Best of the Best: Roy Orbison, Elvis Presley, Buddy Holly

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Jailhouse Rock
recording of:
Jailhouse Rock
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC und Sony/ATV Songs LLC
sub-publisher:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Elvis Presley2:30
2Hound Dog
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956, in 1972), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
cover recording of:
Hound Dog (am 1956-07-02)
Texter:
Jerry Leiber (am 1952-08-12)
Komponist(in):
Mike Stoller (am 1952-08-12)
vorher zugeschrieben zu:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company und Williamson Music, Inc.
Elvis Presley3.652:16
3Heartbreak Hotel
Techniker(in):
Bob Ferris (engineer)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-10)
Gitarre:
Chet Atkins (am 1956-01-10), Scotty Moore (American guitarist and recording engineer) (am 1956-01-10) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
Klavier:
Floyd Cramer (am 1956-01-10)
Schlagzeug:
D.J. Fontana (am 1956-01-10)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
vocals:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (am 1956-01-10), Lena Brock "Mom" Speer (am 1956-01-10) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-01-10)
Herausgeber:
Sony/ATV Songs LLC
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-10)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 45) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 347)
recording of:
Heartbreak Hotel (am 1956-01-10)
Verfasser(in):
Mae Boren Axton, Tommy Durden und Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing und Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Elvis Presley3.652:08
4Blue Suede Shoes
assistierende(r) Techniker(in):
Dror Mohar
Mix:
Ray Bardani
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-01-30) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-30)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-30)
Schlagzeug:
D.J. Fontana (am 1956-01-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-30)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 423)
cover recording of:
Blue Suede Shoes (am 1956-01-30)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Elvis Presley42:01
5Rip It Up
cover recording of:
Rip It Up
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC und Venice Music
Elvis Presley1:53
6All Shook Up
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-01-12 bis 1957-01-13)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-01-12 bis 1957-01-13) und Elvis Presley (“The King of Rock and Roll”) (von 1957-01-12 bis 1957-01-13)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1957-01-12 bis 1957-01-13)
Schlagzeug:
D.J. Fontana (von 1957-01-12 bis 1957-01-13)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”) und The Jordanaires (southern gospel group) (von 1957-01-12 bis 1957-01-13)
remixer:
Dennis Ferrante
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957), BMG Music (in 1957) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1957-01-12 bis 1957-01-13) und Bloch Arena in Honolulu, Hawaii, Vereinigte Staaten (am 1961-03-25)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 18) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 353)
cover recording of:
All Shook Up (am 1957-01-12)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) und Shalimar Music Corp.
Elvis Presley3.651:59
7That’s Alright (Mama)
cover recording of:
That’s All Right
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music und Unichappell Music, Inc.
Elvis Presley1:57
8Ready Teddy
cover recording of:
Ready Teddy (am 1956-09-03)
Texter und Komponist(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC und Venice Music, Inc.
Elvis Presley1:55
9Baby Let’s Play House
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1955-01-30 bis 1955-02-04)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1955-01-30 bis 1955-02-04)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (von 1955-01-30 bis 1955-02-04)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1955-01-30 bis 1955-02-04)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1953, in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (von 1955-01-30 bis 1955-02-04)
cover recording of:
Baby Let’s Play House (von 1955-01-30 bis 1955-02-04)
Texter und Komponist(in):
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. und LPGV Music (BMI)
recording of:
Baby Let’s Play House
Texter und Komponist(in):
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. und LPGV Music (BMI)
Elvis Presley3.852:18
10Good Rockin’ Tonight
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954, von 1954-09-12 bis 1954-09-16)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-09-12 bis 1954-09-16)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1954) und Elvis Presley (“The King of Rock and Roll”) (in 1954, von 1954-09-12 bis 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1954-09-12 bis 1954-09-16)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954) und BMG Entertainment (in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1954, von 1954-09-12 bis 1954-09-16)
cover recording of:
Good Rockin’ Tonight (am 1954-09-10)
Texter und Komponist(in):
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. und Wixen Music UK Ltd.
Elvis Presley52:14
11Mystery Train
cover recording of:
Mystery Train (am 1955-07-11)
Verfasser(in):
Junior Parker und Sam Phillips (founder of Sun Records)
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Hilo Music Inc. (in 1953)
Elvis Presley2:29
12Old Shep
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1956-09-01 bis 1956-09-03)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1956-09-01 bis 1956-09-03) und Elvis Presley (“The King of Rock and Roll”) (von 1956-09-01 bis 1956-09-03)
Klavier:
Elvis Presley (“The King of Rock and Roll”) (von 1956-09-01 bis 1956-09-03) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1956-09-01 bis 1956-09-03)
Schlagzeug:
D.J. Fontana (von 1956-09-01 bis 1956-09-03)
vocals:
The Jordanaires (southern gospel group) (von 1956-09-01 bis 1956-09-03)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1956-09-01 bis 1956-09-03)
cover recording of:
Old Shep (von 1956-09-01 bis 1956-09-03)
publisher:
Clyde Julian Foley (US country music musician) (am 1935-06-24)
Texter:
Willis Arthur (lyricist)
Komponist(in):
Clyde Julian Foley (US country music musician)
publisher:
Westpar Music
Elvis Presley34:10
13Loving You
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-02-23 bis 1957-02-24)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-02-23 bis 1957-02-24) und Elvis Presley (“The King of Rock and Roll”) (von 1957-02-23 bis 1957-02-24)
Klavier:
Dudley Brooks (von 1957-02-23 bis 1957-02-24)
Schlagzeug:
D.J. Fontana (von 1957-02-23 bis 1957-02-24)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-02-24)
vocals:
The Jordanaires (southern gospel group) (von 1957-02-23 bis 1957-02-24)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1957-02-24)
phonographisches Urheberrecht (℗) von:
BMG Music und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1957-02-23 bis 1957-02-24)
recording of:
Loving You (von 1957-02-23 bis 1957-02-24)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) und Sony/ATV Songs LLC
cover recording of:
Loving You
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) und Sony/ATV Songs LLC
Elvis Presley3.52:15
14I Got a Woman
cover recording of:
I Got a Woman (am 1956-01-10)
Verfasser(in):
Ray Charles (soul musician, singer and songwriter) und Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Elvis Presley2:26
15Love Me Tender
accordion:
Carl Fortina (von 1956-08-24 bis 1956-09-04) und Dominic Frontiere (von 1956-08-24 bis 1956-09-04)
Banjo:
Luther "Red" Roundtree (von 1956-08-24 bis 1956-09-04)
Bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (von 1956-08-24 bis 1956-09-04)
Gitarre:
Vito Mumolo (Session Musician (Guitar)) (von 1956-08-24 bis 1956-09-04)
Schlagzeug:
Richard Cornell (Percussion) (von 1956-08-24 bis 1956-09-04)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01)
vocals:
Jon Dodson (von 1956-08-24 bis 1956-09-04, am 1956-09-01), Charles Prescott (von 1956-08-24 bis 1956-09-04, am 1956-09-01) und Rad Robinson (von 1956-08-24 bis 1956-09-04, am 1956-09-01)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
20th Century Fox Music Stage 1 in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-24, am 1956-09-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 437)
recording of:
Love Me Tender (von 1956-08-24 bis 1956-09-04)
Texter:
Ken Darby (in 1956)
zusätzliche(r) Verfasser(in):
Vera Matson (in 1956) und Elvis Presley (“The King of Rock and Roll”) (in 1956)
Komponist(in):
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company und Elvis Presley Music (vom 1956 bis heute)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Aura Lea
Elvis Presley3.552:46
16(Let Me Be Your) Teddy Bear
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-01-15 bis 1957-01-18)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-01-15 bis 1957-01-18) und Tiny Timbrell (von 1957-01-15 bis 1957-01-18)
Klavier:
Dudley Brooks (von 1957-01-15 bis 1957-01-18)
Schlagzeug:
D.J. Fontana (von 1957-01-15 bis 1957-01-18)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (von 1957-01-15 bis 1957-01-18)
vocals:
Elvis Presley (“The King of Rock and Roll”) und The Jordanaires (southern gospel group) (von 1957-01-15 bis 1957-01-18)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (von 1957-01-15 bis 1957-01-18)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957), BMG Music (in 1957) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Paramount Pictures Scoring Stage M in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1957-01-15 bis 1957-01-18)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 26)
recording of:
(Let Me Be Your) Teddy Bear (von 1957-01-15 bis 1957-01-18)
Verfasser(in):
Bernie Lowe und Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. und Williamson Music Company
cover recording of:
(Let Me Be Your) Teddy Bear
Verfasser(in):
Bernie Lowe und Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. und Williamson Music Company
Elvis Presley2.751:48
17Blue Moon of Kentucky
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05, am 1954-07-07)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05, am 1954-07-07)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05, am 1954-07-07)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05, am 1954-07-07)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05, am 1954-07-07)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 49)
cover recording of:
Blue Moon of Kentucky (am 1954-07-05)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
cover recording of:
Blue Moon of Kentucky (am 1954-07-07)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Elvis Presley2.652:04
18Don’t Be Cruel
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 11) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 197)
recording of:
Don’t Be Cruel (am 1956-07-02)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music, Inc. und Williamson Music Company
Elvis Presley3.82:03
19True Love
cover recording of:
True Love (High Society) (am 1957-02-23)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 2)
Teil von:
High Society (stage musical)
Teil von:
High Society (1956 film)
Elvis Presley2:07
20Let Me
accordion:
Carl Fortina (von 1956-08-24 bis 1956-09-04) und Dominic Frontiere (von 1956-08-24 bis 1956-09-04)
Banjo:
Luther "Red" Roundtree (von 1956-08-24 bis 1956-09-04)
Bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (von 1956-08-24 bis 1956-09-04)
Gitarre:
Vito Mumolo (Session Musician (Guitar)) (von 1956-08-24 bis 1956-09-04)
Schlagzeug:
Richard Cornell (Percussion) (von 1956-08-24 bis 1956-09-04)
vocals:
Jon Dodson (von 1956-08-24 bis 1956-09-04), Charles Prescott (von 1956-08-24 bis 1956-09-04) und Rad Robinson (von 1956-08-24 bis 1956-09-04)
aufgenommen bei:
20th Century Fox Music Stage 1 in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-24, am 1956-09-04)
recording of:
Let Me (von 1956-08-24 bis 1956-09-04)
Verfasser(in):
Vera Matson und Elvis Presley (“The King of Rock and Roll”)
publisher:
Elvis Presley Music Inc. und R&H Music
Elvis Presley42:10
21Young and Beautiful
cover recording of:
Young and Beautiful (am 1957-04-30)
Verfasser(in):
Aaron Schroeder (1950s~1960s US songwriter) und Abner Silver
publisher:
Blen Music, Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated) und Rachel’s Own Music
Elvis Presley2:05
22I Want to Be Free
cover recording of:
I Want to Be Free (am 1957-04-30)
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Elvis Presley Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC und Sony/ATV Songs LLC
Elvis Presley2:15
23My Baby Left Me
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10, von 1956-01-30 bis 1956-02-03) und Scotty Moore (American guitarist and recording engineer) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Schlagzeug:
D.J. Fontana (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956) und BMG Music (in 1956)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-01-30, von 1956-01-30 bis 1956-01-31, am 1956-02-03)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 29)
cover recording of:
My Baby Left Me (von 1956-01-30 bis 1956-02-03)
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. und Williamson Music Company
recording of:
My Baby Left Me
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. und Williamson Music Company
Elvis Presley3.252:12
24Treat Me Nice
recording of:
Treat Me Nice
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) und Sony/ATV Songs LLC
Elvis Presley2:12
25Playing for Keeps
cover recording of:
Playing for Keeps (am 1956-09-01)
Texter und Komponist(in):
Stan Kesler (US session musician, composer and producer)
Elvis Presley2:53
3▶CD