Tutu: Smooth Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2018 X5 Music Group»

Countries excluded (Spotify + Deezer)

(As of 2020-05-16).

  • Caribbean: 🇦🇬 Antigua and Barbuda (ag) 🇦🇮 Anguilla (ai)
  • Eastern Africa: 🇲🇬 Madagascar (mg)
  • Middle Africa: 🇨🇬 Congo (cg)
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Annotation last modified on 2020-05-16 19:52 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Tutu
recording of:
Tutu
composer:
Marcus Miller (jazz musician)
Miles Davis5:17
2The Lady Wants to Know
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
producer:
Tommy LiPuma
bass guitar:
Wilton Felder
drums (drum set):
John Guerin
guitar:
Larry Carlton
percussion:
Ray Armando
piano:
Joe Sample
solo tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
conductor:
Claus Ogerman
arranger:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recording of:
The Lady Wants to Know
lyricist and composer:
Michael Franks
publisher:
Mississippi Mud Music Co. and 大洋音楽 (Taiyō Music)
Michael Franks4:45
3Matinee Idol
Yellowjackets5:12
4Aruban Nights
Bobby Lyle5:11
5A Love That Will Last
recording engineer and mixer:
Humberto Gatica
miscellaneous support:
Jochem van der Saag (task: sound design)
additional programming:
Neil Devor
programming:
Jochem van der Saag
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Jorge Vivo (engineer)
bass:
Brian Bromberg
drums (drum set):
Vinnie Colaiuta (drummer)
piano:
David Foster (Canadian music producer, arranger and composer)
strings arranger:
Chris Boardman (composer) and David Foster (Canadian music producer, arranger and composer)
arranger:
David Foster (Canadian music producer, arranger and composer)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
recording of:
A Love That Will Last
lyricist:
Linda Thompson (American actress, lyricist)
composer:
David Foster (Canadian music producer, arranger and composer)
publisher:
Brandon Brody Music, One Four Three Music, Peermusic Ltd. (BMI) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Renee Olstead3:32
6Room 335 (long version)
recording of:
Room 335
composer:
Larry Carlton (in 1973)
publisher:
Pal‐Dog Music
Larry Carlton5:39
7On My Mind
membranophone programming:
Brian Culbertson (funk/R&B/jazz musician & producer)
additional keyboard and soprano saxophone and tenor saxophone:
Steve Cole (American tenor saxophonist)
bass:
Richard Patterson (Chicago bass player)
guitar:
Dwight Sills
keyboard and piano:
Brian Culbertson (funk/R&B/jazz musician & producer)
membranophone:
Oscar Seaton
percussion:
Lenny Castro
Brian Culbertson4:29
8Can’t Hide Love
Wayman Tisdale3:44
9Rikke
David Sanborn5:04
10Breezin’
recording engineer:
Al Schmitt (from 1976-01-06 until 1976-01-08)
assistant engineer:
Don Henderson (engineer)
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma
mixer:
Al Schmitt
bass guitar and guitar [rhythm guitar]:
Phil Upchurch (from 1976-01-06 until 1976-01-08)
clavinet and piano:
Jorge Dalto (from 1976-01-06 until 1976-01-08)
drums (drum set):
Harvey Mason (jazz drummer) (from 1976-01-06 until 1976-01-08)
guitar [lead guitar]:
George Benson (jazz guitarist/singer) (from 1976-01-06 until 1976-01-08)
Minimoog [mini-moog] and electric piano:
Ronnie Foster (from 1976-01-06 until 1976-01-08)
percussion:
Ralph MacDonald (from 1976-01-06 until 1976-01-08)
conductor:
Claus Ogerman (from 1976-01-06 until 1976-01-08)
orchestrator:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1976-01-06 until 1976-01-08)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
Breezin’ (from 1976-01-06 until 1976-01-08)
composer:
Bobby Womack
publisher:
Unart Music Corp. (ended), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Unart Catalog Inc., Tracebob Music Co., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 日本アブコ音楽出版 (ABKCO Japan Publishing)
George Benson45:42
11Sneak a Peek
Euge Groove5:04
12Winelight
assistant recording engineer:
Ed Heath
recording engineer:
Richard Alderson (Producer and engineer) (from 1980-06 until 1980-07)
assistant engineer:
Eddie Heath, Jr.
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
clavinet:
Ray Chew (from 1980-06 until 1980-07) and Paul Griffin (American pianist, session musician) (from 1980-06 until 1980-07)
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Richard Tee (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
conductor:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra Entertainment Company (validity of this label needs to be investigated…) (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
recorded at:
Rosebud Recording Studio in New York, New York, United States (from 1980-06 until 1980-07)
recording of:
Winelight (from 1980-06 until 1980-07)
composer:
William Eaton (US producer & arranger)
Grover Washington, Jr.3.357:31
13In a Melancholy Way
engineer:
Tommy Klemt
producer:
Klaus Doldinger
bass:
Dieter Petereit
drums (drum set):
David Crigger (drummer/engineer)
electric piano:
Hendrik Schaper
guitar:
Kevin Mulligan (Belgian/American guitarist, lyricist & producer)
recorded at:
Soundport Studio in Bayern (Bavaria), Germany
recording of:
In a Melancholy Way
writer:
Klaus Doldinger
Passport4:42
14Spellbound
Joe Sample4:30
15Come On Home
Jeff Golub4:44
16I Feel Like Loving You Today
Donald Byrd6:55
17Trains
bass:
Victor Bailey
drums (drum set) and percussion:
Peter Erskine (US jazz drummer)
EWI and tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
guitar:
Hiram Bullock and Chuck Loeb
guitar synthesizer:
Chuck Loeb
keyboard and vibraphone:
Mike Mainieri
synthesizer:
Kenny Kirkland
Steps Ahead7:31
18Movin’ On
assistant engineer:
Todd Childress and Todd Whitelock (engineer)
engineer:
Ray Bardani and Alec Head
producer:
Bob James (US jazz keyboardist, arranger and producer) and Earl Klugh
mixer:
Ray Bardani
bass:
Gary King (jazz bassist, arranger and songwriter)
guitar:
Earl Klugh
keyboard:
Bob James (US jazz keyboardist, arranger and producer)
membranophone:
Harvey Mason (jazz drummer)
percussion:
Leonard "Doc" Gibbs (percussionist)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
Bob James7:33
19Many Faces
Jonathan Butler5:07
20Take Five (edit version)
instrumental recording of:
Take Five (original instrumental version)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
part of:
The Real Book (compilation of jazz standards, volume I)
Al Jarreau3:32
21Vôo sobre o horizonte
Azymuth3:41
22One Day I’ll Fly Away
assistant engineer:
Hill Swimmer
engineer:
Jeremy Smith (producer/engineer)
bass:
Wilton Felder and Abraham Laboriel
drums (drum set):
Mike Baird (drummer) and Stix Hooper
guitar:
Roland Bautista, Tim May (session/jazz guitarist), Dean Parks (American session guitarist) and David T. Walker
keyboard:
Joe Sample
percussion:
Eddie “Bongo” Brown and Paulinho da Costa (Brazilian percussionist)
trumpet:
Oscar Brashear
background vocals:
Melvin Franklin, Julia Tillman, Gwen Owens (R&B singer Gwendolyn Louise Owens) and Maxine Waters
vocals:
Randy Crawford (US jazz/R&B singer Veronica Crawford)
recording of:
One Day I’ll Fly Away
lyricist:
Will Jennings
composer:
Joe Sample
publisher:
Four Knights Music Co., Irving Music, Inc. and Leeds Music Ltd.
Randy Crawford35:02
23Magic Fingers
Chico Hamilton5:02
24Before It’s Time to Say Goodbye
assistant recording engineer:
John Reigart and Tom Schick
engineer:
Joe Ferla
assistant mixer:
Ed Raso
alto saxophone:
Kenny Garrett (from 1997-01-07 until 1997-01-08)
bass:
Nat Reeves (US American jazz bassist) (from 1997-01-07 until 1997-01-08)
drums (drum set):
Jeffrey “Tain” Watts (jazz drummer) (from 1997-01-07 until 1997-01-08)
piano:
Kenny Kirkland (from 1997-01-07 until 1997-01-08)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Sear Sound in New York, New York, United States (from 1997-01-07 until 1997-01-08)
mixed at:
Sound on Sound Recording Studios (New York) in New York, New York, United States
Kenny Garrett5:18
25It’s Gonna Be Alright
executive producer:
George Nauful
producer:
Brian Culbertson (funk/R&B/jazz musician & producer)
mixer:
Craig Bauer
saxophone:
Steve Cole (American tenor saxophonist)
Steve Cole4:03
26Still Warm
engineer:
Alec Head
producer:
Steve Swallow
bass:
Darryl Jones (bassist for The Rolling Stones) (in 1985-06)
drums (drum set) and percussion:
Omar Hakim (in 1985-06)
guitar:
John Scofield (US guitarist/composer) (in 1985-06)
keyboard:
Don Grolnick (in 1985-06)
recorded at:
Mediasound Studios in New York, New York, United States (in 1985-06)
John Scofield6:03
27Kisses in the Rain
Rick Braun4:33
28Tears in Heaven
producer:
Matt Pierson (producer)
double bass:
Charlie Haden (American jazz bassist)
drums (drum set):
Billy Higgins (US jazz drummer)
guitar:
Pat Metheny
tenor saxophone:
Joshua Redman (tenor saxophonist)
instrumental cover recording of:
Tears in Heaven
writer:
Eric Clapton and Will Jennings
publisher:
Blue Sky, EC Music (UK work publisher for Eric Clapton), Rondor Music (London) Ltd. and Warner Chappell Music Ltd (no slash; used 1988–1996)
cover recording of:
Tears in Heaven
writer:
Eric Clapton and Will Jennings
publisher:
Blue Sky, EC Music (UK work publisher for Eric Clapton), Rondor Music (London) Ltd. and Warner Chappell Music Ltd (no slash; used 1988–1996)
Joshua Redman33:22
29Could It Be You
producer:
Ray Bardani, Michael Colina and Marcus Miller (jazz musician)
mixer:
Ray Bardani
acoustic guitar:
Nick Moroch (US guitarist)
cello:
Eric Bartlett and Roberta Cooper
double bass:
Dean Crandall and Lewis Paer (double bass player)
drums (drum set):
Buddy Williams (drummer)
instruments:
Marcus Miller (jazz musician)
percussion:
Ralph MacDonald
viola:
Maureen Gallagher (violist) and Valerie Haywood (violist)
violin:
Kineko Barbini, Martha Caplin, Robert Chausow, Guillermo Figueroa, Joanna Jenner, Anca Nicolau, Carol Pool (violin), Eriko Sato (violinist), Naoko Tanaka (violinist) and Ruth Waterman
strings arranger:
Michael Colina
recorded at and mixed at:
Minot Sound Studio in White Plains, New York, United States
instrumental recording of:
Could It Be You
composer:
Marcus Miller (jazz musician)
Marcus Miller43:24
30No Rhyme, No Reason
George Duke5:47