Jukebox Favourites: Hits of the 20s & 30s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1Swanee
voce:
Al Jolson
registrazione di:
Swanee (il 1945-08-10)
paroliere:
Irving Caesar (nel 1919)
compositore:
George Gershwin (composer) (nel 1919)
editore:
WB Music Corp. (1929–2019) e T. B. Harms & Francis, Day & Hunter, Inc. (il 1919-10-31)
Al Jolson1:54
2Fascinating Rhythm
registrata a:
London (Greater London), England, Regno Unito (il 1926-04-19)
pianoforte :
George Gershwin (composer) (il 1926-04-19)
voce:
Adele Astaire (il 1926-04-19) e Fred Astaire (il 1926-04-19)
registrazione di:
Fascinatin’ Rhythm (il 1926-04-19)
paroliere:
Ira Gershwin
compositore:
George Gershwin (composer) (nel 1924)
editore:
WB Music Corp. (renewed) (1929–2019) e Harms, Inc. (nel 1924)
parte di:
Girl Crazy (1930 Musical)
parte di:
Lady, Be Good (full musical)
Fred Astaire2:26
3Willie the Weeper
registrata a:
Chicago, Illinois, Stati Uniti (il 1927-05-07)
banjo e chitarra :
Johnny St. Cyr (il 1927-05-07)
batteria :
Baby Dodds (il 1927-05-07)
clarinetto :
Johnny Dodds (il 1927-05-07)
cornetta :
Louis Armstrong (il 1927-05-07)
pianoforte :
Lil Hardin Armstrong (il 1927-05-07)
trombone :
John Thomas (early jazz trombonist) (il 1927-05-07)
tuba :
Pete Briggs (il 1927-05-07)
esecutore:
Louis Armstrong and His Hot Seven (nel 1927)
registrazione di:
Willie the Weeper (il 1927-05-07)
autore:
Marty Bloom, Walter Melrose e Grant Rymal
Louis Armstrong3:15
4Makin’ WhoopeeBing Crosby & Paul Whiteman Orchestra3:14
5Mood Indigo
Cab Calloway2:30
6You’d Be Surprised
Eddie Cantor3:14
7My Man
Fanny Brice3:31
8Chimes Blues
King Oliver’s Creole Jazz Band & Louis Armstrong2:52
9I Didn’t Know
Bix Beiderbecke & The Jean Goldkette Orchestra3:07
10The Blue Room
The Hamilton Sisters & Fordyce3:12
11Jazz Me Blues
The Wolverines & Bix Beiderbecke2:48
12Caution Blues
pianoforte solista :
Earl Hines (jazz pianist and bandleader) (il 1928-12-09)
registrazione di:
Caution Blues
Earl Hines3:01
13Can’t Help Lovin’ Dat Man
Helen Morgan3:07
14Original Jelly Roll Blues
banjo :
Johnny St. Cyr
batteria :
Andrew Hilaire
clarinetto :
Omer Simeon
contrabbasso :
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton)
cornetta :
George Mitchell (US jazz trumpeter and cornet player)
pianoforte :
Jelly Roll Morton
trombone :
Kid Ory
registrazione di:
Original Jelly-Roll Blues (il 1926-12-16)
compositore:
Ferdinand Morton
Jelly Roll Morton43:07
15Washboard Blues
registrata a:
Chicago, Illinois, Stati Uniti (il 1927-11-18)
chitarra :
Wilbur Hall (il 1927-11-18)
clarinetto e sassofono contralto :
Jimmy Dorsey (il 1927-11-18)
clarinetto basso :
Chester Hazlett (il 1927-11-18)
contrabbasso :
Steve Brown (1920s jazz bassist) (il 1927-11-18)
cornetta :
Bix Beiderbecke (American jazz cornettist, pianist and composer) (il 1927-11-18)
pianoforte :
Hoagy Carmichael (il 1927-11-18)
sassofono baritono :
Charles Strickfaden (il 1927-11-18)
trombone :
Boyce Cullen (trombonist) (il 1927-11-18) e Tommy Dorsey (swing trombone player & band leader) (il 1927-11-18)
vibrafono :
Harold McDonald (drummer active in the 1920’s) (il 1927-11-18)
viola :
Matty Malneck (il 1927-11-18)
violino :
Kurt Dieterle (il 1927-11-18) e Mischa Russell (violinist) (il 1927-11-18)
voce:
Hoagy Carmichael (il 1927-11-18)
orchestra:
Paul Whiteman and His Orchestra (il 1927-11-18)
registrazione di:
Washboard Blues (il 1927-11-18)
paroliere:
Fred B. Callahan e Irving Mills (nel 1926)
compositore:
Hoagy Carmichael (nel 1925)
editore:
Jack Mills, Inc. (il 1925-05-28)
Hoagy Carmichael4:23
16’tain’t Nobody’s Bizness If I Do
registrata a:
New York, New York, Stati Uniti (il 1923-04-26)
pianoforte :
Clarence Williams (US jazz pianist, composer, singer and bandleader) (il 1923-04-26)
voce:
Bessie Smith (Tennessee blues singer) (il 1923-04-26)
registrazione di:
T’ain’t Nobody’s Bizness If I Do (il 1923-04-26)
paroliere:
Porter Grainger
compositore:
Porter Grainger e Everett Robbins
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
parte di:
American Splendor
Bessie Smith43:29
17Ida, Sweet As Apple Cider
batteria :
Vic Berton (il 1927-08-15)
chitarra :
Dick McDonough (il 1927-08-15)
clarinetto :
Pee Wee Russell (il 1927-08-15)
pianoforte :
Lennie Hayton (il 1927-08-15)
sassofono basso :
Adrian Rollini (il 1927-08-15)
sassofono tenore :
Fud Livingston (il 1927-08-15)
tromba :
Manny Klein (il 1927-08-15), Leo McConville (il 1927-08-15) e Red Nichols (il 1927-08-15)
trombone :
Miff Mole (il 1927-08-15)
arrangiatore:
Lennie Hayton (il 1927-08-15)
registrazione strumentale di:
Ida! Sweet as Apple Cider (il 1927-08-15)
paroliere:
Eddie Leonard (nel 1903)
compositore:
Eddie Munson (nel 1903)
Red Nichols & His Five Pennies2:51
18Blue Skies
Vaughn Deleath3:23
19Me and My Shadow
Whispering Jack Smith3:17
20Ol’ Man River
Paul Robeson & Paul Whiteman Orchestra4:10
21The Man I Love
registrazione di:
The Man I Love
paroliere:
Ira Gershwin (nel 1924)
compositore:
George Gershwin (composer) (nel 1924)
editore:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Lady, Be Good (full musical)
parte di:
New York, New York (1977 musical film soundtrack)
Sophie Tucker2:54
22High Society
batteria e washboard :
Floyd Casey (il 1929-07-02)
cornetta :
Ed Allen (trumpeter) (il 1929-07-02)
pianoforte :
Clarence Williams (US jazz pianist, composer, singer and bandleader) (il 1929-07-02)
registrazione di:
High Society (Armand J. Piron/Clarence Williams) (il 1929-07-02)
autore:
Armand J. Piron e Clarence Williams (US jazz pianist, composer, singer and bandleader)
si basa su:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally)
Clarence Williams and His Jazz Kings3:12
23Minnie the Moocher
ance :
Eddie Barefield (il 1933-12-18), Andrew Brown (jazz saxophonist) (il 1933-12-18), Arville Harris (il 1933-12-18) e Walter Thomas (il 1933-12-18)
banjo :
Morris White (jazz guitarist) (il 1933-12-18)
batteria :
Leroy Maxey (jazz drummer) (il 1933-12-18)
contrabbasso :
Al Morgan (jazz double-bassist) (il 1933-12-18)
pianoforte :
Benny Payne (jazz pianist and vocalist) (il 1933-12-18)
tromba :
Doc Cheatham (il 1933-12-18), Edwin Swayze (il 1933-12-18) e Lammar Wright (il 1933-12-18)
trombone :
DePriest Wheeler (il 1933-12-18) e Harry White (jazz trombonist) (il 1933-12-18)
voce:
Cab Calloway (il 1933-12-18)
registrazione di:
Minnie the Moocher (il 1933-12-18)
paroliere e compositore:
Cab Calloway e Irving Mills
editore:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e J. Albert & Son Pty. Ltd.
si basa su:
Willie the Weeper
Cab Calloway33:37
24A Fine Romance
registrata a:
Los Angeles, California, Stati Uniti (il 1936-07-28)
voce:
Fred Astaire (il 1936-07-28)
orchestra:
Johnny Green and His Orchestra (il 1936-07-28)
registrazione di:
A Fine Romance (from “Swing Time”) (il 1936-07-28)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Chappell & Co.
parte di:
Swing Time (film)
Fred Astaire2:56
25Mad About the Boy
Gertrude Lawrence3:16
26Mean to Me
The Dorsey Brothers3:21
27Dippermouth Blues
banjo :
Bill Johnson (US jazz bass/guitar/banjo/mandolin player) (il 1923-04-06) e Bud Scott (il 1923-04-06)
batteria :
Warren “Baby” Dodds (il 1923-04-06)
clarinetto :
Johnny Dodds (il 1923-04-06)
cornetta :
Louis Armstrong (il 1923-04-06) e King Oliver (jazz cornetist) (il 1923-04-06)
pianoforte :
Lil Hardin Armstrong (il 1923-04-06)
trombone :
Honoré Dutrey (il 1923-04-06)
voce:
Bill Johnson (US jazz bass/guitar/banjo/mandolin player) (il 1923-04-06)
registrazione di:
Dippermouth Blues (il 1923-04-06)
compositore:
Louis Armstrong e King Oliver (jazz cornetist)
King Oliver’s Creole Jazz Band & Louis Armstrong2:28
28Bugle Call Rag
Benny Goodman & Gene Krupa3:03
29Lookin’ Good, But Feelin’ Bad
banjo :
Eddie Condon (il 1929-09-30)
batteria :
Gene Krupa (il 1929-09-30)
contrabbasso :
George "Pops" Foster (il 1929-09-30)
pianoforte :
Fats Waller (il 1929-09-30)
sassofono contralto :
Otto Hardwick (il 1929-09-30) e Albert Nicholas (il 1929-09-30)
sassofono tenore :
Larry Binyon (il 1929-09-30)
tromba :
Henry “Red” Allen (jazz musician) (il 1929-09-30)
trombone :
Jack Teagarden (il 1929-09-30)
cori:
Four Wanderers (il 1929-09-30)
registrazione di:
Lookin’ Good but Feelin’ Bad (il 1929-09-30)
paroliere:
Lester Santly
compositore:
Fats Waller
Fats Waller & Gene Krupa2:41
30Doggin’ That Thing
Henry Allen3:30
31Sweet Rhythm
Jimmie Lunceford and his Chicksaw Syncopaters2:46
32Dinah
Bing Crosby2:51
33When I Take My Sugar to Tea
voce:
The Boswell Sisters (il 1931-03-19)
registrazione di:
When I Take My Sugar to Tea (il 1931-03-19)
compositore:
Pierre Norman Connor, Sammy Fain e Irving Kahal
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
The Boswell Sisters & The Dorsey Brothers Orchestra3:12
34The Sun Has Got His Hat On
voce:
Sam Browne & Chorus (il 1932-07-06)
registrazione di:
The Sun Has Got His Hat On (il 1932-07-06)
paroliere:
Ralph Butler
compositore:
Noel Gay
editore:
B. Feldman & Co. Ltd. (publisher est. 1946)
Ambrose & Sam Browne2:52
35Weary Blues
registrata a:
Chicago, Illinois, Stati Uniti (il 1927-05-11)
banjo :
Johnny St. Cyr (il 1927-05-11)
batteria :
Baby Dodds (il 1927-05-11)
clarinetto :
Johnny Dodds (il 1927-05-11)
cornetta :
Louis Armstrong (il 1927-05-11)
pianoforte :
Lil Hardin Armstrong (il 1927-05-11)
trombone :
John Thomas (early jazz trombonist) (il 1927-05-11)
tuba :
Pete Briggs (il 1927-05-11)
remixer:
House of Pain
registrazione di:
Weary Blues (il 1927-05-11)
paroliere:
George Cates e Mort Greene
compositore:
Artie Matthews
Louis Armstrong3:07
36We’re in the Money
Jack Hylton2:39
37King Porter Stomp
registrazione di:
King Porter Stomp
compositore:
Jelly Roll Morton
Benny Goodman3:12
38Smoke Gets in Your Eyes
voce:
Bob Lawrence (vocalist with Paul Whiteman Orchestra) (il 1933-11-03)
registrazione di:
Smoke Gets in Your Eyes (il 1933-11-03)
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
Paul Whiteman3:30
39Oh Lady Be Good
registrazione di:
Oh, Lady Be Good!
paroliere:
Ira Gershwin (nel 1924)
compositore:
George Gershwin (composer) (nel 1924)
editore:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music e WB Music Corp. (1929–2019) (fino al 2019-05-28)
parte di:
American Splendor
parte di:
Lady, Be Good (full musical)
Django Reinhardt & Stéphane Grappelli2:56
40Blue Moon
Frankie Trumbauer & Dick Robertson3:14
41Panama Blues
New Orleans Rhythm Kings & Wingy Manone3:00
42How Could We Be Wrong?
registrazione di:
How Could We Be Wrong? (Nymph Errant)
paroliere e compositore:
Cole Porter (composer) (nel 1933)
parte di:
Nymph Errant (Cole Porter Musical)
Al Bowlly & Lew Stone3:14
43I Get a Kick Out of You
registrazione di:
I Get a Kick Out of You
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell e Chappell (nel 1974)
parte di:
Anything Goes
Ethel Merman3:07
44Sing As We Go
Gracie Fields2:30
45You’re Driving Me Crazy - What Did I DoGuy Lombardo & His Royal Canadians3:19
46Stormy Weather
registrazione di:
Stormy Weather
paroliere:
Ted Koehler (nel 1933)
compositore:
Harold Arlen (nel 1933)
editore:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. e The Songwriters Guild
Harold Arlen & Leo Reisman3:19
47Sweet Georgia Brown
The Mills Brothers2:37
48Over the Rainbow
voce:
Judy Garland (il 1938-10-07)
orchestra:
MGM Orchestra (il 1938-10-07)
direttore d'orchestra:
Georgie Stoll (il 1938-10-07) e Herbert Stothart (composer) (il 1938-10-07)
arrangiatore:
Herbert Stothart (composer)
orchestratore:
Murray Cutter
registrazione di:
Over the Rainbow (The Wizard of Oz) (il 1938-10-07)
paroliere:
Yip Harburg (nel 1938)
compositore:
Harold Arlen (nel 1938)
eseguita per la prima volta da:
Judy Garland (nel 1939)
editore:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 12th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1939 winner)
parte di:
The Wizard of Oz (1942 Arlen/Harburg musical)
parte di:
The Wizard of Oz (1939 film soundtrack)
Judy Garland4.52:47
49Jeepers Creepers
batteria :
Gene Krupa (il 1938-11-18)
chitarra :
Ray Biondi (il 1938-11-18)
contrabbasso :
Horace Rollins (il 1938-11-18)
pianoforte :
Milt Raskin (Milton Raskin) (il 1938-11-18)
sassofono contralto :
Musky Ruffo (Mascagni Ruffo) (il 1938-11-18) e Bob Snyder (Jazz woodwind player) (il 1938-11-18)
sassofono tenore :
Sam Donahue (il 1938-11-18) e Sam Musiker (il 1938-11-18)
tromba :
Charles Frankhauser (il 1938-11-18), Tommy Gonsoulin (il 1938-11-18) e Nick Prospero (il 1938-11-18)
trombone :
Dalton Rizzotto (Jazz trombonist) (il 1938-11-18), Bruce Squires (il 1938-11-18) e Toby Tyler (il 1938-11-18)
voce:
Leo Watson (il 1938-11-18)
diritti fonografici (℗) detenuti da:
Proper Records Ltd. (company credits only; do NOT use as release label)
registrazione di:
Jeepers Creepers (il 1938-11-18)
paroliere:
Johnny Mercer (nel 1938)
autore:
Richard A. Whiting (composer)
compositore:
Harry Warren (US composer and lyricist) (nel 1938)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
parte di:
The 11th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1938 nominee)
Gene Krupa & Leo Watson3:04
50Hello Mr. Kringle
Kay Kyser3:02
51My Prayer
registrazione di:
My Prayer (il 1939-09-18)
paroliere:
Jimmy Kennedy (Irish songwriter)
compositore:
Georges Boulanger (Romani-Romanian violinist, conductor, composer)
editore:
J. Albert & Son Pty. Ltd., Peter Maurice Music, Skidmore Music Co., Inc., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
si basa su:
Avant de mourir
The Ink Spots3.53:09
52It’s a Sin to Tell a Lie
ance :
Gene Sedric (il 1936-06-05)
batteria :
Arnold Boling (il 1936-06-05)
chitarra :
Al Casey (US jazz/soul guitarist) (il 1936-06-05)
contrabbasso :
Charles Turner (US jazz bassist, active 1930s) (il 1936-06-05)
pianoforte :
Fats Waller (il 1936-06-05)
tromba :
Herman Autrey (Jazz trumpet player) (il 1936-06-05)
voce:
Fats Waller (il 1936-06-05)
registrazione cover di:
It’s a Sin to Tell a Lie (il 1936-06-05)
paroliere e compositore:
Billy Mayhew (nel 1936)
Fats Waller2:59
53Cheek to Cheek
Lew Stone3:05
54Top Hat, White Tie, and Tails
Ray Noble3:31
55Lets Face the Music and Dance
registrata a:
Los Angeles, California, Stati Uniti (il 1936-01-30)
voce:
Fred Astaire (il 1936-01-30)
orchestra:
Johnny Green and His Orchestra (il 1936-01-30)
registrazione di:
Let’s Face the Music and Dance (from “Follow the Fleet”) (il 1936-01-30)
paroliere e compositore:
Irving Berlin (nel 1936)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp. e Williamson Music Company
parte di:
Follow the Fleet (1936 film)
Fred Astaire2:28
56Jubilee Stomp
Duke Ellington & His Cotton Club Orchestra2:38
57Pennies from Heaven
registrata a:
New York, New York, Stati Uniti (il 1936-11-19)
batteria :
Cozy Cole (il 1936-11-19)
chitarra :
Allan Reuss (il 1936-11-19)
clarinetto :
Benny Goodman (clarinetist and bandleader) (il 1936-11-19)
contrabbasso [string bass] :
John Kirby (jazz bass/trombone/tuba player) (il 1936-11-19)
pianoforte :
Teddy Wilson (il 1936-11-19)
sassofono tenore :
Ben Webster
tromba :
Jonah Jones (il 1936-11-19)
voce:
Billie Holiday (il 1936-11-19)
orchestra:
Teddy Wilson and His Orchestra (il 1936-11-19)
registrazione di:
Pennies From Heaven (il 1936-11-19)
paroliere:
Johnny Burke (American lyricist, 1908–1964) (nel 1936)
compositore:
Arthur Johnston (American composer and songwriter) (nel 1936)
editore:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) e Joy Music Inc.
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
Billie Holiday & Teddy Wilson3:18
58Boogie Woogie
batteria :
Jo Jones (US jazz drummer) (il 1938-11-09)
chitarra :
Freddie Green (il 1938-11-09)
contrabbasso :
Walter Page (il 1938-11-09)
pianoforte :
Count Basie (pianist) (il 1938-11-09)
registrazione di:
Boogie Woogie (il 1938-11-09)
compositore:
Clarence “Pine Top” Smith
Count Basie3:07
59But Not for Me
registrazione di:
But Not for Me
paroliere:
Ira Gershwin (nel 1930)
compositore:
George Gershwin (composer) (nel 1930)
editore:
WB Music Corp. (1929–2019) (fino al 2019-05-28), New World Music Co. (nel 1930) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
Fats Waller & Lee Wiley2:29
60When I’m Cleaning Windows
George Formby2:56
61I’m an Old Cowhand
Eddy Duchin3:35
62Blackstick
Sidney Bechet2:47
63Slumming On Park Avenue
voce:
Alice Faye (il 1937-01-24)
orchestra:
Cy Feuer and His Orchestra (il 1937-01-24)
registrazione di:
Slumming on Park Avenue (il 1937-01-24)
paroliere e compositore:
Irving Berlin (nel 1937)
Alice Faye2:41
64Bei Mir Bist Du Schön
voce:
The Andrews Sisters (il 1937-11-24)
registrazione di:
Bei mir bist du schön (English version) (il 1937-11-24)
paroliere:
Sammy Cahn
compositore:
Sholom Secunda
compositore aggiunto:
Saul Chaplin
versione tradotta di:
בײַ מיר ביסטו שיין (Bay mir bistu sheyn)
The Andrews Sisters3:10
65Nice Work If You Can Get It
registrazione di:
Nice Work If You Can Get It
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA) e Gershwin Publishing Corp (nel 1937)
parte di:
A Damsel in Distress (1937 film score)
parte di:
Crazy for You (1992 musical)
parte di:
My One and Only (1983 Broadway musical)
Billie Holiday & Teddy Wilson3:08
66I’ve Got My Love to Keep Me Warm
Carroll Gibbons, The Savoy Orpheans & George Melachrino3:05
67One O’Clock Jump
registrazione di:
One O’Clock Jump
compositore:
Count Basie (pianist) (nel 1937)
editore:
EMI Feist Catalog Inc.
Count Basie3:00
68A Foggy Day
registrazione di:
A Foggy Day (in London Town) (nel 1938)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. e WB Music Corp. (1929–2019) (fino al 2019-05-28)
parte di:
A Damsel in Distress (1937 film score)
Geraldo & Cyril Grantham2:55
69Basin Street Blues
registrazione di:
Basin Street Blues (il 1937-09-25)
paroliere e compositore:
Spencer Williams (US jazz composer, pianist & singer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Connee Boswell2:58
70Slap That Bass
The Ink Spots2:26
71Run Rabbit RunFlanagan & Allen2:49
72Heat Wave
registrazione di:
Heat Wave (from the 1933 musical “As Thousands Cheer”)
paroliere e compositore:
Irving Berlin (nel 1933)
Ethel Merman2:47
73Cherokee
registrazione di:
Cherokee
paroliere e compositore:
Ray Noble
editore:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) e Shapiro, Bernstein & Co., Inc.
Charlie Barnet3:21
74Ain’t Misbehavin’
The Mills Brothers3:06
75Crazy Rhythm
batteria :
Tommy Benford (il 1937-04-28)
chitarra :
Django Reinhardt (French jazz guitarist and composer) (il 1937-04-28)
clarinetto :
Alix Combelle (il 1937-04-28)
contrabbasso :
Eugène d’Hellemmes (il 1937-04-28)
pianoforte :
Stéphane Grappelli (jazz violinist) (il 1937-04-28)
sassofono contralto :
André Ekyan (il 1937-04-28)
sassofono tenore :
Coleman Hawkins (il 1937-04-28)
tromba :
Benny Carter (il 1937-04-28)
parte di:
The Gramophone Company Limited (by matrix number) (numero: 0LA 1743-1) e Swing (by matrix number) (numero: OLA 1743-1)
registrazione strumentale di:
Crazy Rhythm (il 1937-04-28)
paroliere:
Irving Caesar
compositore:
Roger Wolfe Kahn e Joseph Meyer (US songwriter)
Coleman Hawkins And His All Star Jam Band3:02
76He Ain’t Got Rhythm
voce:
Nat Gonella (il 1937-07-19)
orchestra:
Nat Gonella & His Georgians (il 1937-07-19)
registrazione di:
He Ain’t Got Rhythm (il 1937-07-19)
paroliere e compositore:
Irving Berlin
Nat Gonella And His Georgians3:14
77Wish Me LuckGracie Fields3:00
78I Wonder Who’s Kissing Her Now
registrazione di:
I Wonder Who’s Kissing Her Now
paroliere:
Frank R. Adams (American author, screenwriter, composer & newspaper reporter) e Will M. Hough
compositore:
Joseph E. Howard e Harold Orlob
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e Redwood Music Ltd. (Carlin)
Ted Weems and His Ochestra & Perry Como3:19
79Thanks for the Memory
registrazione di:
Thanks for the Memory
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Ralph Rainger
editore:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Paramount Music Corporation
parte di:
The 11th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1938 winner)
Bob Hope & Shirley Ross3:11
80Begin the Beguine
registrata a:
New York, New York, Stati Uniti (il 1938-07-24)
batteria :
Cliff Leeman (il 1938-07-24)
chitarra :
Al Avola (il 1938-07-24)
clarinetto :
Artie Shaw (il 1938-07-24)
contrabbasso :
Sid Weiss (il 1938-07-24)
pianoforte :
Les Burness (il 1938-07-24)
sassofono contralto :
Hank Freeman (American jazz saxophonist) (il 1938-07-24) e Les Robinson (il 1938-07-24)
sassofono tenore :
Tony Pastor (il 1938-07-24) e Ronnie Perry (il 1938-07-24)
tromba :
Claude Bowen (il 1938-07-24), John Best (jazz trumpeter) (il 1938-07-24) e Chuck Peterson (trumpet) (il 1938-07-24)
trombone :
George Arus (il 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (il 1938-07-24) e Ted Vesely (il 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (il 1938-07-24)
direttore d'orchestra:
Artie Shaw (il 1938-07-24)
arrangiatore:
Jerry Gray (US big band arranger and conductor)
registrata presso e lavorazione tecnica effettuata presso:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, Stati Uniti (il 1938-07-24)
registrazione strumentale di:
Begin the Beguine (il 1938-07-24)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Jubilee
registrazione di:
Begin the Beguine (il 1938-07-24)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Jubilee
Artie Shaw33:15
81Anything Goes
registrazione di:
Anything Goes
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd. e Warner Bros., Inc. (not for release label use!)
Cole Porter4.53:06
82In the Mood
registrazione strumentale di:
In the Mood (il 1939-08-01)
paroliere:
Andy Razaf
compositore:
Wingy Manone
editore:
Shapiro Bernstein and Co. Limited e Shapiro, Bernstein & Co., Inc.
sub-editore:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
si basa su:
Tar Paper Stomp
parte di:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller3.753:36
83Spring in My Heart
Deanna Durbin3:07
84Falling in Love Again
voce:
Marlene Dietrich (actress and singer) (il 1939-12-11)
orchestra:
Victor Young and His Orchestra (il 1939-12-11)
registrata presso:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California, Stati Uniti (il 1939-12-11)
registrazione di:
Falling in Love Again (Can’t Help It) (il 1939-12-11)
paroliere e compositore:
Friedrich Hollaender
traduttore:
Reginald Connelly e Sammy Lerner
editore:
Campbell Connelly, BMG Songs, Inc. (nel 1930) e Samuel M. Lerner Publications (nel 1930)
versione tradotta di:
Ich bin von Kopf bis Fuß auf Liebe eingestellt
Marlene Dietrich2:58
85My Melancholy Baby
ance :
Willie Smith (US jazz alto saxophonist, 1910-1967) (il 1938-04-12)
batteria :
Jimmy Crawford (US swing-era jazz drummer) (il 1938-04-12)
chitarra :
Al Norris (il 1938-04-12)
contrabbasso :
Moses Allen (il 1938-04-12)
pianoforte :
Edwin Wilcox (il 1938-04-12)
tromba :
Sy Oliver (il 1938-04-12), Eddie Tompkins (il 1938-04-12) e Paul Webster (trumpet, jazz musician) (il 1938-04-12)
trombone :
Russell Bowles (il 1938-04-12), Elmer Crumbley (il 1938-04-12) e Trummy Young (il 1938-04-12)
registrazione di:
My Melancholy Baby (il 1938-04-12)
paroliere:
George A. Norton (nel 1912)
compositore:
Ernie Burnett (songwriter, composer, and pianist) (nel 1911)
editore:
Francis, Day & Hunter Ltd. e Shapiro, Bernstein & Co., Inc.
versione di:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
Jimmie Lunceford3:05
86Ciribiribin
registrazione di:
Ciribiribin (They’re So in Love) (Harry James theme song)
paroliere:
Harry James (US big band leader, trumpeter & actor) e Jack Lawrence (US songwriter)
compositore:
Alberto Pestalozza
si basa su:
Ciribiribin (original Italian version)
parte di:
Hit the Deck (1955 movie)
Harry James2:32
87Two Sleepy People
Kay Kyser & His Orchestra3:02
88At the Woodchoppers’ Ball
ance :
Woody Herman (il 1939-04-12)
batteria :
Frankie Carlson (il 1939-04-12)
chitarra :
Hy White (il 1939-04-12)
contrabbasso :
Walter Yoder (il 1939-04-12)
flicorno soprano :
Joe Bishop (il 1939-04-12)
pianoforte :
Tommy Linehan (il 1939-04-12)
sassofono contralto :
Joe Estren (il 1939-04-12) e Ray Hopfner (il 1939-04-12)
sassofono tenore :
Pete Johns (30s jazz saxophonist) (il 1939-04-12) e Saxie Mansfield (il 1939-04-12)
tromba :
Mac MacQuordale (il 1939-04-12), Steady Nelson (il 1939-04-12) e Clarence Willard (il 1939-04-12)
trombone :
Neal Reid (il 1939-04-12)
registrazione di:
Woodchopper’s Ball (il 1939-04-12)
compositore:
Joe Bishop e Woody Herman
parte di:
The Real Book (compilation of jazz standards, volume I)
Woody Herman3:19