Freedom: Songs From the Heart of America

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1The Times They Are a Changin’
recorded in:
New York, New York, United States (on 1963-10-24)
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 59)
recording of:
The Times They Are A‐Changin’ (on 1963-10-24)
lyricist and composer:
Bob Dylan (in 1963)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1963 until 1991) and Special Rider Music (from 1991 to present)
Bob Dylan43:14
2America
producer:
Goddard Lieberson
lead vocals [Anita]:
Chita Rivera (on 1957-09-29)
lead vocals [Consuelo]:
Reri Grist (American soprano) (on 1957-09-29)
lead vocals [Estella]:
Lynn Ross (cast member in West Side Story, 1957 original Broadway cast) (on 1957-09-29)
lead vocals [Francisca]:
Elizabeth Taylor (Frances Elizabeth Taylor, 1950s Broadway) (on 1957-09-29)
lead vocals [Marguerita]:
Liane Plane (cast member in West Side Story, 1957 original Broadway cast) (on 1957-09-29)
lead vocals [Rosalia]:
Marilyn Cooper (on 1957-09-29)
lead vocals [Teresita]:
Carmen Gutierrez (on 1957-09-29)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1957-09-29)
conductor:
Max Goberman (on 1957-09-29)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1957-09-29)
recording of:
West Side Story: America (Anita, Shark Girls) (on 1957-09-29)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Jalni Publications Inc., Universal/MCA Music (music publisher; do not use as release label!) and The Leonard Bernstein Music Publishing Company LLC (in 1957)
part of:
West Side Story
Chita Rivera, Marilyn Cooper & Reri Grist54:35
3A Change Is Gonna Come
cover recording of:
A Change Is Gonna Come
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
Terence Trent D’Arby & Booker T. & the MG’s4:50
4We Shall OvercomeMahalia Jackson42:46
5Dancing in the Street
producer:
William Stevenson (Motown songwriter)
baritone saxophone:
Thomas Bowles (on 1964-06-29)
bass guitar:
James Jamerson (on 1964-06-29)
drums (drum set):
Marvin Gaye (on 1964-06-29)
guitar:
Joe Messina (on 1964-06-29), Robert White (US funk/soul guitarist) (on 1964-06-29) and Eddie Willis (on 1964-06-29)
other instruments [tire iron]:
Ivy Jo Hunter (on 1964-06-29)
percussion, tambourine and vibraphone [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1964-06-29)
tenor saxophone:
Henry Cosby (on 1964-06-29)
trombone:
George Bohanon (on 1964-06-29) and Paul Riser (on 1964-06-29)
trumpet:
Russell Conway (trumpet player) (on 1964-06-29) and Herbert Williams (trumpet player) (on 1964-06-29)
background vocals:
Rosalind Ashford (on 1964-06-29), Ivy Jo Hunter (on 1964-06-29), Betty Kelly (on 1964-06-29) and William Stevenson (Motown songwriter) (on 1964-06-29)
lead vocals:
Martha Reeves (on 1964-06-29)
publisher:
EMI Music Publishing (do not use as a release label!)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 130) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 403)
recording of:
Dancing in the Street (on 1964-06-29)
writer:
I. Hunter, M. Gaye and W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Martha Reeves and the Vandellas3.552:41
6If I Had a Hammer (The Hammer Song)
recording of:
If I Had a Hammer
writer:
Lee Hays (in 1949) and Pete Seeger (in 1949)
publisher:
M.P.A. (M.P.A.)
Pete Seeger1:56
7This Little Light of Mine (live)
The Freedom Singers2:25
8Chimes of Freedom (live)
recording engineer:
Toby Scott (on 1988-07-03)
producer:
Jon Landau, Chuck Plotkin and Bruce Springsteen
mixer:
Bob Clearmountain and Toby Scott
lead vocals:
Bruce Springsteen (on 1988-07-03)
performer:
The E Street Band (on 1988-07-03) and The Miami Horns (on 1988-07-03)
phonographic copyright (℗) by:
Bruce Springsteen (in 1988)
recorded at:
1988‐07‐03: Stockholms Stadion, Stockholm, Sweden (1988-07-03)
recorded at:
Stockholms stadion (Stockholm Olympic Stadium) in Stockholm, Stockholms län (Stockholm county), Sweden (on 1988-07-03)
live cover recording of:
Chimes of Freedom (on 1988-07-03)
lyricist and composer:
Bob Dylan (in 1964)
publisher:
M. Witmark & Sons, Warner Bros. Inc. (not for release label use!), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1964 until 1992) and Special Rider Music (from 1992 to present)
Bruce Springsteen7:21
9People Get Ready
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 24), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 28) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 122)
recording of:
People Get Ready
lyricist and composer:
Curtis Mayfield
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Impressions42:39
10America
recording engineer:
Roy Halee (on 1968-02-01)
assistant producer:
Bob Johnston (US record producer and early rockebilly singer)
producer:
Art Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
vocals:
Art Garfunkel and Paul Simon (of Simon & Garfunkel)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968)
recorded at:
Columbia (CBS) Studio ‘A’ in Manhattan, New York, New York, United States (on 1968-02-01)
recording of:
America (on 1968-02-01)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher), Paul Simon Music and Universal/MCA Music Ltd. (not for release label use!)
Simon & Garfunkel3.73:35
11Ain’ Gonna Let Nobody Turn Me ’round
recording engineer and mixer:
Dan Gellert (sound engineer)
assistant engineer:
Andrea Yankovsky
producer:
Bernice Johnson Reagon (gospel singer)
vocals:
Ysaye M. Barnwell, Nitanju Bolade Casel, Bernice Johnson Reagon (gospel singer), Aisha Kahlil and Carol Maillard
arranger:
Bernice Johnson Reagon (gospel singer)
recorded at and mixed at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
cover recording of:
Ain’t Gonna Let Nobody Turn Me Around
writer:
[traditional] (special purpose artist)
Sweet Honey in the Rock4:08
12Stand!
bass guitar:
Larry Graham (US bassist & singer) (on 1969-02-27)
drums (drum set):
Greg Errico (on 1969-02-27)
guitar:
Freddie Stone (on 1969-02-27)
guitar and keyboard:
Sly Stone (on 1969-02-27)
keyboard:
Rose Stone (on 1969-02-27)
saxophone:
Jerry Martini (on 1969-02-27)
trumpet:
Cynthia Robinson (on 1969-02-27)
vocals:
Larry Graham (US bassist & singer) (on 1969-02-27), Jerry Martini (on 1969-02-27), Freddie Stone (on 1969-02-27), Rose Stone (on 1969-02-27) and Sly Stone (on 1969-02-27)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 241)
recording of:
Stand! (on 1969-02-27)
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone3.53:09
13FreedomRichie Havens6:01
14Goodnight Saigon
associate engineer:
Bradshaw Leigh
engineer and mixer:
Jim Boyer (producer/engineer)
assistant producer:
Laura Loncteaux
producer:
Phil Ramone
drums (drum set):
Liberty DeVitto (US drummer) (in 1982)
electric bass guitar:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1982)
electric guitar:
David Brown (guitarist for Billy Joel) (in 1982)
guitar:
Russell Javors (in 1982)
piano and lead vocals:
Billy Joel (American singer‐songwriter and pianist) (in 1982)
snare drum [field snare]:
Bill Zampino (in 1982)
concertmaster:
David Nadien
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
remixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
music videos:
Goodnight Saigon by Billy Joel (American singer‐songwriter and pianist)
recording of:
Goodnight Saigon (in 1982)
lyricist and composer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Joelsongs (from 1981 to present), Impulsive Music (in 1981) and CBS Songs Ltd. (in 1982)
Billy Joel3.857:06
15Wake Up Everybody
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
partial recording of:
Wake Up Everybody
writer:
Victor Carstarphen (keyboardist, composer and producer), Gene McFadden and John Whitehead
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes3:42
16Fight the PowerThe Isley Brothers3:21
17Song of the Patriot
recorded in:
Nashville, Tennessee, United States (on 1980-03-18)
producer:
Earl Poole Ball (US country pianist)
acoustic guitar:
Johnny Cash (country music legend) (on 1980-03-18)
bass:
Joe Allen (US country songwriter & bassist) (on 1980-03-18)
drums (drum set):
W.S. Holland (on 1980-03-18)
electric guitar:
Bob Wootton (on 1980-03-18)
flute:
Rufus Long (on 1980-03-18)
guitar:
David Kirby (US country singer/songwriter) (on 1980-03-18), Jerry Hensley (on 1980-03-18), Jack Routh (on 1980-03-18) and Marty Stuart (on 1980-03-18)
piano:
Earl Poole Ball (US country pianist) (on 1980-03-18)
background vocals [harmony vocals]:
Marty Robbins (on 1980-03-18)
vocals:
Johnny Cash (country music legend) (on 1980-03-18)
performer:
Marty Robbins
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980)
recording of:
Song of the Patriot (on 1980-03-18)
writer:
Shirl Milete (country music singer, guitarist, and songwriter) and Marty Robbins
Johnny Cash feat. Marty Robbins43:31
18Hard Times
assistant recording engineer:
Niko Bolas
recording engineer:
Val Garay
producer:
Peter Asher
bass guitar:
Leland Sklar (bassist, session musician)
congas and drums (drum set):
Rick Marotta (US drummer/percussionist)
electric guitar:
Dan Dugmore and Waddy Wachtel
organ and piano:
Don Grolnick
solo electric guitar:
Waddy Wachtel
synthesizer:
Bill Cuomo
background vocals:
David Lasley and Arnold McCuller
lead vocals:
James Taylor (singer-songwriter and guitarist)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (from 1980-09-05 until 1981-01-18)
recording of:
Hard Times
lyricist and composer:
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
James Taylor43:13
19Open Letter (to a Landlord)
producer:
Ed Stasium (US record producer & audio engineer)
recording of:
Open Letter (to a Landlord)
additional lyricist:
Tracie Morris
lyricist and composer:
Vernon Reid (English-born US guitarist and songwriter)
Living Colour3.25:34
20Someday We’ll All Be Free
recording of:
Someday We’ll All Be Free
writer:
Donny Hathaway and Edward Howard
publisher:
Kuumba Music, Warner Bros. Music (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donny Hathaway44:11