The Queen of Soul

~ Veröffentlichung von Aretha Franklin (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

The set also mixes in several rare outtakes of songs like "It Was You" from Aretha Arrives and "Talk to Me, Talk to Me" from Soul '69. The collection also spotlights the great music Franklin recorded in the 1970s, including the two albums she released to open the decade - This Girl's in Love with You and Spirit in the Dark. The former boasted an electrifying version of the Band's "The Weight" with Duane Allman on slide guitar, while the latter featured the hit "Don't Play That Song."

Along with several singles from this era ("Spanish Harlem" and "Bridge Over Troubled Water"), The Queen of Soul also gathers up several live performances with "Spirit in the Dark" (Reprise with Ray Charles) from Aretha Live at the Fillmore West (1971), plus several songs from her live album Amazing Grace (1972). The latter recording won the Grammy Award for Best Soul Gospel Performance in 1973 and remains Franklin's best-selling album to date."

Anmerkung zuletzt geändert am 2021-08-21 05:02 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1I Never Loved a Man (The Way I Love You) (mono version)
recording of:
I Never Loved a Man (The Way I Love You)
Texter und Komponist(in):
Ronnie Shannon
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music und Pronto Music (publisher)
2:51
2Do Right Woman – Do Right Man (mono version)
recording engineer:
Arif Mardin
Produzent(in):
Jerry Wexler
Bass:
Tommy Cogbill (am 1967-01-24)
Klavier:
Aretha Franklin (am 1967-01-24)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-01-24)
Hintergrundgesang:
Carolyn Franklin (am 1967-01-24)
vocals:
Aretha Franklin (am 1967-01-24)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-01-24)
recording of:
Do Right Woman, Do Right Man (am 1967-01-24)
Verfasser(in):
Chips Moman und Dan Penn (songwriter, soul singer)
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), TRO Essex Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
3:17
3Respect
recording engineer:
Tom Dowd (am 1967-02-14)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
conductor:
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
3.92:27
4Drown in My Own Tears (mono version)
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bass:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Dewey "Spooner" Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Trompete:
Melvin Lastie (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
cover recording of:
Drown in My Own Tears (am 1967-02-14)
Texter und Komponist(in):
Henry Glover
publisher:
Fort Knox Music Inc., Jay & Cee, Jay and Cee Music Corp., Jaycee Music und Trio Music Co., Inc.
4:07
5Soul Serenade (mono version)
cover recording of:
Soul Serenade
Verfasser(in):
Luther Dixon und Curtis Ousley
publisher:
Frederick Music Co. und Katrina Music Co.
2:39
6Don’t Let Me Lose This Dream (mono version)
recording of:
Don’t Let Me Lose This Dream
Verfasser(in):
Aretha Franklin und Ted White (husband & co-songwriter of Aretha Franklin)
2:24
7Baby, Baby, Baby (mono version)
recording of:
Baby, Baby, Baby
Verfasser(in):
Aretha Franklin und Carolyn Franklin
publisher:
Fourteenth Hour Music, Inc. und Pronto Music (publisher)
2:55
8Dr. Feelgood (Love Is Serious Business)
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-15)
Bassgitarre:
Tommy Cogbill (am 1967-02-15)
Klavier:
Aretha Franklin (am 1967-02-15)
Kornett:
Melvin Lastie (am 1967-02-15)
Orgel:
Spooner Oldham (am 1967-02-15)
Schlagzeug:
Gene Chrisman (am 1967-02-15)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-15) und King Curtis (saxophonist) (am 1967-02-15)
Trompete:
Ernie Royal (am 1967-02-15)
vocals:
Aretha Franklin (am 1967-02-15)
conductor:
Tom Dowd (am 1967-02-15)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-15)
recording of:
Dr. Feelgood (Love Is a Serious Business) (am 1967-02-15)
Verfasser(in):
Aretha Franklin und Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music und Pronto Music (publisher)
4.653:23
9Good Times (mono version)
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-15)
Bass:
Tommy Cogbill (am 1967-02-15)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-15)
Klavier:
Dewey "Spooner" Oldham (am 1967-02-15)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-15)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-15) und King Curtis (saxophonist) (am 1967-02-15)
Trompete:
Melvin Lastie (am 1967-02-15)
vocals:
Aretha Franklin (am 1967-02-15)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-15)
cover recording of:
Good Times (am 1967-02-15)
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd. und ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
2:10
10Save Me (mono version)
recording of:
Save Me (Aretha Franklin song)
Verfasser(in):
Aretha Franklin, Carolyn Franklin und Curtis Ousley
publisher:
Kilynn Music und Pronto Music (publisher)
2:21
11Baby, I Love You
recording engineer:
Tom Dowd (am 1967-06-23) und Arif Mardin (am 1967-06-23)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-06-23)
Bassgitarre:
Tommy Cogbill (am 1967-06-23)
Bassposaune:
Tony Studd (am 1967-06-23)
E-Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-06-23) und Joe South (am 1967-06-23)
Hybrid-Piano, Klavier und Orgel:
Spooner Oldham (am 1967-06-23) und Truman Thomas (am 1967-06-23)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-06-23)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-06-23) und King Kurtis (saxophonist) (am 1967-06-23)
Trompete:
Melvin Lastie (am 1967-06-23)
Vibraphon:
Ted Somers (vibes) (am 1967-06-23)
Chorgesang:
Aretha Franklin (am 1967-06-23), Carolyn Franklin (am 1967-06-23) und Irma Franklyn (am 1967-06-23)
Sologesang:
Aretha Franklin (am 1967-06-23)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-06-23)
recording of:
Baby I Love You (am 1967-06-23)
Texter und Komponist(in):
Ronnie Shannon
publisher:
14th Hour Music, Fourteenth Hour Music, Inc. und Pronto Music (publisher)
32:45
12Satisfaction
recording engineer:
Tom Dowd (am 1967-06-21) und Arif Mardin (am 1967-06-21)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-06-21)
Bass:
Tommy Cogbill (am 1967-06-21)
E-Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-06-21) und Joe South (am 1967-06-21)
Klavier:
Spooner Oldham (am 1967-06-21)
Orgel:
Truman Thomas (am 1967-06-21)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-06-21)
Sologesang:
Aretha Franklin (am 1967-06-21)
arranger:
Tom Dowd und Arif Mardin
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-06-21)
cover recording of:
(I Can’t Get No) Satisfaction (am 1967-06-21)
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), BMG VM Music Ltd. und Essex Music International
2:40
13You Are My Sunshine (mono version)
cover recording of:
You Are My Sunshine
Nationalhymne von:
Louisiana, Vereinigte Staaten
Verfasser(in):
Jimmie Davis (American politician, singer and songwriter) und Charles Mitchell (1940s songwriter and steel guitarist)
publisher:
Peer International (BMI) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (am 1940-01-30)
4:23
14Never Let Me Go (mono version)
cover recording of:
Never Let Me Go
Texter und Komponist(in):
Joseph Scott (Joseph Wade Scott)
publisher:
Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!) und Duchess Music Corporation (BMI-affiliated) (in 1954)
2:54
15Prove It (mono version)
cover recording of:
Prove It
Verfasser(in):
Randy Evretts und Horace Ott
3:01
16I Wonder (mono version)
cover recording of:
I Wonder
Verfasser(in):
Cecil Gant und Raymond Leveen (Composer, songwriter and author)
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
basiert auf:
I Wonder
4:26
17Ain’t Nobody (Gonna Turn Me Around) (mono version)
recording of:
Ain’t Nobody (Gonna Turn Me Around)
Texter und Komponist(in):
Carolyn Franklin
publisher:
Fourteenth Hour Music, Inc. und Pronto Music (publisher)
2:38
18It Was You (mono version)
cover recording of:
It Was You
Verfasser(in):
James Brown (The Godfather of Soul)
3:46
19(You Make Me Feel Like) A Natural Woman
recording engineer:
Tom Dowd (am 1967-02-16)
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-02-16)
Klavier:
Spooner Oldham (am 1967-02-16)
Schlagzeug:
Gene Chrisman (am 1967-02-16)
Trompete:
Bernie Glow (am 1967-02-16), Melvin Lastie (am 1967-02-16) und Joe Newman (US jazz trumpeter) (am 1967-02-16)
Chorgesang:
Carolyn Franklin (am 1967-02-16), Erma Franklin (am 1967-02-16) und The Sweet Inspirations (am 1967-02-16)
vocals:
Aretha Franklin (am 1967-02-16)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-16)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 10) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 90)
recording of:
(You Make Me Feel Like) A Natural Woman (am 1967-02-16)
Texter:
Gerry Goffin
zusätzliche(r) Verfasser(in):
Jerry Wexler
Komponist(in):
Carole King
publisher:
Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
4.22:49
20Chain of Fools
recorded in:
New York, New York, Vereinigte Staaten
recording engineer und Mix:
Tom Dowd
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-06-23)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-06-23) und Joe South (am 1967-06-23)
Hybrid-Piano:
Spooner Oldham (am 1967-06-23)
Klavier:
Aretha Franklin (am 1967-06-23)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-06-23)
Chorgesang:
Carolyn Franklin (am 1967-06-23), Erma Franklin (am 1967-06-23), Ellie Greenwich (am 1967-06-23) und The Sweet Inspirations (am 1967-06-23)
vocals:
Aretha Franklin (am 1967-06-23)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-06-23)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 249) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 306)
recording of:
Chain of Fools (am 1967-06-23)
Texter und Komponist(in):
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adaptations:
Verlga norih
4.252:49
21People Get Ready
recorded in:
New York, New York, Vereinigte Staaten (von 1967-12-19 bis 1967-12-20)
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (von 1967-12-19 bis 1967-12-20)
Bassgitarre:
Tommy Cogbill (von 1967-12-19 bis 1967-12-20)
Bassposaune:
Tony Studd (von 1967-12-19 bis 1967-12-20)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1967-12-19 bis 1967-12-20), Joe South (von 1967-12-19 bis 1967-12-20) und Bobby Womack (von 1967-12-19 bis 1967-12-20)
Hybrid-Piano und Orgel:
Spooner Oldham (von 1967-12-19 bis 1967-12-20)
Klavier:
Aretha Franklin (von 1967-12-19 bis 1967-12-20)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1967-12-19 bis 1967-12-20)
Tenorsaxophon:
King Curtis (saxophonist) (von 1967-12-19 bis 1967-12-20), Seldon Powell (von 1967-12-19 bis 1967-12-20) und Frank Wess (von 1967-12-19 bis 1967-12-20)
Trompete:
Bernie Glow (von 1967-12-19 bis 1967-12-20), Melvin Lastie (von 1967-12-19 bis 1967-12-20) und Joe Newman (US jazz trumpeter) (von 1967-12-19 bis 1967-12-20)
Vibraphon:
Warren Smith (jazz percussionist) (von 1967-12-19 bis 1967-12-20)
Chorgesang:
Aretha Franklin (von 1967-12-19 bis 1967-12-20), Carolyn Franklin (von 1967-12-19 bis 1967-12-20) und The Sweet Inspirations (von 1967-12-19 bis 1967-12-20)
vocals:
Aretha Franklin (von 1967-12-19 bis 1967-12-20)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
cover recording of:
People Get Ready (von 1967-12-19 bis 1967-12-20)
Texter und Komponist(in):
Curtis Mayfield
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
43:44
22Come Back Baby
recorded in:
New York, New York, Vereinigte Staaten (von 1967-12-19 bis 1967-12-20)
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (von 1967-12-19 bis 1967-12-20)
Bassgitarre:
Tommy Cogbill (von 1967-12-19 bis 1967-12-20)
Bassposaune:
Tony Studd (von 1967-12-19 bis 1967-12-20)
flute:
Frank Wess (von 1967-12-19 bis 1967-12-20)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1967-12-19 bis 1967-12-20), Joe South (von 1967-12-19 bis 1967-12-20) und Bobby Womack (von 1967-12-19 bis 1967-12-20)
Hybrid-Piano und Orgel:
Spooner Oldham (von 1967-12-19 bis 1967-12-20)
Klavier:
Aretha Franklin (von 1967-12-19 bis 1967-12-20)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1967-12-19 bis 1967-12-20)
Tenorsaxophon:
King Curtis (saxophonist) (von 1967-12-19 bis 1967-12-20), Seldon Powell (von 1967-12-19 bis 1967-12-20) und Frank Wess (von 1967-12-19 bis 1967-12-20)
Trompete:
Bernie Glow (von 1967-12-19 bis 1967-12-20), Melvin Lastie (von 1967-12-19 bis 1967-12-20) und Joe Newman (US jazz trumpeter) (von 1967-12-19 bis 1967-12-20)
Vibraphon:
Warren Smith (jazz percussionist) (von 1967-12-19 bis 1967-12-20)
Hintergrundgesang:
Carolyn Franklin (von 1967-12-19 bis 1967-12-20) und The Sweet Inspirations (von 1967-12-19 bis 1967-12-20)
vocals:
Aretha Franklin (von 1967-12-19 bis 1967-12-20)
arranger:
Tom Dowd und Arif Mardin
cover recording of:
Come Back Baby
Verfasser(in):
Ray Charles (soul musician, singer and songwriter) und Walter Davis (American blues singer and pianist)
publisher:
Progressive Music (publisher), Rightsong Music und Unichappell Music, Inc.
Version von:
Come Back Baby
32:27
23Good to Me as I Am to You
recorded in:
New York, New York, Vereinigte Staaten (von 1967-12-16 bis 1967-12-17)
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (von 1967-12-16 bis 1967-12-17)
Bassgitarre:
Tommy Cogbill (von 1967-12-16 bis 1967-12-17)
Bassposaune:
Tony Studd (von 1967-12-16 bis 1967-12-17)
Gast-Gitarre [guitar obbligato]:
Eric Clapton (von 1967-12-16 bis 1967-12-17)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1967-12-16 bis 1967-12-17), Joe South (von 1967-12-16 bis 1967-12-17) und Bobby Womack (von 1967-12-16 bis 1967-12-17)
Hybrid-Piano und Orgel:
Spooner Oldham (von 1967-12-16 bis 1967-12-17)
Klavier:
Aretha Franklin (von 1967-12-16 bis 1967-12-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1967-12-16 bis 1967-12-17)
Tenorsaxophon:
King Curtis (saxophonist) (von 1967-12-16 bis 1967-12-17), Seldon Powell (von 1967-12-16 bis 1967-12-17) und Frank Wess (von 1967-12-16 bis 1967-12-17)
Trompete:
Bernie Glow (von 1967-12-16 bis 1967-12-17), Melvin Lastie (von 1967-12-16 bis 1967-12-17) und Joe Newman (US jazz trumpeter) (von 1967-12-16 bis 1967-12-17)
Vibraphon:
Warren Smith (jazz percussionist) (von 1967-12-16 bis 1967-12-17)
Chorgesang:
Aretha Franklin (von 1967-12-16 bis 1967-12-17), Carolyn Franklin (von 1967-12-16 bis 1967-12-17) und The Sweet Inspirations (von 1967-12-16 bis 1967-12-17)
vocals:
Aretha Franklin (von 1967-12-16 bis 1967-12-17)
arranger:
Tom Dowd und Arif Mardin
recording of:
Good to Me as I Am to You (von 1967-12-16 bis 1967-12-17)
Verfasser(in):
Aretha Franklin und Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music
4.653:58
24Since You’ve Been Gone (Sweet Sweet Baby)
recorded in:
New York, New York, Vereinigte Staaten
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Henry Haywood (von 1967-12-16 bis 1967-12-17)
Bassgitarre:
Tommy Cogbill (von 1967-12-16 bis 1967-12-17)
Bassposaune:
Tony Studd (von 1967-12-16 bis 1967-12-17)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1967-12-16 bis 1967-12-17) und Bobby Womack (von 1967-12-16 bis 1967-12-17)
Hybrid-Piano:
Spooner Oldham (von 1967-12-16 bis 1967-12-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1967-12-16 bis 1967-12-17)
Tenorsaxophon:
King Curtis (saxophonist) (von 1967-12-16 bis 1967-12-17), Seldon Powell (von 1967-12-16 bis 1967-12-17) und Frank Wess (von 1967-12-16 bis 1967-12-17)
Trompete:
Bernie Glow (von 1967-12-16 bis 1967-12-17), Melvin Lastie (von 1967-12-16 bis 1967-12-17) und Joe Newman (US jazz trumpeter) (von 1967-12-16 bis 1967-12-17)
Chorgesang:
Carolyn Franklin (von 1967-12-16 bis 1967-12-17), Erma Franklin (von 1967-12-16 bis 1967-12-17) und The Sweet Inspirations (von 1967-12-16 bis 1967-12-17)
vocals:
Aretha Franklin (von 1967-12-16 bis 1967-12-17)
Horn arranger:
Arif Mardin
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1967-12-16 bis 1967-12-17)
cover recording of:
(Sweet, Sweet Baby) Since You’ve Been Gone (von 1967-12-16 bis 1967-12-17)
Verfasser(in):
Aretha Franklin und Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, Cotillion Music Inc. (BMI), EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
4.352:26
25Ain’t No Way
recorded in:
New York, New York, Vereinigte Staaten
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Henry Haywood (von 1967-12-19 bis 1967-12-20)
Bassgitarre:
Tommy Cogbill (von 1967-12-19 bis 1967-12-20)
Bassposaune:
Tony Studd (von 1967-12-19 bis 1967-12-20)
flute:
Frank Wess (von 1967-12-19 bis 1967-12-20)
Klavier:
Aretha Franklin (von 1967-12-19 bis 1967-12-20)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1967-12-19 bis 1967-12-20)
Tenorsaxophon:
King Curtis (saxophonist) (von 1967-12-19 bis 1967-12-20), Seldon Powell (von 1967-12-19 bis 1967-12-20) und Frank Wess (von 1967-12-19 bis 1967-12-20)
Trompete:
Bernie Glow (von 1967-12-19 bis 1967-12-20), Melvin Lastie (von 1967-12-19 bis 1967-12-20) und Joe Newman (US jazz trumpeter) (von 1967-12-19 bis 1967-12-20)
Vibraphon:
Warren Smith (jazz percussionist) (von 1967-12-19 bis 1967-12-20)
Chorgesang:
Carolyn Franklin (von 1967-12-19 bis 1967-12-20) und The Sweet Inspirations (von 1967-12-19 bis 1967-12-20)
Hintergrundgesang:
Cissy Houston (von 1967-12-19 bis 1967-12-20)
vocals:
Aretha Franklin (von 1967-12-19 bis 1967-12-20)
Horn arranger und Saiteninstrumente arranger:
Arif Mardin
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1967-12-19 bis 1967-12-20)
recording of:
Ain’t No Way (von 1967-12-19 bis 1967-12-20)
Texter und Komponist(in):
Carolyn Franklin
publisher:
14th Hour Music, Cotillion Music Inc. (BMI), Fourteenth Hour Music, Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
54:15
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