Don Carlo

~ Parution par Giuseppe Verdi (afficher toutes les versions de cette parution, 8 proposées)

Liste de pistes

1CD
2CD
noTitreÉvaluationDurée
1Atto Secondo. Seconda Scena: "Oh! Carlo! oh! Carlo!"
producteur :
Christopher Bishop (conductor/producer)
producteur assistant :
Gwyn Morris (record producer)
voix de soprano [Elisabetta] :
Montserrat Caballé (soprano)
voix de ténor [Don Carlo] :
Plácido Domingo (tenor)
orchestre :
Orchestra of the Royal Opera House, Covent Garden
conductor :
Carlo Maria Giulini (conductor)
régisseur musical :
Christopher Parker (classical recording and balance engineer, active from 1950s)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1971)
recording of :
Don Carlo: Atto I, scena 2. N°9 “Oh, Carlo oh Carlo” (Elisabetta, Carlo)
compositeur :
Giuseppe Verdi (Italian opera composer)
partie de :
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
2:15
2Atto Secondo. Seconda Scena: Scena: "Il Re!"..."Perché sola è la Regina?"
producteur :
Christopher Bishop (conductor/producer)
producteur assistant :
Gwyn Morris (record producer)
chœurs :
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
voix de basse [Filippo] :
Ruggero Raimondi (bass-baritone)
voix de mezzo-soprano [Tebaldo] :
Delia Wallis (mezzo-soprano)
orchestre :
Orchestra of the Royal Opera House, Covent Garden
conductor :
Carlo Maria Giulini (conductor)
régisseur musical :
Christopher Parker (classical recording and balance engineer, active from 1950s)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1971)
recording of :
Don Carlo: Atto I, scena 2. N°10 “Il Re!… Perché sola è la Regina?” (Tebaldo, Filippo, Coro)
compositeur :
Giuseppe Verdi (Italian opera composer)
librettiste :
Camille du Locle et Joseph Méry
partie de :
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
1:27
3Atto Secondo. Seconda Scena: Romanza: "Non pianger, mia companga"
producteur :
Christopher Bishop (conductor/producer)
producteur assistant :
Gwyn Morris (record producer)
chœurs :
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
voix de baryton [Rodrigo] :
Sherrill Milnes (baritone)
voix de basse [Filippo] :
Ruggero Raimondi (bass-baritone)
voix de soprano [Elisabetta] :
Montserrat Caballé (soprano)
orchestre :
Orchestra of the Royal Opera House, Covent Garden
conductor :
Carlo Maria Giulini (conductor)
régisseur musical :
Christopher Parker (classical recording and balance engineer, active from 1950s)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1971)
recording of :
Don Carlo: Atto I, scena 2. N°11 “Non pianger, mia compagna” (Elisabetta, Rodrigo, Coro, Filippo)
compositeur :
Giuseppe Verdi (Italian opera composer)
librettiste :
Camille du Locle et Joseph Méry
partie de :
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
4:23
4Atto Secondo. Seconda Scena: Scena e Duetto: "Restate! Al mio regal cospetto"
producteur :
Christopher Bishop (conductor/producer)
producteur assistant :
Gwyn Morris (record producer)
voix de baryton [Rodrigo] :
Sherrill Milnes (baritone)
voix de basse [Filippo] :
Ruggero Raimondi (bass-baritone)
orchestre :
Orchestra of the Royal Opera House, Covent Garden
conductor :
Carlo Maria Giulini (conductor)
régisseur musical :
Christopher Parker (classical recording and balance engineer, active from 1950s)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1971)
recording of :
Don Carlo: Atto I, scena 2. N°12. “Restate! Presso alla mia persona” (Filippo, Rodrigo)
compositeur :
Giuseppe Verdi (Italian opera composer)
librettiste :
Camille du Locle et Joseph Méry
partie de :
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
2:28
5Atto Secondo. Seconda Scena: Scena e Duetto: "O Signor, di Fiandra arrivo"
producteur :
Christopher Bishop (conductor/producer)
producteur assistant :
Gwyn Morris (record producer)
voix de baryton [Rodrigo] :
Sherrill Milnes (baritone)
voix de basse [Filippo] :
Ruggero Raimondi (bass-baritone)
orchestre :
Orchestra of the Royal Opera House, Covent Garden
conductor :
Carlo Maria Giulini (conductor)
régisseur musical :
Christopher Parker (classical recording and balance engineer, active from 1950s)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1971)
recording of :
Don Carlo: Atto I, scena 2. N°13 “O signor, di Fiandra arrivo” (Filippo, Rodrigo)
compositeur :
Giuseppe Verdi (Italian opera composer)
librettiste :
Camille du Locle et Joseph Méry
partie de :
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
3:29
6Atto Secondo. Seconda Scena: Scena e Duetto: "Quest'è la pace che voi date al mondo?"
producteur :
Christopher Bishop (conductor/producer)
producteur assistant :
Gwyn Morris (record producer)
voix de baryton [Rodrigo] :
Sherrill Milnes (baritone)
voix de basse [Filippo] :
Ruggero Raimondi (bass-baritone)
orchestre :
Orchestra of the Royal Opera House, Covent Garden
conductor :
Carlo Maria Giulini (conductor)
régisseur musical :
Christopher Parker (classical recording and balance engineer, active from 1950s)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1971)
recording of :
Don Carlo: Atto I, scena 2. N°13 “Quest’è la pace che voi date al mondo?” (Filippo, Rodrigo)
compositeur :
Giuseppe Verdi (Italian opera composer)
librettiste :
Camille du Locle et Joseph Méry
partie de :
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
3:21
7Atto Secondo. Seconda Scena: Scena e Duetto: "Osò lo sguardo tuo penetrar il mio soglio"
producteur :
Christopher Bishop (conductor/producer)
producteur assistant :
Gwyn Morris (record producer)
voix de baryton [Rodrigo] :
Sherrill Milnes (baritone)
voix de basse [Filippo] :
Ruggero Raimondi (bass-baritone)
orchestre :
Orchestra of the Royal Opera House, Covent Garden
conductor :
Carlo Maria Giulini (conductor)
régisseur musical :
Christopher Parker (classical recording and balance engineer, active from 1950s)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1971)
recording of :
Don Carlo: Atto I, scena 2. N°13 “Osò lo sguardo tuo penetrar il mio soglio” (Filippo, Rodrigo)
compositeur :
Giuseppe Verdi (Italian opera composer)
librettiste :
Camille du Locle et Joseph Méry
partie de :
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
3:46
8Act Terzo. Prima Scena: Preludio (Orchestra)
producteur :
Christopher Bishop (conductor/producer)
producteur assistant :
Gwyn Morris (record producer)
orchestre :
Orchestra of the Royal Opera House, Covent Garden
conductor :
Carlo Maria Giulini (conductor)
régisseur musical :
Christopher Parker (classical recording and balance engineer, active from 1950s)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1971)
recording of :
Don Carlo: Atto II. Preludio
compositeur :
Giuseppe Verdi (Italian opera composer)
librettiste :
Camille du Locle et Joseph Méry
partie de :
Don Carlo: Atto II (III)
3:03
9Act Terzo. Prima Scena: Scena, duetto e terzetto: "A mezzanotte, ai giardin della Regina"
producteur :
Christopher Bishop (conductor/producer)
producteur assistant :
Gwyn Morris (record producer)
voix de mezzo-soprano [Eboli] :
Shirley Verrett (mezzo-soprano)
voix de ténor [Don Carlo] :
Plácido Domingo (tenor)
orchestre :
Orchestra of the Royal Opera House, Covent Garden
conductor :
Carlo Maria Giulini (conductor)
régisseur musical :
Christopher Parker (classical recording and balance engineer, active from 1950s)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1971)
compilation de :
Don Carlo: Atto III, Scena I, No. 8. Scena, duetto e terzetto: "A mezzanotte, ai giardin della Regina" (Carlo, Eboli) par Plácido Domingo (tenor), Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto III, Scena I, No. 8. Scena, duetto e terzetto: "Ciel! Non è la Regina!" (Carlo, Eboli) par Plácido Domingo (tenor), Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto III, Scena I, No. 8. Scena, duetto e terzetto: "Che disse mai?" (Rodrigo, Eboli) par Sherrill Milnes (baritone), Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) et Don Carlo: Atto III, Scena I, No. 8. Scena, duetto e terzetto: "Al mio furor, sfuggite invano" (Eboli, Rodrigo, Carlo) par Plácido Domingo (tenor), Sherrill Milnes (baritone), Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of :
Don Carlo: Atto II, scena 1. N°1 “A mezzanotte, ai giardin della Regina” … “Sei tu, sei tu, bell'adorata” (Carlo, Eboli)
compositeur :
Giuseppe Verdi (Italian opera composer)
librettiste :
Camille du Locle et Joseph Méry
partie de :
Don Carlo: Atto II (III)
partie de :
Don Carlo: Atto II (III)
8:21
10Act Terzo. Prima Scena: Scena, duetto e terzetto: "Ed io, che tramava al suo aspetto!"
producteur :
Christopher Bishop (conductor/producer)
producteur assistant :
Gwyn Morris (record producer)
voix de baryton [Rodrigo] :
Sherrill Milnes (baritone)
voix de mezzo-soprano [Eboli] :
Shirley Verrett (mezzo-soprano)
voix de ténor [Don Carlo] :
Plácido Domingo (tenor)
orchestre :
Orchestra of the Royal Opera House, Covent Garden
conductor :
Carlo Maria Giulini (conductor)
régisseur musical :
Christopher Parker (classical recording and balance engineer, active from 1950s)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1971)
compilation de :
Don Carlo: Atto III, Scena I, No. 8. Scena, duetto e terzetto: "Ed io, che tremava al suo aspetto!" (Eboli, Rodrigo, Carlo) par Plácido Domingo (tenor), Sherrill Milnes (baritone), Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto III, Scena I, No. 8. Scena, duetto e terzetto: "Trema per te, falso figliuolo" (Eboli, Rodrigo, Carlo) par Plácido Domingo (tenor), Sherrill Milnes (baritone), Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) et Don Carlo: Atto III, Scena I, No. 8. Scena, duetto e terzetto: "Carlo! se mai su te fogli importanti serbi" (Rodrigo, Carlo) par Plácido Domingo (tenor), Sherrill Milnes (baritone), Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of :
Don Carlo: Atto II, scena 1. N°3 “Ed io, che tremava al suo aspetto!” … “Trema per te, falso figliuolo” (Eboli, Rodrigo, Carlo)
compositeur :
Giuseppe Verdi (Italian opera composer)
librettiste :
Camille du Locle et Joseph Méry
partie de :
Don Carlo: Atto II (III)
5:05
11Act Terzo. Seconda Scena: Gran finale: "Spuntato ecco il dì d'esultanza"
producteur :
Christopher Bishop (conductor/producer)
producteur assistant :
Gwyn Morris (record producer)
chœurs :
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (du 1970-08-18 au 1970-08-31)
orchestre :
Orchestra of the Royal Opera House, Covent Garden (du 1970-08-18 au 1970-08-31)
conductor :
Carlo Maria Giulini (conductor) (du 1970-08-18 au 1970-08-31)
chorus master :
John McCarthy (British choral conductor, scholar, composer and arranger) (du 1970-08-18 au 1970-08-31)
régisseur musical :
Christopher Parker (classical recording and balance engineer, active from 1950s)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1971)
enregistré à :
Walthamstow Assembly Hall dans London (Londres, Greater London), England, Royaume-Uni (du 1970-08-18 au 1970-08-31)
recording of :
Don Carlo: Atto II, scena 2. N°5 “Spuntato ecco il dì d’esultanza” (coro) (Autodafé scene) (du 1970-08-18 au 1970-08-31)
compositeur :
Giuseppe Verdi (Italian opera composer) (le 1867)
librettiste :
Camille du Locle et Joseph Méry
partie de :
Don Carlo: Atto II (III)
4:31
12Act Terzo. Seconda Scena: Gran finale: "Schiusa or sia la porta del tempio"
producteur :
Christopher Bishop (conductor/producer)
producteur assistant :
Gwyn Morris (record producer)
chœurs :
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
voix de baryton [un araldo reale] :
John Noble (baritone)
orchestre :
Orchestra of the Royal Opera House, Covent Garden
conductor :
Carlo Maria Giulini (conductor)
régisseur musical :
Christopher Parker (classical recording and balance engineer, active from 1950s)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1971)
recording of :
Don Carlo: Atto II, scena 2. N°6 “Schiusa or sia la porta del tempio!” (L'araldo, Coro)
compositeur :
Giuseppe Verdi (Italian opera composer)
librettiste :
Camille du Locle et Joseph Méry
partie de :
Don Carlo: Atto II (III)
3:39
13Act Terzo. Seconda Scena: Gran finale: Il corteggio reale
producteur :
Christopher Bishop (conductor/producer)
producteur assistant :
Gwyn Morris (record producer)
chœurs :
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestre :
Orchestra of the Royal Opera House, Covent Garden
conductor :
Carlo Maria Giulini (conductor)
régisseur musical :
Christopher Parker (classical recording and balance engineer, active from 1950s)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1971)
recording of :
Don Carlo: Atto II, scena 2. N°6 Il corteggio reale (Orchestra, Coro)
compositeur :
Giuseppe Verdi (Italian opera composer)
partie de :
Don Carlo: Atto II (III)
2:15
14Act Terzo. Seconda Scena: Gran finale: "Nel posar sul mio capo la corona"
producteur :
Christopher Bishop (conductor/producer)
producteur assistant :
Gwyn Morris (record producer)
chœurs :
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
voix de baryton [Rodrigo] :
Sherrill Milnes (baritone)
voix de basse [Filippo] :
Ruggero Raimondi (bass-baritone)
voix de soprano [Elisabetta] :
Montserrat Caballé (soprano)
voix de ténor [Don Carlo] :
Plácido Domingo (tenor)
orchestre :
Orchestra of the Royal Opera House, Covent Garden
conductor :
Carlo Maria Giulini (conductor)
régisseur musical :
Christopher Parker (classical recording and balance engineer, active from 1950s)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1971)
compilation de :
Don Carlo: Atto III, Scena II, No. 9. Gran finale: "Nel posar sul mio capo la corona" (Filippo, Coro, Elisabetta, Rodrigo, Carlo, Deputati) par John McCarthy (British choral conductor, scholar, composer and arranger), Montserrat Caballé (soprano), Plácido Domingo (tenor), Sherrill Milnes (baritone), Ruggero Raimondi (bass-baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) et Don Carlo: Atto III, Scena II, No. 9. Gran finale: "A Dio voi foste infidi, infidi al vostro Re" (Filippo, Coro, Elisabetta, Tebaldo, Carlo, Rodrigo, Deputati) par John McCarthy (British choral conductor, scholar, composer and arranger), Montserrat Caballé (soprano), Plácido Domingo (tenor), Sherrill Milnes (baritone), Ruggero Raimondi (bass-baritone), Delia Wallis (mezzo-soprano), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of :
Don Carlo: Atto II, scena 2. N°7 “Nel posar sul mio capo la corona” – “Qui Carlo! O ciel” (Filippo, Coro, Elisabetta, Rodrigo, Carlo, Deputati)
compositeur :
Giuseppe Verdi (Italian opera composer)
librettiste :
Camille du Locle et Joseph Méry
partie de :
Don Carlo: Atto II (III)
6:26
15Act Terzo. Seconda Scena: Gran finale: "Sire! egli è tempo ch'io viva!"
producteur :
Christopher Bishop (conductor/producer)
producteur assistant :
Gwyn Morris (record producer)
chœurs :
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
voix de baryton [Rodrigo] :
Sherrill Milnes (baritone)
voix de basse [Filippo] :
Ruggero Raimondi (bass-baritone)
voix de mezzo-soprano [Tebaldo] :
Delia Wallis (mezzo-soprano)
voix de soprano [Elisabetta] :
Montserrat Caballé (soprano)
voix de ténor [Don Carlo] :
Plácido Domingo (tenor)
orchestre :
Orchestra of the Royal Opera House, Covent Garden
conductor :
Carlo Maria Giulini (conductor)
régisseur musical :
Christopher Parker (classical recording and balance engineer, active from 1950s)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1971)
recording of :
Don Carlo: Atto II, scena 2. N°8 “Sire! Egli è tempo ch'io viva!” (Carlo, Filippo, Elisabetta, Rodrigo, Tebaldo, Coro)
compositeur :
Giuseppe Verdi (Italian opera composer)
librettiste :
Camille du Locle et Joseph Méry
partie de :
Don Carlo: Atto II (III)
2:12
16Act Terzo. Seconda Scena: Gran finale: "O ciel! Tu! Rodrigo!"
producteur :
Christopher Bishop (conductor/producer)
producteur assistant :
Gwyn Morris (record producer)
chœurs :
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
voix de basse [Filippo] :
Ruggero Raimondi (bass-baritone)
voix de mezzo-soprano [Eboli] :
Shirley Verrett (mezzo-soprano)
voix de soprano [Elisabetta] :
Montserrat Caballé (soprano)
voix de soprano [una voce dal cielo] :
Maria-Rosa del Campo
voix de ténor [Don Carlo] :
Plácido Domingo (tenor)
orchestre :
Orchestra of the Royal Opera House, Covent Garden
conductor :
Carlo Maria Giulini (conductor)
régisseur musical :
Christopher Parker (classical recording and balance engineer, active from 1950s)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1971)
recording of :
Don Carlo: Atto II, scena 2. N°9 “O ciel! Tu! Rodrigo!” (Carlo, Coro, Eboli, Elisabetta, Filippo, Una voce dal cielo, Deputati)
compositeur :
Giuseppe Verdi (Italian opera composer)
librettiste :
Camille du Locle et Joseph Méry
partie de :
Don Carlo: Atto II (III)
2:56
3CD