Modern Rock: 1980–1984

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Time After Time
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1984)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
a cappella versions:
Time After Time von Forte A Cappella (Centerville High School)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 116) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 494)
recording of:
Time After Time
Verfasser(in):
Rob Hyman und Cyndi Lauper
publisher:
Sony Songs Inc. (beendet, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.254:00
2Who Can It Be Now?
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Colin Hay und Ron Strykert
Saxophon:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1996)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
recording of:
Who Can It Be Now?
Texter und Komponist(in):
Colin Hay
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Men at Work4.43:24
3Time (Clock of the Heart)
assistierende(r) Techniker(in):
Gordon Milne (engineer)
Techniker(in):
Steve Levine (producer) und Mike Ross (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bass und Moog [Moog bass]:
Michael Craig (Culture Club bassist)
Gitarre und Röhrenglocken:
Roy Hay (Member of Culture Club and composer for film and television)
Saxophon:
Steve Grainger (saxophonist)
Schlagzeug und Tamburin:
Jon Moss
zusätzlich Keyboard:
Phil Pickett (songwriter, producer, keyboard player)
Hintergrundgesang:
Helen Terry (UK singer)
Sologesang:
Boy George
Saiteninstrumente arranger:
Trevor Bastow
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983)
produced for:
Do Not Erase Productions Ltd.
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich
engineered at:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Time (Clock of the Heart) von Culture Club (English pop group)
recording of:
Time (Clock of the Heart)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) und Virgin Music (Publishers) Ltd. (in 1982)
Culture Club3.83:46
4They Don’t Know
Produzent(in):
Peter Collins (producer)
Musikvideos:
They Don't Know von Tracey Ullman
cover recording of:
They Don’t Know
Texter und Komponist(in):
Kirsty MacColl
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
recording of:
They Don’t Know
Texter und Komponist(in):
Kirsty MacColl
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Tracey Ullman3:03
5De Do Do Do, De Da Da Da
Techniker(in):
Nigel Gray (UK producer)
Produzent(in):
Nigel Gray (UK producer) und The Police (British rock band)
E-Bass, Synthesizer und Sologesang:
Sting (singer, songwriter & member of The Police) (von 1980-07-07 bis 1980-08-07)
E-Gitarre:
Andy Summers (von 1980-07-07 bis 1980-08-07)
Schlagzeug:
Stewart Copeland (drummer, percussionist, pianist and composer) (von 1980-07-07 bis 1980-08-07)
Hintergrundgesang:
Stewart Copeland (drummer, percussionist, pianist and composer) (von 1980-07-07 bis 1980-08-07), Sting (singer, songwriter & member of The Police) (von 1980-07-07 bis 1980-08-07) und Andy Summers (von 1980-07-07 bis 1980-08-07)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1980), A&M Records Ltd. (in 1980, in 2003) und A&M Records, Inc. (in 1980, in 1997)
aufgenommen bei:
Wisseloord Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (von 1980-07-07 bis 1980-08-07)
recording of:
De Do Do Do, De Da Da Da (von 1980-07-07 bis 1980-08-07)
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
Control (not for release label use! this is only for copyrights and publishing relationships) (beendet), EMI Blackwood Music Inc. (beendet), GM Sumner, Magnetic Publishing Ltd., Chappell Music (UK) (vom 1980 bis ????), Chappell Music Co. (vom 1980 bis ????), Virgin Music (Publishers) Ltd. (vom 1980 bis ????), Virgin Music, Inc. (US arm of Virgin’s publishing company) (vom 1980 bis ????), Virgin Publishing (vom 1984 bis ????), EMI Music Publishing, Ltd. (PRS‐affiliated) (vom 2003 bis ????) und Songs of Universal, Inc. (BMI) (vom 2022-02 bis heute)
The Police3.54:08
6Pass the Dutchie
Produzent(in):
Peter Collins (producer)
Bassgitarre:
Patrick
Gitarre:
Kelvin
Keyboard:
Michael (Keyboard player for Musical Youth)
Schlagzeug:
Junior
vocals:
Dennis
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 25)
cover recording of:
Pass the Kouchie
Verfasser(in):
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) und Fitzroy “Bunny” Simpson
Teil von:
My Kind of People
Musical Youth43:27
7Saved by Zero
recording of:
Saved by Zero
Verfasser(in) und Komponist(in):
Alfie Agius, Cy Curnin, Rupert Greenall, Jamie West‐Oram und Adam Woods (drummer)
The Fixx3:43
8Who’s That Girl
Techniker(in):
Jon Bavin
Produzent(in):
Dave Stewart (UK guitarist/singer for Eurythmics)
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1991)
Remaster von:
Who’s That Girl? von Eurythmics
recording of:
Who’s That Girl?
Texter und Komponist(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
Universal Music Publishing MGB Ltd.
sub-publisher:
Universal Music Publishing France (not for release label use!)
Eurythmics4.23:48
9Poison Arrow
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Mark Lickley
Sologesang:
Martin Fry
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1982)
Teil von:
The Downloader’s Music Source Book (Nummer: 76)
recording of:
Poison Arrow
Verfasser(in):
Martin Fry, Mark Lickley, Stephen Singleton und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Virgin Music (Publishers) Ltd. und Virgin Music (Publishing) Ltd.
Teil von:
Mantrap (ABC long-form film)
ABC4.43:25
10Two Tribes
Techniker(in):
Stuart Bruce und Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) und Anne Dudley (English score composer)
Gast-Perkussion:
Luís Jardim
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood)
Sologesang:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) und Paul Rutherford (member of Frankie Goes to Hollywood)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 27)
recording of:
Two Tribes
geschrieben in:
Liverpool, Merseyside, England, Vereinigtes Königreich (von 1982 bis 1983)
Texter und Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood4.23:24
11Talk Talk
recording engineer und Produzent(in):
Colin Thurston
Mix:
Mike Robinson (engineer)
Bassgitarre:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Keyboard:
Simon Brenner (UK musician, member of Talk Talk)
Schlagzeug:
Lee Harris (drummer, member of Talk Talk and .O.Rang)
Sologesang:
Mark Hollis
recording of:
Talk Talk (Talk Talk)
Texter und Komponist(in):
Ed Hollis (British songwriter and producer) und Mark Hollis
Talk Talk33:24
12Pulling Mussels (From the Shell)
recording of:
Pulling Mussels (From the Shell)
Texter:
Chris Difford
Komponist(in):
Glenn Tilbrook
publisher:
Deptford Songs und Rondor/Universal
Squeeze3:59
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Nennungen

Veröffentlichung

ASIN:US: B0013FHX7O [Info]

Veröffentlichungsgruppe

Teil von:Modern Rock (Time-Life Music) (Nummer: 12) (Reihenfolge: 12)