Mussorgsky: Pictures at an Exhibition / Britten: The Young Person's Guide to the Orchestra

~ Release by Mussorgsky, Britten; Seiji Ozawa, Chicago Symphony Orchestra (see all versions of this release, 1 available)

Tracklist

1▼Blu-spec CD
#TitleArtistRatingLength
1Pictures at an Exhibition: I. Promenade
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico – Senza allegrezza, ma poco sostenuto, orchestrated by Ravel, 1st promenade) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:37
2Pictures at an Exhibition: II. Gnomus
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
Tableaux d’une exposition: I. Gnomus (Pictures at an Exhibition: I. Gnomus, orchestrated by Ravel) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 1 “Gnomus” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky2:17
3Pictures at an Exhibition: III. Promenade
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Moderato comodo e con delicatezza, orchestrated by Ravel, 2nd promenade) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 1st) (original piano version, often called Promenade 2)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:01
4Pictures at an Exhibition: IV. Il vecchio castello
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
Tableaux d’une exposition: II. Il vecchio castello (Pictures at an Exhibition: II. Il vecchio castello, orchestrated by Ravel) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 2 “Il vecchio castello” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky4:02
5Pictures at an Exhibition: V. Promenade
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Moderato non tanto, pesante, orchestrated by Ravel, 3rd promenade) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 2nd) (original piano version, often called Promenade 3)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky0:34
6Pictures at an Exhibition: VI. Tuileries
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
Tableaux d’une exposition: III. Tuileries (Pictures at an Exhibition: III. Tuileries, orchestrated by Ravel) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 3 “Tuileries” (Dispute d’enfants après jeux) (Pictures at an Exhibition: Tuileries (Children Quarreling at Play), original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:07
7Pictures at an Exhibition: VII. Bydlo
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
Tableaux d’une exposition: IV. Bydlo (Pictures at an Exhibition: IV. Bydło, orchestrated by Ravel) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 4 “Bydło” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky2:27
8Pictures at an Exhibition: VIII. Promenade
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Tranquillo, orchestrated by Ravel, 4th promenade) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 3rd) (original piano version, often called Promenade 4)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky0:48
9Pictures at an Exhibition: IX. Ballet of chicks in their shells
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
Tableaux d’une exposition: V. Ballet des poussins dans leurs coques (Pictures at an Exhibition: V. Ballet of the Unhatched Chicks, orchestrated by Ravel) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 5 “Балетъ невылупившихся птенцовъ” [Balet nevylupivshikhsya ptentsov] (Pictures at an Exhibition: IX. No. 5 "Ballet of the Unhatched Chicks", original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:10
10Pictures at an Exhibition: X. Samuel goldberg and schmuyle
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
Tableaux d’une exposition: VI. Samuel Goldenberg und Schmuyle (Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle, orchestrated by Ravel) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 6 “Samuel” Goldenberg und “Schmuÿle” (Pictures at an Exhibition: Samual Goldenberg and Schmuÿle, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky2:16
11Pictures at an Exhibition: XI. The marketplace at limoges
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
Tableaux d’une exposition: VII. Limoges – le marché (Pictures at an Exhibition: VII. Limoges – le marché, orchestrated by Ravel) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 7 “Limoges”, le marché (La grande nouvelle) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:27
12Pictures at an Exhibition: XII. Catacombae, sepulchrum romanum
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
Tableaux d’une exposition: VIII. Catacombae (Sepulchrum romanum) (Pictures at an Exhibition: VIII. Catacombae (Sepulchrum romanum), orchestrated by Ravel) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:37
13Pictures at an Exhibition: XIII. Con mortuis in lingua mortua
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
Tableaux d’une exposition: Cum Mortuis in lingua mortua (Pictures at an Exhibition: Cum Mortuis in lingua mortua, orchestrated by Ravel) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:47
14Pictures at an Exhibition: XIV. The hut on fowl's legs
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
Tableaux d’une exposition: IX. La cabane sur des pattes de poules (Baba-Yaga) (Pictures at an Exhibition: XIV. The Hut on Fowl’s Legs (Baba-Yaga), orchestrated by Ravel) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 9 “Избушка на курьихъ ножкахъ” (Баба-Яга) [Izbushka na kuryikh nozhkakh (Baba-Yagá)] (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky3:20
15Pictures at an Exhibition: XV. The great gate of Kiev
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
Tableaux d’une exposition: X. La grande porte de Kiev (Pictures at an Exhibition: X. The Great Gate of Kiev, orchestrated by Ravel) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (Pictures at an Exhibition: The great gate at Kiev, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky4:54
16The Young Person's Guide to the Orchestra: I. Theme (tutti)
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:27
17The Young Person's Guide to the Orchestra: I. Theme (Woodwinds)
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:25
18The Young Person's Guide to the Orchestra: I. Theme (Brass)
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:20
19The Young Person's Guide to the Orchestra: I. Theme (Strings)
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:20
20The Young Person's Guide to the Orchestra: I. Theme (Percussion)
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:17
21The Young Person's Guide to the Orchestra: I. Theme (tutti)
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:21
22The Young Person's Guide to the Orchestra: II. var A: Flute & Piccolo
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: II. Variation A. Presto (flute and piccolo) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:36
23The Young Person's Guide to the Orchestra: III. var B: Oboes
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: III. Variation B. Lento (oboe) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:57
24The Young Person's Guide to the Orchestra: IV. var C: Clarinets
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IV. Variation C. Moderato (clarinet) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:38
25The Young Person's Guide to the Orchestra: V. var D: Bassoons
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: V. Variation D. Allegro alla marcia (bassoon) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:53
26The Young Person's Guide to the Orchestra: VI. var E: Violins
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VI. Variation E. Brillante - Alla polacca (violin) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:37
27The Young Person's Guide to the Orchestra: VII. var F: Violas
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VII. Variation F. Meno mosso (viola) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:57
28The Young Person's Guide to the Orchestra: VIII. var G: Cellos
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VIII. Variation G. (cello) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:05
29The Young Person's Guide to the Orchestra: IX var H: Doublebasses
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IX. Variation H. Cominciando lento ma poco a poco accelerando (double-bass) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:08
30The Young Person's Guide to the Orchestra: X. var I: Harp
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: X. Variation I. Maestoso (harp) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:51
31The Young Person's Guide to the Orchestra: XI. var J: French Horns
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XI. Variation J. L’istesso tempo (horn) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:51
32The Young Person's Guide to the Orchestra: XII. var K: Trumpets
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XII. Variation K. Vivace (trumpet) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:30
33The Young Person's Guide to the Orchestra: XIII. var L: Trombones & Tuba
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIII. Variation L. Allegro pomposo (trombone) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:06
34The Young Person's Guide to the Orchestra: XIV. var M: Percussion
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIV. Variation M. Moderato (percussion) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:49
35The Young Person's Guide to the Orchestra: XV. Full Orchestra
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XV. Fugue. Allegro molto (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten3:06
36The Firebird Suite (1919 version): I. Introduction
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1969-11-24)
recording of:
L’Oiseau de feu: I. Introduction (“Concert suite for orchestra No. 2” 1919 version)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:01
37The Firebird Suite (1919 version): II. The Firebird and Its Dance
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1969-11-24)
recording of:
L’Oiseau de feu: I. L’Oiseau de feu et sa danse (“Concert suite for orchestra No. 2” 1919 version)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky0:16
38The Firebird Suite (1919 version): III. Varietion of the Firebird
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1969-11-24)
recording of:
L’Oiseau de feu: I. Variation de l’Oiseau de feu (“Concert suite for orchestra No. 2” 1919 version)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky1:13
39The Firebird Suite (1919 version): IV. The Round of the Princesses
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1969-11-24)
recording of:
L’Oiseau de feu: II. Ronde des princesses (Khorovode) (“Concert suite for orchestra No. 2” 1919 version)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky4:32
40The Firebird Suite (1919 version): V. Infernal Dance of King Kastchei
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1969-11-24)
recording of:
L’Oiseau de feu: III. Danse infernale du roi Kachtcheï (“Concert suite for orchestra No. 2” 1919 version)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky4:28
41The Firebird Suite (1919 version): VI. Lullaby
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1969-11-24)
recording of:
L’Oiseau de feu: III. Berceuse (“Concert suite for orchestra No. 2” 1919 version)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:04
42The Firebird Suite (1919 version): VII. Finale
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
engineered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1969-11-24)
recording of:
L’Oiseau de feu: III. Finale (“Concert suite for orchestra No. 2” 1919 version)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky2:53