Molly: Counting Down the Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Mamma Mia
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Bassgitarre:
Mike Watson (English‐Swedish rock musician) (am 1975-03-12)
Bratsche / Viola:
Nils Heie (am 1975-03-15) und Håkan Roos (Swedish violist) (am 1975-03-15)
Cello:
Kjell Bjurling (Swedish cellist) (am 1975-03-15) und Olle Gustafsson (cellist) (am 1975-03-15)
E-Gitarre:
Finn Sjöberg (am 1975-03-12)
Geige / Violine:
Anders Dahl (Swedish media artist creates artworks and experimental sound) (am 1975-03-15), Inge Lindstedt (am 1975-03-15), Gunnar Michols (Swedish violinist) (am 1975-03-15), Sixten Strömvall (Swedish violinist) (am 1975-03-15), Harry Teike (am 1975-03-15) und Krzysztof Zdrzalka (Swedish violinist) (am 1975-03-15)
Gitarre und zusätzlich Gitarre:
Janne Schaffer (am 1975-03-16)
Marimba:
Benny Andersson (ABBA) (in 1975-03)
Oboe:
Lars-Erik Rönn (am 1975-03-15)
Schlagzeug:
Roger Palm (am 1975-03-12)
Sologesang:
Agnetha Fältskog (am 1975-03-12) und Frida (Swedish singer and member of ABBA) (am 1975-03-12)
Cello, Bratsche / Viola und Geige / Violine arranger:
Sven-Olof Walldoff
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music AB (in 1975) und Polar Music International AB (in 2001, in 2014)
aufgenommen bei:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden (am 1975-03-12, am 1975-03-15, am 1975-03-16)
mixed at:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
Mamma Mia (von 1975-03-12 bis 1975-03-16)
geschrieben in:
Lidingö municipality (Lidingö), Stockholms län (Stockholm county), Schweden
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Polar Music AB (beendet), Union Songs AB (publisher) (beendet), EMI Grove Park Music, Inc., Universal–Songs of PolyGram International, Inc. und Universal/Union Songs Musikförlag AB
Teil von:
Mamma Mia! (1999 musical)
recording of:
Mamma Mia (Spanish version)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Übersetzer:
Buddy McCluskey (translator) und Mary McCluskey (translator)
übersetzte Version von:
Mamma Mia
ABBA3.83:31
2My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack4.23:59
3YMCA
Produzent(in):
Jacques Morali
Sologesang:
Victor Willis (Victor Edward Willis, member of the Village People)
phonographisches Urheberrecht (℗) von:
Can’t Stop Productions, Inc. (in 1978) und Primary Wave Music IV (in 1978)
Musikvideos:
Y.M.C.A. von Village People
Teil von:
A.Side: 10 Songs That Have Their Own Dance Moves (Nummer: 5)
recording of:
Y.M.C.A. (in 1978)
Texter:
Victor Edward Willis (member of the Village People)
Komponist(in):
Jacques Morali
publisher:
Can’t Stop Music (US work publisher, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), Harlem West Music Group, Scorpio Music (work publisher of "Scorpio Music") und Zomba Music Publishing Ltd.
Village People34:44
4Send Me an Angel
recorded in:
Australien
Techniker(in):
Andrew Scott (Australian producer/engineer)
leitende(r) Produzent(in):
Mike Curb und Jack Schwartzman
Produzent(in):
Ross Cockle und Glenn Wheatley
phonographisches Urheberrecht (℗) von:
Curb Records, Inc. (holding company - do not use as release label) (in 1983)
aufgenommen bei:
Rhinoceros Studios in Sydney, New South Wales, Australien
mixed at:
Fast Forward Studios in Warranwood, Melbourne, Victoria, Australien
recording of:
Send Me an Angel
Texter:
David Sterry
Komponist(in):
Richard Zatorski
publisher:
Chappell & Co. GmbH (Publisher, do not use as a release label!), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd. und Wheatley Music Pty Ltd. (in 1983)
Real Life4.53:52
5Video Killed the Radio Star
Produzent(in):
The Buggles
E-Gitarre und Sologesang:
Trevor Horn (in 1979)
Keyboard:
Geoff Downes (English keyboardist) (in 1979)
Chorgesang:
Debi Doss (photographer and singer, Kinks) (in 1979) und Linda Jardim (in 1979)
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 40)
recording of:
Video Killed the Radio Star
Verfasser(in):
Geoff Downes (English keyboardist), Trevor Horn und Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles3.953:21
6It’s a Miracle
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
It’s a Miracle von Culture Club (English pop group)
recording of:
It’s a Miracle (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
Pendulum Music Ltd., Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Culture Club3.63:24
7Our Lips Are Sealed
Assistent recording engineer:
Ted Blechta und John Terelle
recording engineer und Mix:
Rob Freeman (engineer)
zusätzlich Assistent recording engineer:
James Ball, Eric Kortee und Darroll Gustamachio
Produzent(in):
Rob Freeman (engineer) und Richard Gottehrer (American songwriter and music executive)
assistierende(r) Mix:
Gray Russell
Bassgitarre und Gitarre:
Kathy Valentine
Gitarre [lead guitar] und Keyboard:
Charlotte Caffey
Gitarre [rhythm guitar]:
Jane Wiedlin
Perkussion und Schlagzeug:
Gina Schock
Sologesang:
Belinda Carlisle
vocals:
Charlotte Caffey und Jane Wiedlin
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) und I.R.S., Inc. (in 1981)
aufgenommen bei:
Pennylane Studios in New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Sound Mixers Studio in New York, New York, Vereinigte Staaten und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Sound Mixers Studio in New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 25), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 317) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 477)
recording of:
Our Lips Are Sealed
Verfasser(in):
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall und Jane Wiedlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music und Plangent Visions Music
The Go‐Go’s4.52:44
8Listening
Techniker(in):
Glenn Phimister
Koproduzent(in):
Ross Fraser
Produzent(in) und Mix:
Mark Berry (producer, mixer, engineer and remixer from Brooklyn, New York) und Brian Canham (Australian singer ex. Pseudo Echo)
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) (in 1984)
recording of:
Listening
Verfasser(in):
Brian Canham (Australian singer ex. Pseudo Echo) und Tony Lugton
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Mushroom Music Pty. Ltd.
Pseudo Echo52:58
9Heaven (Must Be There)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) und Nostata Pty. Limited (in 1983, in 1984)
recording of:
Heaven (Must Be There)
Texter und Komponist(in):
Bernie Lynch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Orient Pacific Music Pty. Ltd. und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Eurogliders33:41
1099 Luftballons
Techniker(in):
Imre Sereg (in 1982)
Produzent(in):
Reinhold Heil (in 1982) und Manfred Praeker (in 1982)
Mix:
Udo Arndt (in 1982)
E-Bass:
Jürgen Dehmel (in 1982)
E-Gitarre:
Carlo Karges (in 1982)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
Schlagzeug:
Rolf Brendel (in 1982)
Sologesang:
Nena Kerner (the person, performing solo since 1987) (in 1982)
phonographisches Urheberrecht (℗) von:
CBS Schallplatten GmbH (in 1983), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983) und Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 1983)
aufgenommen bei:
Spliff in Berlin, Deutschland (in 1982)
mixed at:
Audio-Studio in Berlin, Deutschland (in 1982)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 3), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 16), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 73) und Cachitos Nochevieja 2022 (Nummer: 105)
recording of:
99 Luftballons (in 1982)
Texter:
Carlo Karges (in 1982)
Komponist(in):
Uwe Fahrenkrog-Petersen (in 1982)
publisher:
Edition Hate Music (publisher), EMI Songs Australia Pty. Ltd. und EMI Songs Musikverlag GmbH
sub-publisher:
EMI Songs France (27, rue de Berri)
Nena4.13:52
11Sunglasses at Night
alto saxophone und Tenorsaxophon:
Andy Hamilton (British saxophonist, composer and producer)
Bass:
Gary Tibbs
Gitarre [lead guitar]:
Andy Barnett
Gitarre [rhythm guitar]:
Andy Mac und Jon Astley
Keyboard:
Phil Chapman (engineer), Ritchie Close (keyboardist, composer) und Corey Hart
Perkussion und Schlagzeug:
Paul Burgess (UK rock drummer)
Musikvideos:
Sunglasses at Night von Corey Hart
recording of:
Sunglasses at Night (in 1983)
Texter und Komponist(in):
Corey Hart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Edition Meridian
Corey Hart3:55
12Whip It
Partner-Produzent(in):
Robert Margouleff
Produzent(in):
DEVO (new wave/rock band)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
aufgenommen bei:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 15), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 42), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 63) und Indie 88: Top 500 Indie Rock Songs (Nummer: 463)
recording of:
Whip It (Devo song)
Verfasser(in):
Gerald Casale und Mark Mothersbaugh
publisher:
DEVO Music, EMI Virgin Music Australia Pty Ltd und Nymph Music
DEVO4.452:38
13Out of Mind Out of Sight
Produzent(in):
Mark Opitz
phonographisches Urheberrecht (℗) von:
Mushroom Records Pty Ltd (in 1985) und Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1993)
recording of:
Out of Mind Out of Sight
Texter und Komponist(in):
James Freud
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Publishing
Models3:35
14You Make Me Feel Like Dancing
recording engineer:
Bill Schnee
assistierende(r) Techniker(in):
Dana Latham
Produzent(in):
Richard Perry (producer)
Bass:
Chuck Rainey (American bassist)
Clavinet:
John Barns
Gitarre:
Larry Carlton und Ray Parker Jr.
Schlagzeug:
Steve Gadd (drummer)
Hintergrundgesang:
Clydie King, Becky Louis und Sherlie Matthews (US vocalist)
vocals:
Leo Sayer
conductor:
Gene Page (conductor, composer, arranger and record producer)
Saiteninstrumente arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1976) und Silverbird Ltd. (in 1976)
recording of:
You Make Me Feel Like Dancing
Texter:
Leo Sayer
Komponist(in):
Vini Poncia
publisher:
Braintree Music, Chrysalis Music (music publisher, ASCAP-affiliated), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Rondor Music und Silverbird Songs Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leo Sayer53:37
15Current Stand
phonographisches Urheberrecht (℗) von:
Mushroom Records (in 1985)
recording of:
Current Stand
Verfasser(in):
Scott Carne (Kids in the Kitchen), Claude Carranza, Bruce Curnow und Craig Harnath
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Mushroom Music Pty. Ltd.
Kids in the Kitchen3:59
16Hey, Little Girl
recording of:
Hey Little Girl
Texter und Komponist(in):
Iva Davies
publisher:
EMI Songs Australia Pty. Ltd.
Icehouse6:58
17Come Said the Boy
phonographisches Urheberrecht (℗) von:
M-Rock Pty. Ltd. (in 1983) und Mondo Rock Records (in 1983)
recording of:
Come Said the Boy
Verfasser(in):
Eric McCusker
publisher:
Origin Music (publisher) und Origin Music Publishing Pty Ltd
Mondo Rock45:14
18Head Over Heels
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1985)
Musikvideos:
Head Over Heels (music video) von Tears for Fears
recording of:
Head Over Heels
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Curt Smith
Tears for Fears44:14
19Total Control
recording of:
Total Control
Verfasser(in):
Martha Davis (of The Motels) und Jeff Jourard
publisher:
Bug Music (music publishing), Clean Sheets Music (in 1979) und Frettssongs (in 1979)
The Motels5:52
20Wuthering Heights
Produzent(in):
Andrew Powell (known for contributions to Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recording of:
Wuthering Heights
publisher:
Kate Bush (vom 1978 bis heute)
Texter und Komponist(in):
Kate Bush (am 1977-03-05)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated) (vom 1978 bis heute)
Kate Bush3:26
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