Are You Gonna Be My Girl

~ Release by Jet (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleRatingLength
1Are You Gonna Be My Girl
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
additional guitar:
Brooklyn’s own Dave Sardy (American score composer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), Real Horrorshow Pty. Ltd. (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
music videos:
Are You Gonna Be My Girl by Jet (Australian garage rock band)
part of:
triple j’s Hottest 100 of Australian Songs (number: 23), triple j’s Hottest 100 (Australian annual music listener poll) (number: 2003), Sean Michaels: The Top 30 Songs of 2003 (number: runner-up) and Indie 88: Top 500 Indie Rock Songs (number: 364)
recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
3.73:35
2Look What You've Done
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar and piano:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003) and Show Stopping Entertainment (in 2006)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Look What You've Done
lyricist and composer:
Nic Cester
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Get Jet Music, Inc. and Sony/ATV Harmony
3.53:52
3Cold Hard Bitch
recording of:
Cold Hard Bitch
writer:
Chris Cester, Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
34:30
4Rollover D.J.
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
keyboard and keyboard [keyboards]:
Billy Preston
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Rollover D.J.
writer:
Chris Cester, Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3.53:16
5Hold On
4.54:03
6Move On
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar and harp:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
slide guitar:
Andre Warhurst
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Move On
writer:
Chris Cester and Nic Cester
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
44:21
7Put Your Money Where Your Mouth Is
engineer:
Cameron Barton and Ryan Castle
producer and mixer:
D. Sardy (American score composer)
additional editor:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter) and Greg Gordon (producer/engineer)
editor:
Andy Brohard
phonographic copyright (℗) by:
Real Horrorshow Pty. Ltd. (in 2006)
recording of:
Put Your Money Where Your Mouth Is
writer:
Chris Cester, Nic Cester and Cameron Muncey
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
2.52:32
8Bring It On Back (radio edit)
3:52
9Shine On
engineer:
Cameron Barton and Ryan Castle
producer and mixer:
D. Sardy (American score composer)
additional editor:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter) and Greg Gordon (producer/engineer)
editor:
Andy Brohard
guest horn [horns]:
Guy Nepus, Kenneth Kugler and Darrell Leonard
guest background vocals:
Alex Brown (US soul vocalist, member of Raelets), Julia Waters and Maxine Waters
4:36
10Rip It Up
engineer:
Cameron Barton and Ryan Castle
producer and mixer:
D. Sardy (American score composer)
additional editor:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter) and Greg Gordon (producer/engineer)
editor:
Andy Brohard
recording of:
Rip It Up
writer:
Chris Cester, Nic Cester and Cameron Muncey
33:19
11Are You Gonna Be My Girl (acoustic)
recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
33:57
12L'esprit D'escalier
engineer:
Cameron Barton and Ryan Castle
producer and mixer:
D. Sardy (American score composer)
additional editor:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter) and Greg Gordon (producer/engineer)
editor:
Andy Brohard
20:29
13Get What You Need
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
keyboard [keyboards]:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Get What You Need
writer:
Chris Cester, Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3.84:07
14Holiday
engineer:
Cameron Barton and Ryan Castle
producer and mixer:
D. Sardy (American score composer)
additional editor:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter) and Greg Gordon (producer/engineer)
editor:
Andy Brohard
2.53:27
15Radio Song
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
keyboard and keyboard [keyboards]:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Radio Song
writer:
Chris Cester, Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3.354:32
16That's All Lies
engineer:
Cameron Barton and Ryan Castle
producer and mixer:
D. Sardy (American score composer)
additional editor:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter) and Greg Gordon (producer/engineer)
editor:
Andy Brohard
2.52:45
17Get Me Outta Here
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Nic Cester and Cameron Muncey
keyboard and keyboard [keyboards]:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Get Me Outta Here
writer:
Chris Cester and Nic Cester
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3.62:56
18Timothy
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
keyboard and keyboard [keyboards]:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Timothy
lyricist and composer:
Chris Cester
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
34:30
19Hey Kids
engineer:
Cameron Barton and Ryan Castle
producer and mixer:
D. Sardy (American score composer)
additional editor:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter) and Greg Gordon (producer/engineer)
editor:
Andy Brohard
3:13
20Last Chance
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Last Chance
writer:
Chris Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3.51:52
21Come Around Again
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Nic Cester and Cameron Muncey
keyboard [keyboards]:
Billy Preston
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Come Around Again
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3.654:30
22Skin and Bones
engineer:
Cameron Barton and Ryan Castle
producer and mixer:
D. Sardy (American score composer)
additional editor:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter) and Greg Gordon (producer/engineer)
editor:
Andy Brohard
33:19
23Lazy Gun
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
slide guitar:
Brooklyn’s own Dave Sardy (American score composer)
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Lazy Gun
writer:
Chris Cester and Nic Cester
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
34:42
24Kings Horses
engineer:
Cameron Barton and Ryan Castle
producer and mixer:
D. Sardy (American score composer)
additional editor:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter) and Greg Gordon (producer/engineer)
editor:
Andy Brohard
2.53:21
25Sgt. Major
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Sgt. Major
writer:
Chris Cester and Nic Cester
53:59