Absolute Sixties

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1California Dreamin'
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan (in 1965)
solo alto flute:
Bud Shank (in 1965)
phonographic copyright (℗) by:
Geffen Records and Dunhill Records (in 1966)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:38
2Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California, United States (on 1965-01-20)
producer:
Terry Melcher
12 string guitar:
Jim McGuinn (on 1965-01-20)
bass guitar:
Chris Hillman (on 1965-01-20)
drums (drum set):
Michael Clarke (drummer for the 1960s rock group The Byrds) (on 1965-01-20)
guitar:
David Crosby (on 1965-01-20)
tambourine:
Gene Clark (US singer-songwriter; founder of The Byrds) (on 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (on 1965-01-20), David Crosby (on 1965-01-20), Chris Hillman (on 1965-01-20) and Jim McGuinn (on 1965-01-20)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 79) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 230)
cover recording of:
Mr. Tambourine Man (on 1965-01-20)
lyricist and composer:
Bob Dylan (from 1964-02 until 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1964 until 1992) and Special Rider Music (from 1992 to present)
adaptations:
Setä pelimanni
The Byrds4.152:30
3Good Vibrations
recording engineer:
Bruce Botnick (from 1966-02 until 1966-06), Chuck Britz (from 1966-02 until 1966-06) and Larry Levine (from 1966-02 until 1966-06)
engineer:
Chuck Britz and Jim Lockert (Enginear)
producer:
The Beach Boys (American rock band) and Brian Wilson (Beach Boys co‐founder)
mixer:
Derry FitzGerald
lead vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06) and Carl Wilson (Beach Boys) (from 1966-02 until 1966-06)
vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06), Sunset Sound in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06) and Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1966-02 until 1966-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (from 1966-02 until 1966-06)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:35
4I'm a Believer
recorded in:
New York, New York, United States (from 1966-10-15 until 1966-10-23)
producer:
Jeff Barry
acoustic guitar:
Neil Diamond (from 1966-10-15 until 1966-10-23)
bass:
Dick Romoff (from 1966-10-15 until 1966-10-23)
drums (drum set):
Buddy Salzman (from 1966-10-15 until 1966-10-23)
guitar:
Al Gorgoni (guitarist, composer, arranger, and producer) (from 1966-10-15 until 1966-10-23) and Sal Ditroia (from 1966-10-15 until 1966-10-23)
organ:
Artie Butler (from 1966-10-15 until 1966-10-23)
piano and tambourine:
Jeff Barry (from 1966-10-15 until 1966-10-23)
background vocals:
Davy Jones (The Monkees member) (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
background vocals and lead vocals:
Micky Dolenz (from 1966-10-15 until 1966-10-23)
arranger:
Jeff Barry
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1966) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966, in 1967)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 65) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 341)
cover recording of:
I’m a Believer (from 1966-10-15 until 1966-10-23)
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
recording of:
I’m a Believer
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
The Monkees4.652:44
5Mrs. Robinson
recording engineer:
Roy Halee (on 1968-02-02)
assistant producer:
Bob Johnston (US record producer and early rockebilly singer)
producer:
Art Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1968-02-02)
guitar:
Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
vocals:
Art Garfunkel (on 1968-02-02) and Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 270)
recording of:
Mrs. Robinson (on 1968-02-02)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.253:53
6Respect
recording engineer:
Tom Dowd (on 1967-02-14)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Aretha Franklin3.92:23
7I Got You (I Feel Good)
recorded in:
Miami, Florida, United States (on 1965-05-06)
producer:
James Brown (The Godfather of Soul)
alto saxophone:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06) and Maceo Parker (US funk/jazz saxophonist) (on 1965-05-06)
bass:
Bernard Odum (on 1965-05-06)
drums (drum set):
Melvin Parker (on 1965-05-06)
guitar:
Alphonso "Country" Kellum (on 1965-05-06) and Jimmy Nolen (on 1965-05-06)
organ:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06)
tenor saxophone:
Al "Brisco" Clark (on 1965-05-06), St. Clair Pinckney (on 1965-05-06) and Eldee Williams (on 1965-05-06)
trombone:
Levi Rasbury (on 1965-05-06)
trumpet:
Joe Dupars (on 1965-05-06), Mike Ridley (on 1965-05-06) and Ron Tooley (American trumpeter) (on 1965-05-06)
lead vocals:
James Brown (The Godfather of Soul) (on 1965-05-06)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) and PolyGram Inc. (1978–1990) (in 1988)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1965-05-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 78) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 359)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (on 1965-05-06)
lyricist and composer:
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown4.552:42
8You Can't Hurry Love
recording engineer:
Russ Terrana
engineer:
Lamont Dozier
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
bass:
James Jamerson (on 1966-06-11)
brass [horns]:
Detroit Symphony Orchestra (on 1966-06-11)
drums (drum set):
Benny Benjamin (US drummer) (on 1966-06-11)
guitar [Gibson L-5]:
Robert White (US funk/soul guitarist) (on 1966-06-11)
instruments:
The Funk Brothers (on 1966-06-11)
piano:
Earl Van Dyke (on 1966-06-11)
tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1966-06-11)
background vocals:
Florence Ballard (on 1966-07-05) and Mary Wilson (on 1966-07-05)
lead vocals:
Diana Ross (on 1966-07-05)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1966) and Motown Records (not for label use; use “Motown” instead) (in 2015, in 2017)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1966-06-11 until 1966-07-05)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 280)
recording of:
You Can’t Hurry Love (from 1966-06-11 until 1966-07-05)
writer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music (UK) Ltd. (in 1965) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Supremes4.752:43
9Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) and Trio Music Co., Inc. (in 1981)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:58
10It's Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
producer:
Peter Sullivan (UK producer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 393)
recording of:
It’s Not Unusual
writer:
Gordon Mills (60s/70s UK producer and songwriter) and Les Reed
publisher:
Leeds Music (ended), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) and Universal Duchess Music Corp. (in 1964)
Tom Jones4.51:58
11Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (guitarist, composer, arranger, and producer) (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.23:01
12Needles & Pins
The Searchers2:11
13Do Wah Diddy Diddy
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) and HMV Records Ltd. (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 35)
cover recording of:
Do Wah Diddy Diddy
writer:
Jeff Barry and Ellie Greenwich
publisher:
EMI Music Publishing (do not use as a release label!), Intersong–Basart Publishing Group E.D., Trio Music Company, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Manfred Mann42:22
14Sugar Sugar
music videos:
Sugar, Sugar by The Archies
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 6), Rolling Stone: The 50 Best Tunes by Made-Up Musicians (number: 18), Billboard: Greatest of All Time Hot 100 Songs (number: 90) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 155)
recording of:
Sugar, Sugar (in 1969)
writer:
Jeff Barry and Andy Kim (pop singer & songwriter)
publisher:
Don Kirshner Music Inc., Kirshner CBS Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner/Chappell Music Ltd. (1996–2019)
The Archies3.52:45
15The Letter
producer:
Dan Penn (songwriter, soul singer)
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) and Atoll Music (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 357) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 364)
recording of:
The Letter (in 1967)
lyricist and composer:
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.151:53
16When You Walk in the Room
Jackie DeShannon2:37
17Please Mr. Postman
producer:
Robert Bateman (R&B singer/songwriter/record producer) and Brian Holland (Motown producer & songwriter)
bass:
James Jamerson (in 1961-04)
drums (drum set):
Benny Benjamin (US drummer) (in 1961-04) and Marvin Gaye (in 1961-04)
guitar:
Eddie Willis (in 1961-04)
handclaps:
Katherine Anderson (United States motown singer) (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Georgeanna Tillman (in 1961-04) and Wanda Young (aka Wanda Young, singer in The Marvelettes) (in 1961-04)
instruments:
The Funk Brothers (in 1961-04)
percussion:
Eddie “Bongo” Brown (in 1961-04)
piano:
Richard ‘Popcorn’ Wylie (Pianist, singer, producer, band director and songwriter) (in 1961-04)
background vocals:
Katherine Anderson (United States motown singer) (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Gladys Horton (in 1961-04), Georgeanna Tillman (in 1961-04) and Wanda Young (aka Wanda Young, singer in The Marvelettes) (in 1961-04)
lead vocals:
Gladys Horton (in 1961-04)
recorded at and mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (in 1961-04)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 10), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 331) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 410)
recording of:
Please Mr. Postman (in 1961-04)
writer:
Robert Bateman (R&B singer/songwriter/record producer) (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) and Brian Holland (Motown producer & songwriter) (in 1961)
publisher:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division and United Partnership Ltd.
The Marvelettes4.62:26
18Bobby's Girl
Marcie Blane2:15
19Young Girl
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
recording of:
Young Girl
lyricist and composer:
Jerry Fuller
publisher:
EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited)
Gary Puckett & the Union Gap43:10
20San Francisco
producer:
Lou Adler and John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) and Wingate Music Corp.
Scott McKenzie3.752:56
21Good Morning Starshine
recording of:
Good Morning Starshine (from “Hair”)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Catalogue Partnership
part of:
Hair (1967 musical)
Oliver53:37
22My Guy
bass:
James Jamerson (in 1964)
drums (drum set):
Benny Benjamin (US drummer) (in 1964)
guitar:
Robert White (US funk/soul guitarist) (in 1964) and Eddie Willis (in 1964)
instruments:
The Funk Brothers (in 1964)
organ:
Earl Van Dyke (in 1964)
piano:
Johnny Griffith (in 1964)
trombone:
George Bohanon (in 1964) and Paul Riser (in 1964)
trumpet:
Russell Conway (trumpet player) (in 1964) and Herbert Williams (trumpet player) (in 1964)
vibraphone:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
background vocals:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) and Jackie Hicks (in 1964)
lead vocals:
Mary Wells (Motown singer) (in 1964)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (in 1964)
recording of:
My Guy (in 1964)
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:48
23Tennessee Waltz
Alma Cogan2:10
24Downtown
vocals:
Petula Clark (English singer & actress) (in 1964)
arranger:
Tony Hatch
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1964)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 227)
recording of:
Downtown (in 1964)
lyricist and composer:
Tony Hatch
publisher:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Welbeck Music Ltd.
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark4.43:07
25Son of a Preacher Man
engineer:
Ed Kollis
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass guitar:
Tommy Cogbill (in 1968-09)
drums (drum set):
Gene Chrisman (in 1968-09)
electric piano and organ:
Bobby Emmons (in 1968-09)
guitar and sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
background vocals:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
brass and strings arranger:
Arif Mardin
brass arranger:
Tom Dowd
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 168) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 240)
recording of:
Son of a Preacher Man (in 1968-09)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Dusty Springfield4.452:24
26When a Man Loves a Woman
producer:
Marlin Greene (’60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (’60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis, Percy Sledge and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:57
2CD