Kantaten, BWV 163-166

~ Release by Johann Sebastian Bach, Nikolaus Harnoncourt,Gustav Leonhardt (see all versions of this release, 1 available)

Tracklist

1▼CD
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1Cantata, BWV 163 "Nur jedem das Seine": 1. Aria (Tenore) "Nur jedem das Seine"
tenor vocals:
Kurt Equiluz (tenor) (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": I. Aria (Tenor) "Nur jedem das Seine" (from 1983-01 until 1985-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
Johann Sebastian Bach3:39
2Cantata, BWV 163 "Nur jedem das Seine": 2. Recitativo (Basso) "Du bist, mein Gott"
bass vocals:
Robert Holl (bass‐baritone) (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": II. Recitativo (Bass) "Du bist, mein Gott, der Geber aller Gaben" (from 1983-01 until 1985-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
Johann Sebastian Bach1:28
3Cantata, BWV 163 "Nur jedem das Seine": 3. Aria (Basso) "Laß mein Herz die Münze sein"
bass vocals:
Robert Holl (bass‐baritone) (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": III. Aria (Bass) "Laß mein Herz die Münze sein" (from 1983-01 until 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
Johann Sebastian Bach2:52
4Cantata, BWV 163 "Nur jedem das Seine": 4. Recitativo (Soprano, Alto) "Ich wollte dir, o Gott"
alto vocals:
Panito Iconomou (bass-baritone) (from 1983-01 until 1985-11)
treble vocals:
Tobias Eiwanger (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": IV. Recitativo (Sopran, Alt) "Ich wollte dir, o Gott, das Herze" (from 1983-01 until 1985-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
Johann Sebastian Bach2:22
5Cantata, BWV 163 "Nur jedem das Seine": 5. Aria (Duetto: Soprano, Alto) "Nimm mich mir und gib mich dir!"
alto vocals:
Panito Iconomou (bass-baritone) (from 1983-01 until 1985-11)
treble vocals:
Tobias Eiwanger (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": V. Aria (Duetto Sopran, Alt) "Nimm mich mir und gib mich dir!" (from 1983-01 until 1985-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
Johann Sebastian Bach3:08
6Cantata, BWV 163 "Nur jedem das Seine": 6. Choral (Coro) "Führ auch mein Herz und Sinn"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1985-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": VI. Choral "Führ auch mein Herz und Sinn" (from 1983-01 until 1985-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Johann Heermann (in 1630)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
Johann Sebastian Bach0:58
7Cantata, BWV 164 "Ihr, die ihr euch von Christo nennet": 1. Aria (Tenore) "Ihr, die ihr euch von Christo nennet"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": I. Aria (Tenor) "Ihr, die ihr euch von Christo nennet"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
Johann Sebastian Bach4:30
8Cantata, BWV 164 "Ihr, die ihr euch von Christo nennet": 2. Recitativo (Basso) "Wir hören zwar, was selbst die Liebe spricht"
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": II. Recitativo (Bass) "Wir hören zwar, was selbst die Liebe spricht"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
Johann Sebastian Bach1:47
9Cantata, BWV 164 "Ihr, die ihr euch von Christo nennet": 3. Aria (Alto) "Nur durch Lieb und durch Erbarmen"
alto vocals:
Paul Esswood (countertenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": III. Aria (Alt) "Nur durch Lieb und durch Erbarmen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
Johann Sebastian Bach4:36
10Cantata, BWV 164 "Ihr, die ihr euch von Christo nennet": 4. Recitativo (Tenore) "Ach, schmelze doch durch deinen Liebesstrahl"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": IV. Recitativo (Tenor) "Ach, schmelze doch dein Liebesstrahl"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
Johann Sebastian Bach1:44
11Cantata, BWV 164 "Ihr, die ihr euch von Christo nennet": 5. Aria (Duetto: Soprano, Basso) "Händen, die sich nicht verschließen"
bass vocals:
Max van Egmond (bass-baritone)
treble vocals:
Christoph Wegmann
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": V. Aria (Duetto Sopran, Bass) "Händen, die sich nicht verschließen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
Johann Sebastian Bach4:00
12Cantata, BWV 164 "Ihr, die ihr euch von Christo nennet": 6. Choral (Coro) "Ertöt uns durch dein Güte"
choir vocals:
Collegium Vocale Gent and Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Philippe Herreweghe (Belgian conductor) and Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": VI. Choral "Ertöt uns durch deine Güte"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Elisabeth Creuziger (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 127)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
Johann Sebastian Bach1:06
13Cantata, BWV 165 "O heilges Geist- und Wasserbad": 1. Aria (Soprano) "O heilges Geist- und Wasserbad"
treble vocals:
Tobias Eiwanger
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": I. Aria (Sopran) "O heilges Geist- und Wasserbad"
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach3:09
14Cantata, BWV 165 "O heilges Geist- und Wasserbad": 2. Recitativo (Basso) "Die sündige Geburt verdammter Adamserben"
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": II. Recitativo (Bass) "Die sündige Geburt verdammter Adamserben"
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach1:25
15Cantata, BWV 165 "O heilges Geist- und Wasserbad": 3. Aria (Alto) "Jesu, der aus großer Liebe"
alto vocals:
Paul Esswood (countertenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": III. Aria (Alt) "Jesu, der aus großer Liebe"
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach2:21
16Cantata, BWV 165 "O heilges Geist- und Wasserbad": 4. Recitativo (Basso) "Ich habe ja, mein Seelenbräutigam"
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": IV. Recitativo (Bass) "Ich habe ja, mein Seelenbräutigam"
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach2:06
17Cantata, BWV 165 "O heilges Geist- und Wasserbad": 5. Aria (Tenore) "Jesu, meines Todes Tod"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": V. Aria (Tenor) "Jesu, meines Todes Tod"
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach2:59
18Cantata, BWV 165 "O heilges Geist- und Wasserbad": 6. Choral (Coro) "Sein Wort, sein Tauf, sein Nachtmahl"
choir vocals:
Collegium Vocale Gent and Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Philippe Herreweghe (Belgian conductor) and Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": VI. Choral "Sein Wort, sein Tauf, sein Nachtmahl"
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Ludwig Helmbold (in 1575)
part of:
Breitkopf 389 Choralgesänge (number: 266)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach0:46
19Cantata, BWV 166 "Wo gehest du hin?": 1. Aria (Basso) "Wo gehest du hin?"
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 166 "Wo gehest du hin": I. Aria (Bass) "Wo gehst du hin?"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 166 "Wo gehest du hin"
Johann Sebastian Bach2:00
20Cantata, BWV 166 "Wo gehest du hin?": 2. Aria (Tenore) "Ich will an den Himmel denken"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 166 "Wo gehest du hin": II. Aria (Tenor) "Ich will an den Himmel denken"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 166 "Wo gehest du hin"
Johann Sebastian Bach7:27
21Cantata, BWV 166 "Wo gehest du hin?": 3. Choral (Soprano) "Ich bitte dich, Herr Jesu Christ"
treble vocals:
Christoph Wegmann
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 166 "Wo gehest du hin": III. Choral (Coro Sopran) "Ich bitte dich, Herr Jesu Christ"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Bartholomäus Ringwaldt (in 1582)
part of:
Kantate, BWV 166 "Wo gehest du hin"
Johann Sebastian Bach2:53
22Cantata, BWV 166 "Wo gehest du hin?": 4. Recitativo (Basso) "Gleichwie die Regenwasser bald verfließen"
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 166 "Wo gehest du hin": IV. Recitativo (Bass) "Gleichwie die Regenwasser bald verfließen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 166 "Wo gehest du hin"
Johann Sebastian Bach0:55
23Cantata, BWV 166 "Wo gehest du hin?": 5. Aria (Alto) "Man nehme sich in acht"
alto vocals:
Paul Esswood (countertenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 166 "Wo gehest du hin": V. Aria (Alt) "Man nehme sich in acht"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 166 "Wo gehest du hin"
Johann Sebastian Bach3:51
24Cantata, BWV 166 "Wo gehest du hin?": 6. Choral (Coro) "Wer weiß, wie nahe mir mein Ende"
choir vocals:
Collegium Vocale Gent and Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Philippe Herreweghe (Belgian conductor) and Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 166 "Wo gehest du hin": VI. Choral "Wer weiß, wie nahe mir mein Ende"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Ämilie Juliane von Schwarzburg-Rudolstadt (in 1686)
part of:
Breitkopf 389 Choralgesänge (number: 372)
part of:
Kantate, BWV 166 "Wo gehest du hin"
Johann Sebastian Bach0:52