Rock met ballen

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1We Will Rock You
engineer:
Mike Stone (producer and engineer, 1960s–80s)
assistant producer and co-producer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
Queen (UK rock group)
electric guitar and guitar:
Brian May (Queen guitarist) (from 1977-08 until 1977-09)
foot stomps [footstomps] and handclaps:
John Deacon (from 1977-08 until 1977-09), Brian May (Queen guitarist) (from 1977-08 until 1977-09), Freddie Mercury (from 1977-08 until 1977-09) and Roger Taylor (Queen drummer) (from 1977-08 until 1977-09)
background vocals:
Brian May (Queen guitarist) (from 1977-08 until 1977-09), Freddie Mercury (from 1977-08 until 1977-09) and Roger Taylor (Queen drummer) (from 1977-08 until 1977-09)
lead vocals:
Freddie Mercury (from 1977-08 until 1977-09)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) and Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2001, in 2011)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1977-08 until 1977-09)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 338)
recording of:
We Will Rock You (from 1977-08 until 1977-09)
lyricist and composer:
Brian May (Queen guitarist)
publisher:
Beechwood Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. and Sony/ATV
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Queen3.852:02
2The Final Countdown
recording of:
The Final Countdown
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Seven Doors Music
Europe4:30
3Sharp Dressed Man
recording of:
Sharp Dressed Man
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
composer:
Chrome Division (Norwegian heavy metal band)
publisher:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic and Stage Three Songs
sub-publisher:
BMG Gold Songs and Zazta Muzic Ltd.
ZZ Top2:58
4Here I Go Again
producer:
Kevin Elson, Keith Olsen (US producer and engineer) and Mike Stone (producer and engineer, 1960s–80s)
mixer:
Keith Olsen (US producer and engineer)
drums (drum set) and percussion:
Aynsley Dunbar
electric bass guitar:
Neil Murray (British bass guitar player)
electric guitar and background vocals:
John Sykes
guest keyboard and keyboard:
Don Airey and Bill Cuomo
solo electric guitar:
Adrian Vandenberg
lead vocals:
David Coverdale
phonographic copyright (℗) by:
Geffen Records (in 1987) and Whitesnake Productions (Overseas) Ltd. (in 1987)
mixed at:
Goodnight LA Studios in Van Nuys, California, United States
music videos:
Here I Go Again ’87 by Whitesnake
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 17)
recording of:
Here I Go Again
writer:
David Coverdale and Bernie Marsden
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (ended), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Whitesnake4.054:34
5Still Loving YouScorpions6:10
6I Want You to Want Me (live)
recording engineer:
鈴木智雄 (Tomoo Suzuki) (from 1978-04-28 until 1978-04-30)
assistant engineer:
Mike Beriger
engineer:
Gary Ladinsky (engineer)
producer:
Cheap Trick and Jack Douglas
mixer:
Cheap Trick, Gary Ladinsky (engineer) and Jay Messina (in 1978)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), EPC (in 1978), Epic/Sony Inc. (JP record company, Aug 1978 – Mar 1988) (in 1978, in 1979), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at:
Nippon Budokan in Kitanomaru Kōen, Chiyoda (Chiyoda-ku), Tokyo, Japan (from 1978-04-28 until 1978-04-30)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1978)
live recording of:
I Want You to Want Me (from 1978-04-28 until 1978-04-30)
lyricist and composer:
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977)
part of:
10 Things I Hate About You
Cheap Trick3.853:37
7Black Betty
producer:
Jerry Kasenetz and Jeff Katz (music producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (from 1977 to present) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam4.52:31
8Roll Over Lay Down
recording of:
Roll Over Lay Down
lyricist:
Alan Lancaster, Robert Keith Young (UK musician & author, Young & Moody; Status Quo) and Francis Rossi
composer:
John Coughlan, Alan Lancaster, Rick Parfitt (UK guitarist for Status Quo), Robert Keith Young (UK musician & author, Young & Moody; Status Quo) and Francis Rossi
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton, Shawbury Music Ltd. (publisher), Status Quo Publishing and Valley Music Ltd (publisher)
Status Quo5:41
9Woman From Tokyo
engineer:
Martin Birch
producer:
Deep Purple
mixer:
Roger Glover and Ian Paice
drums (drum set):
Ian Paice (in 1972-07)
electric bass guitar:
Roger Glover (in 1972-07)
electric guitar:
Ritchie Blackmore (in 1972-07)
Hammond organ and keyboard:
Jon Lord (in 1972-07)
lead vocals:
Ian Gillan (in 1972-07)
recording of:
Woman From Tokyo (in 1972-07)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp. and HEC Music Ltd.
Deep Purple3.655:45
10School’s Out
engineer:
Roy Cicala and Shelly Yakus
producer:
Bob Ezrin
drums (drum set):
Neil Smith (former Alice Cooper drummer)
electric bass guitar:
Dennis Dunaway (original bass player for Alice Cooper)
electric guitar:
Michael Bruce (of Alice Cooper) and Glen Buxton (American guitarist)
guitar and background vocals:
Reggie Vincent
keyboard:
Michael Bruce (of Alice Cooper) and Bob Ezrin
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated and Nimbus 9 Productions
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 319)
recording of:
School’s Out
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:27
11Should I Stay or Should I Go
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
guest vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 42), Indie 88: Top 500 Indie Rock Songs (number: 183) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 228)
recording of:
Should I Stay or Should I Go
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd. and Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.43:06
12Radar Love
producer:
Golden Earring
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1973) and Red Bullet Productions B.V. (in 1973)
recording of:
Radar Love
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) and Sony/ATV Music Publishing
Golden Earring4.255:03
13Paradise by the Dashboard Light
engineer, producer and mixer:
Todd Rundgren
bass:
Kasim Sultan
drums (drum set):
Max Weinberg
guitar:
Todd Rundgren
keyboard and other vocals [lascivious effects]:
Jim Steinman
keyboard and piano:
Roy Bittan
saxophone:
Edgar Winter
synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
background vocals:
Rory Dodd, Marvin Lee and Todd Rundgren
background vocals and lead vocals [featured female vocal]:
Ellen Foley
lead vocals:
Meat Loaf
spoken vocals [baseball play-by-play]:
Phil Rizzuto
performer:
Ellen Foley
arranger:
Todd Rundgren and Jim Steinman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977)
recording of:
Paradise by the Dashboard Light
lyricist and composer:
Jim Steinman
Meatloaf4.28:25
14Born to Be Wild
producer:
Gabriel Mekler
phonographic copyright (℗) by:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 129)
recording of:
Born to Be Wild
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.353:27
15My Sharona
recording engineer:
Pete Coleman
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Prescott Niles
drums (drum set):
Bruce Gary
guitar:
Berton Averre and Doug Fieger (in The Knack)
lead vocals:
Doug Fieger (in The Knack)
vocals:
Berton Averre
remixer:
Dave Jerden
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 1994, in 2013)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 18), TV Cream: Real 100 Best Singles Ever (number: 24), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 72) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 201)
recording of:
My Sharona
writer:
Berton Averre and Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia and Wise Brothers Music LLC
The Knack4.154:53
16Inside
producer:
Peter Lawlor (Scottish songwriter, producer and multi‐instrumentalist of band Stiltskin)
phonographic copyright (℗) by:
White Water Records (in 1994)
recording of:
Inside
lyricist and composer:
Peter Lawlor (Scottish songwriter, producer and multi‐instrumentalist of band Stiltskin)
Stiltskin3.74:25
17Three Little Pigs
producer:
C. J. Buscaglia and Sylvia Massy
guest vocals:
Maynard James Keenan
music videos:
Three Little Pigs (official) by Green Jellÿ
recording of:
Three Little Pigs
lyricist and composer:
Mark Levinthal and Bill Manspeaker
is based on:
Three Little Pigs (The Three Little Pigs, Original fable)
Green Jellÿ4.55:53
2CD: Bonus CD