| # | Title | Rating | Length |
|---|
| 1 | Remus- assistant recording engineer and assistant mixer:
- Norm Diugatch , Dominic Gonzales and Paul Wertheimer
- recording engineer and mixer:
- Bruce Botnick (from 2002-08-13 until 2002-09-09)
- programming:
- Nick Vidar
- bass:
- Árni Egilsson, Drew Dembowski, Steve Edelman , Oscar Hidalgo , Christian Kollgaard, Ed Meares, Bruce Morgenthaler and Susan Ranney
- bassoon:
- Ken Munday , Michael O'Donovan and David Riddles
- cello:
- Antony Cooke, Chris Ermcoff, Paul Cohen , Steve Erdody, Vanessa Freebairn‐Smith, Dennis Karmazyn, Armen Ksajikian, Dane Little, David Low, David Speltz, Tim Landauer and Cécilia Tsan
- clarinet:
- Emily Bernstein , Gary Bovyer and James Kanter
- flute:
- Louise DiTullio, Peter Sheridan and Sheridon Stokes
- French horn:
- David Allen Duke , Brian O’Connor , Steven Becknell , Jim Thatcher , Rick Todd and Phil Yao
- harp:
- Katie Kirkpatrick
- keyboard:
- Michael Lang
- oboe:
- Phillip Ayling, Earle Dumler and John Ellis
- percussion:
- Alan Estes, Greg Goodall, Peter Limonick , Steve Schaeffer and Donald J. Williams
- trombone:
- Bill Booth , Andy Malloy and Phil Teele
- trumpet:
- Rick Baptist, Warren Luening and Malcolm McNab
- tuba:
- Tommy Johnson
- viola:
- Brian Dembow, Marlow Fisher, Rick Gerding, Jennie Hansen, Janet Lakatos, Matthew Funes, Darrin McCann, Victoria Miskolczy, Simon Oswell , Karen Van Sant , David Walther and Mihail Zinovyev
- violin:
- Eun Mee Ahn, Richard Altenbach, Lily Ho Chen, Franklyn D’Antonio, Ron Folson , Julie Gigante, Endre Granat , Alan Grunfeld, Clayton Haslop, Tamara Hatwan, Amy Hershberger, Jackie Brand, Pat Johnson , Miran Kojian, Ana Landauer, Natalie Leggett, Phillip Levy , Rene Mandel , Mario de Leon, Liane Mautner, Robin Olson, Sid Page, Katia Popov, Rafael Rishik , Mark Robertson , Anatoly Rosinsky, Marc Sazer, Haim Shtrum, Lisa Sutton , Irina Voloshina, Roger Wilkie and Ken Yerke
- orchestra:
- Hollywood Studio Symphony
- conductor:
- Jerry Goldsmith
- orchestrator:
- Mark McKenzie and Conrad Pope
- concertmaster:
- Endre Granat
- recorded at and mixed at:
- Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 2002-08-13 until 2002-09-09)
- recording of:
- Remus
- additional composer:
- Alexander Courage
| | 2:01 |
| 2 | The Box- assistant recording engineer and assistant mixer:
- Norm Diugatch , Dominic Gonzales and Paul Wertheimer
- recording engineer and mixer:
- Bruce Botnick (from 2002-08-13 until 2002-09-09)
- programming:
- Nick Vidar
- bass:
- Árni Egilsson, Drew Dembowski, Steve Edelman , Oscar Hidalgo , Christian Kollgaard, Ed Meares, Bruce Morgenthaler and Susan Ranney
- bassoon:
- Ken Munday , Michael O'Donovan and David Riddles
- cello:
- Antony Cooke, Chris Ermcoff, Paul Cohen , Steve Erdody, Vanessa Freebairn‐Smith, Dennis Karmazyn, Armen Ksajikian, Dane Little, David Low, David Speltz, Tim Landauer and Cécilia Tsan
- clarinet:
- Emily Bernstein , Gary Bovyer and James Kanter
- flute:
- Louise DiTullio, Peter Sheridan and Sheridon Stokes
- French horn:
- David Allen Duke , Brian O’Connor , Steven Becknell , Jim Thatcher , Rick Todd and Phil Yao
- harp:
- Katie Kirkpatrick
- keyboard:
- Michael Lang
- oboe:
- Phillip Ayling, Earle Dumler and John Ellis
- percussion:
- Alan Estes, Greg Goodall, Peter Limonick , Steve Schaeffer and Donald J. Williams
- trombone:
- Bill Booth , Andy Malloy and Phil Teele
- trumpet:
- Rick Baptist, Warren Luening and Malcolm McNab
- tuba:
- Tommy Johnson
- viola:
- Brian Dembow, Marlow Fisher, Rick Gerding, Jennie Hansen, Janet Lakatos, Matthew Funes, Darrin McCann, Victoria Miskolczy, Simon Oswell , Karen Van Sant , David Walther and Mihail Zinovyev
- violin:
- Eun Mee Ahn, Richard Altenbach, Lily Ho Chen, Franklyn D’Antonio, Ron Folson , Julie Gigante, Endre Granat , Alan Grunfeld, Clayton Haslop, Tamara Hatwan, Amy Hershberger, Jackie Brand, Pat Johnson , Miran Kojian, Ana Landauer, Natalie Leggett, Phillip Levy , Rene Mandel , Mario de Leon, Liane Mautner, Robin Olson, Sid Page, Katia Popov, Rafael Rishik , Mark Robertson , Anatoly Rosinsky, Marc Sazer, Haim Shtrum, Lisa Sutton , Irina Voloshina, Roger Wilkie and Ken Yerke
- orchestra:
- Hollywood Studio Symphony
- conductor:
- Jerry Goldsmith
- orchestrator:
- Mark McKenzie and Conrad Pope
- concertmaster:
- Endre Granat
- recorded at and mixed at:
- Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 2002-08-13 until 2002-09-09)
| | 2:22 |
| 3 | My Right A.R.M.- assistant recording engineer and assistant mixer:
- Norm Diugatch , Dominic Gonzales and Paul Wertheimer
- recording engineer and mixer:
- Bruce Botnick (from 2002-08-13 until 2002-09-09)
- programming:
- Nick Vidar
- bass:
- Árni Egilsson, Drew Dembowski, Steve Edelman , Oscar Hidalgo , Christian Kollgaard, Ed Meares, Bruce Morgenthaler and Susan Ranney
- bassoon:
- Ken Munday , Michael O'Donovan and David Riddles
- cello:
- Antony Cooke, Chris Ermcoff, Paul Cohen , Steve Erdody, Vanessa Freebairn‐Smith, Dennis Karmazyn, Armen Ksajikian, Dane Little, David Low, David Speltz, Tim Landauer and Cécilia Tsan
- clarinet:
- Emily Bernstein , Gary Bovyer and James Kanter
- flute:
- Louise DiTullio, Peter Sheridan and Sheridon Stokes
- French horn:
- David Allen Duke , Brian O’Connor , Steven Becknell , Jim Thatcher , Rick Todd and Phil Yao
- harp:
- Katie Kirkpatrick
- keyboard:
- Michael Lang
- oboe:
- Phillip Ayling, Earle Dumler and John Ellis
- percussion:
- Alan Estes, Greg Goodall, Peter Limonick , Steve Schaeffer and Donald J. Williams
- trombone:
- Bill Booth , Andy Malloy and Phil Teele
- trumpet:
- Rick Baptist, Warren Luening and Malcolm McNab
- tuba:
- Tommy Johnson
- viola:
- Brian Dembow, Marlow Fisher, Rick Gerding, Jennie Hansen, Janet Lakatos, Matthew Funes, Darrin McCann, Victoria Miskolczy, Simon Oswell , Karen Van Sant , David Walther and Mihail Zinovyev
- violin:
- Eun Mee Ahn, Richard Altenbach, Lily Ho Chen, Franklyn D’Antonio, Ron Folson , Julie Gigante, Endre Granat , Alan Grunfeld, Clayton Haslop, Tamara Hatwan, Amy Hershberger, Jackie Brand, Pat Johnson , Miran Kojian, Ana Landauer, Natalie Leggett, Phillip Levy , Rene Mandel , Mario de Leon, Liane Mautner, Robin Olson, Sid Page, Katia Popov, Rafael Rishik , Mark Robertson , Anatoly Rosinsky, Marc Sazer, Haim Shtrum, Lisa Sutton , Irina Voloshina, Roger Wilkie and Ken Yerke
- orchestra:
- Hollywood Studio Symphony
- conductor:
- Jerry Goldsmith
- orchestrator:
- Mark McKenzie and Conrad Pope
- concertmaster:
- Endre Granat
- recorded at and mixed at:
- Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 2002-08-13 until 2002-09-09)
| | 1:02 |
| 4 | Enterprise Flyover | | 0:33 |
| 5 | Catching a Positron Signal | | 1:27 |
| 6 | The Argo- assistant recording engineer and assistant mixer:
- Norm Diugatch , Dominic Gonzales and Paul Wertheimer
- recording engineer and mixer:
- Bruce Botnick (from 2002-08-13 until 2002-09-09)
- programming:
- Nick Vidar
- bass:
- Árni Egilsson, Drew Dembowski, Steve Edelman , Oscar Hidalgo , Christian Kollgaard, Ed Meares, Bruce Morgenthaler and Susan Ranney
- bassoon:
- Ken Munday , Michael O'Donovan and David Riddles
- cello:
- Antony Cooke, Chris Ermcoff, Paul Cohen , Steve Erdody, Vanessa Freebairn‐Smith, Dennis Karmazyn, Armen Ksajikian, Dane Little, David Low, David Speltz, Tim Landauer and Cécilia Tsan
- clarinet:
- Emily Bernstein , Gary Bovyer and James Kanter
- flute:
- Louise DiTullio, Peter Sheridan and Sheridon Stokes
- French horn:
- David Allen Duke , Brian O’Connor , Steven Becknell , Jim Thatcher , Rick Todd and Phil Yao
- harp:
- Katie Kirkpatrick
- keyboard:
- Michael Lang
- oboe:
- Phillip Ayling, Earle Dumler and John Ellis
- percussion:
- Alan Estes, Greg Goodall, Peter Limonick , Steve Schaeffer and Donald J. Williams
- trombone:
- Bill Booth , Andy Malloy and Phil Teele
- trumpet:
- Rick Baptist, Warren Luening and Malcolm McNab
- tuba:
- Tommy Johnson
- viola:
- Brian Dembow, Marlow Fisher, Rick Gerding, Jennie Hansen, Janet Lakatos, Matthew Funes, Darrin McCann, Victoria Miskolczy, Simon Oswell , Karen Van Sant , David Walther and Mihail Zinovyev
- violin:
- Eun Mee Ahn, Richard Altenbach, Lily Ho Chen, Franklyn D’Antonio, Ron Folson , Julie Gigante, Endre Granat , Alan Grunfeld, Clayton Haslop, Tamara Hatwan, Amy Hershberger, Jackie Brand, Pat Johnson , Miran Kojian, Ana Landauer, Natalie Leggett, Phillip Levy , Rene Mandel , Mario de Leon, Liane Mautner, Robin Olson, Sid Page, Katia Popov, Rafael Rishik , Mark Robertson , Anatoly Rosinsky, Marc Sazer, Haim Shtrum, Lisa Sutton , Irina Voloshina, Roger Wilkie and Ken Yerke
- orchestra:
- Hollywood Studio Symphony
- conductor:
- Jerry Goldsmith
- orchestrator:
- Mark McKenzie and Conrad Pope
- concertmaster:
- Endre Granat
- recorded at and mixed at:
- Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 2002-08-13 until 2002-09-09)
| | 1:17 |
| 7 | Odds and Ends | | 4:36 |
| 8 | Assembling B-4 | | 1:02 |
| 9 | To Romulus | | 1:08 |
| 10 | Repairs- assistant recording engineer and assistant mixer:
- Norm Diugatch , Dominic Gonzales and Paul Wertheimer
- recording engineer and mixer:
- Bruce Botnick (from 2002-08-13 until 2002-09-09)
- programming:
- Nick Vidar
- bass:
- Árni Egilsson, Drew Dembowski, Steve Edelman , Oscar Hidalgo , Christian Kollgaard, Ed Meares, Bruce Morgenthaler and Susan Ranney
- bassoon:
- Ken Munday , Michael O'Donovan and David Riddles
- cello:
- Antony Cooke, Chris Ermcoff, Paul Cohen , Steve Erdody, Vanessa Freebairn‐Smith, Dennis Karmazyn, Armen Ksajikian, Dane Little, David Low, David Speltz, Tim Landauer and Cécilia Tsan
- clarinet:
- Emily Bernstein , Gary Bovyer and James Kanter
- flute:
- Louise DiTullio, Peter Sheridan and Sheridon Stokes
- French horn:
- David Allen Duke , Brian O’Connor , Steven Becknell , Jim Thatcher , Rick Todd and Phil Yao
- harp:
- Katie Kirkpatrick
- keyboard:
- Michael Lang
- oboe:
- Phillip Ayling, Earle Dumler and John Ellis
- percussion:
- Alan Estes, Greg Goodall, Peter Limonick , Steve Schaeffer and Donald J. Williams
- trombone:
- Bill Booth , Andy Malloy and Phil Teele
- trumpet:
- Rick Baptist, Warren Luening and Malcolm McNab
- tuba:
- Tommy Johnson
- viola:
- Brian Dembow, Marlow Fisher, Rick Gerding, Jennie Hansen, Janet Lakatos, Matthew Funes, Darrin McCann, Victoria Miskolczy, Simon Oswell , Karen Van Sant , David Walther and Mihail Zinovyev
- violin:
- Eun Mee Ahn, Richard Altenbach, Lily Ho Chen, Franklyn D’Antonio, Ron Folson , Julie Gigante, Endre Granat , Alan Grunfeld, Clayton Haslop, Tamara Hatwan, Amy Hershberger, Jackie Brand, Pat Johnson , Miran Kojian, Ana Landauer, Natalie Leggett, Phillip Levy , Rene Mandel , Mario de Leon, Liane Mautner, Robin Olson, Sid Page, Katia Popov, Rafael Rishik , Mark Robertson , Anatoly Rosinsky, Marc Sazer, Haim Shtrum, Lisa Sutton , Irina Voloshina, Roger Wilkie and Ken Yerke
- orchestra:
- Hollywood Studio Symphony
- conductor:
- Jerry Goldsmith
- orchestrator:
- Mark McKenzie and Conrad Pope
- concertmaster:
- Endre Granat
- recorded at and mixed at:
- Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 2002-08-13 until 2002-09-09)
| | 6:26 |
| 11 | The Knife | | 3:06 |
| 12 | Shinzon and the Senate | | 0:28 |
| 13 | Donatra and Shinzon | | 1:27 |
| 14 | The Dilithium Mines of Remus | | 1:30 |
| 15 | Ideas | | 2:13 |
| 16 | "We Are Wasting Time" | | 0:55 |
| 17 | Shinzon's Violation | | 0:51 |
| 18 | B-4 Beams to the Scimitar | | 0:46 |
| 19 | Capturing Picard | | 1:24 |
| 20 | The Mirror- assistant recording engineer and assistant mixer:
- Norm Diugatch , Dominic Gonzales and Paul Wertheimer
- recording engineer and mixer:
- Bruce Botnick (from 2002-08-13 until 2002-09-09)
- programming:
- Nick Vidar
- bass:
- Árni Egilsson, Drew Dembowski, Steve Edelman , Oscar Hidalgo , Christian Kollgaard, Ed Meares, Bruce Morgenthaler and Susan Ranney
- bassoon:
- Ken Munday , Michael O'Donovan and David Riddles
- cello:
- Antony Cooke, Chris Ermcoff, Paul Cohen , Steve Erdody, Vanessa Freebairn‐Smith, Dennis Karmazyn, Armen Ksajikian, Dane Little, David Low, David Speltz, Tim Landauer and Cécilia Tsan
- clarinet:
- Emily Bernstein , Gary Bovyer and James Kanter
- flute:
- Louise DiTullio, Peter Sheridan and Sheridon Stokes
- French horn:
- David Allen Duke , Brian O’Connor , Steven Becknell , Jim Thatcher , Rick Todd and Phil Yao
- harp:
- Katie Kirkpatrick
- keyboard:
- Michael Lang
- oboe:
- Phillip Ayling, Earle Dumler and John Ellis
- percussion:
- Alan Estes, Greg Goodall, Peter Limonick , Steve Schaeffer and Donald J. Williams
- trombone:
- Bill Booth , Andy Malloy and Phil Teele
- trumpet:
- Rick Baptist, Warren Luening and Malcolm McNab
- tuba:
- Tommy Johnson
- viola:
- Brian Dembow, Marlow Fisher, Rick Gerding, Jennie Hansen, Janet Lakatos, Matthew Funes, Darrin McCann, Victoria Miskolczy, Simon Oswell , Karen Van Sant , David Walther and Mihail Zinovyev
- violin:
- Eun Mee Ahn, Richard Altenbach, Lily Ho Chen, Franklyn D’Antonio, Ron Folson , Julie Gigante, Endre Granat , Alan Grunfeld, Clayton Haslop, Tamara Hatwan, Amy Hershberger, Jackie Brand, Pat Johnson , Miran Kojian, Ana Landauer, Natalie Leggett, Phillip Levy , Rene Mandel , Mario de Leon, Liane Mautner, Robin Olson, Sid Page, Katia Popov, Rafael Rishik , Mark Robertson , Anatoly Rosinsky, Marc Sazer, Haim Shtrum, Lisa Sutton , Irina Voloshina, Roger Wilkie and Ken Yerke
- orchestra:
- Hollywood Studio Symphony
- conductor:
- Jerry Goldsmith
- orchestrator:
- Mark McKenzie and Conrad Pope
- concertmaster:
- Endre Granat
- recorded at and mixed at:
- Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 2002-08-13 until 2002-09-09)
| | 5:22 |
| 21 | The Scorpion- assistant recording engineer and assistant mixer:
- Norm Diugatch , Dominic Gonzales and Paul Wertheimer
- recording engineer and mixer:
- Bruce Botnick (from 2002-08-13 until 2002-09-09)
- programming:
- Nick Vidar
- bass:
- Árni Egilsson, Drew Dembowski, Steve Edelman , Oscar Hidalgo , Christian Kollgaard, Ed Meares, Bruce Morgenthaler and Susan Ranney
- bassoon:
- Ken Munday , Michael O'Donovan and David Riddles
- cello:
- Antony Cooke, Chris Ermcoff, Paul Cohen , Steve Erdody, Vanessa Freebairn‐Smith, Dennis Karmazyn, Armen Ksajikian, Dane Little, David Low, David Speltz, Tim Landauer and Cécilia Tsan
- clarinet:
- Emily Bernstein , Gary Bovyer and James Kanter
- flute:
- Louise DiTullio, Peter Sheridan and Sheridon Stokes
- French horn:
- David Allen Duke , Brian O’Connor , Steven Becknell , Jim Thatcher , Rick Todd and Phil Yao
- harp:
- Katie Kirkpatrick
- keyboard:
- Michael Lang
- oboe:
- Phillip Ayling, Earle Dumler and John Ellis
- percussion:
- Alan Estes, Greg Goodall, Peter Limonick , Steve Schaeffer and Donald J. Williams
- trombone:
- Bill Booth , Andy Malloy and Phil Teele
- trumpet:
- Rick Baptist, Warren Luening and Malcolm McNab
- tuba:
- Tommy Johnson
- viola:
- Brian Dembow, Marlow Fisher, Rick Gerding, Jennie Hansen, Janet Lakatos, Matthew Funes, Darrin McCann, Victoria Miskolczy, Simon Oswell , Karen Van Sant , David Walther and Mihail Zinovyev
- violin:
- Eun Mee Ahn, Richard Altenbach, Lily Ho Chen, Franklyn D’Antonio, Ron Folson , Julie Gigante, Endre Granat , Alan Grunfeld, Clayton Haslop, Tamara Hatwan, Amy Hershberger, Jackie Brand, Pat Johnson , Miran Kojian, Ana Landauer, Natalie Leggett, Phillip Levy , Rene Mandel , Mario de Leon, Liane Mautner, Robin Olson, Sid Page, Katia Popov, Rafael Rishik , Mark Robertson , Anatoly Rosinsky, Marc Sazer, Haim Shtrum, Lisa Sutton , Irina Voloshina, Roger Wilkie and Ken Yerke
- orchestra:
- Hollywood Studio Symphony
- conductor:
- Jerry Goldsmith
- orchestrator:
- Mark McKenzie and Conrad Pope
- concertmaster:
- Endre Granat
- recorded at and mixed at:
- Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 2002-08-13 until 2002-09-09)
| | 2:22 |
| 22 | The Senate Changes Attitude | | 1:02 |
| 23 | De-Activating B-4 | | 1:39 |
| 24 | Preparing for Battle | | 2:40 |
| 25 | The Battle Begins | | 2:23 |
| 26 | Meeting in the Ready Room | | 0:21 |
| 27 | "Our True Nature" | | 1:31 |
| 28 | Team Work | | 2:49 |
| 29 | Lateral Run- assistant recording engineer and assistant mixer:
- Norm Diugatch , Dominic Gonzales and Paul Wertheimer
- recording engineer and mixer:
- Bruce Botnick (from 2002-08-13 until 2002-09-09)
- programming:
- Nick Vidar
- bass:
- Árni Egilsson, Drew Dembowski, Steve Edelman , Oscar Hidalgo , Christian Kollgaard, Ed Meares, Bruce Morgenthaler and Susan Ranney
- bassoon:
- Ken Munday , Michael O'Donovan and David Riddles
- cello:
- Antony Cooke, Chris Ermcoff, Paul Cohen , Steve Erdody, Vanessa Freebairn‐Smith, Dennis Karmazyn, Armen Ksajikian, Dane Little, David Low, David Speltz, Tim Landauer and Cécilia Tsan
- clarinet:
- Emily Bernstein , Gary Bovyer and James Kanter
- flute:
- Louise DiTullio, Peter Sheridan and Sheridon Stokes
- French horn:
- David Allen Duke , Brian O’Connor , Steven Becknell , Jim Thatcher , Rick Todd and Phil Yao
- harp:
- Katie Kirkpatrick
- keyboard:
- Michael Lang
- oboe:
- Phillip Ayling, Earle Dumler and John Ellis
- percussion:
- Alan Estes, Greg Goodall, Peter Limonick , Steve Schaeffer and Donald J. Williams
- trombone:
- Bill Booth , Andy Malloy and Phil Teele
- trumpet:
- Rick Baptist, Warren Luening and Malcolm McNab
- tuba:
- Tommy Johnson
- viola:
- Brian Dembow, Marlow Fisher, Rick Gerding, Jennie Hansen, Janet Lakatos, Matthew Funes, Darrin McCann, Victoria Miskolczy, Simon Oswell , Karen Van Sant , David Walther and Mihail Zinovyev
- violin:
- Eun Mee Ahn, Richard Altenbach, Lily Ho Chen, Franklyn D’Antonio, Ron Folson , Julie Gigante, Endre Granat , Alan Grunfeld, Clayton Haslop, Tamara Hatwan, Amy Hershberger, Jackie Brand, Pat Johnson , Miran Kojian, Ana Landauer, Natalie Leggett, Phillip Levy , Rene Mandel , Mario de Leon, Liane Mautner, Robin Olson, Sid Page, Katia Popov, Rafael Rishik , Mark Robertson , Anatoly Rosinsky, Marc Sazer, Haim Shtrum, Lisa Sutton , Irina Voloshina, Roger Wilkie and Ken Yerke
- orchestra:
- Hollywood Studio Symphony
- conductor:
- Jerry Goldsmith
- orchestrator:
- Mark McKenzie and Conrad Pope
- concertmaster:
- Endre Granat
- recorded at and mixed at:
- Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 2002-08-13 until 2002-09-09)
| | 3:53 |
| 30 | Riker vs. Viceroy- assistant recording engineer and assistant mixer:
- Norm Diugatch , Dominic Gonzales and Paul Wertheimer
- recording engineer and mixer:
- Bruce Botnick (from 2002-08-13 until 2002-09-09)
- programming:
- Nick Vidar
- bass:
- Árni Egilsson, Drew Dembowski, Steve Edelman , Oscar Hidalgo , Christian Kollgaard, Ed Meares, Bruce Morgenthaler and Susan Ranney
- bassoon:
- Ken Munday , Michael O'Donovan and David Riddles
- cello:
- Antony Cooke, Chris Ermcoff, Paul Cohen , Steve Erdody, Vanessa Freebairn‐Smith, Dennis Karmazyn, Armen Ksajikian, Dane Little, David Low, David Speltz, Tim Landauer and Cécilia Tsan
- clarinet:
- Emily Bernstein , Gary Bovyer and James Kanter
- flute:
- Louise DiTullio, Peter Sheridan and Sheridon Stokes
- French horn:
- David Allen Duke , Brian O’Connor , Steven Becknell , Jim Thatcher , Rick Todd and Phil Yao
- harp:
- Katie Kirkpatrick
- keyboard:
- Michael Lang
- oboe:
- Phillip Ayling, Earle Dumler and John Ellis
- percussion:
- Alan Estes, Greg Goodall, Peter Limonick , Steve Schaeffer and Donald J. Williams
- trombone:
- Bill Booth , Andy Malloy and Phil Teele
- trumpet:
- Rick Baptist, Warren Luening and Malcolm McNab
- tuba:
- Tommy Johnson
- viola:
- Brian Dembow, Marlow Fisher, Rick Gerding, Jennie Hansen, Janet Lakatos, Matthew Funes, Darrin McCann, Victoria Miskolczy, Simon Oswell , Karen Van Sant , David Walther and Mihail Zinovyev
- violin:
- Eun Mee Ahn, Richard Altenbach, Lily Ho Chen, Franklyn D’Antonio, Ron Folson , Julie Gigante, Endre Granat , Alan Grunfeld, Clayton Haslop, Tamara Hatwan, Amy Hershberger, Jackie Brand, Pat Johnson , Miran Kojian, Ana Landauer, Natalie Leggett, Phillip Levy , Rene Mandel , Mario de Leon, Liane Mautner, Robin Olson, Sid Page, Katia Popov, Rafael Rishik , Mark Robertson , Anatoly Rosinsky, Marc Sazer, Haim Shtrum, Lisa Sutton , Irina Voloshina, Roger Wilkie and Ken Yerke
- orchestra:
- Hollywood Studio Symphony
- conductor:
- Jerry Goldsmith
- orchestrator:
- Mark McKenzie and Conrad Pope
- concertmaster:
- Endre Granat
- recorded at and mixed at:
- Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 2002-08-13 until 2002-09-09)
| | 0:21 |
| 31 | Engage | | 2:10 |
| 32 | Riker's Victory | | 1:42 |
| 33 | The Thalaron Matrix | | 2:55 |
| 34 | Final Fight- assistant recording engineer and assistant mixer:
- Norm Diugatch , Dominic Gonzales and Paul Wertheimer
- recording engineer and mixer:
- Bruce Botnick (from 2002-08-13 until 2002-09-09)
- programming:
- Nick Vidar
- bass:
- Árni Egilsson, Drew Dembowski, Steve Edelman , Oscar Hidalgo , Christian Kollgaard, Ed Meares, Bruce Morgenthaler and Susan Ranney
- bassoon:
- Ken Munday , Michael O'Donovan and David Riddles
- cello:
- Antony Cooke, Chris Ermcoff, Paul Cohen , Steve Erdody, Vanessa Freebairn‐Smith, Dennis Karmazyn, Armen Ksajikian, Dane Little, David Low, David Speltz, Tim Landauer and Cécilia Tsan
- clarinet:
- Emily Bernstein , Gary Bovyer and James Kanter
- flute:
- Louise DiTullio, Peter Sheridan and Sheridon Stokes
- French horn:
- David Allen Duke , Brian O’Connor , Steven Becknell , Jim Thatcher , Rick Todd and Phil Yao
- harp:
- Katie Kirkpatrick
- keyboard:
- Michael Lang
- oboe:
- Phillip Ayling, Earle Dumler and John Ellis
- percussion:
- Alan Estes, Greg Goodall, Peter Limonick , Steve Schaeffer and Donald J. Williams
- trombone:
- Bill Booth , Andy Malloy and Phil Teele
- trumpet:
- Rick Baptist, Warren Luening and Malcolm McNab
- tuba:
- Tommy Johnson
- viola:
- Brian Dembow, Marlow Fisher, Rick Gerding, Jennie Hansen, Janet Lakatos, Matthew Funes, Darrin McCann, Victoria Miskolczy, Simon Oswell , Karen Van Sant , David Walther and Mihail Zinovyev
- violin:
- Eun Mee Ahn, Richard Altenbach, Lily Ho Chen, Franklyn D’Antonio, Ron Folson , Julie Gigante, Endre Granat , Alan Grunfeld, Clayton Haslop, Tamara Hatwan, Amy Hershberger, Jackie Brand, Pat Johnson , Miran Kojian, Ana Landauer, Natalie Leggett, Phillip Levy , Rene Mandel , Mario de Leon, Liane Mautner, Robin Olson, Sid Page, Katia Popov, Rafael Rishik , Mark Robertson , Anatoly Rosinsky, Marc Sazer, Haim Shtrum, Lisa Sutton , Irina Voloshina, Roger Wilkie and Ken Yerke
- orchestra:
- Hollywood Studio Symphony
- conductor:
- Jerry Goldsmith
- orchestrator:
- Mark McKenzie and Conrad Pope
- concertmaster:
- Endre Granat
- recorded at and mixed at:
- Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 2002-08-13 until 2002-09-09)
| | 3:46 |
| 35 | "Good-Bye!" | | 0:55 |
| 36 | A New Friend | | 2:34 |
| 37 | Remembering Data / The Enterprise | | 0:51 |
| 38 | "It's Been an Honor" | | 0:35 |
| 39 | A New Ending | | 6:10 |