Romantic Songs

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Available on Apple Music, but not iTunes.

Annotazione modificata l'ultima volta il 2020-06-28 23:40 UTC.

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#TitoloArtistaValutazioneDurata
1True (single edit)
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:28
2When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:51
3(You Make Me Feel Like) A Natural Woman
tecnico di registrazione:
Tom Dowd (il 1967-02-16)
produttore:
Jerry Wexler
batteria :
Gene Chrisman (il 1967-02-16)
chitarra basso :
Tommy Cogbill (il 1967-02-16)
pianoforte :
Spooner Oldham (il 1967-02-16)
tromba :
Bernie Glow (il 1967-02-16), Melvin Lastie (il 1967-02-16) e Joe Newman (US jazz trumpeter) (il 1967-02-16)
cori:
Carolyn Franklin (il 1967-02-16), Erma Franklin (il 1967-02-16) e The Sweet Inspirations (il 1967-02-16)
voce:
Aretha Franklin (il 1967-02-16)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-16)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 4) (numero: 10) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 90)
registrazione di:
(You Make Me Feel Like) A Natural Woman (il 1967-02-16)
paroliere:
Gerry Goffin
autore aggiunto:
Jerry Wexler
compositore:
Carole King
editore:
Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
Screen Gems–EMI Music Ltd. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin4.22:43
4Crazy Love (single version)
registrazione di:
Crazy Love
paroliere e compositore:
Van Morrison
editore:
Caledonia Soul Music (, nel 1970), Van-Jan Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America e WB Music Corp. (1929–2019) (nel 1970)
Van Morrison2:36
5Last Request
programmazione aggiuntiva:
Matt Benbrook
assistente tecnico:
Darren Simpson (engineer)
tecnico:
Mark Phythian
tecnico aggiunto:
Richard Wilkinson (production music)
produttore:
Matt Benbrook (archi) e Ken Nelson (UK record producer)
tecnico di missaggio:
Tom Elmhirst (mixing engineer)
archi :
Matt Benbrook
batteria , percussione e tastiera :
Jim Duguid
chitarra :
Eddie Harrison, Donny Little (guitar player) e Ken Nelson (UK record producer)
chitarra acustica e voce di accompagnamento:
Donny Little (guitar player)
chitarra basso :
Mike Hunter (UK producer & engineer)
voce principale:
Paolo Nutini
registrazione di:
Last Request
autore:
Matt Benbrook, Jim Duguid e Paolo Nutini
Paolo Nutini3.353:40
6Baby Can I Hold You
tecnico e tecnico di missaggio:
Kevin Smith (American DJ, producer and hip hop pioneer based in New York City)
produttore:
David Kershenbaum
batteria e percussione :
Denny Fongheiser
chitarra [rhythm] :
Tracy Chapman (American singer‐songwriter)
chitarra basso :
Larry Klein
organo Hammond e sitar elettrico :
Jack Holder
tastiera :
Bob Marlette
violino elettrico :
David LaFlamme
voce:
Tracy Chapman (American singer‐songwriter)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1988) e Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 2015)
registrata presso e mixata presso:
Powertrax Studio in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Baby Can I Hold You
paroliere e compositore:
Tracy Chapman (American singer‐songwriter)
editore:
EMI Songs Ltd., Kobalt Music Publishing Ltd. (UK), Purple Rabbit Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Tracy Chapman43:13
7You’re Beautiful
assistente tecnico:
John Morrical
tecnico:
Mike Tarantino
produttore e tecnico di missaggio:
Tom Rothrock (American musician, composer and record producer)
archi :
E. Gorfain e The Section
batteria [drums] :
C. Paxon
chitarra acustica :
J. Blunt
chitarra basso [bass] :
S. Krivtsov
chitarra elettrica :
M. Tarantino
pianoforte :
Mr Nau
voce:
J. Blunt
video musicali:
You’re Beautiful (music video) di James Blunt
parte di:
The Village Voice – The 50 Worst Songs of the ’00s (numero: 45)
registrazione di:
You’re Beautiful
autore:
James Blunt, Amanda Ghost e Sacha Skarbek
editore:
David Platz Music Inc., EMI Blackwood Music Inc. e Universal–Songs of PolyGram International, Inc.
James Blunt4.153:32
8Love You Lately (2008 version)
registrazione di:
Love You Lately
compositore:
Daniel Powter (Canadian singer-songwriter and pianist)
Daniel Powter3:02
9Everglow
registrazione di:
Everglow
autore:
Guy Berryman, Jonny Buckland, Will Champion e Chris Martin (lead singer of Coldplay)
Coldplay33:47
10I’m Yours
assistente tecnico di registrazione:
Iain Hill (UK engineer)
tecnico di registrazione:
Dyre Gormsen
produttore:
Martin Terefe
tecnico di missaggio:
Tony Maserati (engineer / mixer)
basso :
Martin Terefe
batteria :
Kristoffer Sonne
chitarra :
Jason Mraz
tastiera :
Nikolaj Torp Larsen
voce:
Jason Mraz
voce di accompagnamento:
Toca Rivera
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2008) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2008)
registrata presso:
Kensaltown Recording Studios in London (Greater London), England, Regno Unito
mixata presso:
Canaan Road Studios in New York, New York, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2009 (numero: 7), Billboard Year-End Hot 100 singles of 2008 (numero: 27) e BILLIONS CLUB
registrazione di:
I’m Yours
paroliere e compositore:
Jason Mraz
editore:
Goo Eyed Music
Jason Mraz3.454:02
11I’ll Stand by You
tecnico:
Steve Williams (UK recording engineer, aka Syco)
produttore:
Ian Stanley
batteria :
Jimmy Copley e J.F.T. Hood
chitarra :
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) e Adam Seymour
voce:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1994, nel 2000) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1994)
registrazione di:
I’ll Stand by You
autore:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders), Tom Kelly (songwriter) e Billy Steinberg
editore:
B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Hynde House of Hits Music, Kobalt Music Publishing Australia P/L e Kobalt Publishing Ltd.
Pretenders3.554:00
12Kiss From a Rose
assistente produttore:
Richard Lowe (UK producer/engineer)
produttore:
Trevor Horn
assistente tecnico di missaggio:
Tom Elmhirst (mixing engineer)
tecnico di missaggio:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
voce principale:
Seal (English‐born singer and songwriter)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1994), Warner Music Argentina S.A. (nel 2009) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2009)
è stato produttore per:
Horn Productions
registrata presso e mixata presso:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 308)
registrazione di:
Kiss From a Rose
paroliere e compositore:
Seal (English‐born singer and songwriter) (nel 1987)
editore:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) e SPZ Music Incorporated (BMI affiliated)
Seal3.854:48
13(Everything I Do) I Do It for You
registrazione cover di:
(Everything I Do) I Do It for You
autore:
Bryan Adams (Canadian singer/songwriter) (il 1991-04-10), Michael Kamen (American score composer) (il 1991-04-10) e Robert John “Mutt” Lange (Robert John Lange) (il 1991-04-10)
editore:
2855 Music, MCA Music Ltd., Out-of-Pocket Productions Ltd., Rondor Music (London) Ltd., WorkSongs Ltd., Zomba Enterprises Inc., Almo Music Corp. (USA, affiliated with ASCAP) (nel 1991), Miracle Creek Music, Inc. (nel 1991), Zachary Creek Music Inc. (nel 1991) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (nel 1991)
parte di:
The 64th Academy Award for Best Original Song (numero: 2)
Brandy44:10
14It Started With a Kiss
produttore:
Mickie Most (English record producer)
voce principale:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (nel 1982)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2011)
video musicali:
It Started With a Kiss di Hot Chocolate (70s and 80s British soul band)
registrazione di:
It Started With a Kiss (nel 1982)
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. e Universal Music Publishing MGB Australia
Hot Chocolate34:02
15Glory of Love
tecnico e tecnico di missaggio:
Terry Christian (US recording and mixing engineer) e John Guess
produttore:
Michael Omartian
voce di accompagnamento ospite:
Kenny Cetera
voce principale:
Peter Cetera
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1986) e Warner Music International (trademark of Warner Music International the company) (nel 1986)
registrata presso e mixata presso:
Lion Share Studios in Los Angeles, California, Stati Uniti
registrazione di:
Glory of Love
autore:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Diane Nini
editore:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30), Air Bear Music (nel 1986), Fall Line Orange Music (nel 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
The 59th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1986 nominee)
Peter Cetera4.24:18
16Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
17Let’s Stay Together (2015 remaster)
programmazione degli strumenti:
Greg Walsh (producer and engineer) e Martyn Ware
tecnico:
Walter Samuel (engineer) e Greg Walsh (producer and engineer)
produttore:
Greg Walsh (producer and engineer) e Martyn Ware
chitarra :
Ray Russell (guitar, composer, producer)
percussione :
Frank Ricotti (percussionist)
pianoforte e sintetizzatore :
Nick Plytas
sassofono :
Gary Barnacle
voce di accompagnamento:
Glenn Gregory e Martyn Ware
voce principale:
Tina Turner
arrangiatore:
Greg Walsh (producer and engineer) e Martyn Ware
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito e CBS Studios (London, 1967 - 1972) in London (Greater London), England, Regno Unito
registrazione cover di:
Let’s Stay Together
autore:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) e Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
editore:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. e Irving Music, Inc.
registrazione di:
Let’s Stay Together
autore:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) e Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
editore:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. e Irving Music, Inc.
Tina Turner3.85:16
18The Air That I Breathe
tecnico di missaggio:
Mick Hucknall (lead singer of Simply Red) e 屋敷豪太 (Gota Yashiki)
registrazione cover di:
The Air That I Breathe
autore:
Albert Hammond e Mike Hazlewood
editore:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Simply Red44:22
19I’m Every Woman
tecnico:
James Douglass (engineer)
produttore:
Arif Mardin
voce di accompagnamento:
Will Lee (US jazz/rock bassist) (nel 1978) e Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) (nel 1978)
voce di accompagnamento e voce principale:
Chaka Khan (nel 1978)
arrangiatore archi , arrangiatore legni e arrangiatore ottoni :
Arif Mardin
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1978)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 6) (numero: 4)
registrazione di:
I’m Every Woman (nel 1978)
autore:
Nickolas Ashford e Valerie Simpson
editore:
Nick‐O‐Val Music Co., Inc.
Chaka Khan3.34:07
20Loving Days
tecnico di registrazione e tecnico:
Niall Acott e Alvin Sweeney
programmazione:
Julian Gallagher (songwriter, producer) e Alvin Sweeney
produttore:
Julian Gallagher (songwriter, producer) e Richard “Biff” Stannard
tecnico di missaggio:
Alvin Sweeney
chitarra :
Dave Morgan (songwriter)
tastiera :
Julian Gallagher (songwriter, producer), Dave Morgan (songwriter) e Richard “Biff” Stannard
voce di accompagnamento:
Kylie Minogue e Richard “Biff” Stannard
voce principale:
Kylie Minogue
orchestra:
The London Session Orchestra
direttore d'orchestra:
Simon Hale
arrangiatore archi :
Simon Hale
primo violino:
Gavyn Wright (UK violinist, conductor)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2003)
è stato produttore per:
Biffco Productions
registrata presso:
Angel Studios in Islington, London (Greater London), England, Regno Unito e Biffco Studios (Dublin) in Dublin, County Dublin, Leinster, Irlanda
mixata presso:
Biffco Studios (Dublin) in Dublin, County Dublin, Leinster, Irlanda
registrazione di:
Loving Days
autore:
Julian Gallagher (songwriter, producer), Kylie Minogue, Dave Morgan (songwriter) e Richard “Biff” Stannard
editore:
Biffco Music Publishing Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music Publishing, Sony/ATV Music Publishing (UK) Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Kylie Minogue4:26
21Angel of Mine
registrazione di:
Angel of Mine
autore:
Rhett Lawrence e Travon Potts
editore:
Polygram Music, Rhettrhyme Music e Warner Chappell Music, Inc.
Eternal2.754:18
22All the Man I Need
registrazione cover di:
All the Man That I Need
autore:
Michael Gore (composer) e Dean Pitchford
Sister Sledge4:41
23You’re the Inspiration (2006 remaster)
tecnico e tecnico di missaggio:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Larry Fergusson
arrangiatore strumenti:
Jeremy Lubbock
arrangiatore:
Peter Cetera e David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1984, nel 2010) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (nel 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, Stati Uniti (nel 1984) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1984)
mixata presso:
Lion Share Recording Studios in Los Angeles, California, Stati Uniti
registrazione di:
You’re the Inspiration (nel 1984)
autore:
Peter Cetera (nel 1984) e David Foster (Canadian music producer, arranger and composer) (nel 1984)
editore:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (nel 1984) e Foster Frees Music Inc. (nel 1984)
Chicago53:49
24Make It With You
archi , chitarra , chitarra basso , voce di accompagnamento e voce principale:
David Gates (singer/songwriter, lead singer of Bread)
batteria :
Michael Botts
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1970) e Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 13)
registrazione di:
Make It With You
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:13
25Nothing’s Gonna Change My Love for You
produttore:
Michael Masser
tecnico di missaggio:
Bill Schnee
batteria :
Carlos Vega
chitarra :
Dann Huff e Paul Jackson (jazz bassist)
chitarra basso :
Nathan East
chitarra solista e voce principale:
George Benson (jazz guitarist/singer)
tastiera :
Robbie Buchanan (Canadian producer)
voce di accompagnamento:
Richard Marx e Deborah Thomas (soul/disco singer)
arrangiatore:
Robbie Buchanan (Canadian producer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985)
mixata presso:
Bill Schnee Studios in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Nothing’s Gonna Change My Love for You
paroliere:
Gerald Goffin e Michael Masser
compositore:
Michael Masser
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI Music Publishing Germany (GmbH & Co. KG), Lauren Wesley Music (BMI-affiliated), Prince Street Music (Also known as "Prince St. Music"), Prince Street Productions, Inc., Rondor Music (London) Ltd., Rondor Music Inc., Rondor Musikverlag GmbH, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
George Benson4:02
26All the Times
LSG feat. Faith Evans, Coko & Missy Elliott4:51
27All I Do Is Think of You
Troop3:49
28Nobody
esecutore:
Athena Cage
Keith Sweat feat. Athena Cage4:24
29Come Over
Faith Evans5:36
30Cupid
tecnico di registrazione e tecnico di missaggio:
Michael Patterson (engineer)
tecnico aggiunto:
Doug A. Wilson (engineer)
produttore:
Arnold Hennings e Daron Jones
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1996)
è stato produttore per:
Darp, Inc.
registrata presso e mixata presso:
Daddy’s House Recording Studios in New York, New York, Stati Uniti e Purple Dragon Recordings in Atlanta, Georgia, Stati Uniti
video musicali:
Cupid di 112
registrazione di:
Cupid
autore:
Arnold Hennings, Daron Jones, Michael Keith (US r&b artist, in 112), Marvin Scandrick (US R&B artist Marvin Scandrick, of group 112), Quinnes Parker e Courtney Sills
editore:
Arn Music, Beane Tribe Music, C. Sills Publishing, Da 12 Music, EMI-April Music, Inc., Hitco South, Justin Combs Publishing, Kevin Wales Music e Music of Windswept
1124:12
31Warm on a Cold Night
tecnico di registrazione e produttore:
HONNE
produttore aggiunto:
Richard Wilkinson (production music)
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
voce parlata [voiceover introduction]:
William Coutts
esecutore:
HONNE
registrata presso:
Tokidoki Studios in London (Greater London), England, Regno Unito
mixata presso:
Mixsuite UK in London (Greater London), England, Regno Unito
registrazione di:
Warm on a Cold Night
autore:
William Coutts e HONNE
editore:
BMG Chrysalis (may be used as an imprint, trade name of BMG Rights Management in the US/UK/SE) e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
HONNE4:21
32You Put a Move on My Heart
voce e esecutore:
Tamia (Canadian R&B and soul singer)
Tamia6:12
33I Love You Always Forever
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 408)
registrazione di:
I Love You Always Forever
paroliere e compositore:
Donna Lewis
editore:
donna lewis ltd e Warner/Chappell Music, Inc.
Donna Lewis3.83:59
34Iris
assistente tecnico:
Greg Burns (engineer) (incarico: second engineer) e Rafa Sardina (incarico: second engineer)
tecnico:
Allen Sides
produttore:
Rob Cavallo e Goo Goo Dolls
tecnico di missaggio:
Jack Joseph‐Puig
basso :
Robby Takac
batteria e percussione :
Mike Malinin
chitarra :
John Rzeznik
mandolino :
Tim Pierce (US session guitarist)
pianoforte :
Jamie Muhoberac
voce:
John Rzeznik
arrangiatore archi [string] :
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
video musicali:
Iris di Goo Goo Dolls
registrazione di:
Iris
paroliere e compositore:
John Rzeznik
editore:
EMI Virgin Songs, Inc. e Scrap Metal Music
The Goo Goo Dolls4.14:49
35Suzanne
registrazione di:
Suzanne (English original song by Leonard Cohen) (nel 1966)
paroliere:
Leonard Cohen (Canadian singer‐songwriter and poet) (nel 1966)
compositore:
Leonard Cohen (Canadian singer‐songwriter and poet)
editore:
Ardmore & Beechwood Music Ltd., Project 7 Music, Sony/ATV Music Publishing LLC (1995–2020), Stranger Music Inc. e Writers Workshop Ltd.
Judy Collins4:26
36All Our Love
registrata a:
New York, New York, Stati Uniti (nel 1972)
tecnico:
Gene Paul
produttore:
Arif Mardin
archi , corno e legni :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (nel 1972)
basso :
Michael McCarthy (bass) (nel 1972) e Mike Patto (English singer, in Spooky Tooth, Patto, Timebox, Boxer) (nel 1972)
batteria , percussione e percussione [drums, percussion] :
Jim Helmer (Drums) (nel 1972)
chitarra :
John Oates (nel 1972) e Jerry Ricks (nel 1972)
chitarra pedal steel :
Bill Keith (nel 1972)
mandolino e tastiera :
Daryl Hall (nel 1972)
voce:
Daryl Hall (nel 1972) e John Oates (nel 1972)
arrangiatore:
Daryl Hall & John Oates e Arif Mardin
registrazione di:
All Our Love (nel 1972)
paroliere e compositore:
Daryl Hall e John Oates
editore:
Chappell & Co.
Daryl Hall & John Oates2:43
37The Rose
produttore:
Paul A. Rothchild
produttore aggiunto:
Bill Gazecki
voce:
Bette Midler (nel 1979)
voce principale:
Bette Midler (nel 1979)
arrangiatore archi :
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arrangiatore:
Paul A. Rothchild
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrazione di:
The Rose (nel 1979)
paroliere e compositore:
Amanda McBroom
editore:
Cedos Music, Fox Fanfare Music Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bette Midler4.23:33
38Arthur’s Theme (Best That You Can Do)
assistente tecnico:
Stuart Gitlin e Margaret Gwynne (engineer)
tecnico aggiunto:
John Guess, Lee Herschberg, Mark Linett e Richard Mullen
produttore:
Michael Omartian
tecnico di missaggio:
Chet Himes
voce principale:
Christopher Cross (US singer‐songwriter)
direttore d'orchestra:
Michael Omartian
arrangiatore archi :
Michael Omartian
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
primo violino:
Assa Drori
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981, nel 1983)
registrata presso e mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 19)
registrazione di:
Arthur’s Theme (Best That You Can Do)
autore:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager e Christopher Cross (US singer‐songwriter)
editore:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America e Woolnough Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 54th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1981 winner)
Christopher Cross53:53
39Slow
produttore:
Steve Brown (engineer/music producer)
assistente tecnico di missaggio:
Dan Parry (British mix/recording engineer)
tecnico di missaggio:
Tom Elmhirst (mixing engineer)
voce:
Rumer
mixata presso:
Metropolis (London) in London (Greater London), England, Regno Unito
video musicali:
Slow di Rumer
registrazione di:
Slow
paroliere e compositore:
Sarah Joyce
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Rumer3.653:34
40The Power of Love
tecnico di registrazione:
David Kosten e Mike Spencer (UK producer)
co-produttore:
Mike Spencer (UK producer)
produttore:
David Kosten
tecnico di missaggio:
Mike Spencer (UK producer)
basso , batteria , chitarra , percussione e pianoforte [additional piano] :
Mike Spencer (UK producer)
pianoforte [pianos] , voce di accompagnamento e voce principale:
Gabrielle Aplin
tastiera [keyboards] :
David Kosten e Mike Spencer (UK producer)
violoncello [cellos] :
Augusta Harris (cellist)
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2012)
registrazione cover di:
The Power of Love
autore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e Rubet Music Publishing, Inc.
Gabrielle Aplin3.54:05
41I Say a Little Prayer
tecnico di registrazione:
Tom Dowd (il 1968-04-17)
produttore:
Jerry Wexler
basso :
Jerry Jemmott (il 1968-04-17)
batteria :
Roger Hawkins (drummer and producer) (il 1968-04-17)
chitarra :
Tommy Cogbill (il 1968-04-17)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-17)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-17)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 117)
registrazione cover di:
I Say a Little Prayer (il 1968-04-17)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:32
42Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:54

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Rhino UK (company credits only; do NOT use as release label) (nel 2019)
streaming gratuito:https://open.spotify.com/album/3Jvwz0jGUyJS4xCaFu8pWr [info]
https://www.deezer.com/album/87167492 [info]
pagina di streaming:https://music.apple.com/gb/album/1451537490 [info]