Tipitina

~ Release by Professor Longhair (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleRatingLength
1East St. Louis Baby
recorded in:
St. Louis, Missouri, United States (in 1950)
drums (drum set):
John Boudreaux (in 1950)
guitar:
Walter “Papoose” Nelson (guitarist in Fats Domino's band) (in 1950)
piano:
Professor Longhair (in 1950)
vocals:
Professor Longhair (in 1950)
2:47
2Boyd’s Bounce
2:49
3K.C. Blues
2:47
4Curley Haired Baby
recorded in:
New Orleans, Louisiana, United States (on 1951-12-04)
double bass [bass]:
Norman Sinegal (on 1951-12-04)
drums (drum set):
Charles Otis (The Honeyman) (on 1951-12-04)
guitar:
Walter “Papoose” Nelson (guitarist in Fats Domino's band) (on 1951-12-04)
piano:
Professor Longhair (on 1951-12-04)
tenor saxophone:
Charles Burbank (on 1951-12-04)
vocals:
Professor Longhair (on 1951-12-04)
2:49
5Rockin’ With Fess
recorded in:
New Orleans, Louisiana, United States (on 1951-12-04)
double bass [bass]:
Norman Sinegal (on 1951-12-04)
drums (drum set):
Charles Otis (The Honeyman) (on 1951-12-04)
guitar:
Walter “Papoose” Nelson (guitarist in Fats Domino's band) (on 1951-12-04)
piano:
Professor Longhair (on 1951-12-04)
tenor saxophone:
Charles Burbank (on 1951-12-04)
2:03
6Gone So Long
recorded in:
New Orleans, Louisiana, United States (on 1951-12-04)
double bass [bass]:
Norman Sinegal (on 1951-12-04)
drums (drum set):
Charles Otis (The Honeyman) (on 1951-12-04)
guitar:
Walter “Papoose” Nelson (guitarist in Fats Domino's band) (on 1951-12-04)
piano:
Professor Longhair (on 1951-12-04)
tenor saxophone:
Charles Burbank (on 1951-12-04)
recording of:
Gone So Long (on 1951-12-04)
composer:
Roy Byrd
2:35
7In the Night
2:33
8Tipitina
recorded in and engineered in:
New Orleans, Louisiana, United States (in 1953-11)
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (in 1953-11)
bass:
Edgar Blanchard (in 1953-11)
drums (drum set):
Earl Palmer (in 1953-11)
piano:
Professor Longhair (in 1953-11)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (in 1953-11)
vocals:
Professor Longhair (in 1953-11)
recording of:
Tipitina (in 1953-11)
lyricist and composer:
Henry Roeland Byrd
publisher:
Professor Longhair Music
2:25
9Ball the Wall
recorded in:
New Orleans, Louisiana, United States (in 1953-11)
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (in 1953-11)
bass:
Edgar Blanchard (in 1953-11)
drums (drum set):
Earl Palmer (in 1953-11)
piano:
Professor Longhair (in 1953-11)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (in 1953-11)
vocals:
Professor Longhair (in 1953-11)
recording of:
Ball the Wall (in 1953-11)
lyricist and composer:
Henry Roeland Byrd
3:19
10Who’s Been Foolin’ You
2:12
11No Buts - No Maybes
recorded in:
New Orleans, Louisiana, United States (on 1957-03-18)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1957-03-18)
double bass [bass]:
Frank Fields (on 1957-03-18)
drums (drum set):
Charles "Hungry" Williams (1950s US drummer) (on 1957-03-18)
guitar:
Justin Adams (1950s session guitarist) (on 1957-03-18)
piano:
Professor Longhair (on 1957-03-18)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1957-03-18)
vocals:
Professor Longhair (on 1957-03-18)
recording of:
No Buts - No Maybes (on 1957-03-18)
lyricist and composer:
Henry Roeland Byrd
2:11
12Cry Pretty Baby
2:21
13Look What You’re Doin’ to Me
2:31
14Misery
recorded in:
New Orleans, Louisiana, United States (on 1957-03-18)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1957-03-18)
double bass [bass]:
Frank Fields (on 1957-03-18)
drums (drum set):
Charles "Hungry" Williams (1950s US drummer) (on 1957-03-18)
guitar:
Justin Adams (1950s session guitarist) (on 1957-03-18)
piano:
Professor Longhair (on 1957-03-18)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1957-03-18)
vocals:
Professor Longhair (on 1957-03-18)
recording of:
Misery
lyricist and composer:
Henry Roeland Byrd
is based on:
Tipitina
2:01
15Looka No Hair
2:08
16Baby Let Me Hold Your Hand
recorded in:
New Orleans, Louisiana, United States (on 1957-03-18)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1957-03-18)
double bass [bass]:
Frank Fields (on 1957-03-18)
drums (drum set):
Charles "Hungry" Williams (1950s US drummer) (on 1957-03-18)
guitar:
Justin Adams (1950s session guitarist) (on 1957-03-18)
piano:
Professor Longhair (on 1957-03-18)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1957-03-18)
vocals:
Professor Longhair (on 1957-03-18)
recording of:
Baby Let Me Hold Your Hand (on 1957-03-18)
lyricist and composer:
Henry Roeland Byrd
2:10
17Her Mind Is Gone
2:53
18Hadacol Bounce (1949 alternate)
2:55
19Longhair Stomp (1949 alternate)
2:42
20Between the Night and Day (1949 alternate)
2:39
21Tipitina (1953 alternate)
recorded in and engineered in:
New Orleans, Louisiana, United States (in 1953-11)
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (in 1953-11)
bass:
Edgar Blanchard (in 1953-11)
drums (drum set):
Earl Palmer (in 1953-11)
piano:
Professor Longhair (in 1953-11)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (in 1953-11)
vocals:
Professor Longhair (in 1953-11)
recording of:
Tipitina (in 1953-11)
lyricist and composer:
Henry Roeland Byrd
publisher:
Professor Longhair Music
2:41
22Baby Let Me Hold Your Hand (1957 alternate)
recorded in:
New Orleans, Louisiana, United States (on 1957-03-18)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1957-03-18)
double bass [bass]:
Frank Fields (on 1957-03-18)
drums (drum set):
Charles "Hungry" Williams (1950s US drummer) (on 1957-03-18)
guitar:
Justin Adams (1950s session guitarist) (on 1957-03-18)
piano:
Professor Longhair (on 1957-03-18)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1957-03-18)
vocals:
Professor Longhair (on 1957-03-18)
recording of:
Baby Let Me Hold Your Hand (on 1957-03-18)
lyricist and composer:
Henry Roeland Byrd
1:42