| # | Title | Artist | Rating | Length |
|---|
| 1 | Woman | John Lennon | 4 | 3:31 |
| 2 | Knockin’ on Heaven’s Door | Bob Dylan | 4.7 | 2:29 |
| 3 | Maggie May- producer:
- Rod Stewart
- 12 string guitar, bass guitar and electric guitar:
- Ronnie Wood (in 1971)
- acoustic guitar:
- Martin Quittenton (in 1971)
- celesta:
- Pete Sears (in 1971)
- cymbal and membranophone:
- Micky Waller (in 1971)
- Hammond organ:
- Ian McLagan (in 1971)
- mandolin:
- Ray Jackson (in 1971) and David Lindley (in 1971)
- lead vocals:
- Rod Stewart (in 1971)
- phonographic copyright (℗) by:
- Mercury Records Inc. (in 1971), PolyGram Records, Inc. (in 1971), The Island Def Jam Music Group (in 1971) and UMG Recordings, Inc. (in 1971)
- recording of:
- Maggie May (in 1971)
- publisher:
- Rod Stewart
- writer:
- Mike Peters, Martin Quittenton and Rod Stewart
- publisher:
- Chappell Music Ltd., Copyright Control , EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing , EMI Music Publishing Ltd. , H. G. Music Inc, Mushroom Music , Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music
| Rod Stewart | 4.2 | 5:13 |
| 4 | You Give Love a Bad Name- assistant engineer:
- Tim Crich
- engineer and mixer:
- Bob Rock
- producer:
- Bruce Fairbairn
- acoustic guitar, electric guitar, guitar synthesizer [IVL Guitar Synths] and talkbox:
- Richie Sambora
- drums (drum set) and percussion:
- Tico Torres
- electric bass guitar [Bass] and background vocals:
- Alec John Such
- keyboard [Keyboards, Noises]:
- Dave Bryan
- background vocals [Backing Vocals]:
- Jon Bon Jovi, Dave Bryan , Richie Sambora and Alec John Such
- lead vocals:
- Jon Bon Jovi
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1986) and The Island Def Jam Music Group (in 2011)
- recorded at:
- Little Mountain Sound in Vancouver, British Columbia, Canada
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 20) and BILLIONS CLUB
- recording of:
- You Give Love a Bad Name
- writer:
- Jon Bon Jovi, Desmond Child and Richie Sambora
- publisher:
- Aggressive Music (A) 301, CBS Songs Ltd., Copyright Control , PolyGram Music Publishing, Sony/ATV Tunes LLC , Universal PolyGram International Publishing, Inc. , April Music Inc. (in 1986), Bon Jovi Publishing (in 1986), Desmobile Inc. (in 1986) and PolyGram International Publishing, Inc. (in 1986)
- sub-publisher:
- シンコーミュージック・エンタテイメント , ソニー・ミュージックパブリッシング A事業部 and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Bon Jovi | 4.3 | 3:43 |
| 5 | Don’t Stop- assistant engineer:
- Chris Morris
- engineer:
- Ken Caillat and Richard Dashut
- additional producer:
- Ken Caillat and Richard Dashut
- producer:
- Ken Caillat, Richard Dashut and Fleetwood Mac
- bass guitar:
- John McVie
- drums (drum set) and percussion:
- Mick Fleetwood
- guitar:
- Lindsey Buckingham
- keyboard and synthesizer:
- Christine McVie
- vocals:
- Lindsey Buckingham , Christine McVie and Stevie Nicks
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1977), WEA International Inc. (in 1977) and Warner Bros. (in 2004)
- mixed at:
- Producer’s Workshop in Hollywood, Los Angeles, California, United States
- recording of:
- Don’t Stop
- lyricist and composer:
- Christine McVie
- publisher:
- BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music , Universal Music Publishing and Gentoo Music, Inc. (in 1977)
| Fleetwood Mac | 4.1 | 3:10 |
| 6 | American Pie Pt. 1- engineer:
- Tom Flye
- acoustic guitar and banjo:
- Don McLean (on 1971-05-26)
- bass:
- Bob Rothstein (on 1971-05-26)
- drums (drum set) and percussion:
- Roy Markowitz (on 1971-05-26)
- electric guitar:
- David Spinozza (on 1971-05-26)
- electric piano:
- Ray Colcord (on 1971-05-26)
- marimba and vibraphone:
- Mike Mainieri (on 1971-05-26)
- piano:
- Paul Griffin (on 1971-05-26)
- choir vocals:
- West 44th Street Rhythm and Noise Choir (on 1971-05-26)
- vocals:
- Bob Rothstein (on 1971-05-26) and Don McLean (on 1971-05-26)
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1971), EMI (in 1971) and United Artists Records (in 1971)
- partial recording of:
- American Pie (on 1971-05-26)
- lyricist and composer:
- Don McLean
- publisher:
- Benny Bird Co. Inc. , Illegal Songs Inc., Mayday Music, MCA Music , MCA Music Publishing , MCA Publishing Ltd., Songs of Universal, Inc. , Universal , Universal Music Publishing Ltd. , Universal Records , Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Don McLean | 5 | 4:05 |
| 7 | Jolene | Dolly Parton | 4 | 2:37 |
| 8 | Ring of Fire | Johnny Cash | 4.25 | 2:36 |
| 9 | Maneater- assistant engineer:
- Bruce Buckhalter , Barry Harris and Michael Somer-Abbott
- engineer:
- Neil Kernon
- co-producer:
- Neil Kernon
- producer:
- Daryl Hall and John Oates
- mixer:
- Hugh Padgham
- phonographic copyright (℗) by:
- BMG Ariola Hamburg GmbH (in 1982), BMG Music (in 1982), RCA Records (in 1982), Sony BMG Music Entertainment (in 1982) and Sony Music Entertainment (in 1982)
- recording of:
- Maneater (in 1981-12)
- lyricist:
- Sara Allen, Daryl Hall and John Oates
- composer:
- Daryl Hall and John Oates
- publisher:
- BMG Rights Management (UK) Ltd. , Copyright Control , Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music and Warner/Chappell Music Ltd.
| Daryl Hall & John Oates | 4.4 | 4:29 |
| 10 | Livin’ Thing- engineer:
- Mack , Dick Plant , John Richards and Duane Scott
- producer:
- Jeff Lynne
- bass:
- Kelly Groucutt (in 1976-07)
- cello:
- Melvyn Gale (in 1976-07) and Hugh McDowell (in 1976-07)
- clavinet, Moog and piano:
- Richard Tandy (in 1976-07)
- drums (drum set) and percussion:
- Bev Bevan (in 1976-07)
- guitar:
- Jeff Lynne (in 1976-07) and Richard Tandy (in 1976-07)
- violin:
- Mik Kaminski (in 1976-07)
- background vocals:
- Brie Brandt (in 1976-07), Kelly Groucutt (in 1976-07), Addie Lee (in 1976-07) and Patti Quatro (in 1976-07)
- lead vocals:
- Jeff Lynne (in 1976-07)
- conductor:
- Louis Clark (in 1976-07)
- choir vocals arranger:
- Louis Clark, Jeff Lynne and Richard Tandy
- orchestrator:
- Louis Clark, Jeff Lynne and Richard Tandy
- phonographic copyright (℗) by:
- Epic Records (in 1976), Jet Records (in 1976), Sony Music Entertainment (in 1976, in 2005), United Artists Music and Records Group, Inc. (in 1976) and Sony Music Productions Pty. Ltd. (in 1994)
- recorded at:
- De Lane Lea Studios in Soho, Westminster, London , England, United Kingdom (in 1976-07) and Musicland Studios in München , Bayern , Germany (in 1976-07)
- mixed at:
- Musicland Studios in München , Bayern , Germany
- edited at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- recording of:
- Livin’ Thing (in 1976-07)
- lyricist and composer:
- Jeff Lynne
- publisher:
- EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Jet Music Inc., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Electric Light Orchestra | 4.3 | 3:31 |
| 11 | Wuthering Heights- engineer:
- Jon Kelly
- producer:
- Andrew Powell
- drums (drum set):
- Stuart Elliott (from 1977-07 until 1977-08)
- piano, background vocals and lead vocals:
- Kate Bush (from 1977-07 until 1977-08)
- arranger:
- Andrew Powell
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1977, in 1978), EMI Records USA (in 1977, in 1978), EMI‐USA Records (in 1977, in 1978), EMI America Records, Inc. (in 1982) and EMI France (in 1995)
- recorded at:
- AIR London Studios in London , England, United Kingdom (from 1977-07 until 1977-08)
- part of:
- Helsingin Sanomat: 100 maailman parasta laulua (number: 18)
- recording of:
- Wuthering Heights (from 1977-07 until 1977-08)
- publisher:
- Kate Bush (from 1978 to present)
- lyricist and composer:
- Kate Bush (on 1977-03-05)
- publisher:
- Beechwood Music Corp., Castle , Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. and EMI Music Publishing Ltd. (from 1978 to present)
| Kate Bush | 3.8 | 4:29 |
| 12 | He Ain’t Heavy He’s My Brother- producer:
- Ron Richards
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1969) and The Hollies Ltd. (from 1969 until 1970)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (on 1969-06-25)
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 46)
- cover recording of:
- He Ain’t Heavy, He’s My Brother (on 1969-06-25)
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation , Warner/Chappell Music Ltd. and ミュージック・セールス
| The Hollies | 4.15 | 4:15 |
| 13 | Hold Me Close | David Essex | 5 | 3:51 |
| 14 | Valerie | Steve Winwood | 4 | 4:06 |
| 15 | Addicted to Love | Robert Palmer | 4.5 | 3:56 |
| 16 | Live and Let Die- recording engineer:
- Bill Price (from 1972-10-19 until 1972-10-20)
- producer:
- George Martin (from 1972-10-19 until 1972-10-20) and Paul McCartney (from 1972-10-19 until 1972-10-20)
- mixer:
- Bill Price (on 1972-10-21)
- bass guitar:
- Denny Laine (from 1972-10-19 until 1972-10-20)
- bass guitar, electric guitar and percussion, piano and lead vocals:
- Paul McCartney (from 1972-10-19 until 1972-10-20)
- drums (drum set):
- Denny Seiwell (from 1972-10-19 until 1972-10-20)
- duck call and timpani:
- Ray Cooper (from 1972-10-19 until 1972-10-20)
- electric guitar:
- Denny Laine (from 1972-10-19 until 1972-10-20) and Henry McCullough (from 1972-10-19 until 1972-10-20)
- percussion:
- Ray Cooper (from 1972-10-19 until 1972-10-20) and Denny Seiwell (from 1972-10-19 until 1972-10-20)
- background vocals:
- Denny Laine (from 1972-10-19 until 1972-10-20) and Linda McCartney (from 1972-10-19 until 1972-10-20)
- orchestrator:
- George Martin
- phonographic copyright (℗) by:
- MPL Communications Inc. and MPL Communications Ltd. (in 1973)
- additionally recorded at:
- Air Studios in London , England, United Kingdom (on 1972-10-20)
- recorded at:
- Air Studios in London , England, United Kingdom (on 1972-10-19)
- mixed at:
- Air Studios in London , England, United Kingdom (on 1972-10-21)
- recording of:
- Live and Let Die (from 1972-10-19 until 1972-10-20)
- writer:
- Linda McCartney and Paul McCartney
- publisher:
- EMI Unart Catalog Inc., EMI United Partnership Ltd., Kobalt Songs Music Publishing , MPL Communications Ltd. and SBK Unart Catalog Inc.
- part of:
- The 46th Academy Award for Best Original Song (number: 2) and James Bond themes
| Paul McCartney & Wings | 3.9 | 3:13 |
| 17 | Rockin’ All Over the World- assistant engineer:
- Kevin Whyte
- engineer:
- John Eden , Barry Hammond and Simon Sullivan
- producer:
- Status Quo and Pip Williams
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 1977), Mercury Records Ltd. (London) (in 1977), Mercury Records Ltd. (UK) (in 1977), Phonogram Ltd. (in 1977), Phonogram Ltd. (London) (in 1977, in 1988) and Polydor Ltd. (UK) (in 1992)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (on 1992-08-30), Studio Bohus in Kungälv Municipality , Västra Götaland , Sweden (on 1992-08-30) and Sutton Park in Birmingham, West Midlands, England, United Kingdom (on 1992-08-30)
- mixed at:
- Mayfair Studios in London , England, United Kingdom
- music videos:
- Rockin All Over the World by Status Quo
- cover recording of:
- Rockin’ All Over the World (on 1992-08-30)
- lyricist and composer:
- John Fogerty
- publisher:
- Copyright Control , Greasy King Music, Hornall Brothers Music , Intersong , Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB , Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. , Wenaha Music, Wenaha Music Company and Intersong Ltd. (in 1977)
| Status Quo | 4 | 3:31 |
| 18 | Town Called Malice | The Jam | 4.8 | 2:52 |
| 19 | My Generation | The Who | 4.4 | 3:17 |
| 20 | Should I Stay or Should I Go | The Clash | 4.45 | 3:08 |
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