THE BEST EVER: Road Trip

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1La Grange (1999 remaster)
basso elettrico :
Dusty Hill
batteria e percussione :
Frank Beard (ZZ Top drummer)
chitarra elettrica :
Billy Gibbons
voce:
Billy Gibbons e Dusty Hill
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1973)
registrazione di:
La Grange
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic e Stage Three Songs
si basa su:
Boogie Chillen’
ZZ Top4.23:53
2The House of the Rising Sun
produttore:
Mickie Most (English record producer)
batteria :
John Steel (English musician)
chitarra basso :
Chas Chandler
chitarra elettrica :
Hilton Valentine
organo :
Alan Price
voce principale:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1964), Columbia Pictures Industries, Inc. (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2002)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 122), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 471)
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4.24:30
3I Wanna Be Your Dog
produttore:
John Cale (The Velvet Underground founder)
batteria :
Scott Asheton
chitarra basso :
Dave Alexander (bassist for The Stooges)
chitarra elettrica :
Ron Asheton
voce principale:
Iggy Stooge
parte di:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 37), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 314) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 438)
registrazione di:
I Wanna Be Your Dog
autore:
Dave Alexander (bassist for The Stooges), Ron Asheton, Scott Asheton e Iggy Pop
editore:
Productions et Éditions Cinématographiques Françaises, Stooge Staffel Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
The Stooges3.63:09
4Ever Fallen in Love (With Someone You Shouldn’t’ve?) (1996 remaster)
Buzzcocks2:44
5Shining Light
produttore:
Ash (Northern Ireland alternative rock band) e Owen Morris
batteria :
Rick McMurray (Drummer, Ash)
chitarra e voce principale:
Charlotte Hatherley e Tim Wheeler (Ash)
chitarra basso :
Mark Hamilton (UK bassist, member of Ash)
registrazione di:
Shining Light
paroliere e compositore:
Tim Wheeler (Ash)
editore:
Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Ash55:09
6Black Velvet
produttore:
David Tyson (Canadian producer/songwriter)
tecnico di missaggio:
Kevin Doyle (award-winning sound engineer, producer)
voce principale:
Alannah Myles
diritti fonografici (℗) detenuti da:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1989) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 2) (numero: 6)
registrazione di:
Black Velvet
autore:
David Tyson (Canadian producer/songwriter) e Christopher Ward (Canadian songwriter & veejay)
editore:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP e Zomba Music Publishing Ltd.
Alannah Myles4.54:47
7Long Train Runnin’
tecnico:
Donn Landee
produttore:
Ted Templeman
armonica (a bocca) :
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
chitarra :
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) e Patrick Simmons
chitarra steel :
Jeff “Skunk” Baxter
congas , piatti e timbales :
Michael Hossack
membranofono :
John Hartman (drummer for the Doobie Brothers) e Michael Hossack
organo , pianoforte e tastiera :
Bill Payne
percussione :
John Hartman (drummer for the Doobie Brothers) e Ted Templeman
sintetizzatore :
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) e Patrick Simmons
sintetizzatore ospite :
Malcolm Cecil e Robert Margouleff
voce:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter e Patrick Simmons
arrangiatore archi :
Nick de Caro
arrangiatore basso :
Tiran Porter
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, nel 1973) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973)
registrata presso:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Long Train Runnin’
paroliere e compositore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (nel 1982) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) (nel 1991)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.13:27
8Stars
tecnico e tecnico di missaggio:
Daren Klein (American sound/mixing engineer)
co-produttore:
Mick Hucknall (lead singer of Simply Red)
produttore:
Stewart Levine (record producer and saxophonist)
registrazione di:
Stars
paroliere e compositore:
Mick Hucknall (lead singer of Simply Red)
Simply Red2.84:05
9Don’t Leave Me This Way
produttore:
Mike Thorne (UK producer & keyboardist)
voce:
Sarah Jane Morris
registrazione cover di:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards with Sarah Jane Morris3.44:31
10Age of Consent
assistente tecnico:
Mark Boyne e Barry Sage (sound engineer)
tecnico:
Michael Johnson (UK recording engineer and producer)
produttore:
New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1983)
registrazione di:
Age of Consent
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
New Order4.255:15
11The Killing Moon
tecnico di registrazione e produttore:
David Lord (British composer, engineer and producer)
tecnico di missaggio:
Echo & the Bunnymen e Gil Norton (British record producer)
arrangiatore:
Adam Peters
registrazione di:
The Killing Moon
autore:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson e Will Sergeant
Echo & the Bunnymen4.255:48
12Daniel
registrazione di:
Daniel
paroliere e compositore:
Natasha Khan (Bat for Lashes)
Bat for Lashes4.654:10
13Milk and Alcohol
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978)
registrazione di:
Milk and Alcohol (nel 1978-09)
autore:
Nick Lowe (UK singer/songwriter/instrumentalist/producer) e Gypie Mayo
editore:
Plangent Visions Music Ltd. e Rock Music Co., Ltd.
Dr. Feelgood4.22:49
14Long Cool Woman (in a Black Dress)
tecnico:
John Punter
produttore:
The Hollies e Ron Richards
diritti fonografici (℗) detenuti da:
The Hollies Ltd. (nel 1971) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1971-07-16, dal 1971-07-27 al 1971-07-30)
registrazione di:
Long Cool Woman in a Black Dress (dal 1971-07-16 al 1971-07-30)
autore:
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
The Hollies4.153:17
157 O’Clock
tecnico:
George Tutko (engineer, producer)
produttore:
Jim Cregan (producer & member of Family) e George Tutko (engineer, producer)
produttore esecutivo:
Ron Nevison
tecnico di missaggio:
Ron Nevison
registrazione di:
7 O’Clock
autore:
Guy Bailey e Spike (UK singer/songwriter, member of Quireboys)
The Quireboys3:38
16Jump in My Car
Chris Spedding3:22
17Here’s Where the Story Ends
registrazione di:
Here’s Where the Story Ends
autore:
David Gavurin e Harriet Wheeler
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Sundays3:50
18Highway Song
Blackfoot7:02
19Bubbles
produttore:
Biffy Clyro e GGGarth (Canadian music producer and engineer)
chitarra aggiunto:
Joshua Homme (Queens of the Stone Age frontman)
registrazione di:
Bubbles
paroliere e compositore:
Simon Neil
Biffy Clyro3.755:01
20Get What You Need
assistente tecnico:
Evil Chris
tecnico:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
tecnico aggiunto:
Greg Gordon (producer/engineer)
produttore e tecnico di missaggio:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
batteria :
Chris Cester
chitarra :
Cam Muncey e Nic Cester
chitarra basso :
Mark Wilson (Bass player for Jet)
tastiera [keyboards] :
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
voce:
Cam Muncey, Chris Cester e Nic Cester
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2003)
registrata presso:
Larrabee East in Los Angeles, California, Stati Uniti e Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
registrazione di:
Get What You Need
autore:
Chris Cester, Nic Cester e Cameron Muncey
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Jet3.84:08
21Looking for the Summer
registrazione di:
Looking for the Summer
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher)
Chris Rea5:03
22Hot Blooded
edit di:
Hot Blooded di Foreigner (British/American rock band)
registrazione di:
Hot Blooded
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Foreigner3.653:05
232-4-6-8 Motorway
produttore:
Vic Maile
basso :
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
batteria :
Dolphin Taylor (il 1977-09-14)
chitarra :
Danny Kustow (il 1977-09-14)
organo e pianoforte :
Mark Ambler (il 1977-09-14)
voce:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrata presso:
Berwick Street Studios in Westminster, London (Greater London), England, Regno Unito (il 1977-09-14)
registrazione di:
2‐4‐6‐8 Motorway (il 1977-09-14)
paroliere e compositore:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
editore:
Konkwest Music Limited
Tom Robinson Band43:18
24I Got You Babe
voce:
Sonny Bono (nel 1965) e Cher (nel 1965)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 331) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 444)
registrazione di:
I Got You Babe (nel 1965)
paroliere e compositore:
Sonny Bono
editore:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) e Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:10
25Hold On, I’m Comin’
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-03-08)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
voce:
Sam & Dave (il 1966-03-08)
registrazione di:
Hold On, I’m Comin’ (il 1966-03-08)
autore:
Isaac Hayes, Hayes, Porter e David Porter (US soul musician, producer & songwriter)
editore:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave52:29
2625 or 6 to 4
tecnico:
Chris Hinshaw, Don Puluse e Brian Ross-Myring
produttore:
James William Guercio
voce principale:
Peter Cetera (nel 1969-08)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1970), Warner Strategic Marketing Inc. (nel 1970) e Rhino Entertainment Company (not for release label use!) (nel 2002)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 61)
registrazione di:
25 or 6 to 4 (nel 1969-08)
paroliere e compositore:
Robert Lamm (nel 1969)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Spirit Music Publishing Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Aurelius Music (nel 1986) e Lamminations Music (nel 1986)
Chicago4:49
27I’m Gonna Be (500 Miles)
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
batteria :
Paul Robinson (UK drummer, also Turning Point member)
chitarra acustica :
Jerry Donahue e Charlie Reid
chitarra basso :
Phil Cranham
chitarra elettrica :
Jerry Donahue
chitarra steel :
Gerry Hogan
fisarmonica :
Dave Whetstone
mandolino e tin whistle :
Stuart Nisbet
tastiera :
Pete Wingfield (keyboardist, singer, producer, songwriter)
violino folk :
Steve Shaw (Steve Brennan)
voce:
Charlie Reid e Craig Reid
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1988) e Chrysalis Records, Inc. (not for release label use!) (nel 1988)
registrata presso e mixata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 21)
registrazione di:
I’m Gonna Be (500 Miles)
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
28She Drives Me Crazy
tecnico:
David Z. (producer/engineer David Rivkin)
co-produttore:
Fine Young Cannibals e David Z. (producer/engineer David Rivkin)
basso, drum machine e tastiera :
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, chitarra e tamburello :
Andy Cox (of The Beat)
voce:
Roland Gift
diritti fonografici (℗) detenuti da:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (nel 1988) e London Records Ltd. (not release label) (nel 1989)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 77)
registrazione di:
She Drives Me Crazy (Fine Young Cannibals song)
autore:
Roland Gift e David Steele (UK musician, member of The Beat and Fine Young Cannibals)
editore:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals43:35
29Cruel Summer
produttore:
Steve Jolley e Tony Swain (songwriter, producer)
voce principale:
Sara Dallin (nel 1983-04), Siobhan Fahey (nel 1983-04) e Keren Woodward (nel 1983-04)
esecutore:
Bananarama (nel 1983-04)
diritti fonografici (℗) detenuti da:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (nel 1983) e London Records Ltd. (not release label) (nel 1984)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 44) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 414)
registrazione di:
Cruel Summer (nel 1983-04)
paroliere:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) e Keren Woodward
compositore:
Leo Birenberg (soundtrack composer), Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) e Keren Woodward
editore:
In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama43:35
30Semi‐Charmed Life
programmazione:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind) e Eric Valentine (Eric Dodd, producer and instrumentalist)
assistente tecnico:
Jaquire King e Kevin Scott (engineer)
tecnico e tecnico di missaggio:
Eric Valentine (Eric Dodd, producer and instrumentalist)
co-produttore:
Eric Valentine (Eric Dodd, producer and instrumentalist)
produttore:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
produttore aggiunto:
Kevin Cadogan e Arion Salazar
batteria :
Brad Hargreaves
chitarra :
Kevin Cadogan e Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
chitarra basso :
Arion Salazar
spazzole e voce principale:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
voce di accompagnamento:
Kevin Cadogan
arrangiatore:
Kevin Cadogan e Arion Salazar
arrangiatore aggiunto:
Ren Klyce
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 138) e Indie 88: Top 500 Indie Rock Songs (numero: 347)
registrazione di:
Semi‐Charmed Life
paroliere e compositore:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
editore:
3EB Publishing
Third Eye Blind44:28
31Gentle Tuesday
tecnico:
Pat Collier
produttore:
Mayo Thompson
registrazione di:
Gentle Tuesday
autore:
Jim Beattie e Bobby Gillespie
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream4.53:47
32Been Caught Stealing
tecnico:
Ronnie S. Champagne
tecnico aggiunto:
Bob Lacivita
co-produttore:
Dave Jerden
produttore:
Perry Farrell e Dave Jerden
video musicali:
Been Caught Stealing (Music video) di Jane’s Addiction
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 284)
registrazione di:
Been Caught Stealing
autore:
Eric Avery, Perry Farrell, Dave Navarro (American guitarist) e Stephen Perkins (American drummer)
Jane’s Addiction4.13:34
33Blister in the Sun
tecnico di registrazione:
Glenn Lorbiecki (nel 1982-07)
tecnico e tecnico di missaggio:
John Tanner
produttore:
Mark Van Hecke
basso :
Brian Ritchie (nel 1982-07)
batteria e percussione :
Victor DeLorenzo (nel 1982-07)
chitarra e voce principale:
Gordon Gano (nel 1982-07)
voce:
Victor DeLorenzo (nel 1982-07) e Brian Ritchie (nel 1982-07)
registrata presso:
Castle Productions in Lake Geneva, Wisconsin, Stati Uniti (nel 1982-07)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 17)
registrazione di:
Blister in the Sun (nel 1982-07)
paroliere e compositore:
Gordon Gano
editore:
Gorno Music Publishing, Gorno Music (nel 1980) e Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1982)
Violent Femmes4.452:24
34Werewolves of London
tecnico:
Dennis Kirk e Greg Ladanyi
produttore:
Jackson Browne (American singer-songwriter) e Waddy Wachtel
basso :
John McVie
batteria :
Mick Fleetwood
chitarra [guitars] :
Waddy Wachtel
pianoforte :
Warren Zevon
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e Rhino Entertainment Company (not for release label use!) (dal 2007 a oggi)
registrata presso:
The Sound Factory in Tucson, Arizona, Stati Uniti (nel 2007)
registrazione di:
Werewolves of London
autore:
LeRoy P. Marinell, Waddy Wachtel e Warren Zevon
editore:
Leadsheet Land Music, Polite Music, Tiny Tunes e Zevon Music Inc. (BMI)
Warren Zevon4.93:26
35The Whole of the Moon
produttore:
Mike Scott (The Waterboys)
tecnico di missaggio:
Mick Glossop (producer & engineer)
batteria :
Chris Whitten (nel 1985-05)
chitarra e pianoforte :
Mike Scott (The Waterboys) (nel 1985-05)
percussione :
Martin Ditcham (nel 1985-05)
sassofono :
Anthony Thistlethwaite (nel 1985-05)
sintetizzatore e sintetizzatore basso :
Karl Wallinger (nel 1985-05)
tromba :
Roddy Lorimer (nel 1985-05)
voce:
Mike Scott (The Waterboys) (nel 1985-05)
voce di accompagnamento:
Max Edie (nel 1985-05) e Karl Wallinger (nel 1985-05)
diritti fonografici (℗) detenuti da:
Ensign Records Ltd. (company; do NOT use as release label) (nel 1985), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1985) e Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 2020)
registrazione di:
The Whole of the Moon (nel 1985-05)
paroliere e compositore:
Mike Scott (The Waterboys)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Waterboys4.454:59
36Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Rhino UK (company credits only; do NOT use as release label) (nel 2015)
streaming gratuito:https://open.spotify.com/album/3slLLlpMXlcEOWxsRsdEhO [info]