Dei | Johann Sebastian Bach | | 4:56 |
| 13 | Mass in B Minor, BWV 232: Dona nobis pacem | Johann Sebastian Bach | | 3:06 |
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