At Her Very Best

~ Release by Julie Andrews (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Edelweiss
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn and Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Angela Morley
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
Edelweiss (The Sound of Music)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company and Williamson Music Ltd.
part of:
The Sound of Music (Rodgers & Hammerstein musical)
3:54
2I Whistle a Happy Tune
recording of:
I Whistle a Happy Tune (The King and I)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company and Williamson Music, Inc.
part of:
The King and I (Rodgers & Hammerstein musical)
2:27
3My Funny Valentine
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn and Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger and orchestrator:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
cover recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
3:33
4Shall We Dance?
cover recording of:
Shall We Dance? (The King and I)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd. and Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
4:25
5I Have Dreamed
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn and Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Eddie Karam
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
I Have Dreamed (The King and I)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The King and I (Rodgers & Hammerstein musical)
4:37
6On a Clear Day
cover recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
3:37
7Here I'll Stay
recording of:
Here I’ll Stay (from “Love Life”)
lyricist:
Alan Jay Lerner
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
Love Life (Musical by Lerner & Weill)
4:23
8If I Loved You
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn and Jay David Saks (producer of classical and musical theatre recordings)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Angela Morley
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
cover recording of:
If I Loved You (Carousel)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
recording of:
If I Loved You (Carousel)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
3:59
9Waltz Medley
15:01

Credits

Release

ASIN:UK: B000HCO7PU [info]

Release group

Wikidata:Q134437697 [info]