Mozart Arias

~ Release by Mozart; Vesselina Kasarova, Staatskapelle Dresden, Sir Colin Davis (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Così fan tutte, opera, K. 588: Ah, scostasi; Smanie implacabili, che m'agitate (Dorabella)
engineer:
Siegbert Ernst (engineer) (from 1996-09-05 until 1996-09-09)
producer:
Wolfram Graul (Conductor, engineer, producer)
mezzo-soprano vocals:
Vesselina Kasarova (mezzo‐soprano) (from 1996-09-05 until 1996-09-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1996-09-05 until 1996-09-09)
conductor:
Sir Colin Davis (English conductor) (from 1996-09-05 until 1996-09-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1996-09-05 until 1996-09-09)
recording of:
Così fan tutte: Atto I. Recitativo “Ah, scostati!” (Dorabella) (from 1996-09-05 until 1996-09-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:11
2Le nozze di Figaro, K. 492: Non so più cosa son, cosa faccio (Cherubino)
engineer:
Siegbert Ernst (engineer) (from 1996-09-05 until 1996-09-09)
producer:
Wolfram Graul (Conductor, engineer, producer)
mezzo-soprano vocals:
Vesselina Kasarova (mezzo‐soprano) (from 1996-09-05 until 1996-09-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1996-09-05 until 1996-09-09)
conductor:
Sir Colin Davis (English conductor) (from 1996-09-05 until 1996-09-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1996-09-05 until 1996-09-09)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (from 1996-09-05 until 1996-09-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:55
3Idomeneo, K. 366: Non ho colpa (Idamante)
engineer:
Siegbert Ernst (engineer) (from 1996-09-05 until 1996-09-09)
producer:
Wolfram Graul (Conductor, engineer, producer)
mezzo-soprano vocals:
Vesselina Kasarova (mezzo‐soprano) (from 1996-09-05 until 1996-09-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1996-09-05 until 1996-09-09)
conductor:
Sir Colin Davis (English conductor) (from 1996-09-05 until 1996-09-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1996-09-05 until 1996-09-09)
recording of:
Idomeneo, rè di Creta, K. 366: Act I, Scene II. No. 2 Aria "Non ho colpa" (Idamante) (from 1996-09-05 until 1996-09-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act I
Wolfgang Amadeus Mozart6:29
4Idomeneo, K. 366: March of the Priests
engineer:
Siegbert Ernst (engineer) (from 1996-09-05 until 1996-09-09)
producer:
Wolfram Graul (Conductor, engineer, producer)
mezzo-soprano vocals:
Vesselina Kasarova (mezzo‐soprano) (from 1996-09-05 until 1996-09-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1996-09-05 until 1996-09-09)
conductor:
Sir Colin Davis (English conductor) (from 1996-09-05 until 1996-09-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1996-09-05 until 1996-09-09)
partial recording of:
Idomeneo, rè di Creta, K. 366 (from 1996-09-05 until 1996-09-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
was commissioned by:
Charles Theodore, Elector of Bavaria
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 366) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 366)
Wolfgang Amadeus Mozart2:15
5Idomeneo, K. 366: Ah qual gelido orror; Il padre adorato" (Idamante)
engineer:
Siegbert Ernst (engineer) (from 1996-09-05 until 1996-09-09)
producer:
Wolfram Graul (Conductor, engineer, producer)
mezzo-soprano vocals:
Vesselina Kasarova (mezzo‐soprano) (from 1996-09-05 until 1996-09-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1996-09-05 until 1996-09-09)
conductor:
Sir Colin Davis (English conductor) (from 1996-09-05 until 1996-09-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1996-09-05 until 1996-09-09)
recording of:
Idomeneo, rè di Creta, K. 366: Act I, Scene X. No. 7 Aria “Il padre adorato” (Idamante) (from 1996-09-05 until 1996-09-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act I
Wolfgang Amadeus Mozart4:03
6Mitridate, rè di Ponto, opera, K. 87: Venga pur, minacci e frema (Farnace)
engineer:
Siegbert Ernst (engineer) (from 1996-09-05 until 1996-09-09)
producer:
Wolfram Graul (Conductor, engineer, producer)
mezzo-soprano vocals:
Vesselina Kasarova (mezzo‐soprano) (from 1996-09-05 until 1996-09-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1996-09-05 until 1996-09-09)
conductor:
Sir Colin Davis (English conductor) (from 1996-09-05 until 1996-09-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1996-09-05 until 1996-09-09)
recording of:
Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. No. 6 Aria "Venga pur, minacci" (Farnace) (from 1996-09-05 until 1996-09-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Vittorio Amedeo Cigna-Santi
part of:
Mitridate, rè di Ponto, K. 74a/87: Act I
Wolfgang Amadeus Mozart7:36
7Don Giovanni, K. 527: Vedrai, carino (Zerlina)
engineer:
Siegbert Ernst (engineer) (from 1996-09-05 until 1996-09-09)
producer:
Wolfram Graul (Conductor, engineer, producer)
mezzo-soprano vocals:
Vesselina Kasarova (mezzo‐soprano) (from 1996-09-05 until 1996-09-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1996-09-05 until 1996-09-09)
conductor:
Sir Colin Davis (English conductor) (from 1996-09-05 until 1996-09-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1996-09-05 until 1996-09-09)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (from 1996-09-05 until 1996-09-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:48
8Mitridate, rè di Ponto, opera, K. 87: Gia darli occhi il velo e tolto (Franace)
engineer:
Siegbert Ernst (engineer) (from 1996-09-05 until 1996-09-09)
producer:
Wolfram Graul (Conductor, engineer, producer)
mezzo-soprano vocals:
Vesselina Kasarova (mezzo‐soprano) (from 1996-09-05 until 1996-09-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1996-09-05 until 1996-09-09)
conductor:
Sir Colin Davis (English conductor) (from 1996-09-05 until 1996-09-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1996-09-05 until 1996-09-09)
recording of:
Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IX. No. 24 Aria "Gia darli occhi il velo e tolto" (Franace) (from 1996-09-05 until 1996-09-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Vittorio Amedeo Cigna-Santi
part of:
Mitridate, rè di Ponto, K. 74a/87: Act III
Wolfgang Amadeus Mozart8:10
9Don Giovanni, K. 527: In quali eccessi, o Numi; Mi tradì, quell' alma ingrata (Donna Elvira)
engineer:
Siegbert Ernst (engineer) (from 1996-09-05 until 1996-09-09)
producer:
Wolfram Graul (Conductor, engineer, producer)
mezzo-soprano vocals:
Vesselina Kasarova (mezzo‐soprano) (from 1996-09-05 until 1996-09-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1996-09-05 until 1996-09-09)
conductor:
Sir Colin Davis (English conductor) (from 1996-09-05 until 1996-09-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1996-09-05 until 1996-09-09)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1] (from 1996-09-05 until 1996-09-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart6:20
10Lucio Silla, K. 135: Il tenero momento (Cecilio)
engineer:
Siegbert Ernst (engineer) (from 1996-09-05 until 1996-09-09)
producer:
Wolfram Graul (Conductor, engineer, producer)
mezzo-soprano vocals:
Vesselina Kasarova (mezzo‐soprano) (from 1996-09-05 until 1996-09-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1996-09-05 until 1996-09-09)
conductor:
Sir Colin Davis (English conductor) (from 1996-09-05 until 1996-09-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1996-09-05 until 1996-09-09)
recording of:
Lucio Silla, K. 135: Act I, Scene II. No. 2 Aria "Il tenero momento" (Cecilio) (from 1996-09-05 until 1996-09-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giovanni de Gamerra
part of:
Lucio Silla, K. 135: Act I
Wolfgang Amadeus Mozart4:50
11La clemenza di Tito, K. 621: Ecco il punto, oh Vitellia; Non più di fiori vaghe catene (Vitellia)
engineer:
Siegbert Ernst (engineer) (from 1996-09-05 until 1996-09-09)
producer:
Wolfram Graul (Conductor, engineer, producer)
mezzo-soprano vocals:
Vesselina Kasarova (mezzo‐soprano) (from 1996-09-05 until 1996-09-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1996-09-05 until 1996-09-09)
conductor:
Sir Colin Davis (English conductor) (from 1996-09-05 until 1996-09-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1996-09-05 until 1996-09-09)
recording of:
La clemenza di Tito, K. 621: Act II, Scene XV. No. 22 Recitativo accompagnato "Ecco il punto, oh Vitellia" (Vitellia) (from 1996-09-05 until 1996-09-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart9:08
12La clemenza di Tito, K. 621: March; Maestoso
engineer:
Siegbert Ernst (engineer) (from 1996-09-05 until 1996-09-09)
producer:
Wolfram Graul (Conductor, engineer, producer)
mezzo-soprano vocals:
Vesselina Kasarova (mezzo‐soprano) (from 1996-09-05 until 1996-09-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1996-09-05 until 1996-09-09)
conductor:
Sir Colin Davis (English conductor) (from 1996-09-05 until 1996-09-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1996-09-05 until 1996-09-09)
recording of:
La clemenza di Tito, K. 621: Ouverture (from 1996-09-05 until 1996-09-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
La clemenza di Tito, K. 621
Wolfgang Amadeus Mozart2:12
13La clemenza di Tito, K. 621: Deh per questo istante solo (Sesto)
engineer:
Siegbert Ernst (engineer) (from 1996-09-05 until 1996-09-09)
producer:
Wolfram Graul (Conductor, engineer, producer)
mezzo-soprano vocals:
Vesselina Kasarova (mezzo‐soprano) (from 1996-09-05 until 1996-09-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1996-09-05 until 1996-09-09)
conductor:
Sir Colin Davis (English conductor) (from 1996-09-05 until 1996-09-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1996-09-05 until 1996-09-09)
recording of:
La clemenza di Tito, K. 621: Act II, No. 19 Aria (Rondo) "Deh per questo istante solo" (Sesto) / Aria "Disperato vado a morte" (Sesto) (from 1996-09-05 until 1996-09-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart7:33
14Concert Aria, K. Anh. 245: Io ti lascio, oh cara, addio
engineer:
Siegbert Ernst (engineer) (from 1996-09-05 until 1996-09-09)
producer:
Wolfram Graul (Conductor, engineer, producer)
mezzo-soprano vocals:
Vesselina Kasarova (mezzo‐soprano) (from 1996-09-05 until 1996-09-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1996-09-05 until 1996-09-09)
conductor:
Sir Colin Davis (English conductor) (from 1996-09-05 until 1996-09-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1996-09-05 until 1996-09-09)
recording of:
Aria for Bass and Orchestra in E-flat major, K. 621a / KV Anh 245: Adagio "Io ti lascio, oh cara, addio" (from 1996-09-05 until 1996-09-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Emil Gottfried von Jacquin
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 621a), Köchelverzeichnis (Köchel catalogue, original numbering) (number: Anh. 245) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 621a)
Wolfgang Amadeus Mozart5:14