The Edge of the Seventies

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelKünstlerBewertungLänge
1Baby, I Love You
assistierende(r) Techniker(in):
Bruce Gold (Engineer)
Techniker(in):
Larry Levine und Boris Menart
Produzent(in):
Phil Spector
cover recording of:
Baby, I Love You
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company und Universal–Songs of PolyGram International, Inc.
Ramones43:47
2I Love the Sound of Breaking Glass
recording engineer:
Barry Farmer
Produzent(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
Mix:
Roger Bechirian
Bassgitarre:
Andrew Bodnar (bass player)
Gitarre:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
Klavier:
Bob Andrews (keyboardist and producer)
Schlagzeug:
Steve Goulding (English drummer for the Rumour, Mekons, etc.)
Tamburin:
Roger Bechirian
Hintergrundgesang:
Roger Bechirian und Nick Lowe (UK singer/songwriter/instrumentalist/producer)
recording of:
I Love the Sound of Breaking Glass
Texter:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
Komponist(in):
Andrew Bodnar (bass player), Steve Goulding (English drummer for the Rumour, Mekons, etc.) und Nick Lowe (UK singer/songwriter/instrumentalist/producer)
Nick Lowe43:13
3My Best Friend’s Girl
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer), Jay Faires und Tricia Holloway
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978, in 1979)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
recording of:
My Best Friend’s Girl (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc., Universal/MCA Music Publishing Pty Ltd und Lido Music (not for release label use!) (in 1978)
The Cars4.353:42
4Kid
zusätzlich recording engineer:
Steve Nye (producer, engineer and pianist)
Techniker(in) und Mix:
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
aufgenommen bei und mixed at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
recording of:
Kid
Texter und Komponist(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Hynde House of Hits Music, Modern Music Publishing Co., Inc., フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
The Pretenders4.53:06
5Spanish Stroll
Bass:
Rubén Sigüenza
Gitarre:
Willy DeVille und Louis X. Erlanger
Klavier:
Bobby Leonards
membranophone:
Thomas R. "Manfred" Allen, Jr.
Sologesang:
Willy DeVille
phonographisches Urheberrecht (℗) von:
USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (in 2015)
recording of:
Spanish Stroll
Texter und Komponist(in):
Willy DeVille
Mink DeVille53:37
6Broken English
Teil von:
Pitchfork: The 200 Best Songs of the 1970s (Nummer: 200)
recording of:
Broken English
Verfasser(in):
Marianne Faithfull, Joe Mavety, Barry Reynolds, Terry Stannard und Steve York (British rock bassist)
Marianne Faithfull4.54:35
7Pop Muzik
recording of:
Pop Muzik
Texter und Komponist(in):
Robin Scott
publisher:
BMG Music Publishing Ltd., Pop Muzik Limited und Union Square Music Publishing Ltd.
M3.53:19
8The Lone Ranger
recording of:
The Lone Ranger
Quantum Jump2:56
9You’ll Always Find Me in the Kitchen at Parties
recording of:
(You’ll Always Find Me in the) Kitchen at Parties
Verfasser(in):
Jona Lewie und Keith Trussell
publisher:
Imagem London Ltd. und Street Music Ltd.
Jona Lewie52:54
107 Teen
recording of:
7 Teen
Verfasser(in):
Martin Sheller (member of The Regents) und Damian Pew
publisher:
Tooti Frooti Ltd. (publisher) (in 1980)
The Regents3:22
11Jilted John
recording of:
Jilted John
Texter und Komponist(in):
Graham Fellows
Jilted John2:54
12Car Trouble
assistierende(r) Techniker(in):
Paul Ludgate
Techniker(in):
Benny King (engineer)
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Bassgitarre und Gitarre:
Marco Pirroni (British musician and producer)
Schlagzeug:
Jon Moss
Sologesang:
Adam Ant (English new wave singer and actor)
recording of:
Cartrouble
Texter und Komponist(in):
Adam Ant (English new wave singer and actor)
publisher:
Antmusic (Top Notch) Publishing Ltd. (publisher associated with Adam Ant) und EMI Music Publishing Ltd. (PRS‐affiliated)
Adam and the Ants3.53:25
13Promises
Techniker(in):
Doug Bennett (producer, engineer)
Produzent(in) und Mix:
Martin Rushent
arranger:
Buzzcocks (English punk band)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
aufgenommen bei und mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Promises von Buzzcocks (English punk band)
recording of:
Promises
Verfasser(in):
Steve Diggle und Pete Shelley (Buzzcocks lead singer)
Buzzcocks3.652:36
14Making Plans for Nigel
Techniker(in):
Hugh Padgham
Produzent(in):
Steve Lillywhite
Bassgitarre und Sologesang:
Colin Moulding
E-Gitarre:
Dave Gregory (XTC) und Andy Partridge
Schlagzeug:
Terry Chambers
Hintergrundgesang:
Andy Partridge
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 477)
recording of:
Making Plans for Nigel
Texter und Komponist(in):
Colin Moulding
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) und Virgin Music (Publishers) Ltd.
XTC4.354:15
15Is She Really Going Out With Him?
Techniker(in):
Rod Hewison
Produzent(in):
David Kershenbaum
Bassgitarre:
Graham Maby (in 1978-08)
Gitarre:
Gary Sanford (in 1978-08)
Schlagzeug:
David Houghton (in 1978-08)
Sologesang:
Joe Jackson (English musician) (in 1978-08)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1979)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 438)
recording of:
Is She Really Going Out With Him? (in 1978-08)
Texter und Komponist(in):
Joe Jackson (English musician)
publisher:
Kobalt Music (publisher) und Pokazuka Limited
Joe Jackson4.43:38
16Up the Junction
Produzent(in):
Squeeze (UK new wave band) und John Wood (UK producer)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1979)
Musikvideos:
Up the Junction von Squeeze (UK new wave band)
recording of:
Up the Junction
Texter:
Chris Difford
Komponist(in):
Glenn Tilbrook
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Deptford Songs
Squeeze4.53:10
17Another Girl, Another Planet
assistierende(r) Techniker(in):
Kevin Dallimore (engineering) und Andy Lyden
Techniker(in):
Robert Ash (sound engineer)
assistierende(r) Produzent(in):
Robert Ash (sound engineer)
Produzent(in):
The Only Ones
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1978)
recording of:
Another Girl, Another Planet
Texter und Komponist(in):
Peter Perrett
publisher:
Domino Publishing Co. Ltd.
The Only Ones4.353:02
18Gimmix! Play Loud
recording of:
Gimmix! Play Loud
Texter:
John Cooper Clarke (English poet)
Komponist(in):
Ferret (worked with John Cooper Clarke) und Martin Hannett
John Cooper Clarke3:26

Nennungen