The Sound of Deutsche Grammophon

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1St. Matthew Passion, BWV 244: Part One. Chorus "Kommt, ihr Töchter, helft mir klagen"
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
editor:
Werner Roth (Engineer) and Ulrich Vette (engineer)
choir vocals:
London Oratory Junior Choir (in 1988-04) and The Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
The English Baroque Soloists (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:54
2The Creatures of Prometheus, op. 43: Overtura. Adagio - Allegro molto con brio
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1969-01-03)
conductor:
Herbert von Karajan (conductor) (on 1969-01-03)
balance engineer:
Günter Hermanns (producer/engineer) (on 1969-01-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1969-01-03)
recording of:
Die Geschöpfe des Prometheus, op. 43: Ouverture (on 1969-01-03)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
The Creatures of Prometheus, op. 43 (The Creatures of Prometheus, Op. 43)
Ludwig van Beethoven5:20
3Le Nozze di Figaro, K. 492: Act 4: "Giunse Alfin Il Momento" - "Deh Vieni Non Tardar"
producer:
Friedemann Engelbrecht
soprano vocals [Susanna]:
Anna Netrebko (soprano) (from 2006-07-17 until 2006-08-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2006-07-17 until 2006-08-06)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-07-17 until 2006-08-06)
balance engineer:
Michael Brammann (sound engineer) (from 2006-07-17 until 2006-08-06), Gregor Hornacek (from 2006-07-17 until 2006-08-06) and Philipp Knop (from 2006-07-17 until 2006-08-06)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 2006-07-17 until 2006-08-06)
live recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (from 2006-07-17 until 2006-08-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
live recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna) (from 2006-07-17 until 2006-08-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:29
4Symphony no. 40 in G minor, K. 550: IV. Finale (Allegro Assai)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1961-12)
conductor:
Karl Böhm (Austrian conductor) (in 1961-12)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1962) and Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1961-12)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai (2nd version) (in 1961-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart5:01
5Piano Sonata no. 30 in E, op. 109: II. Prestissimo
recording of:
Sonata for Piano no. 30 in E major, op. 109: II. Prestissimo
composer:
Ludwig van Beethoven (German composer) (in 1820)
part of:
Sonata for Piano no. 30 in E major, op. 109
Ludwig van Beethoven2:44
6String Quartet in B-flat major, D 68 no. 5: I. Allegro
Franz Schubert7:06
7Götterdämmerung: Dritter Aufzug: Orchestervorspiel "Frau Sonne sendet lichte Strahlen"
recording engineer:
Wolfgang Mitlehner
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Wolf‐Dieter Karwatky
co-producer:
Claudia Hamann
producer:
Cord Garben (pianist and conductor)
editor:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
mezzo-soprano vocals [Wellgunde]:
Diane Kesling (operatic mezzo-soprano) (in 1989-05)
soprano vocals [Flosshilde]:
Meredith Parsons (in 1989-05)
soprano vocals [Woglinde]:
Hong Hei-Kyung (operatic soprano) (in 1989-05)
orchestra:
Metropolitan Opera Orchestra (in 1989-05)
conductor:
James Levine (US conductor and pianist) (in 1989-05)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-05)
partial recording of:
Götterdämmerung, WWV 86D: Akt III, Scene I "Frau Sonne sendet lichte Strahlen" (in 1989-05)
composer:
Richard Wagner (composer) (from 1872-01-04 until 1874-11-21)
librettist:
Richard Wagner (composer)
part of:
Götterdämmerung, WWV 86D: Akt III
recording of:
Götterdämmerung, WWV 86D: Akt III, Vorspiel (in 1989-05)
composer:
Richard Wagner (composer) (from 1872-01-04 until 1874-11-21)
part of:
Götterdämmerung, WWV 86D: Akt III
Richard Wagner6:59
8Suite for Cello Solo no. 3 in C, BWV 1009: I. Prélude
cello:
Mischa Maisky (cellist) (in 1999-07)
recorded at:
Academiezaal (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 1999-07)
recording of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: I. Prélude (Cello Suite No. 3 in C major, BWV 1009: I. Prélude) (in 1999-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
Johann Sebastian Bach4:03
9Piano Concerto no. 23 in A, K. 488: II. Adagio
recording engineer:
Wolf‐Dieter Karwatky
executive producer:
Günther Breest (producer for classical music)
producer:
Thomas Frost (classical music producer)
editor:
Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
piano:
Vladimir Horowitz (Ukrainian‐American pianist and composer) (in 1987-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1987-03)
conductor:
Carlo Maria Giulini (conductor) (in 1987-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Abanella Studio in Milano (Milan), Milano, Lombardia, Italy (in 1987-03)
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio) (in 1987-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
Wolfgang Amadeus Mozart5:34
10Aida: Preludio
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer (artistic director)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Preludio (standard opening to the opera, ~4min) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Aida
part of:
Aida (German lyrics)
Giuseppe Verdi3:34
11Water Music, Suites II & III in D/G, HWV 349/350: II. Alla Hornpipe
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1983-04)
violin:
Simon Standage (English violinist and conductor) (in 1983-04) and Elizabeth Wilcock (violinist) (in 1983-04)
orchestra:
The English Concert (in 1983-04)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1983-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) and Polydor International GmbH (not for release label use!)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1983-04)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (in 1983-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel4:13
128 Slavonic Dances, op. 72, no. 1 in B: Molto Vivace
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1974-06)
conductor:
Rafael Kubelík (conductor) (in 1974-06)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-06)
recording of:
Slavonic Dances, op. 72: No. 1 in B major: Molto vivace (for orchestra) (in 1974-06)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák3:57
13Kinderszenen, op. 15: VII. Träumerei
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann2:55
14Languet Anima Mea: II. Aria: O Vulnera, Vita Coelestis
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-02)
recording of:
Languet anima mea: II. Aria: O vulnera, vita coelestis (in 2003-02)
composer:
Francesco Bartolomeo Conti (composer)
part of:
Languet anima mea
Francesco Bartolomeo Conti3:20
15Toccata and Fugue in D Minor, BWV 565: Toccata
producer:
Dr Gerd Ploebsch (engineer)
organ:
Simon Preston (organist, conductor, composer) (in 1988-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1988-09)
recorded at:
Kreuzbergkirche in Bonn, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1988-09)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (in 1988-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach2:30
16Piano Concerto no. 4 in G, op. 58: II. Andante con moto
recording engineer:
Jürgen Bulgrin (sound engineer) (in 2007-01)
producer:
Arend Prohmann (producer / editor)
piano:
Lang Lang (Chinese pianist) (in 2007-01)
orchestra:
Orchestre de Paris (in 2007-01)
conductor:
Christoph Eschenbach (pianist and conductor) (in 2007-01)
balance engineer:
Stephan Flock (in 2007-01)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (in 2007-01)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto (in 2007-01)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven5:44
17Violin Concerto no. 3 in G, K. 216: III. Rondo (Allegro)
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: III. Rondeau. Allegro – Andante – Allegretto
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
Wolfgang Amadeus Mozart6:40
18Du bist die Ruh', D. 776, op. 59/3
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Gerald Moore (pianist) (in 1969-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1969-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recording of:
Du bist die Ruh’, D. 776 (in 1969-03)
lyricist:
Friedrich Rückert (German poet)
composer:
Franz Schubert (composer) (in 1823)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 776)
Franz Schubert4:10
19Concerto for Violin and Cello in A minor, op. 102: III. Vivace Non Troppo - Poco Meno Allegro
executive producer:
Hanno Rinke
producer:
Hans Weber (producer/engineer) (task: Recording Producer)
cello [violoncello]:
Mischa Maisky (cellist) (in 1982-09)
violin:
Gidon Kremer (violinist) (in 1982-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1982-09)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (in 1982-09)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1982-09)
live recording of:
Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”: III. Vivace non troppo (in 1982-09)
composer:
Johannes Brahms (German composer) (in 1887)
part of:
Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”
Johannes Brahms8:52

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ASIN:DE: B00F9H64U4 [info]