1981 Best of by uDiscover

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Celebration
Hintergrundgesang:
Kelly Barretto, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dee Dee Bryant, Gwen Hester, Cynthia Huggins, Joan Motley, Meekaeel Muhammad, Robert Bell, Robert Mickens, Elaine Sims, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Cedric Toon und Earl Toon, Jr.
Sologesang:
James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
Interpret(in):
Kool & the Gang
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980, in 2020)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 298)
recording of:
Celebration
Verfasser(in):
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) und Earl Toon, Jr.
publisher:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) und WB Music Corp. (1929–2019) (in 1980)
Kool & The Gang4.44:59
2Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:40
3Super Trouper
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Akustikgitarre:
Björn Ulvaeus (am 1980-10-03)
Bassgitarre:
Mike Watson (English‐Swedish rock musician) (am 1980-10-03)
Gitarre:
Janne Schaffer (am 1980-10-03)
Keyboard und Synthesizer:
Benny Andersson (ABBA) (am 1980-10-03)
Perkussion:
Åke Sundqvist (am 1980-10-03)
Schlagzeug:
Per Lindvall (am 1980-10-03)
Hintergrundgesang:
Agnetha Fältskog (in 1980)
Sologesang:
Frida (Swedish singer and member of ABBA) (am 1980-10-03)
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music International AB (in 1980)
aufgenommen bei:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1980-10-03, am 1980-10-14)
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (in 1980-10)
recording of:
Super Trouper (in 1980-10)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group, Universal–Songs of PolyGram International, Inc., Artwork Music Co., Inc. (vom 1980 bis ????), Countless Songs, Ltd. (vom 1980 bis ????), EMI Waterford Music (vom 1980 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1980 bis heute), Universal/Union Songs Musikförlag AB (vom 1980 bis heute) und Union Songs AB (publisher) (in 1980)
Teil von:
Mamma Mia! (1999 musical)
ABBA3.554:12
4Every Little Thing She Does Is Magic - Remastered 2003
Techniker(in):
Hugh Padgham
Koproduzent(in):
Hugh Padgham
Produzent(in):
Hugh Padgham und The Police (British rock band)
E-Bass:
Sting (singer, songwriter & member of The Police)
E-Gitarre:
Andy Summers
Klavier:
Jean Roussel
Schlagzeug:
Stewart Copeland (drummer, percussionist, pianist and composer)
vocals:
Sting (singer, songwriter & member of The Police)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1981) und A&M Records, Inc. (in 1997)
aufgenommen bei:
Le Studio in Morin‐Heights, Québec (Quebec), Kanada
recording of:
Every Little Thing She Does Is Magic
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
The Police3.754:21
5Start Me Up - Remastered 2009
Produzent(in):
The Glimmer Twins (production name for Mick Jagger & Keith Richards)
Bass:
Bill Wyman
Schlagzeug:
Charlie Watts (drummer in The Rolling Stones)
Hintergrundgesang:
Keith Richards (Rolling Stones guitarist) und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Sologesang:
Mick Jagger (The Rolling Stones)
phonographisches Urheberrecht (℗) von:
Promotone B.V. (not for release label use!) (in 1981, in 1993, in 2012)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 94)
recording of:
Start Me Up
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Rolling Stones4.23:33
6Don't You Want Me
assistierende Programmierung:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
Programmierung:
Martin Rushent (in 1981)
assistierende(r) Techniker(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
Produzent(in):
The Human League und Martin Rushent
Synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) und Philip Oakey (in 1981)
Hintergrundgesang:
Joanne Catherall (in 1981) und Susan Ann Sulley (in 1981)
Sologesang:
Philip Oakey (in 1981) und Susan Ann Sulley (in 1981)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich (in 1981)
Musikvideos:
Don’t You Want Me von The Human League
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 79) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
Texter:
Philip Oakey
Komponist(in):
Jo Callis, Philip Oakey und Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.93:57
7Master Blaster (Jammin')
assistierende(r) Techniker(in):
Bob Harlan
Techniker(in) und Mix:
Gary Olazabal
Produzent(in):
Stevie Wonder
Bass:
Nathan Watts
Clavinet und Rhodes Piano:
Stevie Wonder
Gitarre:
Ben Bridges und Rick Zunigar
Orgel:
Isaiah Sanders
Perkussion:
Earl DeRouen (percussionist, composer)
Saxophon:
Hank Redd
Schlagzeug:
Dennis Davis (drummer)
Trompete:
Larry Gittens
Hintergrundgesang:
Shirley Brewer, Alex Brown (US soul vocalist, member of Raelets), Marva Holcolm und Angela Winbush
arranger:
Stevie Wonder
aufgenommen bei und mixed at:
Wonderland Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Master Blaster (Jammin’)
Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und Jobete Music Co., Inc.
Stevie Wonder4.85:08
8Endless Love - From "The Endless Love" Soundtrack
recording engineer:
Reggie Dozier
Produzent(in):
Lionel Richie
Mix:
Guy Costa
zusätzliche(r) Gast-Interpret(in):
Diana Ross
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 20)
recording of:
Endless Love
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) und Warner/Chappell North America
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1981 nominee)
Lionel Richie & Diana Ross3.54:26
9Super Freak
recording engineer und Mix:
Tom "Super" Flye
assistierende(r) Techniker(in):
Rick "Port Hole" Sanchez
Techniker(in):
Bobby Brooks (US producer/engineer/remixer), Rick "Port Hole" Sanchez und Tom "Super" Flye
leitende(r) Produzent(in):
Alonzo Miller (Singer-songwriter, producer)
Produzent(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
andere Instrumente [flexatone] und Vibraslap:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Bass:
Oscar Alston
Gitarre:
Tom McDermott (guitarist)
Händeklatschen und Perkussion:
Oscar Alston, Rick James (US vocalist, multi‐instrumentalist, composer & producer) und Tom McDermott (guitarist)
Hybrid-Piano und Synthesizer [Crumar]:
Levi Ruffin, Jr.
Schlagzeug:
Lanise Hughes
Tenorsaxophon:
Daniel LeMelle
Hintergrundgesang:
Dennis Edwards (US soul & R’n’B singer), Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street und Otis Williams (US baritone singer, member of The Temptations & The Distants)
Horn arranger:
Daniel LeMelle und Rick James (US vocalist, multi‐instrumentalist, composer & producer)
arranger:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
aufgenommen bei:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten (Hintergrundgesang) und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 153) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 477)
recording of:
Super Freak
Texter und Komponist(in):
Alonzo Miller (Singer-songwriter, producer) und Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Jobete Music Co., Inc. und Stone Diamond Music Corporation
Rick James4.153:25
10Lay All Your Love on Me
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Bassgitarre:
Rutger Gunnarsson (am 1980-09-09)
Gitarre:
Lasse Wellander (am 1980-09-09)
Keyboard und Synthesizer:
Benny Andersson (ABBA) (am 1980-09-09)
Schlagzeug:
Ola Brunkert (am 1980-09-09)
Hintergrundgesang:
Frida (Swedish singer and member of ABBA) (am 1980-09-09)
Sologesang:
Agnetha Fältskog (am 1980-09-09)
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music International AB (in 1980)
aufgenommen bei:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1980-09-09)
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1980-10-10)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 49)
recording of:
Lay All Your Love on Me (am 1980-09-09)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group, Universal/Union Songs Musikförlag AB, Artwork Music Co., Inc. (vom 1980 bis ????) und Countless Songs, Ltd. (vom 1980 bis ????)
Teil von:
Mamma Mia! (1999 musical)
ABBA3.94:33
11Tom Sawyer
assistierende(r) Techniker(in):
Robbie Whelan
Techniker(in):
Paul Northfield
Produzent(in):
Terry Brown (producer) und Rush (Canadian rock trio)
Bassgitarre, Minimoog, Synthesizer und Sologesang:
Geddy Lee (von 1980-10 bis 1980-11)
Gitarre:
Alex Lifeson (von 1980-10 bis 1980-11)
Perkussion und Schlagzeug:
Neil Peart (von 1980-10 bis 1980-11)
arranger:
Terry Brown (producer) und Rush (Canadian rock trio)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2022)
aufgenommen bei und mixed at:
Le Studio in Morin‐Heights, Québec (Quebec), Kanada (von 1980-10 bis 1980-11)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 19) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 91)
recording of:
Tom Sawyer (von 1980-10 bis 1980-11)
Texter:
Pye Dubois und Neil Peart
Komponist(in):
Geddy Lee und Alex Lifeson
publisher:
Ole Core Music Publishing
Rush4.554:34
12De Do Do Do, de da da Da - Remastered 2003
Techniker(in):
Nigel Gray (UK producer)
Produzent(in):
Nigel Gray (UK producer) und The Police (British rock band)
E-Bass, Synthesizer und Sologesang:
Sting (singer, songwriter & member of The Police) (von 1980-07-07 bis 1980-08-07)
E-Gitarre:
Andy Summers (von 1980-07-07 bis 1980-08-07)
Schlagzeug:
Stewart Copeland (drummer, percussionist, pianist and composer) (von 1980-07-07 bis 1980-08-07)
Hintergrundgesang:
Stewart Copeland (drummer, percussionist, pianist and composer) (von 1980-07-07 bis 1980-08-07), Sting (singer, songwriter & member of The Police) (von 1980-07-07 bis 1980-08-07) und Andy Summers (von 1980-07-07 bis 1980-08-07)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1980), A&M Records Ltd. (in 1980, in 2003) und A&M Records, Inc. (in 1980, in 1997)
aufgenommen bei:
Wisseloord Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (von 1980-07-07 bis 1980-08-07)
recording of:
De Do Do Do, De Da Da Da (von 1980-07-07 bis 1980-08-07)
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
Control (not for release label use! this is only for copyrights and publishing relationships) (beendet), EMI Blackwood Music Inc. (beendet), GM Sumner, Magnetic Publishing Ltd., Chappell Music (UK) (vom 1980 bis ????), Chappell Music Co. (vom 1980 bis ????), Virgin Music (Publishers) Ltd. (vom 1980 bis ????), Virgin Music, Inc. (US arm of Virgin’s publishing company) (vom 1980 bis ????), Virgin Publishing (vom 1984 bis ????), EMI Music Publishing, Ltd. (PRS‐affiliated) (vom 2003 bis ????) und Songs of Universal, Inc. (BMI) (vom 2022-02 bis heute)
The Police3.54:08
13Limelight
assistierende(r) Techniker(in):
Robbie Whelan
Techniker(in):
Paul Northfield
Produzent(in):
Terry Brown (producer) und Rush (Canadian rock trio)
Bassgitarre, Minimoog, Synthesizer und Sologesang:
Geddy Lee (von 1980-10 bis 1980-11)
Gitarre:
Alex Lifeson (von 1980-10 bis 1980-11)
Perkussion und Schlagzeug:
Neil Peart (von 1980-10 bis 1980-11)
arranger:
Terry Brown (producer) und Rush (Canadian rock trio)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2022)
aufgenommen bei und mixed at:
Le Studio in Morin‐Heights, Québec (Quebec), Kanada (von 1980-10 bis 1980-11)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 37) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 435)
recording of:
Limelight (von 1980-10 bis 1980-11)
Texter:
Neil Peart
Komponist(in):
Geddy Lee und Alex Lifeson
publisher:
Ole Core Music Publishing
Rush4.44:19
14One Day in Your Life
Produzent(in):
Sam Brown
arranger:
Sam Brown
recording of:
One Day in Your Life
Texter:
Samuel F. Brown III
Komponist(in):
Renée Armand
publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Jobete Music Co., Inc. (vom 1974 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Michael Jackson3.64:16
15Give It to Me Baby
recording engineer und Mix:
Tom "Super" Flye
assistierende(r) Techniker(in):
Rick "Port Hole" Sanchez
Techniker(in):
Bobby Brooks (US producer/engineer/remixer), Rick "Port Hole" Sanchez und Tom "Super" Flye
Produzent(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Bass:
Oscar Alston
Gitarre:
Tom McDermott (guitarist)
Händeklatschen:
Teena Marie
Hybrid-Piano und Synthesizer [Crumar]:
Levi Ruffin, Jr.
Perkussion:
Oscar Alston, Rick James (US vocalist, multi‐instrumentalist, composer & producer) und Tom McDermott (guitarist)
Posaune:
John Ervin
Saxophon:
Daniel LeMelle
Schlagzeug:
Lanise Hughes
Trompete:
Cliff Ervin, Fernando Harkless und Roy Poper
Hintergrundgesang:
Melvin Franklin und Teena Marie
arranger:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
aufgenommen bei:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
Give It To Me Baby
Texter und Komponist(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Jobete Music Co., Inc. und Stone City Music Co.
Rick James4.654:09
16Lonely Is the Night - Remastered 2010
Assistent recording engineer:
Garry Rindfuss
recording engineer:
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack) und Billy Squier
Gitarre und Sologesang:
Billy Squier
Schlagzeug:
Bobby Chouinard
Solo-Gitarre:
Cary Sharaf
Hintergrundgesang:
Mark Clarke (Rock, UK) und Alan St. Jon
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland
mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland
recording of:
Lonely Is the Night
Texter und Komponist(in):
Billy Squier
publisher:
Songs of the Knight
Billy Squier4.654:41
17Hey Nineteen
recorded in:
Vereinigte Staaten (von 1978 bis 1980)
leitende(r) Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Mix:
Elliot Scheiner (von 1978 bis 1980)
Bassgitarre und Gitarre:
Walter Becker (von 1978 bis 1980)
Gitarre:
Hugh McCracken (von 1978 bis 1980)
Hybrid-Piano und Synthesizer und Sologesang:
Donald Fagen (von 1978 bis 1980)
Perkussion:
Victor Feldman (jazz musician) (von 1978 bis 1980) und Steve Gadd (drummer) (von 1978 bis 1980)
Schlagzeug:
Rick Marotta (US drummer/percussionist) (von 1978 bis 1980)
Hintergrundgesang:
Frank Floyd (US soul disco funk singer) (von 1978 bis 1980) und Zachary Sanders (von 1978 bis 1980)
arranger:
Steely Dan (group founded by Walter Becker and Donald Fagen)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1980)
recording of:
Hey Nineteen (von 1978 bis 1980)
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing Ltd. (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996), Freejunket Music (in 1980) und Zeon Music (in 1980)
Steely Dan45:07
18Slipping Through My Fingers
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Akustikgitarre:
Björn Ulvaeus
Akustikgitarre und E-Gitarre:
Lasse Wellander
Bass:
Rutger Gunnarsson
Keyboard und Synthesizer:
Benny Andersson (ABBA)
membranophone:
Ola Brunkert
Perkussion:
Åke Sundqvist
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music International AB (in 1981)
aufgenommen bei:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1981-11-13)
recording of:
Slipping Through My Fingers
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Universal (Sweden), Universal Music Publishing Group, Universal/Union Songs Musikförlag AB und Artwork Music Co., Inc. (vom 1981 bis ????)
Teil von:
Mamma Mia! (1999 musical)
ABBA2.853:56
19Fade to Grey
Techniker(in):
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Midge Ure und Visage (new romantic band from London)
Interpret(in):
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) und Midge Ure
arranger:
Visage (new romantic band from London)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich
mixed at:
Mayfair Sound (England) in London (Greater London), England, Vereinigtes Königreich
recording of:
Fade to Grey
Verfasser(in):
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) und Midge Ure
publisher:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) und Performance Music Ltd
Visage4.13:49
20The Tide Is High
assistierende(r) Techniker(in):
Gary Boatner (engineer) und Doug Schwartz (mastering engineer)
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gast-Perkussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) und Emil Richards (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Hintergrundgesang [girl-group backup vocals]:
The ‘B’ Girls und Deborah Harry
Sologesang:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2001)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980) und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
cover recording of:
The Tide Is High (in 1980)
Verfasser(in):
John Holt (in 1967)
zusätzliche(r) Verfasser(in):
Howard Barrett (in 1967) und Tyrone Evans (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group und Sparta Florida Music Group Ltd.
Blondie4.154:40
21I've Seen That Face Before (Libertango)Grace Jones3.354:30
22Happy Birthday
assistierende(r) Techniker(in):
Bob Harlan
Techniker(in) und Mix:
Gary Olazabal
Produzent(in):
Stevie Wonder
Bass-Synthesizer, Keyboard und Schlagzeug:
Stevie Wonder
arranger:
Stevie Wonder
aufgenommen bei und mixed at:
Wonderland Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Happy Birthday
Texter und Komponist(in):
Stevie Wonder
publisher:
Jobete Music (UK) Ltd.
Stevie Wonder55:57
23Jealous Guy - Remastered 2000
Produzent(in):
Rhett Davies, Bryan Ferry und Roxy Music
Mix:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1981), Virgin EG Records Ltd. (in 1981) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1981, in 2000)
cover recording of:
Jealous Guy
Texter und Komponist(in):
John Lennon (The Beatles)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-publisher:
Fujipacific Music, Inc. Division 2
Revision von:
Child of Nature
Roxy Music4.54:57
24Mony Mony
Techniker(in):
Brian Reeves
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1981-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981) und Chrysalis Records, Inc. (not for release label use!) (in 1981)
Musikvideos:
Mony, Mony (live) von Billy Idol (English rock singer‐songwriter)
cover recording of:
Mony Mony (in 1981-07)
Verfasser(in):
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry und Tommy James (American musician, singer, songwriter and record producer)
publisher:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB und Planetary Nom (London) Ltd.
Billy Idol3.25:00
25Waiting on a Friend - Remastered 2009
recording of:
Waiting on a Friend
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
The Rolling Stones34:34
26Too Much Time on My Hands
assistierende(r) Techniker(in):
Will Rascati
Techniker(in):
Rob Kingsland und Gary Loizzo
Produzent(in):
Styx (rock band from Chicago)
Bassgitarre und Basspedal:
Chuck Panozzo
Gitarre:
Tommy Shaw (of Styx) und James Young (member of Styx, guitarist, singer and songwriter)
Horn:
Dan Barber, John Haynor (horn), Mark Ohlsen (Trumpet), Mike Halpin (Trombone) und Bill Simpson (horn)
Keyboard:
Dennis DeYoung
Schlagzeug und Perkussion:
John Panozzo
Sologesang:
Tommy Shaw (of Styx)
vocals:
Dennis DeYoung und James Young (member of Styx, guitarist, singer and songwriter)
Horn arranger:
Ed Tossing
arranger:
Styx (rock band from Chicago)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1981)
aufgenommen bei und mixed at:
Pumpkin Studios in Oak Lawn, Illinois, Vereinigte Staaten
recording of:
Too Much Time on My Hands
Texter und Komponist(in):
Tommy Shaw (of Styx)
publisher:
日音 Synch事業部 (NICHION, INC. Synch Division) und Stygian Songs (publishing company for the rock band Styx) (vom 1980 bis heute)
Styx4.154:32
27Elvira
Produzent(in):
Ron Chancey (producer and songwriter)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 193)
recording of:
Elvira
Texter und Komponist(in):
Dallas Frazier (American songwriter and musician)
publisher:
Acuff-Rose Publications, Inc. (BMI) (in 1965)
The Oak Ridge Boys3.53:46
28Queen of Hearts
recording engineer:
Joe Chiccarelli
Partner-Produzent(in):
Otha Young
Produzent(in):
Richard Landis
Mix:
Michael Verdick
arranger:
Charles Calello
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981)
mixed at:
Location Recorders, Inc. in New York, New York, Vereinigte Staaten
cover recording of:
Queen of Hearts (am 1980-10-21)
Texter und Komponist(in):
Hank DeVito
publisher:
Bug Music (music publishing) und Drunk Monkey Music (in 1979)
Juice Newton3.83:27
29Rapture
recording of:
Rapture
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation und Rare Blue Music Inc
Blondie5:35
30While You See a Chance
assistierende(r) Techniker(in):
John Clarke (engineer, associated with Steve Winwood)
Techniker(in), Produzent(in) und Mix:
Steve Winwood
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1980)
engineered at:
Netherturkdonic Studios in Gloucester, Gloucestershire, England, Vereinigtes Königreich
recording of:
While You See a Chance
Texter und Komponist(in):
Will Jennings und Steve Winwood
publisher:
Blue Sky Rider Songs, F.S. Music Ltd., Fantasy Songs Ltd., Irving Music, Inc., Rondor Music Ltd. (publisher), Warner Bros. Music Co., Ltd. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Steve Winwood35:13
31I Surrender
assistierende(r) Techniker(in):
Thomas Brekling und Clay Hutchinson (Engineer, who has worked at Kingdom Sound, New York)
Techniker(in):
Flemming Rasmussen
Produzent(in):
Roger Glover
Bassgitarre:
Roger Glover (in 1980-11)
Gitarre:
Ritchie Blackmore (in 1980-11)
Keyboard:
Don Airey (in 1980-11)
Schlagzeug:
Bob Rondinelli (in 1980-11)
Sologesang:
Joe Lynn Turner (US rock vocalist) (in 1980-11)
phonographisches Urheberrecht (℗) von:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1981) und Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1981)
aufgenommen bei:
Sweet Silence Studio (at Strandlodsvej, 1976–1999) in Copenhagen (Kopenhagen), Capital Region of Denmark (Region Hovedstaden), Dänemark (in 1980-11)
cover recording of:
I Surrender (in 1980-11)
Texter und Komponist(in):
Russ Ballard
publisher:
April Music Publishing Inc., Complete Music Ltd., Island Music Ltd., Russell Ballard Ltd, フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Rainbow3.74:00
32Angel of the Morning
recording engineer:
Joe Chiccarelli
Partner-Produzent(in):
Otha Young
Produzent(in):
Richard Landis
Mix:
Michael Verdick
arranger:
Charles Calello
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981) und Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1981)
mixed at:
Location Recorders, Inc. in New York, New York, Vereinigte Staaten
cover recording of:
Angel of the Morning (am 1980-09-04)
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
April Music, EMI Blackwood, EMI Songs Ltd. und Unichappell Music
Juice Newton4.354:10
33Lady (You Bring Me Up)
recording of:
Lady (You Bring Me Up)
Verfasser(in):
Harold Hudson, Shirley King (Songwriter; married to William King) und William King (William Atwell King Jr. (member of Commodores))
publisher:
Jobete Music Co., Inc.
Commodores4:50
34Invisible Sun - Remastered 2003
Techniker(in):
Hugh Padgham
Koproduzent(in):
Hugh Padgham
Produzent(in):
The Police (British rock band)
E-Bass:
Sting (singer, songwriter & member of The Police)
E-Gitarre:
Andy Summers
Schlagzeug:
Stewart Copeland (drummer, percussionist, pianist and composer)
vocals:
Sting (singer, songwriter & member of The Police)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1981)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat
recording of:
Invisible Sun
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
The Police3.53:45
35One Hundred Ways
Programmierung:
Ian Underwood
Produzent(in):
Quincy Jones
Hybrid-Piano und Synthesizer:
Greg Phillinganes
Trompete:
Chuck Findley (trumpet, trombone, horn player) und Jerry Hey
Sologesang:
James Ingram (R&B singer)
Interpret(in):
James Ingram (R&B singer)
Blechblasinstrumente arranger:
Jerry Hey
Perkussion arranger:
Quincy Jones
Synthesizer arranger:
Johnny Mandel (American composer and arranger)
vocals arranger:
Quincy Jones
recording of:
One Hundred Ways
Verfasser(in):
Tony Coleman (blues singer, member of The Knight Crew), Kathy Wakefield (singer, songwriter) und Benjamin Wright
Quincy Jones & James Ingram44:21
36Burn Rubber on Me (Why You Wanna Hurt Me)
recording of:
Burn Rubber on Me (Why You Wanna Hurt Me)
Verfasser(in):
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter) und Charlie Wilson (R&B singer)
The Gap Band4:10
37What You're Proposing
Produzent(in):
John Eden (producer) und Status Quo (UK boogie rock band)
arranger:
John Eden (producer) und Status Quo (UK boogie rock band)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1980) und Phonogram Ltd. (not for release label use!) (in 1980)
recording of:
What You’re Proposing
Verfasser(in):
Bernie Frost und Francis Rossi
publisher:
Birchwood Music Ltd., Dump Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher) und EMI Music Publishing Ltd. (PRS‐affiliated)
Status Quo4:19
38Being With You - (single version)
assistierende(r) Techniker(in):
Richie Griffin
Techniker(in):
Howard Lee Wolen und Mark Wolfson
Produzent(in):
George Tobin
Mix:
Mike Piccirillo (songwriter and producer) und George Tobin
arranger:
George Tobin
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981) und Motown Record Corporation (company credits only; do NOT use as release label) (in 1981)
aufgenommen bei und mixed at:
Studio Sound Recorders in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Being With You
Texter und Komponist(in):
Smokey Robinson
publisher:
Bertram Music Company, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. und Primary Wave Robinson
Smokey Robinson3.254:07
39Love Action (I Believe in Love)
assistierende Programmierung und assistierende(r) Techniker(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
Programmierung:
Martin Rushent
Produzent(in):
The Human League und Martin Rushent
Synthesizer:
Ian Burden (in 1981-07), Jo Callis (in 1981-07) und Philip Oakey (in 1981-07)
Hintergrundgesang:
Joanne Catherall (in 1981-07) und Susan Ann Sulley (in 1981-07)
Sologesang:
Philip Oakey (in 1981-07)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich (in 1981-07)
recording of:
Love Action (I Believe in Love) (in 1981-07)
Texter und Komponist(in):
Ian Burden und Philip Oakey
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), April Musikverlag GmbH (publisher) (in 1981), Dinsong Ltd. (in 1981), Sound Diagrams (publisher) (in 1981) und Virgin Music (Publishers) Ltd. (in 1981)
The Human League4.655:02
40Take My Heart (You Can Have It If You Want It)Kool & The Gang44:02
41Rio
recording of:
Rio
Texter und Komponist(in):
Alice May (singer and songwriter)
Maywood3:25
42Lately
assistierende(r) Techniker(in):
Bob Harlan
Techniker(in) und Mix:
Gary Olazabal
Produzent(in):
Stevie Wonder
Bass-Synthesizer und Klavier:
Stevie Wonder
arranger:
Stevie Wonder
aufgenommen bei und mixed at:
Wonderland Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Lately
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music und Jobete Music Co., Inc.
sub-publisher:
BMG Music Publishing Hong Kong Ltd
Stevie Wonder54:05
43Don't Stop the Music
Bearbeitung von:
Don’t Stop the Music von Yarbrough & Peoples
recording of:
Don’t Stop the Music
Verfasser(in):
Jonah Ellis, Alisa Peoples und Lonnie Simmons (producer, songwriter)
publisher:
BMG Platinum Songs US und BMG Rights Management (UK) Ltd. (not for release label use! see annotation)
Yarbrough & Peoples34:10
44Strada Del Sole
vocals:
Rainhard Fendrich (in 1981)
recording of:
Strada del Sole (in 1981)
Texter und Komponist(in):
Rainhard Fendrich
publisher:
Ed. Profil Promotion
Rainhard Fendrich3:15
45One in Ten
Produzent(in):
Ray Falconer und UB40
recording of:
One in Ten (original UB40 version)
Verfasser(in):
Jim Brown (UB40 drummer), Ali Campbell (UB40’s former vocalist), Robin Campbell, Earl Falconer, Norman Hassan, Brian Travers, Michael Virtue (keyboardist) und Terence Wilson (aka Astro of UB40)
UB403.654:34
46Life Is for Living
assistierende(r) Techniker(in):
Liz Biddiscombe
Techniker(in):
Martin Lawrence (engineer)
Produzent(in):
Barclay James Harvest und Martin Lawrence (engineer)
Bass, Gitarre und Keyboard:
Les Holroyd
Gitarre:
John Lees
Keyboard:
Stuart “Woolly” Wolstenholme
Schlagzeug:
Mel Pritchard
vocals:
Les Holroyd, John Lees und Stuart “Woolly” Wolstenholme
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1981) und Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
recording of:
Life Is for Living
Texter und Komponist(in):
Les Holroyd
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und St. Anne’s Music Ltd.
Barclay James Harvest3:40
47Harden My Heart
Techniker(in):
Paul Grupp
Produzent(in):
John Boylan
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 32)
recording of:
Harden My Heart
Texter und Komponist(in):
Marv Ross (guitarist, songwriter)
publisher:
Bonnie Bee Good Music (publisher) (in 1981), Geffen/Kaye Music (in 1981) und Narrow Dude Music (publisher) (in 1981)
Quarterflash43:53
48Per Elisa
Produzent(in):
Angelo Carrara (Italian record producer)
phonographisches Urheberrecht (℗) von:
EMI Italiana S.p.A. (not for release label use! Italian subsidiary of EMI 1967–1997) (in 1981)
Teil von:
Winners of the Sanremo Music Festival (Nummer: 1981)
recording of:
Per Elisa
Texter:
Alice (Italian singer Carla Bissi) und Franco Battiato (Italian singer-songwriter and composer)
Komponist(in):
Franco Battiato (Italian singer-songwriter and composer) und Giusto Pio
Alice3:37
49Give Me Back My Love
recording of:
Give Me Back My Love
Texter und Komponist(in):
Alice May (singer and songwriter)
Maywood3:58
50Souvenir
Orchestral Manoeuvres In The Dark3:38
51Stop the Cavalry
Produzent(in):
Bob Andrews (keyboardist and producer), Bob Andrews (UK keyboardist/producer) und Jona Lewie
vocals und Interpret(in):
Jona Lewie
phonographisches Urheberrecht (℗) von:
Stiff Records (in 1980) und Stiff Records Ltd. (in 1980)
recording of:
Stop the Cavalry
Texter und Komponist(in):
Jona Lewie
publisher:
Zomba Music Productions Ltd., Zomba Music Publishing Ltd. und Street Music Ltd. (in 1980)
Jona Lewie3.82:56
52L.A. Goodbye
Secret Service3:19
53Birds of Paradise - Remastered 2015
Peter, Sue & Marc3:52
54Banana Republic
recording of:
Banana Republic
Verfasser(in):
Pete Briquette und Bob Geldof
The Boomtown Rats35:03
55Lies
Produzent(in):
John Eden (producer) und Status Quo (UK boogie rock band)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1980)
recording of:
Lies
Verfasser(in):
Bernie Frost und Francis Rossi
publisher:
Birchwood Music Ltd., Dump Music Ltd., Eaton Music Limited und EMI Music Publishing Ltd. (PRS‐affiliated)
Status Quo4:03
56Ye Si Ca
recording of:
Ye-Si-Ca
Verfasser(in):
Björn Håkanson und Tim Norell
Secret Service3:10
57Punker Maria
Dieter Hallervorden3:09
58Oh Yeah!
Techniker(in):
Rhett Davies
Produzent(in):
Rhett Davies und Roxy Music
Mix:
Bob Clearmountain
Bassgitarre:
Neil Jason (bassist)
Gitarre:
Neil Hubbard und Phil Manzanera
Keyboard und Saiteninstrumente:
Paul Carrack
Klavier:
Bryan Ferry
Saxophon:
Andy Mackay (of Roxy Music)
Schlagzeug:
Allan Schwartzberg
vocals:
Bryan Ferry
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1980), Virgin EG Records Ltd. (in 1980) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980, in 1999)
aufgenommen bei:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und Gallery Studio (Chertsey, until 1997) in Chertsey, Surrey, England, Vereinigtes Königreich
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
Oh Yeah (Roxy Music)
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Songs Ltd., Careers–BMG Music Publishing, Inc., E.G. Music Inc. und E.G. Music Ltd. (publisher) (in 1980)
Roxy Music3.354:51
59(Do) The Hucklebuck
cover recording of:
The Hucklebuck
Texter:
Roy Alfred (Tin Pan Alley lyricist and composer)
zusätzliche(r) Verfasser(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Komponist(in):
Andy Gibson (trumpet, arranger, composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal/MCA Music Publishing Pty Ltd
Coast to Coast2:30
60Distant Love
recording of:
Distant Love
Texter und Komponist(in):
Alice May (singer and songwriter)
Maywood3:19
61Fremde Erde
Roy Black2:39
62Mind of a Toy
Produzent(in):
Midge Ure und Visage (new romantic band from London)
recording of:
Mind of a Toy
Verfasser(in):
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) und Midge Ure
Visage3:33
63Johnny Loves Jenny
Produzent(in):
Bernt Möhrle (songwriter, producer)
arranger:
Christian Kolonovits
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1981)
recording of:
Johnny Loves Jenny
Texter:
Patty Unwin
Verfasser(in):
Bellamy Logo (songwriter)
Komponist(in):
Christian Kolonovits und Bernt Möhrle (songwriter, producer)
publisher:
MdW (publisher) (in 1981)
Chilly3:20
64La Provence (Du Blühendes Land)Nana Mouskouri3:58
65Ai No Corrida
Synthesizer-Programmierung:
Ian Underwood
Produzent(in):
Quincy Jones
Bassgitarre:
Louis Johnson (bass, member of Brothers Johnson)
Clavinet:
David “Hawk” Wolinski
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Hybrid-Piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
membranophone:
John “JR” Robinson (session drummer)
Perkussion, Perkussion [mouth percussion] und sonstiger Gesang:
Paulinho da Costa (Brazilian percussionist)
Posaune:
Bill Reichenbach, Jr. (jazz trombonist)
Saxophon:
Kim Hutchcroft und Ernie Watts (jazz and blues saxophonist)
Synthesizer:
Craig Hundley, Greg Phillinganes und Ian Underwood
Trompete:
Chuck Findley (trumpet, trombone, horn player) und Jerry Hey
Hintergrundgesang:
Patti Austin, Tom Bahler und Jim Gilstrap
Sologesang:
Charles May
Blechblasinstrumente arranger:
Jerry Hey
Perkussion arranger:
Quincy Jones
Synthesizer arranger:
Jerry Hey und Quincy Jones
vocals arranger:
Patti Austin und Quincy Jones
cover recording of:
Ai no corrida
Verfasser(in):
Chaz Jankel (English musician and songwriter) und Kenny Young
publisher:
Lazy Lizard Music Inc.
Quincy Jones46:27
66Tierischer Tango
Dieter Hallervorden2:49
67Louise (We'll Get It Right)
Jona Lewie3:45

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2023)
kostenlos streamen:https://open.spotify.com/album/1Cz0CxPUwEmqUBY4oeHaxD [Info]
https://www.deezer.com/album/457040965 [Info]
Streaming-Seite:https://music.apple.com/gb/album/1692895529 [Info]
https://tidal.com/album/301525432 [Info]

Veröffentlichungsgruppe

Teil von:Best Of by uDiscover (Reihenfolge: 4)