Sanctus: 1000 Years of Sacred Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Hildegard von Bingen: The Music of a Saint
2▶CD: Lamentations
3▶CD: Monteverdi: Vespro Della Beata Vergine
4▶CD: Monteverdi: Vespero della Beata Vegine (cont.) / Purcel: Sacred Music
6▶CD: J.S. Bach: Mass in B minor
7▼CD: J.S. Bach: Mass in B minor (cont.)
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1Mass in B minor, BWV 232: Credo: Chorus: Credo in unum Deum
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:58
2Mass in B minor, BWV 232: Credo: Chorus: Patrem omnipotentem
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:01
3Mass in B minor, BWV 232: Credo: Duet (soprano I, alto) Et in unum Deum
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
alto vocals and countertenor vocals:
James Bowman (UK countertenor)
soprano vocals:
Catherine Dubosc (soprano)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:22
4Mass in B minor, BWV 232: Credo: Chorus: et incarnatus est
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
The Symphony of Harmony and Invention
conductor:
Harry Christophers (conductor)
performer:
The Sixteen (UK choir)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:20
5Mass in B minor, BWV 232: Credo: Chorus: Crucifixus
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:12
6Mass in B minor, BWV 232: Credo: Chorus: Et resurrexit
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:01
7Mass in B minor, BWV 232: Credo: Aria (bass): Et in spiritum Sanctum
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
bass vocals:
Michael George (operatic bass)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:18
8Mass in B minor, BWV 232: Credo: Chorus: Confiteor unum baptisma
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:54
9Mass in B minor, BWV 232: Credo: Chorus: Et expecto
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:15
10Mass in B minor, BWV 232: Sanctus: Chorus: Sanctus
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:50
11Mass in B minor, BWV 232: Chorus: Osanna
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:03
12Mass in B minor, BWV 232: Aria (tenor): Benedictus
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:25
13Mass in B minor, BWV 232: Chorus: Osanna
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:03
14Mass in B minor, BWV 232: Aria (alto): Agnus Dei
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
alto vocals:
James Bowman (UK countertenor)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:37
15Mass in B minor, BWV 232: Chorus: Dona nobis pacem
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:43
8▶CD: W.A. Mozart: Mass in C minor, K427
9▶CD: J. Hayden: Harmoniemesse in B flat major
10▶CD: F. Schubert: Mass in B flat major / Magnificat
11▶CD: Antonin Dvorak: Stabat Mater
12▶CD: Antonin Dvorak: Stabat Mater (cont.)
13▶CD: Luigi Cherubini: Missa Solemnis, in D minor
14▶CD: Johannes Brahms: Ein Deutsches Requiem
15▶CD: Duruflé: Requiem / Pärt: Magnificat Antiphone

Credits

Release

ASIN:US: B001TNYHDI [info]