| # | Title | Rating | Length |
|---|
| 1 | Spirit of the Sea | 3.4 | 4:52 |
| 2 | Castles and Dreams- recording engineer:
- Peter Waschelewski
- engineer:
- Mike “Metal” Goldberg, Joe James , Peter Rooth and Peter Waschelewski
- producer:
- Ritchie Blackmore, Jeff Glixman and Roy McDonald
- additional guest keyboard:
- Jeff Glixman and Roy McDonald
- bass, drums (drum set), guitar, mandolin and tambourine:
- Ritchie Blackmore
- guest drums (drum set):
- Kevin Dunne
- guest hurdy gurdy:
- Mr. Heller and Mrs. Heller
- guest trumpet:
- Mark Pender
- whistle:
- Candice Night
- guest background vocals:
- Sue Goehringer, John Gould , Scott Hazell and Trish
- vocals:
- Candice Night
- phonographic copyright (℗) by:
- Minstrel Hall Music (in 1999)
- recorded at:
- Wasteland Studios in Heidenheim, Bayern , Germany
- produced at:
- Apres Midi in New Jersey, United States, Lobo Studios in Deerpark, New York, United States and Wasteland Stage in Wacken, Schleswig-Holstein, Germany
- recording of:
- Castles and Dreams
- lyricist:
- Candice Night
- composer:
- Ritchie Blackmore
- publisher:
- Haunted Song Music and Minstrel Hall Music
| 4 | 3:35 |
| 3 | No Second Chance | 4.25 | 5:40 |
| 4 | Home Again | 4 | 5:28 |
| 5 | Now and Then- recording engineer:
- Peter Waschelewski
- engineer:
- Mike “Metal” Goldberg and Peter Rooth
- producer:
- Ritchie Blackmore, Jeff Glixman and Roy McDonald
- additional guest keyboard:
- Jeff Glixman and Roy McDonald
- bass, drums (drum set), guitar, mandolin and tambourine:
- Ritchie Blackmore
- guest drums (drum set):
- Kevin Dunne
- guest hurdy gurdy:
- Mr. Heller and Mrs. Heller
- guest trumpet:
- Mark Pender
- keyboard:
- Jens Johansson
- whistle:
- Candice Night
- guest background vocals:
- Sue Goehringer, John Gould , Scott Hazell and Trish
- vocals:
- Candice Night
- phonographic copyright (℗) by:
- Minstrel Hall Music (in 1999)
- recorded at:
- Wasteland Studios in Heidenheim, Bayern , Germany
- produced at:
- Apres Midi in New Jersey, United States, Lobo Studios in Deerpark, New York, United States and Wasteland Stage in Wacken, Schleswig-Holstein, Germany
- recording of:
- Now and Then
- lyricist and composer:
- Candice Night
- publisher:
- Haunted Song Music
| 3.8 | 3:13 |
| 6 | Diamonds and Rust | 4.35 | 4:50 |
| 7 | Play Minstrel Play | 4.2 | 4:01 |
| 8 | Beyond the Sunset- recording engineer:
- Peter Waschelewski
- engineer:
- Mike “Metal” Goldberg, Joe James , Peter Rooth and Peter Waschelewski
- producer:
- Ritchie Blackmore, Jeff Glixman and Roy McDonald
- additional guest keyboard:
- Jeff Glixman and Roy McDonald
- bass, drums (drum set), guitar, mandolin and tambourine:
- Ritchie Blackmore
- guest drums (drum set):
- Kevin Dunne
- guest hurdy gurdy:
- Mr. Heller and Mrs. Heller
- guest trumpet:
- Mark Pender
- whistle:
- Candice Night
- guest background vocals:
- Sue Goehringer, John Gould , Scott Hazell and Trish
- vocals:
- Candice Night
- phonographic copyright (℗) by:
- Minstrel Hall Music (in 1999)
- recorded at:
- Wasteland Studios in Heidenheim, Bayern , Germany
- produced at:
- Apres Midi in New Jersey, United States, Lobo Studios in Deerpark, New York, United States and Wasteland Stage in Wacken, Schleswig-Holstein, Germany
- recording of:
- Beyond the Sunset
- composer:
- Ritchie Blackmore
- publisher:
- Minstrel Hall Music
| 3.5 | 3:44 |
| 9 | Hark the Herald Angels Sing/Come All Ye Faithful- producer:
- Pat Regan
- bagpipe:
- Albert Dannemann
- bass:
- Sir Robert of Normandie
- drums (drum set):
- Anton Fig
- guitar, hurdy gurdy, mandola, nyckelharpa and percussion:
- Ritchie Blackmore
- keyboard:
- Bard David of Larchmont and Pat Regan
- recorder, shawm, tin whistle and tin whistle [pennywhistle]:
- Candice Night
- violin:
- Sarah Steiding
- background vocals:
- Albert Dannemann, Jim Manngard and Iain Robertson
- choir vocals [harmony vocals]:
- Sisters of the Moon
- vocals:
- Candice Night
- arranger:
- Ritchie Blackmore and Pat Regan
- phonographic copyright (℗) by:
- Icarus Music (in 2006)
- recorded at:
- Minstrell Hall in New York, New York, United States (in 2005)
- medley including a recording of:
- Hark! The Herald Angels Sing
- additional lyricist:
- George Whitefield (in 1753)
- lyricist:
- Charles Wesley (in 1739)
- composer:
- Felix Mendelssohn (in 1840)
- arranger:
- William H. Cummings (in 1855)
- part of:
- The New English Hymnal (number: 26)
- medley including a recording of:
- O Come, All Ye Faithful
- lyricist and composer:
- John Francis Wade (from 1740 until 1743)
- translator:
- Frederick Oakeley (in 1841)
- arrangement of:
- O Come, All Ye Faithful
- translated version of:
- Adeste fideles
| 5 | 3:48 |
| 10 | Keeper of the Flame | 4 | 4:39 |
| 11 | Locked Within the Crystal Ball | 4.5 | 8:02 |
| 12 | All Because of You | 4.35 | 3:35 |
| 13 | Rainbow Blues | 3.65 | 4:27 |
| 14 | Mond Tanz/Child in Time- producer:
- Pat Regan
- acoustic guitar, electric guitar, hurdy gurdy and percussion [various drums]:
- Ritchie Blackmore
- bagpipe:
- Albert Dannemann
- bass guitar:
- Sir Robert of Normandie
- drums (drum set):
- Anton Fig
- keyboard:
- Bard David of Larchmont , The Minstrel Hall Consort and Pat Regan
- practice chanter, rauschpfeife, recorder, shawm and lead vocals:
- Candice Night
- violin:
- Sarah Steiding
- background vocals:
- Bard David of Larchmont , Albert Dannemann, Jim Manngard, Candice Night and Iain Robertson
- choir vocals [harmony vocals]:
- Lady Madeline and Lady Nancy
- cover recording of:
- Child in Time
- writer:
- Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
- publisher:
- B. Feldman & Co. , B. Feldman & Co. Ltd. , EMI Music Publishing , EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (until 2021-06-30), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- is based on:
- Bombay Calling
- recording of:
- Mond Tanz
- composer:
- Ritchie Blackmore
- publisher:
- Minstrel Hall Music
| 4.35 | 6:11 |
| 15 | Street of Dreams | 4.35 | 4:32 |
| 16 | All the Fun of the Fayre | 4.5 | 3:53 |
| 17 | Toast to Tomorrow | 4 | 3:46 |
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