Party Classics Top 100, Volume 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

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#TitoloArtistaValutazioneDurata
1Gangnam Style
diritti fonografici (℗) detenuti da:
Schoolboy (American label) (nel 2012) e Universal Republic Records (2006–2012) (nel 2012)
video musicali:
Gangnam Style di PSY (South Korean singer and rapper)
parte di:
Billboard Decade End Chart: Streaming Songs (2010s) (numero: 1), MAMA Award: Song of the Year nominees (numero: 2012 winner), Billboard Year-End Hot 100 singles of 2012 (numero: 47), Billboard Year-End Hot 100 singles of 2013 (numero: 55) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 237)
registrazione di:
강남스타일 (Gangnam Style)
paroliere:
Jai Sang Park (PSY, South Korean singer and rapper)
compositore:
Jai Sang Park (PSY, South Korean singer and rapper) e Keon Hyung Yoo
editore:
A.D.O. Songs of Universal, Inc., Sony Music Entertainment Korea Inc. (not an imprint, post-2008 subsidiary), Sony/ATV Music Publishing HK Korea, Sony/ATV Tunes LLC (ASCAP) e Universal Tunes
PSY4.33:39
2Here Comes the Hotstepper
Ini Kamoze4:08
3When the Lady Smiles
registrazione di:
When the Lady Smiles
paroliere:
Barry Hay
compositore:
George Kooymans
Golden Earring4:36
4Tiger Feet
Mud3:49
5De Marie‐Louise
registrazione di:
De Marie-Louise
paroliere e compositore:
Armath (Belgian producer Roland Verlooven)
Bart Kaëll2:53
6Heaven Must Be Missing an Angel
Tavares3:29
7Ain’t Nobody
basso :
Bobby Watson (bassist)
batteria :
John “JR” Robinson (session drummer)
chitarra :
Tony Maiden
flauto :
Gary Herbig, Ernie Watts (Ernest James Watts, jazz and blues saxophonist) e Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
percussione :
Paulinho da Costa (Brazilian percussionist)
sassofono contralto :
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
sassofono tenore :
Gary Herbig e Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
sintetizzatore aggiunto:
James Newton Howard (American score composer)
tastiera :
Kevin Murphy (American keyboardist, Rufus & The American Breed) e David “Hawk” Wolinski
tromba :
Jerry Hey
voce:
Chaka Khan e Tony Maiden
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 88) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 403)
registrazione di:
Ain’t Nobody
paroliere e compositore:
David Wolinski
editore:
Overdue Music
Rufus & Chaka Khan3.74:34
8Let’s Hear It for the Boy
produttore:
George Duke
tecnico di missaggio:
Tom Perry (engineer), Tommy Vicari e Erik Zobler
batteria elettronica [Linn Drums] , minimoog [Mini-Moog] , moog [Memory Moog] e sintetizzatore analogico [Prophet V] :
George Duke
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussione :
Paulinho da Costa (Brazilian percussionist)
voce di accompagnamento:
George Merrill, Shannon Rubicam e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Let’s Hear It for the Boy
paroliere:
Dean Pitchford
compositore:
Thomas Snow (US keyboardist/songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Deniece Williams3.64:19
9Black Betty
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977) e CBS Schallplatten GmbH (nel 1990)
registrazione cover di:
Black Betty
paroliere e compositore:
[traditional] (special purpose artist) e Huddie William Ledbetter
editore:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (dal 1977 a oggi) e TRO (publisher) (dal 1977 a oggi)
Ram Jam3.653:56
10La camisa negra
assistente tecnico di registrazione e assistente tecnico di missaggio:
Dave Heuer
tecnico di registrazione:
Juanes (Colombian singer), Aníbal Kerpel e Thom Russo
tecnico aggiunto:
Juanes (Colombian singer)
produttore:
Juanes (Colombian singer) e Gustavo Santaolalla (Argentine score composer)
produttore associato:
Aníbal Kerpel
tecnico di missaggio:
Thom Russo
registrazione di:
La camisa negra (nel 2004)
paroliere e compositore:
Juan Esteban Aristizábal (Colombian singer)
Juanes2.83:35
11Unbelievable
produttore e tecnico di missaggio:
Ralph Jezzard
basso elettrico :
Zac Foley (nel 1990)
batteria :
Mark Decloedt (nel 1990)
campionatore [samples] :
Derry Brownson (nel 1990)
chitarra , chitarra elettrica e tastiera :
Ian Dench (nel 1990)
voce:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (nel 1990)
voce di accompagnamento:
Claudia Fontaine (vocals, background vocals) (nel 1990)
voce principale:
James Atkin (nel 1990)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1990)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 421)
registrazione di:
Unbelievable (nel 1990)
autore:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench e Zac Foley
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Canada Ltd.
EMF3.653:29
12I Love the Nightlife (Disco Round)
Alicia Bridges3:25
13Girls on Film
Duran Duran3:26
14I Can’t Live in a Living Room
Red Zebra2:50
15Vrijgezel
registrazione cover di:
Vrijgezel (Benny Neyman)
paroliere:
Enrica Bonaccorti (Actress. lyricist), Robert-Frank Jacobi e Domenico Modugno
compositore:
Robert-Frank Jacobi e Domenico Modugno
traduttore:
Benny Neyman (singer and songwriter)
versione tradotta di:
La lontananza (The distance; the remoteness)
registrazione di:
Vrijgezel (Benny Neyman)
paroliere:
Enrica Bonaccorti (Actress. lyricist), Robert-Frank Jacobi e Domenico Modugno
compositore:
Robert-Frank Jacobi e Domenico Modugno
traduttore:
Benny Neyman (singer and songwriter)
versione tradotta di:
La lontananza (The distance; the remoteness)
Benny Neyman3:45
16Cotton Eye Joe
tecnico di registrazione e tecnico di missaggio:
Lee Monteverde
tecnico e produttore:
Pat Reiniz
banjo :
Ken Tacky
voce:
Billy Ray (stage name of Jonas Nilsson, violinist of Swedish novelty act Rednex), Mary Joe, Bobby Sue e Ken Tacky
esecutore aggiunto:
Goran Danielsson (Rednex singer Ken Tacky), Annika Ljungberg e Bosse Nilsson
diritti fonografici (℗) detenuti da:
Zomba Records (nel 1994) e Zomba Records Ltd (not strictly a label - avoid adding releases here) (nel 1994)
registrata presso e mixata presso:
Future Crew Studios, Idaho in Stockholms län (Stockholm county), Svezia
video musicali:
Cotton‐Eye Joe di Rednex (Swedish Euro-House group)
parte di:
A.Side: 10 Songs That Have Their Own Dance Moves (numero: 7)
registrazione di:
Cotton-Eye Joe (Rednex version)
autore:
Jan Ericsson (Swedish producer), Örjan Öberg (Örjan “Öban” Öberg, Swedish producer) e Pat Reiniz
editore:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
versione di:
Cotton‐Eyed Joe (traditional song)
Rednex4.13:10
17Freed From Desire
registrazione di:
Freed From Desire
autore:
Filippo Carmeni (Italian producer Phil Jay), Gala Rizzatto (Italian singer & dance act) e Maurizio Molella (Italian DJ and producer Maurizio Molella)
editore:
Baby Angel Music S.r.l., Do It Yourself SAS (Italian company, active until 1997), Grand H. Music e Mollyville Publishing S.r.l.
Gala4:15
18Mr Vain
Culture Beat4:16
199 to 5
registrazione di:
9 to 5
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music e Velvet Apple Music
parte di:
The 53rd Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1980 nominee)
Dolly Parton2:32
20Big in Japan
Alphaville3:56