Ariadne auf Naxos

~ Release by Richard Strauss; Giuseppe Sinopoli, Deborah Voigt, Natalie Dessay, Anne Sofie von Otter, Ben Heppner, Albert Dohmen, Staatskapelle Dresden (see all versions of this release, 1 available)

Annotation

Cast

Primadonna / Ariadne: Deborah Voigt
Der Komponist: Anne Sofie von Otter
Zerbinetta: Natalie Dessay
Der Tenor / Bacchus: Ben Heppner
Ein Musiklehrer: Albert Dohmen
Der Haushofmeister: Romuald Pekny
Ein Offizier: Klaus Florian Vogt
Ein Tanzmeister: Michael Howard
Ein Perückenmacher: Matthias Henneberg
Ein Lakai: Jürgen Commichau
Harlekin: Stephan Genz
Scaramuccio: Ian Thompson
Truffaldin: Sami Luttinen
Brighella: Christoph Genz
Najade: Christiane Hossfeld
Dryade: Angela Liebold
Echo: Eva Kirchner

Recording: Dresden, Lukaskirche, 9 & 12/2000

Annotation last modified on 2013-01-04 17:22 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Ariadne auf Naxos: Oper. "Großmächtige Prinzessin" (Zerbinetta)
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [7] „Großmächtige Prinzessin” … „Noch glaub ich dem einen” (Zerbinetta) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss11:10
2Ariadne auf Naxos: Oper. "Hübsch gepredigt! Aber tauben Ohren!" (Harlekin, Zerbinetta, Brighella, Scaramuccio, Truffaldin)
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
baritone vocals:
Stephan Genz (baritone) (from 2000-09 until 2000-12)
bass vocals:
Sami Luttinen (Finnish operatic bass) (from 2000-09 until 2000-12)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12)
tenor vocals:
Christoph Genz (tenor) (from 2000-09 until 2000-12) and Ian Thompson (tenor) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [8] „Hübsch gepredigt! Aber tauben Ohren!” (Harlekin, Zerbinetta, Brighella, Scaramuccio, Truffaldin) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss8:01
3Ariadne auf Naxos: Oper. "Ein schönes Wunder!" - "Ein reizender Knabe!" (Dryade, Najade, Echo)
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
contralto vocals:
Angela Liebold (operatic mezzo-soprano) (from 2000-09 until 2000-12)
soprano vocals:
Christiane Hossfeld (german operatic soprano) (from 2000-09 until 2000-12) and Eva Kirchner (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [9] „Ein schönes Wunder!” (Dryade, Najade, Echo) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss3:40
4Ariadne auf Naxos: Oper. "Circe, Circe, kannst du mich hören?" (Bacchus, Ariadne, Najade, Echo, Dryade)
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
contralto vocals:
Angela Liebold (operatic mezzo-soprano) (from 2000-09 until 2000-12)
soprano vocals:
Christiane Hossfeld (german operatic soprano) (from 2000-09 until 2000-12), Eva Kirchner (from 2000-09 until 2000-12) and Deborah Voigt (soprano) (from 2000-09 until 2000-12)
tenor vocals:
Ben Heppner (tenor) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [10] „Circe, Circe, kannst du mich hören?” (Bacchus, Ariadne, Najade, Echo, Dryade) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss6:08
5Ariadne auf Naxos: Oper. "Theseus! Nein, nein!" (Ariadne, Bacchus)
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
soprano vocals:
Deborah Voigt (soprano) (from 2000-09 until 2000-12)
tenor vocals:
Ben Heppner (tenor) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [11] „Theseus! Nein, nein” … „Du schönes Wesen!” … „Wie? Kennst du mich denn?” (Bacchus, Ariadne) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss10:35
6Ariadne auf Naxos: Oper. "Das waren Zauberwörte!" (Ariadne, Bacchus)
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
soprano vocals:
Deborah Voigt (soprano) (from 2000-09 until 2000-12)
tenor vocals:
Ben Heppner (tenor) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [12] „Bin ich ein Gott, schuf mich ein Gott” … „Das waren Zauberworte” (Bacchus, Ariadne) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss3:14
7Ariadne auf Naxos: Oper. "Gibt es kein Hinüber?" (Ariadne, Bacchus, Najade, Echo, Dryade, Zerbinetta)
engineer:
Mark Buecker (engineer of classical recordings), Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
producer:
Sid McLauchlan (engineer/producer)
editor:
Ingmar Haas (engineer)
contralto vocals:
Angela Liebold (operatic mezzo-soprano) (from 2000-09 until 2000-12)
soprano vocals:
Natalie Dessay (soprano) (from 2000-09 until 2000-12), Christiane Hossfeld (german operatic soprano) (from 2000-09 until 2000-12), Eva Kirchner (from 2000-09 until 2000-12) and Deborah Voigt (soprano) (from 2000-09 until 2000-12)
tenor vocals:
Ben Heppner (tenor) (from 2000-09 until 2000-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 2000-09 until 2000-12)
conductor:
Giuseppe Sinopoli (conductor) (from 2000-09 until 2000-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 2000-09 until 2000-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 2000-09 until 2000-12)
recording of:
Ariadne auf Naxos, op. 60: Oper. [13] „Gibt es kein Hinüber?” (Ariadne, Bacchus, Najade, Echo, Dryade, Zerbinetta) (from 2000-09 until 2000-12)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss7:51