The Merry Widow - Highlights (Quadrophonic)

~ Uitgave van Franz Lehár, Beverly Sills, Alan Titus, Glenys Fowles, Henry Price, New York City Opera Chorus, New York City Opera Orchestra, Julius Rudel (Bekijk alle versies van deze uitgave, 3 beschikbaar)

Nummerlijst

1▼12″-vinyl
#TitelArtiestWaarderingDuur
A1The Merry Widow: Act I. Nr. 3 Anna’s Entrance: “Gentlemen, how kind” (Anna, Cascada, St. Brioche, Chorus)
technicus:
Bud Graham (classical sound engineer) (in 1978)
producent:
John Coveney (Producer, Capitol Records) (in 1978) en George Sponhaltz (in 1978)
baritonvocalen:
Thomas Jamerson (American baritone, voice teacher) (in 1978) en Alan Kays (NYC Opera baritone) (in 1978)
koor:
New York City Opera Chorus (in 1978)
sopraanvocalen:
Beverly Sills (soprano) (in 1978)
was dirigent:
Julius Rudel (conductor) (in 1978)
was koorleider:
Lloyd Walser (NYC Opers Chorus Master) (in 1978)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
opgenomen bij:
New York City Opera in New York, New York, Verenigde Staten (in 1978-02)
is een opname van:
The Merry Widow: Act I (no. 3). Anna's Entrance: "Gentlemen, how kind" (Anna, Cascada, St. Brioche, Chorus) (in 1978)
deel van:
The Merry Widow: Act I (English lyrics by Sheldon Harnick)
Franz Lehár53:20
A2The Merry Widow: Act I. Nr. 4 “Oh Fatherland” (Maxim’s) (Danilo)
technicus:
Bud Graham (classical sound engineer) (in 1978)
producent:
John Coveney (Producer, Capitol Records) (in 1978) en George Sponhaltz (in 1978)
solobaritonvocalen:
Alan Titus (baritone) (in 1978)
was dirigent:
Julius Rudel (conductor) (in 1978)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
opgenomen bij:
New York City Opera in New York, New York, Verenigde Staten (in 1978-02)
is een opname van:
The Merry Widow: Act I (no. 4). "Oh Fatherland" (Maxim's) (Danilo) (in 1978)
deel van:
The Merry Widow: Act I (English lyrics by Sheldon Harnick)
Franz Lehár52:19
A3The Merry Widow: Act I. Nr. 2 “Do listen, please” (Valencienne, Camille)
technicus:
Bud Graham (classical sound engineer) (in 1978)
producent:
John Coveney (Producer, Capitol Records) (in 1978) en George Sponhaltz (in 1978)
sopraanvocalen:
Glenys Fowles (Australian soprano) (in 1978)
tenorvocalen:
Henry Price (American tenor) (in 1978)
was dirigent:
Julius Rudel (conductor) (in 1978)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
opgenomen bij:
New York City Opera in New York, New York, Verenigde Staten (in 1978-02)
is een opname van:
The Merry Widow: Act I (no. 2). "Do listen, please" (Valencienne, Camille)
deel van:
The Merry Widow: Act I (English lyrics by Sheldon Harnick)
Franz Lehár54:06
A4The Merry Widow: Act I. Nr. 6 Finale (Chorus, Anna, Danilo, Cascada, St. Brioche, Valencienne, Camille)
technicus:
Bud Graham (classical sound engineer) (in 1978)
producent:
John Coveney (Producer, Capitol Records) (in 1978) en George Sponhaltz (in 1978)
baritonvocalen:
Alan Titus (baritone) (in 1978)
koor:
New York City Opera Chorus (in 1978)
sopraanvocalen:
Glenys Fowles (Australian soprano) (in 1978) en Beverly Sills (soprano) (in 1978)
tenorvocalen:
Henry Price (American tenor) (in 1978)
was dirigent:
Julius Rudel (conductor) (in 1978)
was koorleider:
Lloyd Walser (NYC Opers Chorus Master) (in 1978)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
opgenomen bij:
New York City Opera in New York, New York, Verenigde Staten (in 1978-02)
is een opname van:
The Merry Widow: Act I (no. 6). Finale (Chorus, Anna, Danilo, Cascada, St. Biroche, Valencienne, Camille) (in 1978)
deel van:
The Merry Widow: Act I (English lyrics by Sheldon Harnick)
Franz Lehár510:03
A5The Merry Widow: Act II. Dances (“Ah! Me velimo dase, dase, Velimo!”) (Chorus) / Nr. 7 “Vilia” (Anna, Chorus)
technicus:
Bud Graham (classical sound engineer) (in 1978)
producent:
John Coveney (Producer, Capitol Records) (in 1978) en George Sponhaltz (in 1978)
koor:
New York City Opera Chorus (in 1978)
sopraanvocalen:
Beverly Sills (soprano) (in 1978)
was dirigent:
Julius Rudel (conductor) (in 1978)
was koorleider:
Lloyd Walser (NYC Opers Chorus Master) (in 1978)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
opgenomen bij:
New York City Opera in New York, New York, Verenigde Staten (in 1978-02)
is een opname van:
The Merry Widow: Act II. (no. 7) "Vilia" (Anna, Chorus) (in 1978)
tekstschrijver:
Sheldon Harnick
componist:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
deel van:
The Merry Widow: Act II (English lyrics by Sheldon Harnick)
is een opname van:
The Merry Widow: Act II. Dances "Ah! Me velimo dase, dase, Velimo!") (Chorus) (in 1978)
deel van:
The Merry Widow: Act II (English lyrics by Sheldon Harnick)
Franz Lehár59:57
B1The Merry Widow: Act II. Nr. 8 “Heia! See the horseman come” (Anna, Danilo)
technicus:
Bud Graham (classical sound engineer) (in 1978)
producent:
John Coveney (Producer, Capitol Records) (in 1978) en George Sponhaltz (in 1978)
baritonvocalen:
Alan Titus (baritone) (in 1978)
sopraanvocalen:
Beverly Sills (soprano) (in 1978)
was dirigent:
Julius Rudel (conductor) (in 1978)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
opgenomen bij:
New York City Opera in New York, New York, Verenigde Staten (in 1978-02)
is een opname van:
The Merry Widow: Act II (no. 8). "Heia! See the horseman come" (Anna, Danilo) (in 1978)
deel van:
The Merry Widow: Act II (English lyrics by Sheldon Harnick)
Franz Lehár53:07
B2The Merry Widow: Act II. Nr. 9 “Ev’ry Woman” (Danilo, Chorus, Zeta, St. Brioche, Cascada, Kromov, Pritchitch)
technicus:
Bud Graham (classical sound engineer) (in 1978)
producent:
John Coveney (Producer, Capitol Records) (in 1978) en George Sponhaltz (in 1978)
baritonvocalen:
James Billings (Baritone, librettist, opera director) (in 1978), Harlan Foss (NYC Opera baritone) (in 1978), Thomas Jamerson (American baritone, voice teacher) (in 1978), Alan Kays (NYC Opera baritone) (in 1978), David Rae Smith (American baritone) (in 1978) en Alan Titus (baritone) (in 1978)
koor:
New York City Opera Chorus (in 1978)
was dirigent:
Julius Rudel (conductor) (in 1978)
was koorleider:
Lloyd Walser (NYC Opers Chorus Master) (in 1978)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
opgenomen bij:
New York City Opera in New York, New York, Verenigde Staten (in 1978-02)
is een opname van:
The Merry Widow: Act II (no. 9) "Ev'ry Woman" (Danilo, Chorus, Zeta, St. Biroche, Cascada, Kromov, Pritchitch,) (in 1978)
deel van:
The Merry Widow: Act II (English lyrics by Sheldon Harnick)
Franz Lehár52:38
B3The Merry Widow: Act II. Nr. 11 “Just as a rosebud blossoms” (Valencienne, Camille)
technicus:
Bud Graham (classical sound engineer) (in 1978)
producent:
John Coveney (Producer, Capitol Records) (in 1978) en George Sponhaltz (in 1978)
sopraanvocalen:
Glenys Fowles (Australian soprano) (in 1978)
tenorvocalen:
Henry Price (American tenor) (in 1978)
was dirigent:
Julius Rudel (conductor) (in 1978)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
opgenomen bij:
New York City Opera in New York, New York, Verenigde Staten (in 1978-02)
is een opname van:
The Merry Widow: Act II (no. 11) "Just as a rosebud blossoms" (Valencienne, Camille) (in 1978)
deel van:
The Merry Widow: Act II (English lyrics by Sheldon Harnick)
Franz Lehár56:08
B4The Merry Widow: Act II. Nr. 12 Finale (Danilo, Zeta, Valencienne, Anna, Camille, Njegus, Chorus)
technicus:
Bud Graham (classical sound engineer) (in 1978)
producent:
John Coveney (Producer, Capitol Records) (in 1978) en George Sponhaltz (in 1978)
baritonvocalen:
James Billings (Baritone, librettist, opera director) (in 1978), David Rae Smith (American baritone) (in 1978) en Alan Titus (baritone) (in 1978)
koor:
New York City Opera Chorus (in 1978)
sopraanvocalen:
Glenys Fowles (Australian soprano) (in 1978) en Beverly Sills (soprano) (in 1978)
tenorvocalen:
Henry Price (American tenor) (in 1978)
was dirigent:
Julius Rudel (conductor) (in 1978)
was koorleider:
Lloyd Walser (NYC Opers Chorus Master) (in 1978)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
opgenomen bij:
New York City Opera in New York, New York, Verenigde Staten (in 1978-02)
is een opname van:
The Merry Widow: Act II (No.12). Finale (Danilo, Zeta, Valencienne, Anna, Camille, Njegus, Chorus) (in 1978)
deel van:
The Merry Widow: Act II (English lyrics by Sheldon Harnick)
Franz Lehár511:04
B5The Merry Widow: Act III. Nr. 14 Grisette Song / Très parisien (Chorus, Valencienne, Njegus)
technicus:
Bud Graham (classical sound engineer) (in 1978)
producent:
John Coveney (Producer, Capitol Records) (in 1978) en George Sponhaltz (in 1978)
baritonvocalen:
James Billings (Baritone, librettist, opera director) (in 1978)
koor:
New York City Opera Chorus (in 1978)
sopraanvocalen:
Glenys Fowles (Australian soprano) (in 1978)
was dirigent:
Julius Rudel (conductor) (in 1978)
was koorleider:
Lloyd Walser (NYC Opers Chorus Master) (in 1978)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
opgenomen bij:
New York City Opera in New York, New York, Verenigde Staten (in 1978-02)
is een opname van:
The Merry Widow: Act III (no. 14). Grisette Song & Très parisien. (Chorus, Valencienne, Njegus) (in 1978)
deel van:
The Merry Widow: Act III (English lyrics by Sheldon Harnick)
Franz Lehár54:49
B6The Merry Widow: Act III. Nr. 15 “Strings are sighing” (Waltz) / Nr. 16 Finale (Danilo, Anna, Zeta, Everybody)
technicus:
Bud Graham (classical sound engineer) (in 1978)
producent:
John Coveney (Producer, Capitol Records) (in 1978) en George Sponhaltz (in 1978)
achtergrondvocalen:
Vincent Angeli (NYC Opera soloist) (in 1978)
baritonvocalen:
James Billings (Baritone, librettist, opera director) (in 1978), Harlan Foss (NYC Opera baritone) (in 1978), Thomas Jamerson (American baritone, voice teacher) (in 1978), Alan Kays (NYC Opera baritone) (in 1978), David Rae Smith (American baritone) (in 1978) en Alan Titus (baritone) (in 1978)
koor:
New York City Opera Chorus (in 1978)
sopraanvocalen:
Glenys Fowles (Australian soprano) (in 1978) en Beverly Sills (soprano) (in 1978)
tenorvocalen:
Henry Price (American tenor) (in 1978)
was dirigent:
Julius Rudel (conductor) (in 1978)
was koorleider:
Lloyd Walser (NYC Opers Chorus Master) (in 1978)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
opgenomen bij:
New York City Opera in New York, New York, Verenigde Staten (in 1978-02)
is een opname van:
The Merry Widow: Act III. (no. 15) "Strings are sighing" (Waltz) / (no. 16) Finale (Danilo, Anna, Zeta, Everybody) (in 1978)
deel van:
The Merry Widow: Act III (English lyrics by Sheldon Harnick)
Franz Lehár53:59

Relaties

Uitgave

verzorgde artistieke leiding:Marvin Schwartz (in 1978)
fotografie:Jack Mitchell (photographer) (in 1978)
boektekst:Richard Traubner (New York Times operetta writer) (in 1978)
auteursrecht (©):Capitol Records (imprint of Capitol Records, Inc.) (in 1978)