Between the Devil & the Deep Blue Sea

~ Release by Black Stone Cherry (see all versions of this release, 10 available)

Annotation

Countries excluded (iTunes + Deezer + Spotify)

(As of 2022-09-25).

  • South America: 🇬🇾 Guyana (gy) 🇸🇷 Suriname (sr)
  • Southern Asia: 🇧🇹 Bhutan (bt) 🇲🇻 Maldives (mv) 🇦🇫 Afghanistan (af)
  • Eastern Asia: 🇨🇳 China (cn) 🇭🇰 Hong Kong (hk) 🇰🇷 South Korea (kr) 🇲🇴 Macao (mo) 🇹🇼 Taiwan (tw)
  • South-Eastern Asia: 🇧🇳 Brunei (bn) 🇮🇩 Indonesia (id) 🇰🇭 Cambodia (kh) 🇱🇦 Laos (la) 🇲🇲 Myanmar (mm) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Vietnam (vn) 🇹🇱 Timor-Leste (tl)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇹🇴 Tonga (to) 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇹🇰 Tokelau (tk) 🇹🇻 Tuvalu (tv) 🇼🇸 Samoa (ws)
  • Melanesia: 🇸🇧 Solomon Islands (sb) 🇻🇺 Vanuatu (vu)
  • Micronesia: 🇰🇮 Kiribati (ki) 🇲🇭 Marshall Islands (mh) 🇳🇷 Nauru (nr) 🇵🇼 Palau (pw)
Annotation last modified on 2022-09-25 23:07 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1White Trash Millionaire
recording engineer:
Mike Plotnikoff
programming and producer:
Howard Benson
additional engineer:
Hatsukazu Inagaki
assistant mixer:
Keith Armstrong (US engineer) and Nik Karpen
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
bass guitar:
Jon Lawhon
drums (drum set):
John Fred Young
guitar:
Chris Robertson and Ben Wells
keyboard:
Howard Benson
lead vocals:
Chris Robertson
phonographic copyright (℗) by:
The All Blacks B.V. (company, for copyrights purposes) (in 2011)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States and Sparky Dark Studio in Calabasas, California, United States
mixed at:
Mix LA in Tarzana, Los Angeles, California, United States
recording of:
White Trash Millionaire
writer:
Jon Lawhon, Zac Maloy, Chris Robertson, Ben Wells and John Fred Young
publisher:
Robot of the Century Music, Sony/ATV Tunes LLC (ASCAP) and Zac Maloy Music
3.53:18
2Killing Floor
recording engineer:
Mike Plotnikoff
programming and producer:
Howard Benson
additional engineer:
Hatsukazu Inagaki
assistant mixer:
Keith Armstrong (US engineer) and Nik Karpen
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
bass guitar:
Jon Lawhon
drums (drum set):
John Fred Young
guitar:
Chris Robertson and Ben Wells
keyboard:
Howard Benson
lead vocals:
Chris Robertson
phonographic copyright (℗) by:
The All Blacks B.V. (company, for copyrights purposes) (in 2011)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States and Sparky Dark Studio in Calabasas, California, United States
mixed at:
Mix LA in Tarzana, Los Angeles, California, United States
recording of:
Killing Floor
writer:
John 5 (American guitarist), Jon Lawhon, Bob Marlette, Chris Robertson, Ben Wells and John Fred Young
34:00
3In My Blood
recording engineer:
Mike Plotnikoff
programming and producer:
Howard Benson
additional engineer:
Hatsukazu Inagaki
assistant mixer:
Keith Armstrong (US engineer) and Nik Karpen
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
bass guitar:
Jon Lawhon
drums (drum set):
John Fred Young
guitar:
Chris Robertson and Ben Wells
keyboard:
Howard Benson
lead vocals:
Chris Robertson
phonographic copyright (℗) by:
The All Blacks B.V. (company, for copyrights purposes) (in 2011)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States and Sparky Dark Studio in Calabasas, California, United States
mixed at:
Mix LA in Tarzana, Los Angeles, California, United States
recording of:
In My Blood
writer:
Jon Lawhon, Zac Maloy, Chris Robertson, Ben Wells and John Fred Young
publisher:
Robot of the Century Music, Sony/ATV Tunes LLC (ASCAP) and Zac Maloy Music
33:47
4Such a Shame
recording engineer:
Mike Plotnikoff
programming and producer:
Howard Benson
additional engineer:
Hatsukazu Inagaki
assistant mixer:
Keith Armstrong (US engineer) and Nik Karpen
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
bass guitar:
Jon Lawhon
drums (drum set):
John Fred Young
guitar:
Chris Robertson and Ben Wells
keyboard:
Howard Benson
guest background vocals:
Lzzy Hale
lead vocals:
Chris Robertson
phonographic copyright (℗) by:
The All Blacks B.V. (company, for copyrights purposes) (in 2011)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States and Sparky Dark Studio in Calabasas, California, United States
mixed at:
Mix LA in Tarzana, Los Angeles, California, United States
recording of:
Such a Shame
writer:
Jon Lawhon, Chris Robertson, Ben Wells, John Fred Young and Richard Young
3.53:25
5Won’t Let Go
recording engineer:
Mike Plotnikoff
programming and producer:
Howard Benson
additional engineer:
Hatsukazu Inagaki
assistant mixer:
Keith Armstrong (US engineer) and Nik Karpen
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
bass guitar:
Jon Lawhon
drums (drum set):
John Fred Young
guitar:
Chris Robertson and Ben Wells
keyboard:
Howard Benson
guest background vocals:
Lzzy Hale
lead vocals:
Chris Robertson
strings arranger:
Lenny Skolnick
phonographic copyright (℗) by:
The All Blacks B.V. (company, for copyrights purposes) (in 2011)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States and Sparky Dark Studio in Calabasas, California, United States
mixed at:
Mix LA in Tarzana, Los Angeles, California, United States
recording of:
Won't Let Go
writer:
Dave Bassett (songwriter & producer), Jon Lawhon, Chris Robertson, Ben Wells and John Fred Young
43:17
6Blame It on the Boom Boom
recording engineer:
Mike Plotnikoff
programming and producer:
Howard Benson
additional engineer:
Hatsukazu Inagaki
assistant mixer:
Keith Armstrong (US engineer) and Nik Karpen
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
bass guitar:
Jon Lawhon
drums (drum set):
John Fred Young
guitar:
Chris Robertson and Ben Wells
keyboard:
Howard Benson
lead vocals:
Chris Robertson
phonographic copyright (℗) by:
The All Blacks B.V. (company, for copyrights purposes) (in 2011)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States and Sparky Dark Studio in Calabasas, California, United States
mixed at:
Mix LA in Tarzana, Los Angeles, California, United States
recording of:
Blame It on the Boom Boom
writer:
Jon Lawhon, Chris Robertson, Ben Wells and John Fred Young
publisher:
Robot of the Century Music
3.53:09
7Like I Roll
recording engineer:
Mike Plotnikoff
programming and producer:
Howard Benson
additional engineer:
Hatsukazu Inagaki
assistant mixer:
Keith Armstrong (US engineer) and Nik Karpen
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
bass guitar:
Jon Lawhon
drums (drum set):
John Fred Young
guitar:
Chris Robertson and Ben Wells
keyboard:
Howard Benson
lead vocals:
Chris Robertson
phonographic copyright (℗) by:
The All Blacks B.V. (company, for copyrights purposes) (in 2011)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States and Sparky Dark Studio in Calabasas, California, United States
mixed at:
Mix LA in Tarzana, Los Angeles, California, United States
recording of:
Like I Roll
writer:
Dave Bassett (songwriter & producer), Jon Lawhon, Chris Robertson, Ben Wells and John Fred Young
publisher:
Robot of the Century Music, Two of Everything Music and WB Music Corp. (1929–2019)
43:31
8Can’t You See
recording engineer:
Mike Plotnikoff
programming and producer:
Howard Benson
additional engineer:
Hatsukazu Inagaki
assistant mixer:
Keith Armstrong (US engineer) and Nik Karpen
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
bass guitar:
Jon Lawhon
drums (drum set):
John Fred Young
guitar:
Chris Robertson and Ben Wells
keyboard:
Howard Benson
lead vocals:
Chris Robertson
phonographic copyright (℗) by:
The All Blacks B.V. (company, for copyrights purposes) (in 2011)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States and Sparky Dark Studio in Calabasas, California, United States
mixed at:
Mix LA in Tarzana, Los Angeles, California, United States
cover recording of:
Can’t You See
lyricist:
Toy Caldwell
composer:
Toy Caldwell (until 1973)
publisher:
Delcats Music, No Exit Music, Songs of Kobalt Music Publishing, Spirit One Music and Tommy’s Toy Box Music
3.753:31
9Let Me See You Shake
recording engineer:
Mike Plotnikoff
programming and producer:
Howard Benson
additional engineer:
Hatsukazu Inagaki
assistant mixer:
Keith Armstrong (US engineer) and Nik Karpen
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
bass guitar:
Jon Lawhon
drums (drum set):
John Fred Young
guitar:
Chris Robertson and Ben Wells
keyboard:
Howard Benson
lead vocals:
Chris Robertson
phonographic copyright (℗) by:
The All Blacks B.V. (company, for copyrights purposes) (in 2011)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States and Sparky Dark Studio in Calabasas, California, United States
mixed at:
Mix LA in Tarzana, Los Angeles, California, United States
recording of:
Let Me See You Shake
writer:
Jon Lawhon, Chris Robertson, Ben Wells, John Fred Young and Richard Young
43:05
10Stay
recording engineer:
Mike Plotnikoff
programming and producer:
Howard Benson
additional engineer:
Hatsukazu Inagaki
assistant mixer:
Keith Armstrong (US engineer) and Nik Karpen
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
bass guitar:
Jon Lawhon
drums (drum set):
John Fred Young
guitar:
Chris Robertson and Ben Wells
keyboard:
Howard Benson
lead vocals:
Chris Robertson
phonographic copyright (℗) by:
The All Blacks B.V. (company, for copyrights purposes) (in 2011)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States and Sparky Dark Studio in Calabasas, California, United States
mixed at:
Mix LA in Tarzana, Los Angeles, California, United States
recording of:
Stay
writer:
Jon Lawhon, Joey Moi, Chris Robertson, Ben Wells and John Fred Young
43:22
11Change
recording engineer:
Mike Plotnikoff
programming and producer:
Howard Benson
additional engineer:
Hatsukazu Inagaki
assistant mixer:
Keith Armstrong (US engineer) and Nik Karpen
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
bass guitar:
Jon Lawhon
drums (drum set):
John Fred Young
guitar:
Chris Robertson and Ben Wells
keyboard:
Howard Benson
lead vocals:
Chris Robertson
phonographic copyright (℗) by:
The All Blacks B.V. (company, for copyrights purposes) (in 2011)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States and Sparky Dark Studio in Calabasas, California, United States
mixed at:
Mix LA in Tarzana, Los Angeles, California, United States
recording of:
Change
writer:
Trey Bruce (American Emmy Award winning songwriter and producer), Jon Lawhon, Chris Robertson, Ben Wells and John Fred Young
43:03
12All I’m Dreamin’ Of
recording engineer:
Mike Plotnikoff
additional programming:
Lenny Skolnick
programming and producer:
Howard Benson
additional engineer:
Hatsukazu Inagaki
assistant mixer:
Keith Armstrong (US engineer) and Nik Karpen
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
bass guitar:
Jon Lawhon
drums (drum set):
John Fred Young
guitar:
Chris Robertson and Ben Wells
keyboard:
Howard Benson
lead vocals:
Chris Robertson
strings arranger:
Lenny Skolnick (ended)
phonographic copyright (℗) by:
The All Blacks B.V. (company, for copyrights purposes) (in 2011)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States and Sparky Dark Studio in Calabasas, California, United States
mixed at:
Mix LA in Tarzana, Los Angeles, California, United States
recording of:
All I'm Dreamin' Of
writer:
Jon Lawhon, Joey Moi, Chris Robertson, Ben Wells and John Fred Young
43:32