Always 18 Timeless Hits, Volume 1

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Medium
Nr.TitelKünstlerBewertungLänge
1When a Man Loves a Woman
Produzent(in):
Marlin Greene (’60s teen artist, writer & engineer) und Quin Ivy
Farfisa-Orgel [farfisa organ]:
Spooner Oldham (am 1966-02-17)
Gitarre:
Marlin Greene (’60s teen artist, writer & engineer) (am 1966-02-17)
Kontrabass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1966-02-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1966-02-17)
vocals:
Percy Sledge (am 1966-02-17)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
aufgenommen bei:
Norala Studio in Sheffield, Alabama, Vereinigte Staaten (am 1966-02-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 54) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (am 1966-02-17)
Verfasser(in):
Calvin Lewis, Percy Sledge und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:53
2Sea of Love
Produzent(in):
The Fabulous Brill Brothers und Nugetre (US songwriter/producer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984)
cover recording of:
Sea of Love
publisher:
Fort Knox Music Co und Tek Publishing
The Honeydrippers53:04
3Tears on My Pillow
Techniker(in):
Karen Hewitt und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
zusätzliche(r) Techniker(in):
Peter Day
Mix:
Pete Hammond (UK producer aka “Mixmaster”)
phonographisches Urheberrecht (℗) von:
Mushroom Records (in 1989)
cover recording of:
Tears on My Pillow
Texter:
Al Lewis (Tin Pan Alley era lyricist)
Komponist(in):
Sylvester Bradford
publisher:
Gladys Music (in 1958), Sovereign Music Co. (in 1958) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1989)
Kylie Minogue32:30
4Always
Techniker(in):
Rory Young
Produzent(in):
David Lewis (member of Atlantic Starr) und Wayne Lewis (member of Atlantic Starr)
conductor:
Gene Page (conductor, composer, arranger and record producer)
arranger:
Gene Page (conductor, composer, arranger and record producer)
recording of:
Always
Verfasser(in):
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) und Wayne Lewis (member of Atlantic Starr)
Atlantic Starr4:48
5Wind Beneath My Wings
recording of:
Wind Beneath My Wings
Verfasser(in):
Larry Henley (singer songwriter) und Jeff Silbar
publisher:
Silbar’Songs und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Gary Morris4:40
6If
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1971)
recording of:
If
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Colgems-EMI Music Inc., Laetrec Music, S. Gems Col. Inc, Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread3.52:34
7Summer Kisses, Winter Tears
Produzent(in):
Angelo Badalamenti (American score composer) und David Lynch (filmmaker)
recording of:
Summer Kisses, Winter Tears
Verfasser(in):
Jack Lloyd (songwriter), Ben Weisman und Fred Wise
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. und Spirit Two Music Inc.
cover recording of:
Summer Kisses, Winter Tears
Verfasser(in):
Jack Lloyd (songwriter), Ben Weisman und Fred Wise
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. und Spirit Two Music Inc.
Julee Cruise42:37
8Crying in the Rain
recording of:
Crying in the Rain (Everly Brothers song) (am 1961-11-14)
Texter:
Howard Greenfield
Verfasser(in):
Carole King
publisher:
Screen Gems–EMI Music Ltd.
The Everly Brothers52:00
9Lullaby
Dan Seals2:33
10How Am I Supposed to Live Without You
assistierende(r) Techniker(in):
John Kovorek (Engineer) und John Van Nest
Techniker(in) und Mix:
Jürgen Koppers (engineer, producer)
Produzent(in):
Robbie Buchanan (Canadian producer) und Jack White (German producer Horst Nußbaum)
Bassgitarre:
Dennis Belfield (in 1982)
Gitarre:
Michael Landau (in 1982)
Perkussion:
Lenny Castro (in 1982)
Schlagzeug:
Doane Perry (in 1982) und Carlos Vega (in 1982)
Synthesizer:
Michael Boddicker (in 1982)
Hintergrundgesang:
Jim Haas (James Edwin Haas, lead vocal "Happy Days" theme song) (in 1982), Jon Joyce (vocalist) (in 1982) und Joe Pizzulo (in 1982)
Sologesang:
Laura Branigan (in 1982)
aufgenommen bei:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten (in 1982) und Rusk Sound Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1982)
mixed at:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten und Rusk Sound Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
How Am I Supposed to Live Without You (in 1982)
Verfasser(in):
Michael Bolton und Doug James (Songwriter / Composer / Keyboards)
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd. und Is Hot Music Ltd.
sub-publisher:
フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Laura Branigan4:23
11Desperado
Techniker(in):
John Haeny
Produzent(in):
J.D. Souther
Mix:
Al Schmitt
Bass:
Chris Ethridge
E-Gitarre:
J.D. Souther
Klavier:
Spooner Oldham
Posaune:
Gail Martin
Schlagzeug:
Dennis St. John
Trompete:
Darrell Leonard und Mac Johnson
Hintergrundgesang:
Clydie King, Sherlie Matthews (US vocalist) und Marti McCall (session vocalist)
Horn und Saiteninstrumente arranger:
Jim Ed Norman
cover recording of:
Desperado
Verfasser(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles) und Don Henley
publisher:
Benchmark Music, Cass County Music, Kicking Bear, Neue Welt Musikverlag GmbH (2017 – present), Red Cloud Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Warner Bros. Music GmbH (publisher) (in 1981)
Linda Ronstadt3:34
12Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.653:00
13I Don't Want to Lose Your Love
Techniker(in):
Kent Nebergall
Produzent(in):
Joey Carbone und Richie Zito
Mix:
Lee Herschberg
Gitarre:
Richie Zito
Schlagzeug:
Carlos Vega
Sologesang:
John O’Banion
arranger:
Joey Carbone und Richie Zito
arranged for und produced for:
Carbone and Zito Productions, Inc.
recording of:
I Don’t Want to Lose Your Love
Texter und Komponist(in):
Joey Carbone
publisher:
Joey Carbone Music Inc. und 大洋音楽 (Taiyō Music)
John O’Banion3:19
14The Rose
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
recording of:
The Rose
Texter und Komponist(in):
Amanda McBroom
publisher:
Cedos Music, Fox Fanfare Music Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bette Midler53:28
15The Lady Wants to Know
recording engineer und Mix:
Al Schmitt
assistierende(r) Techniker(in):
Don Henderson (engineer)
Produzent(in):
Tommy LiPuma
Bassgitarre:
Wilton Felder
Gitarre:
Larry Carlton
Klavier:
Joe Sample
Perkussion:
Ray Armando
Schlagzeug:
John Guerin
Solo-Tenorsaxophon:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
conductor:
Claus Ogerman
arranger:
Claus Ogerman
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Lady Wants to Know
Texter und Komponist(in):
Michael Franks
publisher:
Mississippi Mud Music Co. und 大洋音楽 (Taiyō Music)
Michael Franks4:44
16Waiting for a Girl Like You
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
recording of:
Waiting for a Girl Like You
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner4.44:45
17Hard to Say I'm Sorry
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
recording of:
Hard to Say I’m Sorry
Verfasser(in):
Peter Cetera (in 1982) und David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1982) und Foster Frees Music Inc. (in 1982)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Chicago4.653:48
18Seal With a Kiss
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
phonographisches Urheberrecht (℗) von:
PWL Records Ltd. (not release use)
cover recording of:
Sealed With a Kiss
Verfasser(in):
Gary Geld und Peter Udell
uraufgeführt von:
The Four Voices (in 1960-05)
publisher:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) und Pogo Music Corp. (in 1962)
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Jason Donovan22:33