Jazz Guitar

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: CD1
2▶CD: CD2
3▼CD: CD3
#TitleArtistRatingLength
1The Girl Next Door
recording of:
The Boy Next Door (from “Meet Me in St. Louis”)
writer:
Ralph Blane and Hugh Martin
publisher:
Bill-Bob Publ. Company, EMI Feist Catalog Inc., Harms, Inc., Leo Feist, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Meet Me in St. Louis (1944 musical film soundtrack)
Wes Montgomery5:25
2Four on Six
recording of:
Four on Six
composer:
Wes Montgomery
publisher:
Taggie Music Co. (publisher)
Wes Montgomery6:27
3Twisted Blues
recorded in:
London (Greater London), England, United Kingdom (on 1965-03-05)
bass:
Arthur Harper (on 1965-03-05)
drums (drum set):
Jimmy Lovelace (on 1965-03-05)
guitar:
Wes Montgomery (on 1965-03-05)
piano:
Harold Mabern (American jazz pianist) (on 1965-03-05)
recording of:
Twisted Blues (on 1965-03-05)
composer:
Wes Montgomery
Wes Montgomery6:24
4On a Clear Day You Can See Forever
instrumental recording of:
Melinda (On a Clear Day You Can See Forever)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Inc. (USA)
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
Barney Kessel4:43
5The Look of Love
recorded in:
London (Greater London), England, United Kingdom (from 1968-10-29 until 1968-10-31)
instrumental recording of:
The Look of Love (in 1968-10)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Barney Kessel4:05
6How High the Moon
recorded in:
Paris, Île-de-France, France (on 1969-06-24)
recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Barney Kessel5:07
7Blue Bossa
recording of:
Blue Bossa
composer:
Kenny Dorham (US jazz trumpeter, singer, and composer)
George Benson5:32
8Love Walked In
instrumental recording of:
Love Walked In
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
George Benson5:36
9Li'l Darlin'
recorded in:
Plainfield, New Jersey, United States (in 1973-04)
bass:
George Duvivier (in 1973-04)
drums (drum set):
Al Harewood (in 1973-04)
guitar:
George Benson (jazz guitarist/singer) (in 1973-04)
piano:
Mickey Tucker (in 1973-04)
cover recording of:
Lil’ Darlin’
composer and arranger:
Neal Hefti
George Benson6:28
10Move to the Groove
recorded in:
Cannes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France (on 1983-01-28)
bass:
Percy Heath (on 1983-01-28)
drums (drum set):
Albert “Tootie” Heath (on 1983-01-28)
guitar:
Pat Metheny (on 1983-01-28)
tenor saxophone:
Jimmy Heath (on 1983-01-28)
Pat Metheny7:25