Decca Sound 55 Great Vocal Recitals

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD: Suzanne Danco - Operatic Recital (LXT 2557)
2CD: Paul Schoeffler - Operatic Recital (LXT 2554)
3CD: Kathleen Ferrier – A Recital of Bach and Handel Arias (LXT (5382)
4CD: Cesare Siepi – Operatic Arias for Bass (LXT 5096)
#TitleArtistRatingLength
1Don Carlo: Atto IV. “Ella giammai m'amò“
recording engineer:
Roy Wallace (recording engineer) (in 1954-08) and Gil Went (in 1954-08)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
bass vocals:
Cesare Siepi (operatic bass) (in 1954-08)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1954-08)
conductor:
Alberto Erede (conductor) (in 1954-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1956)
recorded at:
Accademia di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1954-08)
recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi9:37
2Nabucco: Atto II, Scene 3. “Vieni, o Levita!” … “Tu sul labbro dei veggenti” (Nabucodonosor)
recording engineer:
Roy Wallace (recording engineer) (in 1954-08) and Gil Went (in 1954-08)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
bass vocals:
Cesare Siepi (operatic bass) (in 1954-08)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1954-08)
conductor:
Alberto Erede (conductor) (in 1954-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1956)
recorded at:
Accademia di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1954-08)
recording of:
Nabucco: Parte II, scena 2. “Tu sul labbro dei veggenti” (Zaccaria)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
recording of:
Nabucco: Parte II, scena 2. Preghiera “Vieni, o Levita!” (Zaccaria)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
Giuseppe Verdi5:46
3Ernani: Atto I. “Che mai vegg'io … Infelice! e tu credevi”
recording engineer:
Roy Wallace (recording engineer) (in 1954-08) and Gil Went (in 1954-08)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
bass vocals:
Cesare Siepi (operatic bass) (in 1954-08)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1954-08)
conductor:
Alberto Erede (conductor) (in 1954-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1956)
recorded at:
Accademia di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1954-08)
recording of:
Ernani: Atto I. (no. 6a) Scena “Che mai vegg’io!” (Silva)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 6b) Cavatina “Infelice!… e tuo credevi” (Silva)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi3:34
4Salvator Rosa: Atto II, scena 1. “Di sposo, di padre le gioie serene”
recording engineer:
Roy Wallace (recording engineer) (in 1954-08) and Gil Went (in 1954-08)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
bass vocals:
Cesare Siepi (operatic bass) (in 1954-08)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1954-08)
conductor:
Alberto Erede (conductor) (in 1954-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1956)
recorded at:
Accademia di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1954-08)
partial recording of:
Salvator Rosa
composer:
Antônio Carlos Gomes (composer)
librettist:
Antonio Ghislanzoni
premiered at:
Teatro Carlo Felice in Genova (Genoa), Genova, Liguria, Italy (on 1874-03-21)
Antônio Carlos Gomes5:59
5Simon Boccanegra: Atto I. “Il lacerato spirito”
recording engineer:
Roy Wallace (recording engineer) (in 1954-08) and Gil Went (in 1954-08)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
bass vocals:
Cesare Siepi (operatic bass) (in 1954-08)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1954-08)
conductor:
Alberto Erede (conductor) (in 1954-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1956)
recorded at:
Accademia di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1954-08)
recording of:
Simon Boccanegra: Prologo. “Il lacerato spirito” (Fiesco)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Prologo
Giuseppe Verdi4:27
6Les Huguenots : Acte I, scène 3. « Seigneur, rampart et seul soutien » / « Piff, paff, piff »
recording engineer:
Roy Wallace (recording engineer) (in 1954-08) and Gil Went (in 1954-08)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
bass vocals:
Cesare Siepi (operatic bass) (in 1954-08)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1954-08)
conductor:
Alberto Erede (conductor) (in 1954-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1956)
recorded at:
Accademia di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1954-08)
recording of:
Les Huguenots: Acte I. Chanson huguenote "Piff, paff, piff, paff" (Marcel)
composer:
Giacomo Meyerbeer (composer)
part of:
Les Huguenots: Acte I, Scène III
Giacomo Meyerbeer5:56
7Robert le diable : Acte III, scène 7. « Nonnes, qui reposez »
recording engineer:
Roy Wallace (recording engineer) (in 1954-08) and Gil Went (in 1954-08)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
bass vocals:
Cesare Siepi (operatic bass) (in 1954-08)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1954-08)
conductor:
Alberto Erede (conductor) (in 1954-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1956)
recorded at:
Accademia di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1954-08)
recording of:
Robert le Diable: Act III. "Nonnes, qui reposez" (Bertram)
composer:
Giacomo Meyerbeer (composer)
part of:
Robert le Diable: Acte III
Giacomo Meyerbeer3:15
8La Juive: Acte I. « Si la rigeur »
recording engineer:
Roy Wallace (recording engineer) (in 1954-08) and Gil Went (in 1954-08)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
bass vocals:
Cesare Siepi (operatic bass) (in 1954-08)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1954-08)
conductor:
Alberto Erede (conductor) (in 1954-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1956)
recorded at:
Accademia di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1954-08)
recording of:
La Juive : Acte I. « Si la rigueur et la vengeance »
composer:
Fromental Halévy (French composer)
part of:
La Juive: Acte I
Fromental Halévy4:03
9La Gioconda: Atto III. “Si, morir ella de” / “Là turbini è farnetichi”Amilcare Ponchielli4:48
10Mefistofele: Prologo. “Ave Signor”
bass vocals:
Cesare Siepi (operatic bass)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Tullio Serafin (conductor)
recording of:
Mefistofele: Prologo. "Ave Signor" (Mefistofele)
composer and librettist:
Arrigo Boito (librettist, composer)
part of:
Mefistofele: Prologo
Arrigo Boito4:20
11Mefistofele: Atto I. “Son lo spirito che nnega”
bass vocals:
Cesare Siepi (operatic bass)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Tullio Serafin (conductor)
recording of:
Mefistofele: Atto I, Scena IIb. “Son lo Spirito che nega sempre” (Mefistofele)
composer and librettist:
Arrigo Boito (librettist, composer)
part of:
Mefistofele: Atto I
Arrigo Boito3:34
12Le nozze di Figaro: Atto I. “Bravo, signor padrone ... Se vuol ballare”
bass vocals:
Cesare Siepi (operatic bass)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Erich Kleiber (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. “Bravo, signor padrone” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:23
13Le nozze di Figaro: Atto I. “Non pìu andrai”
bass vocals:
Cesare Siepi (operatic bass)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Erich Kleiber (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:48
14Don Giovanni: Atto I, Scene 5. “Fin ch'han dal vino“
bass vocals:
Cesare Siepi (operatic bass)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Josef Krips (conductor/violinist)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:27
15Don Giovanni: Atto II. Scene 1. “Deh! Vieni alla finestra“
bass vocals:
Cesare Siepi (operatic bass)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
performer:
Josef Krips (conductor/violinist)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:03
5CD: Fernando Corena – Operatic Arias For Bass Vol. 2 (LXT 5307)
6CD: Mario Del Monaco – Great Tenor Arias (SXL 2122)
7CD: Kirsten Flagstad – Wagner Recital (LXT 5249)
8CD: Lisa Della Casa – Lieder Recital (LXT 5258)
9CD: Giulietta Simionato – Operatic Recital (LXT 5458)
10CD: Gérard Souzay – French Operatic Arias (LXT 5269)
11CD: Virginia Zeani – Operatic Recital (LXT 5317)
12CD: Jennifer Vyvyan – Mozart and Haydn Recital (SXL 2233)
13CD: Carlo Bergonzi – Operatic Recital (SXL 2048)
14CD: Di Stefano – Operatic Recital (SXL 2111)
15CD: Joan Sutherland – Operatic Arias (SXL 2159)
16CD: Regina Resnick – On the Wings of Opera (SXL 2304)
17CD: Hilde Gueden – Sings Operetta Evergreens (LXT 5658)
18CD: Teresa Berganza – Sings Mozart (SXL6045)
19CD: Tom Krause – Recital (SXL 6046)
20CD: Peter Pears – Winterrreise
21CD: Birgit Nilsson – Sings German Opera Arias (SXL 6077)
22CD: Robert Merril (SXL 6083) and James McCracken
23CD: Marilyn Horne – Recital (SXL5149)
24CD: Renata Tebaldi (SXL 6152)
25CD: Herman Prey – Schubert Schwanengesang (SXL 6069)
26CD: Elena Souliotis – Donizetti Verdi (SXL6306)
27CD: Regine Crespin – Recital Schumann Wolf Debussy Poulenc(SXL 6333)
28CD: Gwyneth Jones – Scenes From Verdi (SXL 6376)
29CD: Luciano Pavarotti – Arias By Verdi And Donizetti (SXL 6377)
30CD: Nicolai Ghiaurov – Great Scenes From Verdi (SXL 6443)
31CD: Huguette Tourangeau – Arias From Forgotten Operas (SXL 6501)
32CD: Maria Chiara Sings Verdi Arias (SXL 6605)
33CD: Sherrill Milnes – Great Scenes From Italian Opera (SXL 6609)
34CD: The Art of Hans Hotter (SXL 6625)
35CD: Sylvia Sass – Opera's Sensational New Star (SXL 6841)
36CD: Portrait of Pilar Lorengar
37CD: Elisabeth Söderström Sings Songs For Children (SXL 6900)
38CD: Mirella Freni and Renata Scotto in Duet (SXL 6970)
39CD: Martti Talvela – Mussorgsky Songs & Dances of Death / Rachmaninov Songs (SXL 6974)
40CD: Paata Burchuladze – Boris Godunov • Don Carlos • Macbeth • Simon Boccanegra • Ernani (414 335-2)
41CD: Leo Nucci – Bel Canto Arias (421 129-2)
42CD: Susan Dunn – Verdi • Beethoven • Wagner (421 420-2)
43CD: Cecilia Bartoli – Rossini Arias (425 430-2)
44CD: Josephine Barstow – Salome • Turandot • Médée • Věc Makropulos: Final Scenes (430 203-2)
45CD: Kiri te Kanawa - In Recital Liszt Obradors Ravel (425 820-2)
46CD: Brigitte Fassbaender – Liszt Lieder (430 512-2)
47CD: Sumi Jo – Carnaval! (French Coloratura Arias) (440 679-2)
48CD: Angela Gheorghiu – Arias (452 417-2)
49CD: Andreas Scholl – Heroes (Handel, Gluck, Mozart) (466 196-2)
50CD: Renée Fleming – Great Opera Scenes (455 760-2)
51CD: Barbara Bonney – Diamonds In The Snow (Nordic Songs) (466 762-2)
52CD: Matthias Goerne – Arias (467 263-2)
53CD: Juan Diego Flórez – Una Furtiva Lagrima (473 440-2)
54CD: Jonas Kaufmann – Mozart, Schubert, Beethoven, Wagner (478 1463)
55CD: Joseph Calleja – The Maltese Tenor (478 2720)

Credits

Release group

includes:Arias from Forgotten Operas by Huguette Tourangeau (mezzo-soprano), Orchestre de la Suisse Romande (OSR). Richard Bonynge (conductor and pianist)
Heroes by Andreas Scholl (countertenor)