Messiah... Refreshed!

~ Release by George Frideric Handel ed. Sir Eugene Goossens & Sir Thomas Beecham; Jonathan Griffith, Royal Philharmonic Orchestra (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Messiah, HWV 56: Part I, no. 1. Sinfonia
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part I, no. 1. Sinfonia (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part I, no. 1. Symphony
part of:
Messiah, HWV 56: Part I (Goossens-Beecham Edition)
George Frideric Handel3:57
2Messiah, HWV 56: Part I, no. 2. Comfort ye my people
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
tenor vocals:
John McVeigh
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part I, no. 2. Comfort ye my people (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor)
part of:
Messiah, HWV 56: Part I (Goossens-Beecham Edition)
George Frideric Handel3:02
3Messiah, HWV 56: Part I, no. 3. Every valley shall be exalted
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
tenor vocals:
John McVeigh
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part I, no. 3. Every valley shall be exalted (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor)
part of:
Messiah, HWV 56: Part I (Goossens-Beecham Edition)
George Frideric Handel3:28
4Messiah, HWV 56: Part I, no. 4. And the glory of the Lord
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
choir vocals:
The Jonathan Griffith Singers and National Youth Choir of Great Britain
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part I, no. 4. And the glory of the Lord (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord”
part of:
Messiah, HWV 56: Part I (Goossens-Beecham Edition)
George Frideric Handel3:04
5Messiah, HWV 56: Part I, no. 5. Thus saith the Lord
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
bass vocals:
Christopher Job (bass-baritone)
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part I, no. 5. Thus saith the Lord (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass)
part of:
Messiah, HWV 56: Part I (Goossens-Beecham Edition)
George Frideric Handel1:29
6Messiah, HWV 56: Part I, no. 6. But who may abide the day of his coming?
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
bass vocals:
Christopher Job (bass-baritone)
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part I, no. 6. But who may abide the day of his coming? (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide”
part of:
Messiah, HWV 56: Part I (Goossens-Beecham Edition)
George Frideric Handel5:15
7Messiah, HWV 56: Part I, no. 7. And he shall purify
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
choir vocals:
The Jonathan Griffith Singers and National Youth Choir of Great Britain
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part I, no. 7. And he shall purify
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify”
part of:
Messiah, HWV 56: Part I (Goossens-Beecham Edition)
George Frideric Handel2:58
8Messiah, HWV 56: Part I, no. 8. Behold, a virgin shall conceive
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
mezzo-soprano vocals:
Claudia Chapa (mezzo soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part I, no. 8. Behold, a virgin shall conceive (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto)
part of:
Messiah, HWV 56: Part I (Goossens-Beecham Edition)
George Frideric Handel0:27
9Messiah, HWV 56: Part I, no. 9. O thou that tellest good tidings to Zion
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
choir vocals:
The Jonathan Griffith Singers and National Youth Choir of Great Britain
mezzo-soprano vocals:
Claudia Chapa (mezzo soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part I, no. 9. O thou that tellest good tidings to Zion (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus)
part of:
Messiah, HWV 56: Part I (Goossens-Beecham Edition)
George Frideric Handel5:50
10Messiah, HWV 56: Part I, no. 10. For behold, darkness shall cover the Earth
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
bass vocals:
Christopher Job (bass-baritone)
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part I, no. 10. For behold, darkness shall cover the Earth (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass)
part of:
Messiah, HWV 56: Part I (Goossens-Beecham Edition)
George Frideric Handel2:44
11Messiah, HWV 56: Part I, no. 11. The people that walked in darkness
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
bass vocals:
Christopher Job (bass-baritone)
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part I, no. 11. The people that walked in darkness (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass)
part of:
Messiah, HWV 56: Part I (Goossens-Beecham Edition)
George Frideric Handel4:46
12Messiah, HWV 56: Part I, no. 12. For unto us a child is born
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
choir vocals:
The Jonathan Griffith Singers and National Youth Choir of Great Britain
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part I, no. 12. For unto us a child is born (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born”
part of:
Messiah, HWV 56: Part I (Goossens-Beecham Edition)
George Frideric Handel4:21
13Messiah, HWV 56: Part I, no. 13. Pifa ("Pastoral symphony")
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part I, no. 13. Pifa ("Pastoral symphony") (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa)
part of:
Messiah, HWV 56: Part I (Goossens-Beecham Edition)
George Frideric Handel3:20
14Messiah, HWV 56: Part I, no. 14. There were shepherds abiding in the field. And lo, the angel of the Lord came upon them
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
soprano vocals:
Penelope Shumate
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part I, no. 14. There were shepherds abiding in the field. And lo, the angel of the Lord came upon them (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)
part of:
Messiah, HWV 56: Part I (Goossens-Beecham Edition)
George Frideric Handel0:42
15Messiah, HWV 56: Part I, no. 15. And the angel said unto them
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
soprano vocals:
Penelope Shumate
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part I, no. 15. And the angel said unto them (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano)
part of:
Messiah, HWV 56: Part I (Goossens-Beecham Edition)
George Frideric Handel0:47
16Messiah, HWV 56: Part I, no. 16. And suddenly there was with the angel
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
soprano vocals:
Penelope Shumate
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part I, no. 16. And suddenly there was with the angel (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano)
part of:
Messiah, HWV 56: Part I (Goossens-Beecham Edition)
George Frideric Handel0:18
17Messiah, HWV 56: Part I, no. 17. Glory to God
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
choir vocals:
The Jonathan Griffith Singers and National Youth Choir of Great Britain
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part I, no. 17. Glory to God (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest”
part of:
Messiah, HWV 56: Part I (Goossens-Beecham Edition)
George Frideric Handel2:15
18Messiah, HWV 56: Part I, no. 18. Rejoice greatly, O daughter of Zion
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
soprano vocals:
Penelope Shumate
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part I, no. 18. Rejoice greatly, O daughter of Zion (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano)
part of:
Messiah, HWV 56: Part I (Goossens-Beecham Edition)
George Frideric Handel4:49
19Messiah, HWV 56: Part I, no. 19. Then shall the eyes of the blind
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
mezzo-soprano vocals:
Claudia Chapa (mezzo soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part I, no. 19. Then shall the eyes of the blind (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto)
part of:
Messiah, HWV 56: Part I (Goossens-Beecham Edition)
George Frideric Handel0:31
20Messiah, HWV 56: Part I, no. 20. He shall feed his flock
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
mezzo-soprano vocals:
Claudia Chapa (mezzo soprano)
soprano vocals:
Penelope Shumate
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part I, no. 20. He shall feed his flock (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto)
part of:
Messiah, HWV 56: Part I (Goossens-Beecham Edition)
George Frideric Handel5:25
21Messiah, HWV 56: Part I, no. 21. His yoke is easy, and his burthen is light
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
choir vocals:
The Jonathan Griffith Singers and National Youth Choir of Great Britain
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part I, no. 21. His yoke is easy, and his burthen is light (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy”
part of:
Messiah, HWV 56: Part I (Goossens-Beecham Edition)
George Frideric Handel2:50
22Messiah, HWV 56: Part II, no. 22. Behold the lamb of God
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
choir vocals:
The Jonathan Griffith Singers and National Youth Choir of Great Britain
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part II, no. 22. Behold the lamb of God (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God”
part of:
Messiah, HWV 56: Part II (Goossens-Beecham Edition)
George Frideric Handel3:52
23Messiah, HWV 56: Part II, no. 23. He was despised
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
mezzo-soprano vocals:
Claudia Chapa (mezzo soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part II, no. 23. He was despised (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto)
part of:
Messiah, HWV 56: Part II (Goossens-Beecham Edition)
George Frideric Handel4:48
24Messiah, HWV 56: Part II, no. 24. Surely he hath borne our griefs
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
choir vocals:
The Jonathan Griffith Singers and National Youth Choir of Great Britain
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part II, no. 24. Surely he hath borne our griefs (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs”
part of:
Messiah, HWV 56: Part II (Goossens-Beecham Edition)
George Frideric Handel2:30
25Messiah, HWV 56: Part II, no. 25. And with his stripes we are healed
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
choir vocals:
The Jonathan Griffith Singers and National Youth Choir of Great Britain
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part II, no. 25. And with his stripes we are healed (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes”
part of:
Messiah, HWV 56: Part II (Goossens-Beecham Edition)
George Frideric Handel2:06
26Messiah, HWV 56: Part II, no. 26. All we like sheep have gone astray
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
choir vocals:
The Jonathan Griffith Singers and National Youth Choir of Great Britain
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part II, no. 26. All we like sheep have gone astray (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep”
part of:
Messiah, HWV 56: Part II (Goossens-Beecham Edition)
George Frideric Handel4:20
27Messiah, HWV 56: Part II, no. 27. All they that see him laugh him to scorn
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
tenor vocals:
John McVeigh
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part II, no. 27. All they that see him laugh him to scorn (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor)
part of:
Messiah, HWV 56: Part II (Goossens-Beecham Edition)
George Frideric Handel0:52
28Messiah, HWV 56: Part II, no. 28. He trusted in God
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
choir vocals:
The Jonathan Griffith Singers and National Youth Choir of Great Britain
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part II, no. 28. He trusted in God (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God”
part of:
Messiah, HWV 56: Part II (Goossens-Beecham Edition)
George Frideric Handel2:52
29Messiah, HWV 56: Part II, no. 29. Thy rebuke hath broken his heart
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
tenor vocals:
John McVeigh
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part II, no. 29. Thy rebuke hath broken his heart (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor)
part of:
Messiah, HWV 56: Part II (Goossens-Beecham Edition)
George Frideric Handel2:07
30Messiah, HWV 56: Part II, no. 30. Behold, and see if there be any sorrow
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
tenor vocals:
John McVeigh
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part II, no. 30. Behold, and see if there be any sorrow (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor)
part of:
Messiah, HWV 56: Part II (Goossens-Beecham Edition)
George Frideric Handel1:25
31Messiah, HWV 56: Part II, no. 31. He was cut off out of the land of the living
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
tenor vocals:
John McVeigh
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part II, no. 31. He was cut off out of the land of the living (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano)
part of:
Messiah, HWV 56: Part II (Goossens-Beecham Edition)
George Frideric Handel0:23
32Messiah, HWV 56: Part II, no. 32. But thou didst not leave his soul in hell
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
tenor vocals:
John McVeigh
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part II, no. 32. But thou didst not leave his soul in hell (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano)
part of:
Messiah, HWV 56: Part II (Goossens-Beecham Edition)
George Frideric Handel2:26
33Messiah, HWV 56: Part II, no. 33. Lift up your heads, O ye gates
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
choir vocals:
The Jonathan Griffith Singers and National Youth Choir of Great Britain
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part II, no. 33. Lift up your heads, O ye gates (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads”
part of:
Messiah, HWV 56: Part II (Goossens-Beecham Edition)
George Frideric Handel3:49
34Messiah, HWV 56: Part II, no. 37. The Lord gave the word
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
choir vocals:
The Jonathan Griffith Singers and National Youth Choir of Great Britain
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part II, no. 37. The Lord gave the word (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word”
part of:
Messiah, HWV 56: Part II (Goossens-Beecham Edition)
George Frideric Handel1:12
35Messiah, HWV 56: Part II, no. 38. How beautiful are the feet
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
soprano vocals:
Penelope Shumate
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part II, no. 38. How beautiful are the feet (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II (Goossens-Beecham Edition)
George Frideric Handel2:27
36Messiah, HWV 56: Part II, no. 39. Their sound is gone out
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
choir vocals:
The Jonathan Griffith Singers and National Youth Choir of Great Britain
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part II, no. 39. Their sound is gone out (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo)
part of:
Messiah, HWV 56: Part II (Goossens-Beecham Edition)
George Frideric Handel1:40
37Messiah, HWV 56: Part II, no. 40. Why do the nations so furiously rage together?
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
bass vocals:
Christopher Job (bass-baritone)
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part II, no. 40. Why do the nations so furiously rage together? (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass)
part of:
Messiah, HWV 56: Part II (Goossens-Beecham Edition)
George Frideric Handel3:01
38Messiah, HWV 56: Part II, no. 41. Let us break their bonds asunder
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
choir vocals:
The Jonathan Griffith Singers and National Youth Choir of Great Britain
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part II, no. 41. Let us break their bonds asunder (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder”
part of:
Messiah, HWV 56: Part II (Goossens-Beecham Edition)
George Frideric Handel2:13
39Messiah, HWV 56: Part II, no. 42. He that dwelleth in heaven
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
tenor vocals:
John McVeigh
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part II, no. 42. He that dwelleth in heaven (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor)
part of:
Messiah, HWV 56: Part II (Goossens-Beecham Edition)
George Frideric Handel0:17
40Messiah, HWV 56: Part II, no. 43. Thou shalt break them
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
tenor vocals:
John McVeigh
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part II, no. 43. Thou shalt break them (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor)
part of:
Messiah, HWV 56: Part II (Goossens-Beecham Edition)
George Frideric Handel2:00
41Messiah, HWV 56: Part II, no. 44. Hallelujah
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
choir vocals:
The Jonathan Griffith Singers and National Youth Choir of Great Britain
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part II, no. 44. Hallelujah (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
part of:
Messiah, HWV 56: Part II (Goossens-Beecham Edition)
George Frideric Handel4:29
42Messiah, HWV 56: Part III, no. 45. I know that my redeemer liveth
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
soprano vocals:
Penelope Shumate
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part III, no. 45. I know that my redeemer liveth (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano)
part of:
Messiah, HWV 56: Part III (Goossens-Beecham Edition)
George Frideric Handel6:19
43Messiah, HWV 56: Part III, no. 46. Since by man came death
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
choir vocals:
The Jonathan Griffith Singers and National Youth Choir of Great Britain
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part III, no. 46. Since by man came death (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death”
part of:
Messiah, HWV 56: Part III (Goossens-Beecham Edition)
George Frideric Handel2:01
44Messiah, HWV 56: Part III, no. 47. Behold, I tell you a mystery
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
bass vocals:
Christopher Job (bass-baritone)
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part III, no. 47. Behold, I tell you a mystery (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass)
part of:
Messiah, HWV 56: Part III (Goossens-Beecham Edition)
George Frideric Handel0:39
45Messiah, HWV 56: Part III, no. 48. The trumpet shall sound
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
bass vocals:
Christopher Job (bass-baritone)
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part III, no. 48. The trumpet shall sound (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass)
part of:
Messiah, HWV 56: Part III (Goossens-Beecham Edition)
George Frideric Handel4:26
46Messiah, HWV 56: Part III, no. 53. Worthy is the lamb that was slain
recording engineer and mixer:
Mike Hatch (engineer/editor)
miscellaneous support:
George Oulton (sound engineer) (task: recording assistant)
executive producer:
Iris Derke and Jonathan Griffith
producer and editor:
Tim Thorne (producer)
choir vocals:
The Jonathan Griffith Singers and National Youth Choir of Great Britain
orchestra:
Royal Philharmonic Orchestra
conductor:
Jonathan Griffith
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2019-07-29 until 2019-08-01)
recording of:
Messiah, HWV 56: Part III, no. 53. Worthy is the lamb that was slain (Goossens-Beecham Edition)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor) and Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
arrangement of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
part of:
Messiah, HWV 56: Part III (Goossens-Beecham Edition)
George Frideric Handel9:15

Credits