Essential Easy: 4 Decades of Timeless Classics

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1The More I See You
Chris Montez2:40
2Being With You
assistente tecnico:
Richie Griffin
tecnico:
Howard Lee Wolen e Mark Wolfson
produttore:
George Tobin
tecnico di missaggio:
Mike Piccirillo e George Tobin
arrangiatore:
George Tobin
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1981) e Motown Record Corporation (company credits only; do NOT use as release label) (nel 1981)
registrata presso e mixata presso:
Studio Sound Recorders in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Being With You
paroliere e compositore:
Smokey Robinson
editore:
Bertram Music Company, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. e Primary Wave Robinson
Smokey Robinson3.254:01
3You Don't Have to Say You Love Me
produttore:
John Franz
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 491)
registrazione di:
You Don’t Have to Say You Love Me
paroliere:
Simon Napier-Bell, Vito Pallavicini (Lyricist) e Vicki Wickham
compositore:
Pino Donaggio (Italian singer‐songwriter and score composer)
editore:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. e Miller Music Corp.
versione tradotta di:
Io che non vivo (senza te)
Dusty Springfield3.72:49
4Stuck in the Middle With You
tecnico di registrazione:
Geoff Emerick (British recording engineer) (nel 1972) e John Mills (recording/mix engineer) (nel 1972)
produttore:
Jerry Leiber e Mike Stoller
basso elettrico :
Tony Williams (bass) (nel 1972)
batteria :
Rod Coombes (nel 1972)
chitarra :
Paul Pilnick (nel 1972) e Gerry Rafferty (nel 1972)
tastiera :
Joe Egan (Scottish singer-songwriter) (nel 1972)
voce:
Joe Egan (Scottish singer-songwriter) (nel 1972) e Gerry Rafferty (nel 1972)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1972) e A&M Records, Ltd. (nel 1972)
video musicali:
Stuck in the Middle With You di Stealers Wheel
registrazione di:
Stuck in the Middle With You (nel 1972)
paroliere e compositore:
Gerald Rafferty e Joe Egan (Scottish singer-songwriter)
editore:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. e Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:26
5Summertime
registrazione cover di:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Billy Stewart4:57
6Say What You Want
tecnico di registrazione:
Nick Addison, Ian Grimble, Ash Howes (British mixer, writer and musician), Kenny MacDonald e Texas (Scottish pop rock band)
programmazione:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Richard Hynd, Johnny McElhone e Sharleen Spiteri
programmazione aggiuntiva:
Paul Taylor (UK songwriter, producer, keyboardist, programmer, engineer)
tecnico audio:
Ash Howes (British mixer, writer and musician)
produttore e tecnico di missaggio:
Texas (Scottish pop rock band)
produttore aggiunto:
Boilerhouse Boys
chitarra :
Johnny McElhone e Ally McErlaine (Scottish guitarist)
tastiera :
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes) e Johnny McElhone
registrazione di:
Say What You Want
paroliere e compositore:
Johnny McElhone e Sharleen Spiteri
editore:
EMI 10 Music
Texas3.83:56
7The Sun Ain't Gonna Shine Anymore
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (not for release label use!) (nel 1966) e PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1966)
registrazione cover di:
The Sun Ain’t Gonna Shine (Anymore) (nel 1966)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), Seasons Four Music e Warner Chappell Music (publisher as Warner/Chappell Music)
The Walker Brothers3.53:03
8Stars
Jr. Walker & the All Stars4:07
9Take That Look Off Your Face
voce:
Marti Webb (actress and singer)
voce principale:
Marti Webb (actress and singer)
registrazione di:
Take That Look Off Your Face
paroliere:
Don Black (English lyricist)
paroliere aggiunto:
Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e The Really Useful Company Ltd. (The Really Useful Company Limited)
parte di:
Song & Dance (Andrew Lloyd Webber musical)
parte di:
Tell Me on a Sunday (full musical)
Marti Webb3:00
10My Guy
basso :
James Jamerson (nel 1964)
batteria :
Benny Benjamin (US drummer) (nel 1964)
chitarra :
Robert White (US funk/soul guitarist) (nel 1964) e Eddie Willis (nel 1964)
organo :
Earl Van Dyke (nel 1964)
pianoforte :
Johnny Griffith (nel 1964)
strumenti:
The Funk Brothers (nel 1964)
tromba :
Russell Conway (trumpet player) (nel 1964) e Herbert Williams (trumpet player) (nel 1964)
trombone :
George Bohanon (nel 1964) e Paul Riser (nel 1964)
vibrafono :
Dave Hamilton (US guitar/vibraphone player) (nel 1964)
voce di accompagnamento:
The Andantes (nel 1964), Marlene Barrow (nel 1964), Louvain Demps (nel 1964) e Jackie Hicks (nel 1964)
voce principale:
Mary Wells (Motown singer) (nel 1964)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1964)
registrazione di:
My Guy (nel 1964)
paroliere e compositore:
Smokey Robinson
editore:
Jobette Music (UK) Ltd.
Mary Wells4.22:50
11Love Is All Around
co-produttore:
Graeme Duffin
direttore d'orchestra:
Fiachra Trench
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1994) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1994)
video musicali:
Love Is All Around di Wet Wet Wet
registrazione cover di:
Love Is All Around
paroliere e compositore:
Reg Presley
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.853:59
12Love's Theme
tecnico:
Paul Elmore (engineer) e Frank Kegmer (engineer)
produttore:
Barry White
orchestra:
Love Unlimited Orchestra
direttore d'orchestra:
Barry White
arrangiatore:
Gene Page (conductor, composer, arranger and record producer) e Barry White
diritti fonografici (℗) detenuti da:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (nel 1973)
registrazione di:
Love’s Theme (instrumental version) (nel 1973)
compositore:
Barry White
editore:
January Music Corp. e Sa‐Vette Music Inc.
Love Unlimited Orchestra4.654:11
13Can't Get Enough of Your Love
diritti fonografici (℗) detenuti da:
PolyGram Records (nel 1974)
registrazione di:
Can’t Get Enough of Your Love Babe
paroliere e compositore:
Barry White
editore:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (publisher as Warner/Chappell Music) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White44:03
14Dreadlock Holiday
tecnico:
Keith Bessey, Eric Stewart e Tony Spath
produttore:
Graham Gouldman e Eric Stewart
tecnico di missaggio:
Eric Stewart
agogô , campanaccio , congas , marimba , timbales e triangolo :
Paul Burgess (UK rock drummer)
batteria e tamburello :
Stuart Tosh
cabassa , chitarra basso e voce di accompagnamento e voce principale:
Graham Gouldman
chitarra elettrica :
Rick Fenn e Graham Gouldman
maracas e pianoforte elettrico :
Eric Stewart
organo :
Rick Fenn e Eric Stewart
sintetizzatore [Yamaha Cs80] :
Duncan Mackay (UK keyboardist/synthesizerist)
voce di accompagnamento:
Rick Fenn, Eric Stewart e Stuart Tosh
arrangiatore:
10cc
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1978) e Phonogram Ltd. (not for release label use!) (nel 1978)
registrata presso e mixata presso:
Strawberry Studios South in Dorking, Surrey, England, Regno Unito
video musicali:
Dreadlock Holiday di 10cc
registrazione di:
Dreadlock Holiday
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Man-Ken Music Ltd.
10cc4.654:29
15The Tracks of My Tears
registrazione di:
The Tracks of My Tears
autore:
Warren “Pete” Moore, Smokey Robinson e Marvin Tarplin
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music Co., Inc.
sub-editore:
Jobete Music (UK) Ltd.
Smokey Robinson & The Miracles3:02
16I'm Stone in Love With You
diritti fonografici (℗) detenuti da:
Avco Records Corp. (nel 1974)
registrazione di:
I’m Stone in Love With You
compositore:
Thom Bell (keyboards, songwriter, producer), Tony Bell (American 1970s musician, songwriter & engineer) e Linda Creed
editore:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell North America
The Stylistics3:18

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