100 Greatest Arias

~ Veröffentlichung von Enrico Caruso (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1Siam giunti, o giovinette
Bass-Gesang:
Marcel Journet (French operatic bass) (am 1912-01-07)
Mezzosoprangesang:
Josephine Jacoby (mezzo-soprano) (am 1912-01-07)
Soprangesang:
Frances Alda (New Zealand-born, Australian-raised operatic soprano) (am 1912-01-07)
Tenor-Gesang:
Enrico Caruso (tenor) (am 1912-01-07)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1912-01-07)
conductor:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1912-01-07)
recording of:
Martha: Atto II. "Siam giuinti, o giovinette" (am 1912-01-07)
Komponist(in):
Friedrich von Flotow (composer)
übersetzte Version von:
Martha: Akt II. „Nur näher blöde Mädchen”
3:13
2Questa camera è per voi!… Che vuol dir ciò
Bass-Gesang:
Marcel Journet (French operatic bass) (am 1912-01-07)
Mezzosoprangesang:
Josephine Jacoby (mezzo-soprano) (am 1912-01-07)
Soprangesang:
Frances Alda (New Zealand-born, Australian-raised operatic soprano) (am 1912-01-07)
Tenor-Gesang:
Enrico Caruso (tenor) (am 1912-01-07)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1912-01-07)
conductor:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1912-01-07)
recording of:
Martha: Atto II. "Questa camera è per voi!" (am 1912-01-07)
Komponist(in):
Friedrich von Flotow (composer)
3:39
3Presto, presto andiam
Bass-Gesang:
Marcel Journet (French operatic bass) (am 1912-01-07)
Mezzosoprangesang:
Josephine Jacoby (mezzo-soprano) (am 1912-01-07)
Soprangesang:
Frances Alda (New Zealand-born, Australian-raised operatic soprano) (am 1912-01-07)
Tenor-Gesang:
Enrico Caruso (tenor) (am 1912-01-07)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1912-01-07)
conductor:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1912-01-07)
recording of:
Martha: Atto II. "Presto, presto andiam" (am 1912-01-07)
Komponist(in):
Friedrich von Flotow (composer)
3:14
4T’ho raggiunta, sciagurata!… Dormi pur
Tenor-Gesang:
Enrico Caruso (tenor)
recording of:
Martha: Atto II. "T'ho raggiunta, sciagurata!...Dormi pur"
Komponist(in):
Friedrich von Flotow (composer)
übersetzte Version von:
Martha: Akt II. „Schlafe wohl! Und mag Dich reuen”
4:29
5O soave fanciulla
Tenor-Gesang:
Enrico Caruso (tenor)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Luigi Illica und Giuseppe Giacosa (in 1896)
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
3:47
6Domanda al ciel… Dio che nell’anima infondere
Baritongesang:
Antonio Scotti (Italian baritone) (am 1912-12-30)
Tenor-Gesang:
Enrico Caruso (tenor) (am 1912-12-30)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1912-12-30)
conductor:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1912-12-30)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo) (am 1912-12-30)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
3:21
7Manon! On l’appelle Manon
Tenor-Gesang:
Enrico Caruso (tenor)
recording of:
Manon : Acte II. « On l’appelle Manon » (Manon, des Grieux)
Komponist(in):
Jules Massenet (French Romantic composer)
Librettist:
Philippe Gille und Henri Meilhac
Teil von:
Manon : Acte II
4:11
8Agnus Dei
Klavier:
Gaetano Scognamiglio (conductor) (am 1913-02-24)
Tenor-Gesang:
Enrico Caruso (tenor) (am 1913-02-24)
recording of:
Agnus Dei (am 1913-02-24)
Komponist(in):
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
basiert auf:
L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)
3:54
9Nr. 6: Pimpinella
recording of:
6 Romances, op. 38: No. 6. Pimpinella: Florentine Song (Пимпинелла: Флорентинская песня)
Texter und Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 251)
Teil von:
6 Romances, op. 38
2:57
10Elégie op. 10
Geige / Violine:
Mischa Elman (Russian-American violinist) (am 1913-03-20)
Klavier:
Percy B. Kahn (composer and pianist) (am 1913-03-20)
Tenor-Gesang:
Enrico Caruso (tenor) (am 1913-03-20)
recording of:
Élégie (« Ô doux printemps d'autrefois … ») (for voice and piano) (am 1913-03-20)
Texter:
Louis Gallet
Komponist(in):
Jules Massenet (French Romantic composer) (in 1873)
basiert auf:
Dix pièces de genre, op. 10: No. 5. Élégie jouée par les Erinnyes
4:02
11Ella mi fu rapita!… Parmi veder le lagrime
Tenor-Gesang:
Enrico Caruso (tenor) (am 1913-02-24)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1913-02-24)
conductor:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1913-02-24)
recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca) (am 1913-02-24)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto II
4:38
12Donna non vidi mai
Tenor-Gesang:
Enrico Caruso (tenor) (am 1913-02-24)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1913-02-24)
conductor:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1913-02-24)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux) (am 1913-02-24)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1893)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto I
2:51
13Lasciati amar
Tenor-Gesang:
Enrico Caruso (tenor)
recording of:
Lasciati amar
Komponist(in):
Ruggero Leoncavallo (composer)
3:01
14Cuius animam
recorded in:
New York, New York, Vereinigte Staaten (am 1913-12-15)
Tenor-Gesang:
Enrico Caruso (tenor) (am 1913-12-15)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1913-12-15)
recording of:
Stabat Mater: II. Aria - Cuius animam gementem (tenore) (am 1913-12-15)
Komponist(in):
Gioachino Rossini (composer) (von 1832 bis 1839)
Teil von:
Stabat Mater
4:40
15Addio alla madre
recorded in:
New York, New York, Vereinigte Staaten (am 1913-12-15)
Tenor-Gesang:
Enrico Caruso (tenor) (am 1913-12-15)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1913-12-15)
recording of:
Cavalleria rusticana: “Mamma, quel vino è generoso, è certo” (Turiddu, Lucia, Donne) (Addio alla madre) (am 1913-12-15)
Komponist(in):
Pietro Mascagni (composer & conductor) (in 1890)
Librettist:
Guido Menasci (Italian librettist, 19th-20th c.) und Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
Teil von:
Cavalleria rusticana
4:01
16Les Rameaux
Tenor-Gesang:
Enrico Caruso (tenor)
recording of:
Les Rameaux
Texter:
Jules Bertrand
Komponist(in):
Jean‐Baptiste Faure
4:03
17Oh! Mostruosa colpa! Sì, per ciel
Tenor-Gesang:
Enrico Caruso (tenor)
recording of:
Otello: Atto II. “Oh! mostruosa colpa!” … “Ah! mille vite” (Otello, Iago)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1884 bis 1886-11-01)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto II
recording of:
Otello: Atto II. “Si, pel ciel marmoreo giuro!” (Otello, Iago)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1884 bis 1886-11-01)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto II
4:45
18Sérénade de Don Juan
Tenor-Gesang:
Enrico Caruso (tenor)
recording of:
6 Romances, op. 38: No. 1. Don Juan's Serenade (Серенада Дон-Жуана)
Texter:
Алексей К. Толстой (Alexei Tolstoi, Russian 19th century writer)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1878)
Teil von:
Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 246)
Teil von:
6 Romances, op. 38
3:08
19Amici miei… L’anima mia… La rivedrà nell’estasi
recorded in:
New York, New York, Vereinigte Staaten (am 1914-04-03)
Bass-Gesang:
Andrés de Segurola (Spanish operatic bass) (am 1914-04-03) und Léon Rothier (French musician, predominantly an opera singer in the bass range) (am 1914-04-03)
Chorgesang:
Metropolitan Opera Chorus (am 1914-04-03)
Soprangesang:
Frieda Hempel (German soprano singer) (am 1914-04-03)
Tenor-Gesang:
Enrico Caruso (tenor) (am 1914-04-03)
Orchester:
Victor Orchestra (original US orchestra, 1900s to 1930s) (am 1914-04-03)
conductor:
Gaetano Scognamiglio (conductor) (am 1914-04-03)
chorus master:
Giulio Setti (conductor) (am 1914-04-03)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 3b Sortita di Riccardo “La rivedrà nell'estasi” (Riccardo, Samuel, Tom, Coro) (am 1914-04-03)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Somma
Teil von:
Un ballo in maschera: Atto I
3:50
20E scherzo od è follia
Tenor-Gesang:
Enrico Caruso (tenor)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10b Quintetto “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, Coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Somma
Teil von:
Un ballo in maschera: Atto I
3:48
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