The Great American Composers: Rodgers & Hammerstein, Volume I

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Oh, What a Beautiful Morning
recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. und Williamson Music, Inc.
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Nelson Eddy3:22
2A Wonderful Guy
vocals:
Mary Martin (US film and musical actor/singer)
conductor:
Salvatore Dell’Isola (in 1949-04)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
recording of:
I’m in Love With a Wonderful Guy (South Pacific) (in 1949)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Williamson Music Company
Teil von:
South Pacific (Rodgers & Hammerstein musical)
Mary Martin3:31
3Hello, Young Lovers
recording of:
Hello, Young Lovers (The King and I)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company und Williamson Music, Inc.
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd. und Williamson Music Ltd.
Teil von:
The King and I (Rodgers & Hammerstein musical)
Rosemary Clooney2:21
4It Might as Well Be Spring
Produzent(in):
George Treadwell
Gitarre:
Freddie Green (am 1950-05-18)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-18)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-18)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-18)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-18)
Schlagzeug:
J.C. Heard (am 1950-05-18)
Tenorsaxophon:
Budd Johnson (am 1950-05-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-18)
vocals:
Sarah Vaughan (am 1950-05-18)
Orchester:
with George Treadwell and his All Stars (am 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, Vereinigte Staaten (am 1950-05-18)
cover recording of:
It Might as Well Be Spring (State Fair) (am 1950-05-18)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
Sarah Vaughan3:11
5Some Enchanted Evening
vocals:
Ezio Pinza (operatic bass)
conductor:
Salvatore Dell’Isola (in 1949-04)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
recording of:
Some Enchanted Evening (South Pacific) (in 1949)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company und Williamson Music, Inc.
Teil von:
South Pacific (Rodgers & Hammerstein musical)
Ezio Pinza3:01
6Many a New Day
recording of:
Many a New Day
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Virginia Haskins2:58
7My Girl Back Home
vocals:
Mary Martin (US film and musical actor/singer)
Orchester:
Percy Faith and His Orchestra (Faith’s orchestra before his death in 1976)
recording of:
My Girl Back Home (in 1949)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
Teil von:
South Pacific (Rodgers & Hammerstein musical)
Mary Martin3:01
8The Gentleman Is a Dope
recording of:
The Gentleman Is a Dope (Allegro)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
Teil von:
Allegro (Rodgers & Hammerstein musical)
Dinah Shore3:18
9The Surrey With the Fringe on Top
recording of:
The Surrey With the Fringe on Top
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Williamson Music Company (vom 1943 bis heute)
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Nelson Eddy, Portia Nelson & Virginia Haskins5:53
10Something Wonderful
recording of:
Something Wonderful (The King and I)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
übersetzte Version von:
דבר מה נפלא כל כך
Teil von:
The King and I (Rodgers & Hammerstein musical)
Doris Day3:21
11This Nearly Was Mine
recording of:
This Nearly Was Mine (South Pacific)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
Teil von:
South Pacific (Rodgers & Hammerstein musical)
Ezio Pinza3:27
12Loneliness of Evening
vocals:
Mary Martin (US film and musical actor/singer)
Orchester:
Percy Faith and His Orchestra (Faith’s orchestra before his death in 1976)
recording of:
Loneliness of Evening (in 1949)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
Teil von:
Cinderella (Rodgers & Hammerstein musical)
Mary Martin3:23
13People Will Say We're in Love
recording of:
People Will Say We’re in Love
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company und Williamson Music, Inc.
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Virginia Haskins & Nelson Eddy4:37
14What's the Use of Wondering
recording of:
What’s the Use of Wond’rin’ (Carousel)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
Teil von:
Carousel (Rodgers & Hammerstein musical)
Doris Day2:37
15There Is Nothing Like a Dame
recording of:
There Is Nothin’ Like a Dame (South Pacific)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
Teil von:
South Pacific (Rodgers & Hammerstein musical)
The Norman Luboff Choir3:00
16Do I Love You Because You're Beautiful
recording of:
Do I Love You Because You're Beautiful? (Cinderella)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
Teil von:
Cinderella (Rodgers & Hammerstein musical)
Vic Damone2:34
17In My Own Little Corner
Mix:
Mark Wilder (US recording/mastering engineer)
vocals:
Julie Andrews (English actress/vocalist)
conductor:
Alfredo Antonini
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
recording of:
In My Own Little Corner (am 1957-03-18)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
Teil von:
Cinderella (Rodgers & Hammerstein musical)
Julie Andrews3:46
18I Enjoy Being a Girl
Sologesang:
Pat Suzuki (American popular singer & actress)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2009)
recording of:
I Enjoy Being a Girl (Flower Drum Song) (in 1958)
Orchestrator(in):
Don Sebesky
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
uraufgeführt von:
Pat Suzuki (American popular singer & actress) (in 1958)
publisher:
Williamson Music Company
Teil von:
Flower Drum Song (Rodgers & Hammerstein musical)
Pat Suzuki3:36
19Shall We Dance
recording of:
Shall We Dance? (The King and I)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd. und Williamson Music Company
Teil von:
The King and I (Rodgers & Hammerstein musical)
Barbara Cook & Theodore Bikel3:49
20My Favorite Things
vocals:
Tony Bennett (US jazz/standards vocalist)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1968)
cover recording of:
My Favorite Things (The Sound of Music)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
American Splendor
Teil von:
The Sound of Music (Rodgers & Hammerstein musical)
recording of:
My Favorite Things (The Sound of Music)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
American Splendor
Teil von:
The Sound of Music (Rodgers & Hammerstein musical)
Tony Bennett3:19
21Do Re Mi
vocals:
Kathy Dunn (original cast member, "The Sound of Music"), Evanna Lien (original cast member, "The Sound of Music"), Mary Susan Locke (original cast member, "The Sound of Music"), Mary Martin (US film and musical actor/singer), Lauri Peters (actress), Marilyn Rogers (original cast member, "The Sound of Music"), William Snowden (original cast member, "The Sound of Music") und Joseph Stewart (original cast member, "The Sound of Music")
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recording of:
Do‐Re‐Mi (The Sound of Music) (in 1959)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
Teil von:
The Sound of Music (Rodgers & Hammerstein musical)
Mary Martin and Children5:51
2▶CD

Nennungen

Veröffentlichung

ASIN:US: B000CS8WIW [Info]

Veröffentlichungsgruppe

Teil von:The Great American Composers (Reihenfolge: 16)