Live at The Matrix 1967: The Original Masters

~ Release by The Doors (see all versions of this release, 7 available)

Tracklist

1▶CD: March 7, 1967 – First Set / Second Set
2▶CD: March 7, 1967 – Third Set / March 10, 1967 – First Set
3▼CD: March 10, 1967 – Second Set / Third Set / March 8 or 9, 1967
#TitleRatingLength
1Money
recording engineer:
Peter Abrams (co-owner of The Matrix nightclub) (on 1967-03-10)
producer:
Bruce Botnick
recorded at:
The Matrix (club) in San Francisco, California, United States (on 1967-03-10)
live cover recording of:
Money (That’s What I Want) (on 1967-03-10)
writer:
Janie Bradford and Berry Gordy
publisher:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division and United Partnership Ltd.
33:01
2Who Do You Love
recording engineer:
Peter Abrams (co-owner of The Matrix nightclub) (on 1967-03-10)
producer:
Bruce Botnick
recorded at:
The Matrix (club) in San Francisco, California, United States (on 1967-03-10)
live cover recording of:
Who Do You Love? (on 1967-03-10)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (in 1956)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
34:34
3Moonlight Drive
recording engineer:
Peter Abrams (co-owner of The Matrix nightclub) (on 1967-03-10)
producer:
Bruce Botnick
recorded at:
The Matrix (club) in San Francisco, California, United States (on 1967-03-10)
live recording of:
Moonlight Drive (on 1967-03-10)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company and Nipper Music
35:38
4Summer’s Almost Gone
recording engineer:
Peter Abrams (co-owner of The Matrix nightclub) (on 1967-03-10)
producer:
Bruce Botnick
recorded at:
The Matrix (club) in San Francisco, California, United States (on 1967-03-10)
live recording of:
Summer’s Almost Gone (on 1967-03-10)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company and Nipper Music Co., Inc. (in 1968)
33:49
5I’m a King Bee
recording engineer:
Peter Abrams (co-owner of The Matrix nightclub) (on 1967-03-10)
producer:
Bruce Botnick
recorded at:
The Matrix (club) in San Francisco, California, United States (on 1967-03-10)
live cover recording of:
I’m a King Bee (on 1967-03-10)
lyricist and composer:
James H. Moore (aka Slim Harpo)
publisher:
Campbell Connelly & Co. and Embassy Music Corporation
33:52
6Gloria
recording engineer:
Peter Abrams (co-owner of The Matrix nightclub) (on 1967-03-10)
producer:
Bruce Botnick
recorded at:
The Matrix (club) in San Francisco, California, United States (on 1967-03-10)
live cover recording of:
Gloria (Van Morrison/Them song) (on 1967-03-10)
lyricist and composer:
Van Morrison
publisher:
Carlin Music Corporation, Chappell & Co., Chappell & Co., Inc. (USA), Exile Publishing Ltd., Gallo Music Publishers, PolyGram Music Publishing Ltd., Unichappell Music, Bernice Music, Inc. (in 1965) and Unichappell Music, Inc. (in 1965)
part of:
Gloria: In excelsis Deo
35:42
7Break On Through (to the Other Side)
recording engineer:
Peter Abrams (co-owner of The Matrix nightclub) (on 1967-03-10)
producer:
Bruce Botnick
recorded at:
The Matrix (club) in San Francisco, California, United States (on 1967-03-10)
live recording of:
Break On Through (on 1967-03-10)
writer:
John Densmore, The Doors, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music and Rondor Music (London) Ltd.
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3.53:48
8Summertime (instrumental)
recording engineer:
Peter Abrams (co-owner of The Matrix nightclub) (on 1967-03-10)
producer:
Bruce Botnick
recorded at:
The Matrix (club) in San Francisco, California, United States (on 1967-03-10)
live cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1967-03-10)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
38:32
9Back Door Man
recording engineer:
Peter Abrams (co-owner of The Matrix nightclub) (on 1967-03-10)
producer:
Bruce Botnick
recorded at:
The Matrix (club) in San Francisco, California, United States (on 1967-03-10)
live cover recording of:
Back Door Man (on 1967-03-10)
lyricist and composer:
Willie Dixon
writer:
Chester Burnett
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Hoochie Coochie Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Watertoons (BMI-affiliated - publisher associated with Muddy Waters)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Sony Music Publishing France and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
35:17
10Alabama Song (Whisky Bar)
recording engineer:
Peter Abrams (co-owner of The Matrix nightclub) (on 1967-03-10)
producer:
Bruce Botnick
recorded at:
The Matrix (club) in San Francisco, California, United States (on 1967-03-10)
live cover recording of:
Alabama Song (from the songspiel “Mahagonny” & opera “Rise and Fall of the City of Mahagonny”) (on 1967-03-10)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Elisabeth Hauptmann
publisher:
Harms Co., Kurt Weill Foundation for Music, Inc., Universal Edition (publisher; do NOT use as release label) and Universal Edition (London) Ltd. (publisher; do NOT use as release label)
translated version of:
Alabama Song (from “Aufstieg und Fall der Stadt Mahagonny”)
33:17
11The End (partial) / “Let’s Feed Ice Cream to the Rats”
recording engineer:
Peter Abrams (co-owner of The Matrix nightclub) (from 1967-03-08 until 1967-03-09)
producer:
Bruce Botnick
recorded at:
The Matrix (club) in San Francisco, California, United States (from 1967-03-08 until 1967-03-09)
live partial recording of:
The End (from 1967-03-08 until 1967-03-09)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. and Vicious Recordings (publisher of releases on Vicious Vinyl and subsidiaries)
4:32

Credits

Release

manufactured in:Germany
art direction and design:Fred Davis (art director and designer)
photography:Bobby Klein (photographer)
liner notes:Joel Selvin
mastering:Bruce Botnick
Bernie Grundman
copyrighted (©) by:Rhino Entertainment Company (not for release label use!) (in 2023)
phonographic copyright (℗) by:Rhino Entertainment Company (not for release label use!) (in 2008, in 2023)
marketed by:Rhino Entertainment Company (not for release label use!)
manufactured for:Rhino Entertainment Company (not for release label use!)
mastered at:Bernie Grundman Mastering (Los Angeles) in Hollywood, Los Angeles, California, United States
Discogs:https://www.discogs.com/release/27296763 [info]