Complete Studio Albums Collection

~ Release by Grateful Dead (see all versions of this release, 1 available)

Annotation

HIgh resolution digital release of all Grateful Dead studio albums in one download.

Annotation last modified on 2019-06-11 00:50 UTC.

Tracklist

1▶Digital Media: The Grateful Dead
2▶Digital Media: Anthem of the Sun
3▶Digital Media: Aoxomoxoa
4▶Digital Media: American Beauty
5▶Digital Media: Workingman’s Dead
6▶Digital Media: Wake of the Flood
7▶Digital Media: From the Mars Hotel
8▼Digital Media: Blues for Allah
#TitleRatingLength
1Help on the Way / Slipknot!
assistant engineer:
Rob Taylor (technician)
engineer:
Dan Healy
assistant producer:
Steve Brown (Grateful Dead producer), Betty Cantor‐Jackson, Brett Cohen, Bob Matthews and Ram Rod (Grateful Dead crew member and production assistant)
producer:
Grateful Dead
mixer:
Grateful Dead and Dan Healy
recorded at:
Ace’s (Bob Weir’s home studio) in Mill Valley, California, United States (from 1975-06-04 until 1975-07-13)
recording of:
Help on the Way (from 1975-06-04 until 1975-07-13)
lyricist:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
composer:
Jerry Garcia (guitarist / vocalist in Grateful Dead)
publisher:
Ice Nine Publishing Company, Inc. and Universal Music Corp. (USA, affiliated with ASCAP)
recording of:
Slipknot! (from 1975-06-04 until 1975-07-13)
composer:
Jerry Garcia (guitarist / vocalist in Grateful Dead), Keith Godchaux, Bill Kreutzmann, Phil Lesh and Bob Weir
publisher:
Ice Nine Publishing Company, Inc. and Universal Music Corp. (USA, affiliated with ASCAP)
4.47:21
2Franklin’s Tower
assistant engineer:
Rob Taylor (technician)
engineer:
Dan Healy
assistant producer:
Steve Brown (Grateful Dead producer), Betty Cantor‐Jackson, Brett Cohen, Bob Matthews and Ram Rod (Grateful Dead crew member and production assistant)
producer:
Grateful Dead
mixer:
Grateful Dead and Dan Healy
recorded at:
Ace’s (Bob Weir’s home studio) in Mill Valley, California, United States (from 1975-06-04 until 1975-07-13)
recording of:
Franklin’s Tower (from 1975-06-04 until 1975-07-13)
lyricist:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
composer:
Jerry Garcia (guitarist / vocalist in Grateful Dead) and Bill Kreutzmann
publisher:
Ice Nine Publishing Company, Inc. and Universal Music Corp. (USA, affiliated with ASCAP)
4.354:33
3King Solomon’s Marbles: Part I: Stronger Than Dirt / Part II: Milkin’ the Turkey
assistant engineer:
Rob Taylor (technician)
engineer:
Dan Healy
assistant producer:
Steve Brown (Grateful Dead producer), Betty Cantor‐Jackson, Brett Cohen, Bob Matthews and Ram Rod (Grateful Dead crew member and production assistant)
producer:
Grateful Dead
mixer:
Grateful Dead and Dan Healy
recorded at:
Ace’s (Bob Weir’s home studio) in Mill Valley, California, United States (from 1975-06-04 until 1975-07-13)
recording of:
King Solomon’s Marbles: Part I: Stronger Than Dirt / Part II: Milkin’ the Turkey (from 1975-06-04 until 1975-07-13)
composer:
Mickey Hart (drummer for The Grateful Dead), Bill Kreutzmann and Phil Lesh
4.55:17
4The Music Never Stopped
assistant engineer:
Rob Taylor (technician)
engineer:
Dan Healy
assistant producer:
Steve Brown (Grateful Dead producer), Betty Cantor‐Jackson, Brett Cohen, Bob Matthews and Ram Rod (Grateful Dead crew member and production assistant)
producer:
Grateful Dead
mixer:
Grateful Dead and Dan Healy
guest saxophone:
Stephen Schuster
recorded at:
Ace’s (Bob Weir’s home studio) in Mill Valley, California, United States (from 1975-06-04 until 1975-07-13)
recording of:
The Music Never Stopped (from 1975-06-04 until 1975-07-13)
lyricist:
John Perry Barlow
composer:
Bob Weir
publisher:
Ice Nine Publishing Company, Inc.
version of:
Hollywood Cantata
54:34
5Crazy Fingers
assistant engineer:
Rob Taylor (technician)
engineer:
Dan Healy
assistant producer:
Steve Brown (Grateful Dead producer), Betty Cantor‐Jackson, Brett Cohen, Bob Matthews and Ram Rod (Grateful Dead crew member and production assistant)
producer:
Grateful Dead
mixer:
Grateful Dead and Dan Healy
recorded at:
Ace’s (Bob Weir’s home studio) in Mill Valley, California, United States (from 1975-06-04 until 1975-07-13)
recording of:
Crazy Fingers (from 1975-06-04 until 1975-07-13)
lyricist:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
composer:
Jerry Garcia (guitarist / vocalist in Grateful Dead)
publisher:
Ice Nine Publishing Company, Inc.
4.56:42
6Sage and Spirit
assistant engineer:
Rob Taylor (technician)
engineer:
Dan Healy
assistant producer:
Steve Brown (Grateful Dead producer), Betty Cantor‐Jackson, Brett Cohen, Bob Matthews and Ram Rod (Grateful Dead crew member and production assistant)
producer:
Grateful Dead
mixer:
Grateful Dead and Dan Healy
recorded at:
Ace’s (Bob Weir’s home studio) in Mill Valley, California, United States (from 1975-06-04 until 1975-07-13)
recording of:
Sage and Spirit (from 1975-06-04 until 1975-07-13)
composer:
Bob Weir
publisher:
Ice Nine Publishing Company, Inc.
43:07
7Blues for Allah / Sand Castles and Glass Camels / Unusual Occurrences in the Desert
assistant engineer:
Rob Taylor (technician)
engineer:
Dan Healy
assistant producer:
Steve Brown (Grateful Dead producer), Betty Cantor‐Jackson, Brett Cohen, Bob Matthews and Ram Rod (Grateful Dead crew member and production assistant)
producer:
Grateful Dead
mixer:
Grateful Dead and Dan Healy
recorded at:
Ace’s (Bob Weir’s home studio) in Mill Valley, California, United States (from 1975-06-04 until 1975-07-13)
recording of:
Blues for Allah / Sand Castles & Glass Camels / Unusual Occurrences in the Desert (full suite) (from 1975-06-04 until 1975-07-13)
lyricist:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
composer:
Jerry Garcia (guitarist / vocalist in Grateful Dead), Donna Jean Godchaux, Keith Godchaux, Mickey Hart (drummer for The Grateful Dead), Bill Kreutzmann and Bob Weir
publisher:
Ice Nine Publishing Company, Inc.
412:33
9▶Digital Media: Terrapin Station
10▶Digital Media: Shakedown Street
11▶Digital Media: Go to Heaven
12▶Digital Media: In the Dark
13▶Digital Media: Built to Last