There Is a Light That Never Goes Out: The 80s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1There Is a Light That Never Goes Out
tecnico:
Stephen Street (famous producer, songwriter)
produttore:
Johnny Marr e Morrissey (English singer‐songwriter)
batteria :
Mike Joyce (UK drummer)
chitarra :
Johnny Marr
chitarra basso :
Andy Rourke
voce principale:
Morrissey (English singer‐songwriter)
diritti fonografici (℗) detenuti da:
Rough Trade Records Ltd. e Warner Music UK Ltd. (not for release label use!) (nel 2017)
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 4), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 86), Indie 88: Top 500 Indie Rock Songs (numero: 159) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 226)
registrazione di:
There Is a Light That Never Goes Out (nel 1985)
paroliere:
Morrissey (English singer‐songwriter)
compositore:
Johnny Marr
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Smiths4.44:04
2Love Will Tear Us Apart
produttore:
Joy Division e Martin Hannett
basso :
Peter Hook
batteria :
Stephen Morris (New Order)
chitarra :
Bernard Albrecht
voce:
Bernard Albrecht e Ian Curtis
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1988)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (numero: 5), Q50 – December 2005 (numero: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 14), NME: Greatest “Indie” Anthems Ever: 2007 (numero: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 179)
registrazione di:
Love Will Tear Us Apart
paroliere:
Ian Curtis
compositore:
Ian Curtis, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:24
3This Must Be the Place (Naïve Melody)
assistente tecnico:
Franklin Gibson (recording engineer)
tecnico:
Butch Jones e Alex Sadkin (incarico: final overdubs)
produttore:
Talking Heads
tecnico di missaggio:
Alex Sadkin
batteria :
Chris Frantz
chitarra e voce di accompagnamento:
Tina Weymouth
chitarra basso, chitarra e tastiera :
David Byrne (Talking Heads)
percussione ospite :
David Van Tieghem
sintetizzatore ospite :
Wally Badarou
tastiera :
Jerry Harrison (Talking Heads & producer)
voce:
David Byrne (Talking Heads)
diritti fonografici (℗) detenuti da:
Sire Records Company (not for release label use!) (nel 1983)
registrata in aggiunta presso:
Compass Point Studios in Nassau, Bahamas
registrata presso:
Blank Tapes in New York, New York, Stati Uniti
mixata presso:
Compass Point Studios in Nassau, Bahamas
video musicali:
This Must Be the Place (Naive Melody) di Talking Heads
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 123) e Indie 88: Top 500 Indie Rock Songs (numero: 327)
registrazione di:
This Must Be the Place (Naive Melody)
autore:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) e Tina Weymouth
editore:
Bleu Disque Music Co., Inc. (publisher) e Index Music, Inc.
Talking Heads3.94:56
4The Killing Moon
tecnico di registrazione e produttore:
David Lord (British composer, engineer and producer)
tecnico di missaggio:
Echo & the Bunnymen e Gil Norton (British record producer)
arrangiatore:
Adam Peters
registrazione di:
The Killing Moon
autore:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson e Will Sergeant
Echo & the Bunnymen4.255:46
5To Cut a Long Story Short
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980)
mixata presso:
Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito
registrazione di:
To Cut a Long Story Short
paroliere e compositore:
Gary Kemp
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PDC Music Publishing Pty. Ltd. e Reformation Publishing Co. Ltd.
Spandau Ballet3.53:21
6Golden Brown
co-produttore:
Steve Churchyard
produttore:
Steve Churchyard e The Stranglers
tecnico di missaggio:
Tony Visconti
esecutore:
The Stranglers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
registrazione di:
Golden Brown
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. e Plumbshaft-Ltd.
The Stranglers4.453:26
7Just Like Honey
tecnico:
John Loder (sound engineer and producer)
produttore:
The Jesus and Mary Chain
basso :
Douglas Hart (musician & video director)
batteria :
Bobby Gillespie
chitarra :
Jim Reid (Jesus and Mary Chain) e William Reid (guitarist, The Jesus and Mary Chain)
voce:
Jim Reid (Jesus and Mary Chain) e William Reid (guitarist, The Jesus and Mary Chain)
diritti fonografici (℗) detenuti da:
WEA Records Ltd (Hong Kong holding company from 1978 to 1990), Warner Music UK Ltd. (not for release label use!) (nel 1985) e WEA Records Ltd. (holding company based in the UK) (nel 1985)
registrata presso:
Southern Studios in Wood Green, Haringey, London (Greater London), England, Regno Unito
video musicali:
Just Like Honey di The Jesus and Mary Chain
parte di:
Mixtape – Game Soundtrack (numero: 2) e Indie 88: Top 500 Indie Rock Songs (numero: 186)
registrazione di:
Just Like Honey
autore:
Jim Reid (Jesus and Mary Chain) e William Reid (guitarist, The Jesus and Mary Chain)
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
si basa su:
Intro (Just Like Honey)
The Jesus and Mary Chain53:02
8Careless Memories
registrazione di:
Careless Memories
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
Duran Duran3:55
9Blue Monday
produttore:
New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1983, nel 1987)
campionamenti:
Uran di Kraftwerk
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Indie 88: Top 500 Indie Rock Songs (numero: 61) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 235)
registrazione di:
Blue Monday
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishing Ltd.
New Order3.77:30
10Geno
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
registrazione di:
Geno
autore:
Al Archer e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:27
11Dominion / Mother Russia
produttore:
Larry Alexander (producer/engineer), Andrew Eldritch e Jim Steinman
chitarra basso :
Patricia Morrison
drum machine :
Doktor Avalanche
cori:
The New York Choral Society
voce principale:
Andrew Eldritch
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1993)
registrazione di:
Dominion
paroliere e compositore:
Andrew Eldritch
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
registrazione di:
Mother Russia (The Sisters of Mercy song)
paroliere e compositore:
Andrew Eldritch
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Sisters of Mercy47:05
12Gentle Tuesday
tecnico:
Pat Collier
produttore:
Mayo Thompson
registrazione di:
Gentle Tuesday
autore:
Jim Beattie e Bobby Gillespie
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream4.53:47
13Back on the Chain Gang
tecnico:
Steve Churchyard
produttore:
Chris Thomas (UK record producer / remixer)
batteria :
Martin Chambers (drummer for The Pretenders)
chitarra :
Billy Bremner e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
chitarra basso :
Tony Butler (English rock bassist with Big Country)
voce di accompagnamento:
Tony Butler (English rock bassist with Big Country), Martin Chambers (drummer for The Pretenders) e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
voce principale:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1982) e WEA Records Ltd. (holding company based in the UK) (nel 1982)
registrata presso:
Air Studios (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 486)
registrazione di:
Back on the Chain Gang
paroliere e compositore:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
dedicata a:
James Honeyman‐Scott
editore:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing (do not use as a release label!)
The Pretenders4.53:51
14Suedehead
produttore:
Stephen Street (famous producer, songwriter)
registrazione di:
Suedehead
paroliere:
Morrissey (English singer‐songwriter)
compositore:
Stephen Street (famous producer, songwriter)
Morrissey4.13:55
15Love Shack (edit)
produttore:
Don Was
edit di:
Love Shack di The B‐52s
registrazione di:
Love Shack
autore:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland e Cindy Wilson
editore:
Man-Woman Together, Now!
The B‐52’s3.654:17
16Today
tecnico di registrazione e produttore:
Colin Thurston
tecnico di missaggio:
Mike Robinson (engineer)
batteria :
Lee Harris (drummer, member of Talk Talk and .O.Rang)
chitarra basso :
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
tastiera :
Simon Brenner (UK musician, member of Talk Talk)
voce principale:
Mark Hollis
registrazione di:
Today
paroliere:
Mark Hollis
compositore:
Simon Brenner (UK musician, member of Talk Talk), Lee Harris (drummer, member of Talk Talk and .O.Rang), Mark Hollis e Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Talk Talk4.153:30
17Baby, I Love You
assistente tecnico:
Bruce Gold (Engineer)
tecnico:
Larry Levine e Boris Menart
produttore:
Phil Spector
registrazione cover di:
Baby, I Love You
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company e Universal–Songs of PolyGram International, Inc.
Ramones43:45
18Is It a Dream?
registrazione di:
Is It a Dream?
paroliere e compositore:
Sal Solo
Classix Nouveaux4:16
19Veronica
tecnico e tecnico di missaggio:
Kevin Killen
batteria :
Jerry Marotta (drummer and composer)
chamberlin e pianoforte elettrico :
Mitchell Froom
chitarra acustica :
T‐Bone Burnett (musician, songwriter and producer)
chitarra basso :
Paul McCartney (The Beatles)
chitarra elettrica e voce principale:
Elvis Costello
glockenspiel e timpani :
Michael Blair (American drummer/producer/songwriter based in Sweden)
pianoforte e spinetta pianoforte [Baldwin spinet] :
Benmont Tench
registrazione di:
Veronica
autore:
Declan Patrick MacManus e Paul McCartney (The Beatles)
Elvis Costello4.653:08
20Shake It Up
assistente tecnico:
Thom Moore (Syncro Sound engineer, Gang Green producer) e Walter Turbitt (UK engineer, producer, songwriter, and guitarist.)
tecnico:
Ian Taylor (rock producer/engineer)
produttore:
Roy Thomas Baker (producer)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1981) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1981)
registrata presso:
Syncro Sound in Boston, Massachusetts, Stati Uniti
registrazione di:
Shake It Up
editore:
Ric Ocasek (nel 1981)
paroliere e compositore:
Ric Ocasek
editore:
Lido Music, Inc.
The Cars4.33:31
21I’m Gonna Be (500 Miles)
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
batteria :
Paul Robinson (UK drummer, also Turning Point member)
chitarra acustica :
Jerry Donahue e Charlie Reid
chitarra basso :
Phil Cranham
chitarra elettrica :
Jerry Donahue
chitarra steel :
Gerry Hogan
fisarmonica :
Dave Whetstone
mandolino e tin whistle :
Stuart Nisbet
tastiera :
Pete Wingfield (keyboardist, singer, producer, songwriter)
violino folk :
Steve Shaw (Steve Brennan)
voce:
Charlie Reid e Craig Reid
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1988) e Chrysalis Records, Inc. (not for release label use!) (nel 1988)
registrata presso e mixata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 21)
registrazione di:
I’m Gonna Be (500 Miles)
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:38
22Dirty Blvd.
tecnico di registrazione:
Jeffrey Lesser
assistente tecnico:
Victor Deyglio
batteria :
Fred Maher
chitarra elettrica :
Mike Rathke e Lou Reed
contrabbasso :
Rob Wasserman
voce di accompagnamento:
Dion Di Mucci (US singer-songerwriter, blends doo-wop, pop rock & R&B)
voce principale:
Lou Reed
registrata presso e mixata presso:
Mediasound Studios in New York, New York, Stati Uniti
registrazione di:
Dirty Blvd.
paroliere e compositore:
Lou Reed
Lou Reed3.83:29
23Imagination
registrazione di:
Imagination
paroliere e compositore:
Neville Keighley
Belouis Some33:34
24For America
produttore:
David Motion
registrazione di:
For America
paroliere e compositore:
Simon Toulson-Clarke
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Red Box53:45
25Jane Says
batteria :
Stephen Perkins (American drummer)
chitarra :
Dave Navarro (American guitarist)
chitarra basso :
Eric Avery
voce:
Perry Farrell
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 129)
registrazione di:
Jane Says
paroliere:
Perry Farrell
compositore:
Eric Avery, Perry Farrell, Dave Navarro (American guitarist) e Stephen Perkins (American drummer)
Jane’s Addiction4.14:46
26Nowhere Girl
registrazione di:
Nowhere Girl
autore:
Rick Holliday e Steve Hovington
B‐Movie34:41
27Please, Please, Please Let Me Get What I Want
registrazione cover di:
Please Please Please Let Me Get What I Want
paroliere:
Morrissey (English singer‐songwriter)
compositore:
Johnny Marr
editore:
Morrissey Marr Songs Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Dream Academy3:08
28Lip Up Fatty
produttore:
Roger Lomas
diritti fonografici (℗) detenuti da:
Magnet Records Ltd.
registrazione di:
Lip Up Fatty
autore:
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) e Brian Tuitt
editore:
Magnet Music Ltd. (publisher)
Bad Manners42:46
29One Step
produttore:
Peter Walsh (UK producer)
registrazione di:
One Step
Kissing the Pink44:34
30Dirty Old Town
tecnico:
Nick Robbins (engineer) e Paul Scully
produttore:
Elvis Costello
registrata presso:
Elephant Studios in Tower Hamlets, London (Greater London), England, Regno Unito
registrazione di:
Dirty Old Town
paroliere e compositore:
Ewan MacColl (folksinger, songwriter, actor) (nel 1949)
editore:
Albert Music Publishing, Cooking Vinyl Ltd. (use “Cooking Vinyl” for release label), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Francis, Day & Hunter (publisher) e Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
The Pogues4.83:45
31Cccan't You See (7" version)
registrazione di:
Cccan't You See
paroliere:
Josie Warden
compositore:
Brian Moss (member of Vicious Pink)
editore:
Heath Levy Music Co. Ltd. e Warehouse Music Ltd
Vicious Pink4:08
32C30, C60, C90, Go
assistente produttore:
Martin Levan
produttore:
Malcolm McLaren
registrazione di:
C·30 C·60 C·90 Go
autore:
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) e Malcolm McLaren
Bow Wow Wow53:02
33We Care a Lot
tecnico di registrazione:
Matt Wallace (US producer & engineer) (nel 1986)
assistente tecnico:
Jim “Watts” Verecke
produttore:
Steve Berlin, Faith No More e Matt Wallace (US producer & engineer)
basso elettrico [bass] :
Billy Gould (nel 1986)
batteria e congas :
Mike Bordin (American drummer) (nel 1986)
chitarra elettrica [guitars] :
Jim Martin (ex-Faith No More guitarist) (nel 1986)
tastiera [keyboards] :
Roddy Bottum (nel 1986)
voce di accompagnamento [backing vocals]:
Mike Bordin (American drummer) (nel 1986), Roddy Bottum (nel 1986), Billy Gould (nel 1986) e Jim Martin (ex-Faith No More guitarist) (nel 1986)
voce principale [vocals]:
Chuck Mosely (American vocalist and guitarist) (nel 1986)
diritti fonografici (℗) detenuti da:
Slash Records (US label, founded in 1978 in LA originally focused on local punk bands, now distributed by Warner Bros. Records) (nel 1987)
registrata presso:
Control Center in Los Angeles, California, Stati Uniti (nel 1986) e Studio D in Sausalito, California, Stati Uniti (nel 1986)
mixata presso:
Studio D in Sausalito, California, Stati Uniti
video musicali:
We Care a Lot di Faith No More
registrazione di:
We Care a Lot (nel 1986)
paroliere:
Roddy Bottum e Chuck Mosely (American vocalist and guitarist)
compositore:
Roddy Bottum e Billy Gould
editore:
Big Thrilling Music (music publishing company) e Faith No More Music (Faith No More publishing company)
Faith No More4.14:03
34International Rescue
tecnico:
Richard Manwaring (Producer)
registrazione di:
International Rescue
autore:
Joanne Dunne, Margaret Dunne (Fuzzbox), Tina O'Neill e Liam Sternberg
Fuzzbox3:29
35Election Day
registrazione di:
Election Day
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes e Roger Taylor (Duran Duran drummer)
Arcadia5:29

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