Get Born (expanded edition)

~ Release by Jet (see all versions of this release, 18 available)

Annotation

Countries excluded (iTunes + Deezer + Spotify)

(As of 2024-02-29).

  • Northern America: 🇧🇲 Bermuda (bm)
  • Caribbean: 🇦🇮 Anguilla (ai) 🇰🇾 Cayman Islands (ky) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇬 British Virgin Islands (vg)
  • South America: 🇫🇰 Falkland Islands (fk)
  • Northern Europe: 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie)
  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
  • Eastern Asia: 🇨🇳 China (cn)
  • South-Eastern Asia: 🇲🇲 Myanmar (mm)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
  • Polynesia: 🇵🇳 Pitcairn (pn)
Annotation last modified on 2024-02-29 17:53 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Last Chance
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Last Chance
writer:
Chris Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3.51:52
2Are You Gonna Be My Girl
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
additional guitar:
Brooklyn’s own Dave Sardy (American score composer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), Real Horrorshow Pty. Ltd. (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
music videos:
Are You Gonna Be My Girl by Jet (Australian garage rock band)
part of:
triple j’s Hottest 100 of Australian Songs (number: 23), triple j’s Hottest 100 (Australian annual music listener poll) (number: 2003), Sean Michaels: The Top 30 Songs of 2003 (number: runner-up) and Indie 88: Top 500 Indie Rock Songs (number: 364)
recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
3.73:35
3Rollover D.J.
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
keyboard and keyboard [keyboards]:
Billy Preston
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Rollover D.J.
writer:
Chris Cester, Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3.53:16
4Look What You’ve Done
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar and piano:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003) and Show Stopping Entertainment (in 2006)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Look What You've Done
lyricist and composer:
Nic Cester
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Get Jet Music, Inc. and Sony/ATV Harmony
3.53:53
5Get What You Need
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
keyboard [keyboards]:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Get What You Need
writer:
Chris Cester, Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3.84:08
6Move On
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar and harp:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
slide guitar:
Andre Warhurst
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Move On
writer:
Chris Cester and Nic Cester
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
44:21
7Radio Song
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
keyboard and keyboard [keyboards]:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Radio Song
writer:
Chris Cester, Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3.354:32
8Get Me Outta Here
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Nic Cester and Cameron Muncey
keyboard and keyboard [keyboards]:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Get Me Outta Here
writer:
Chris Cester and Nic Cester
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3.62:56
9Cold Hard Bitch
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Cold Hard Bitch
writer:
Chris Cester, Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3.54:03
10Come Around Again
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Nic Cester and Cameron Muncey
keyboard [keyboards]:
Billy Preston
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Come Around Again
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3.654:30
11Take It or Leave It
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Take It or Leave It
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
32:23
12Lazy Gun
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
slide guitar:
Brooklyn’s own Dave Sardy (American score composer)
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Lazy Gun
writer:
Chris Cester and Nic Cester
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
34:42
13Timothy
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
keyboard and keyboard [keyboards]:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Timothy
lyricist and composer:
Chris Cester
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
34:30
14Sgt. Major
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Sgt. Major
writer:
Chris Cester and Nic Cester
54:00
15Are You Gonna Be My Girl (acoustic)
recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
3:49
16Bruises (demo)
42:37
17Move On (live at Sirius Radio)
4:04
18Cold Hard Bitch (radio edit)
recording of:
Cold Hard Bitch
writer:
Chris Cester, Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3:11
19Are You Gonna Be My Girl (alternate version) (demo)
recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
3:36
20Sweet Young Thing
2:55
21Cold Hard Bitch (edit #1) (radio edit)
recording of:
Cold Hard Bitch
writer:
Chris Cester, Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3:53
22You Don’t Look the Same (demo)
4:39
23Lazy Gun (demo)
3:24
24Ain’t That a Lotta Love
43:34
25Back Door Santa
2:14
26Cold Hard Bitch (edit #2) (radio edit)
recording of:
Cold Hard Bitch
writer:
Chris Cester, Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3:18
27Are You Gonna Be My Girl (live at AOL Sessions)
live recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
3:49
28Everlovin’ Man
2:25
29Hey Kids
producer and mixer:
David Sardy (American score composer)
recording of:
Hey Kids
writer:
Chris Cester, Nic Cester and Cameron Muncey
42:59
30Move On (live at Brixton Academy)
5:09
31Cigarettes & Cola (demo)
2:06
32That’s Alright Mama (live at the Sirius Studios, New York, 5/29/2003)
5:27
33Are You Gonna Be My Girl (live from XFM)
live recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
3:53
34Cold Hard Bitch (live 8/7/03)
live recording of:
Cold Hard Bitch
writer:
Chris Cester, Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
5:00
35Take It or Leave It (live in Hamburg)
2:55

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Warner Music Group (holding company – file NO releases) (in 2020)
X5 Music Group (in 2020)
purchase for download and streaming page:https://music.apple.com/us/album/1541329570 [info]
stream for free:https://open.spotify.com/album/7EB30WubUFnRU7yo46ZdOG [info]