Respect Yourself

~ Veröffentlichung von Joe Cocker (alle Versionen dieser Veröffentlichung ansehen, 6 vorhanden)

Titelliste

1▼Medium
Nr.TitelBewertungLänge
1You Can't Have My Heart
recording of:
You Can’t Have My Heart
Verfasser(in):
John Shanks, Tonio K. und C.J. Vanston
4:03
2Love Not War
recording of:
Love Not War
Verfasser(in):
Barbara Griffin (Australian pianist and composer) und Tom Snow (US keyboardist/songwriter)
4:02
3You Took It So Hard
recording of:
You Took It So Hard
Verfasser(in):
John Shanks, Tonio K. und C.J. Vanston
4:29
4Never Tear Us Apart
cover recording of:
Never Tear Us Apart
Texter und Komponist(in):
Andrew Farriss (in band INXS) und Michael Hutchence
publisher:
MCA Music Ltd., Stuffed Monkey und Warner/Chappell (Warner/Chappell Music, Inc.)
14:05
5This Is Your Life
recording of:
This Is Your Life
Verfasser(in):
Shelly Peiken und John Shanks
4:36
6Respect Yourself
cover recording of:
Respect Yourself
Texter und Komponist(in):
Luther Ingram und Sir Mack Rice
publisher:
Irving Music (BMI) (in 1988) und Klondike Enterprises (publisher) (in 1988)
5:16
7I'm Listening Now
recording of:
I'm Listening Now
Verfasser(in):
John Shanks und Tonio K.
5:03
8Leave a Light On
recording of:
Leave a Light On
Verfasser(in):
Shelly Peiken, John Shanks und C.J. Vanston
4:34
9It's Only Love
recording of:
It’s Only Love
Verfasser(in):
Shelly Peiken und John Shanks
3:57
10Every Time It Rains
cover recording of:
Every Time It Rains
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Randy Newman Music (in 1999)
3:36
11Midnight Without You
cover recording of:
Midnight Without You
Texter und Komponist(in):
Chris Botti, Paul Buchanan (Scottish alt. pop musician, of Blue Nile) und Paul Joseph Moore
5:08
12Let the Healing Begin
Produzent(in):
Roger Davies (producer) und Chris Lord‐Alge
Bass:
Bob Feit
Gitarre:
Tim Pierce (US session guitarist) und Tony Joe White
Klavier [acoustic piano], Orgel und Synthesizer:
C.J. Vanston
membranophone:
Jack Bruno (drummer)
Perkussion:
Lenny Castro
Solo-Gitarre:
Tim Pierce (US session guitarist)
Wurlitzer Electric Piano:
Chris Stainton (keyboard player, session musician and songwriter)
Hintergrundgesang:
Alexandra Brown (US soul vocalist, member of Raelets), Mortonette Jenkins und Marlena Jeter
Saiteninstrumente arranger:
C.J. Vanston
recording of:
Let the Healing Begin
Texter und Komponist(in):
T.J. White
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Tony Joe White Music
4:15
13First We Take Manhattan
cover recording of:
First We Take Manhattan
Texter und Komponist(in):
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Sony/ATV Music Publishing LLC (1995–2020) und Stranger Music Inc.
13:43
14Could You Be Loved
Produzent(in):
Roger Davies (producer), Jeffery C.J. Vanston und Chris Lord‐Alge
Bass:
Hutch Hutchinson (American bassist)
E-Gitarre [Wha Wha guitar]:
Michael Landau
Hammond-Orgel [Hammond B3 organ]:
C.J. Vanston
Klavier:
Chris Stainton (keyboard player, session musician and songwriter)
membranophone:
Kenny Aronoff
Perkussion:
Luis Conte (percussionist)
Posaune:
Bill Reichenbach, Jr. (jazz trombonist)
Saxophon:
Daniel Higgins (saxophonist and woodwind recording artist)
Trompete:
Gary Grant (brass) und Jerry Hey
Hintergrundgesang:
Alexandra Brown (US soul vocalist, member of Raelets), Mortonette Jenkins und Marlena Jeter
Horn arranger:
Dick Marx
Saiteninstrumente arranger:
C.J. Vanston
cover recording of:
Could You Be Loved
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Gallo Music Publishers, Rondor Music (London) Ltd., Blue Mountain Music (in 1980), Bob Marley Music Inc. (in 1980), Fifty Six Hope Road Music Limited (in 1980) und Odnil Music Ltd. (in 1980)
44:12
15What Becomes of the Broken-Harted
recording engineer, Techniker(in) und Mix:
Chris Lord‐Alge
Produzent(in):
Roger Davies (producer), Chris Lord‐Alge und C.J. Vanston
Bass:
Lee Sklar (bassist, session musician)
Gitarre:
Michael Landau
Keyboard:
C.J. Vanston
membranophone:
Michael Baird
Perkussion:
Rafael Padilla
Hintergrundgesang:
Alex Brown (US soul vocalist, member of Raelets), Mortonette Jenkins und Marlena Jeter
arranger:
jeffery C.J. Vanston
aufgenommen bei:
NRG Recording Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Image Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
What Becomes of the Brokenhearted
Verfasser(in):
James Dean (US soul songwriter), Paul Riser und William Weatherspoon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music (UK)
4:10
16Don't Let Me Be Misunderstood
Produzent(in):
Don Was
Akustikgitarre:
Dean Parks (American session guitarist)
Bass:
Hutch Hutchinson (American bassist)
E-Gitarre:
Johnny Lee Schell
Hammond-Orgel [Hammond B3 organ]:
Billy Preston
Klavier:
Chris Stainton (keyboard player, session musician and songwriter)
Perkussion und Schlagzeug:
Kenny Aronoff und Jim Keltner
Resonatorgitarre [dobro]:
Greg Leisz
Synthesizer:
Jamie Muhoberac
Hintergrundgesang:
Merry Clayton, Portia Griffin, Maxine Sharp und Myrna Smith
cover recording of:
Don’t Let Me Be Misunderstood
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
3.653:53
17Delta Lady
recording of:
Delta Lady
Texter und Komponist(in):
Leon Russell
publisher:
Embassy Music Corporation, Reservoir 416 und Skyhill Pub. Co., Inc.
adaptations:
Fille de la nuit
3:16
18You Can Leave Your Hat On
Techniker(in):
Brian Reeves
Produzent(in):
Richie Zito
Mix:
Rik Pekkonen
Bass und Synthesizer:
Arthur Barrow
Gitarre:
Richie Zito
Horn:
Dick Hyde, Steve Madaio und Joel Peskin
membranophone:
Michael Baird
Hintergrundgesang:
Maxine Sharp, Julia Waters und Maxine Waters
Sologesang:
Joe Cocker
aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
You Can Leave Your Hat On
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (1929–2019) (in 1972, in 1976)
recording of:
You Can Leave Your Hat On
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (1929–2019) (in 1972, in 1976)
3.854:13
19Night Calls
Techniker(in):
Richard Dodd (mastering engineer, producer and engineer)
Produzent(in):
Jeff Lynne
andere Instrumente [all other instruments]:
Jeff Lynne (in 1991)
Gitarre:
Mike Campbell (US funk guitarist for Change & M-Zee Band) (in 1991)
Schlagzeug:
Jim Keltner (in 1991)
Hintergrundgesang und Hintergrundgesang [backing vocals]:
Cydney Davis (in 1991) und Maxine Sharp (in 1991)
Sologesang:
Joe Cocker (in 1991)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991)
aufgenommen bei:
Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1991)
recording of:
Night Calls (in 1991)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc.
3.653:26