Radio Caroline Calling: 70’s Flashback

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Sebastian
recording of:
Sebastian
Texter und Komponist(in):
Steve Harley
publisher:
Finchley Music Corp. und RAK Publishing Ltd.
Cockney Rebel4:24
2Milk and Alcohol
recording of:
Milk and Alcohol
Verfasser(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer) und Gypie Mayo
publisher:
Plangent Visions Music Ltd. und Rock Music Co., Ltd.
Dr. Feelgood2:37
3Whole Lotta Love
Produzent(in):
Mickie Most (English record producer)
arranger:
John Cameron (British composer, arranger and conductor)
instrumental cover recording of:
Whole Lotta Love
zusätzlicher Texter:
Willie Dixon
Verfasser(in):
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page und Robert Plant (of Led Zeppelin)
publisher:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB und WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
basiert auf:
You Need Love
CCS53:30
4Sympathy
recording engineer:
Malcolm Toft
E-Bass und Sologesang:
Steve Gould (English singer, bassist and guitarist)
elektronische Orgel:
Graham Field
Schlagzeug und Hintergrundgesang:
Mark Ashton (songwriter?)
Synthesizer:
Dave Kaffinetti
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1969)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Sympathy (in 1969)
Verfasser(in):
Mark Ashton (songwriter?), Graham Field, Steve Gould (English singer, bassist and guitarist) und Dave Kaffinetti
publisher:
Bienstock Publishing Company (ASCAP affiliated), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Intro (publisher), Meisel (publisher), Quartet Music Inc. und R & M Music Productions, Inc.
Rare Bird52:43
5I Hear You Knockin’
cover recording of:
I Hear You Knocking
Texter und Komponist(in):
Dave Bartholomew und Pearl King
publisher:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier und World Music (publisher)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds2:47
6American Pie
Techniker(in):
Tom Flye
Akustikgitarre und Banjo:
Don McLean (am 1971-05-26)
Bass:
Bob Rothstein (am 1971-05-26)
E-Gitarre:
David Spinozza (am 1971-05-26)
Hybrid-Piano:
Ray Colcord (am 1971-05-26)
Klavier:
Paul Griffin (American pianist, session musician) (am 1971-05-26)
Marimba und Vibraphon:
Mike Mainieri (am 1971-05-26)
Perkussion und Schlagzeug:
Roy Markowitz (am 1971-05-26)
Chorgesang:
West 44th Street Rhythm and Noise Choir (am 1971-05-26)
vocals:
Bob Rothstein (am 1971-05-26) und Don McLean (am 1971-05-26)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1971) und United Artists Records (for bootlegs and counterfeit) (in 1971)
teilweise recording of:
American Pie (am 1971-05-26)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd und Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:09
7Making Plans for Nigel
Techniker(in):
Hugh Padgham
Produzent(in):
Steve Lillywhite
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1979)
recording of:
Making Plans for Nigel
Texter und Komponist(in):
Colin Moulding
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) und Virgin Music (Publishers) Ltd.
XTC53:53
8Time in a Bottle
Produzent(in):
Terry Cashman und Tommy West
vocals:
Jim Croce (am 1971-10-11)
phonographisches Urheberrecht (℗) von:
R2M Music (BMI) (in 1972), BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 1973), Lastrada Entertainment Co., Ltd. (in 1973) und LeFrak-Moelis Records (in 1973)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1971-10-11)
recording of:
Time in a Bottle (am 1971-10-11)
Texter und Komponist(in):
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., DenJac Music Company und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.52:26
9The Air That I Breathe
Techniker(in):
Mike Jarratt (recording, mixing and lacquer cutting engineer) und Alan Parsons (of The Alan Parsons Project)
Produzent(in):
The Hollies und Ron Richards
vocals:
Allan Clarke (of The Hollies) (von 1973-11-15 bis 1973-11-22), Tony Hicks (von 1973-11-15 bis 1973-11-22) und Terry Sylvester (singer and guitarist) (von 1973-11-15 bis 1973-11-22)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) und Polydor International GmbH (not for release label use!) (in 1974)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-11-15 bis 1973-11-22)
cover recording of:
The Air That I Breathe (von 1973-11-15 bis 1973-11-22)
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies3.84:07
10Surrender to the Rhythm
recording of:
Surrender to the Rhythm
Verfasser(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
Brinsley Schwarz3:25
11Tubular Bells
recording of:
Tubular Bells
Komponist(in):
Mike Oldfield
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Teil von:
Tubular Bells, Part One
Mike Oldfield4.254:14
122‐4‐6‐8 Motorway
Produzent(in):
Vic Maile
Bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
Gitarre:
Danny Kustow (am 1977-09-14)
Klavier und Orgel:
Mark Ambler (am 1977-09-14)
Schlagzeug:
Dolphin Taylor (am 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
Berwick Street Studios in Westminster, London (Greater London), England, Vereinigtes Königreich (am 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (am 1977-09-14)
Texter und Komponist(in):
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:18
13Magic
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 41)
recording of:
Magic
Verfasser(in):
Billy Lyall und David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Robbins Music Corp. Ltd.
Pilot4.753:03
14Sunday Girl
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978, in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) und Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
recording of:
Sunday Girl (von 1978-06 bis 1978-07)
Texter und Komponist(in):
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) und Rare Blue Music Inc (in 1978)
Blondie3.83:03
15Be Good to Yourself
cover recording of:
Be Good to Yourself
Texter und Komponist(in):
Andy Fraser (English bassist, member of Free)
Frankie Miller3:00
16Reminiscing
recorded in:
Australien (in 1978-03)
produced in:
Australien
Produzent(in):
John Boylan und Little River Band
Bass:
George McArdle (in 1978-03)
E-Gitarre:
Beeb Birtles (in 1978-03), David Briggs (producer, guitarist of Little River Band) (in 1978-03) und Graham Goble (in 1978-03)
Gast-Hybrid-Piano:
Peter Jones (Australian pianist/composer) (in 1978-03)
Saiteninstrumente:
Rick Formosa (in 1978-03)
Schlagzeug:
Derek Pellicci (in 1978-03)
Solo-Flügelhorn:
Bob Venier (brass) (in 1978-03)
Solo-Trompete:
Bill Harrower (in 1978-03)
vocals:
Beeb Birtles (in 1978-03), Graham Goble (in 1978-03) und Glenn Shorrock (in 1978-03)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1978), EMI Music Australia Pty. Limited (not for release label use!) (in 1978, in 2002), EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1978) und EMI Music Australia (defunct holding company, not for release label use!) (in 2002)
produced for:
Tumbleweed Productions
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 17) und Billboard Year-End Hot 100 singles of 1978 (Nummer: 65)
recording of:
Reminiscing (in 1978-03)
Texter und Komponist(in):
Graeham Goble
publisher:
American Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) und Wheatley Music Pty Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Little River Band54:10
17July Morning
Techniker(in):
Peter Gallen
Produzent(in):
Gerry Bron
Bassgitarre und E-Bass:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
Gitarre:
Mick Box (in 1971-07)
Orgel:
Ken Hensley (in 1971-07)
Schlagzeug:
Iain Clarke (UK drummer, former member of Uriah Heep and Cressida) (in 1971-07)
zusätzlich Minimoog:
Manfred Mann (the person) (in 1971-07)
Sologesang:
David Byron (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographisches Urheberrecht (℗) von:
Bronze Records Ltd. (in 1971), Castle Copyrights Ltd. (in 1971) und Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
aufgenommen bei:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Vereinigtes Königreich (in 1971-07)
recording of:
July Morning (in 1971-07)
Verfasser(in):
David Byron und Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. und S. Bron Music Co. Ltd.
Uriah Heep4.610:21
18Apache Dropout
Produzent(in):
Peter Jenner
phonographisches Urheberrecht (℗) von:
Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (von 1970 bis 2001) und EMI Records (not for release label use!) (vom 2001 bis heute)
produced for:
Blackhill Enterprises
cover recording of:
Apache
Komponist(in):
Jerry Lordan
publisher:
Francis, Day & Hunter Ltd.
cover recording of:
Dropout Boogie
Texter:
Herb Bermann
Verfasser(in):
Don van Vliet
publisher:
EMI United Partnership Ltd. und Kama Sutra Music Inc. (USA branch)
Edgar Broughton Band2:45
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Nennungen

Veröffentlichung

hergestellt in:Frankreich
design:Studio Eric Wondergem BNO
vertrieben von und vermarkted von:Disky Communications Europe B.V. (Copyright holder. File NO releases.)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Disky Communications Europe B.V. (Copyright holder. File NO releases.) (in 2001)
lizensiert von:BR Music Two B.V.
EMI (EMI Records, or EMI Music only if there is no other imprint)
Jonathan King Enterprises Ltd.
Red Bullet (Dutch independent label)
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only)
The Hit Label
Trojan Records
Discogs:https://www.discogs.com/release/4896934 [Info]
ASIN:UK: B00005RW2B [Info]