Kantaten, BWV 150-153

~ Release by Johann Sebastian Bach, Nikolaus Harnoncourt,Gustav Leonhardt (see all versions of this release, 1 available)

Tracklist

1▼CD
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1Cantata, BWV 150 "Nach dir, Herr, verlanget mich": 1. Sinfonia
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": I. Sinfonia (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:27
2Cantata, BWV 150 "Nach dir, Herr, verlanget mich": 2. Coro "Nach dir, Herr, verlanget mich"
choir vocals:
Collegium Vocale Gent (in 1984-01) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
chorus master:
Heinz Hennig (conductor) (in 1984-01) and Philippe Herreweghe (Belgian conductor) (in 1984-01)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": II. Coro "Nach dir, Herr, verlanget mich" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach3:50
3Cantata, BWV 150 "Nach dir, Herr, verlanget mich": 3. Aria (Soprano) "Doch bin und bleibe ich vergnügt"
treble vocals:
Ansgar Pfeiffer (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": III. Aria (Sopran) "Doch bin und bleibe ich vergnügt" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:25
4Cantata, BWV 150 "Nach dir, Herr, verlanget mich": 4. Coro "Leite mich in deiner Wahrheit"
choir vocals:
Collegium Vocale Gent (in 1984-01) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
chorus master:
Heinz Hennig (conductor) (in 1984-01) and Philippe Herreweghe (Belgian conductor) (in 1984-01)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:54
5Cantata, BWV 150 "Nach dir, Herr, verlanget mich": 5. Aria (Terzetto: Alto, Tenore, Basso) "Zedern müssen von den Winden"
alto vocals:
Paul Esswood (countertenor) (in 1984-01)
bass vocals:
Max van Egmond (bass-baritone) (in 1984-01)
tenor vocals:
Kurt Equiluz (tenor) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": V. Aria (Terzetto Alt, Tenor, Bass) "Zedern müssen von den Winden" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:32
6Cantata, BWV 150 "Nach dir, Herr, verlanget mich": 6. Coro "Meine Augen sehen stets zu dem Herrn"
choir vocals:
Collegium Vocale Gent (in 1984-01) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
chorus master:
Heinz Hennig (conductor) (in 1984-01) and Philippe Herreweghe (Belgian conductor) (in 1984-01)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets zu dem Herrn" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach2:18
7Cantata, BWV 150 "Nach dir, Herr, verlanget mich": 7. Coro "Meine Tage in dem Leide"
choir vocals:
Collegium Vocale Gent (in 1984-01) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
chorus master:
Heinz Hennig (conductor) (in 1984-01) and Philippe Herreweghe (Belgian conductor) (in 1984-01)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach3:17
8Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": 1. Aria (Soprano) "Süßer Trost, mein Jesus kömmt"
treble vocals:
Sebastian Hennig (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": I. Aria (Sopran) "Süßer Trost, mein Jesus kömmt" (in 1984-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
Johann Sebastian Bach7:56
9Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": 2. Recitativo (Basso) "Erfreue dich, mein Herz"
bass vocals:
Max van Egmond (bass-baritone) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": II. Recitativo (Bass) "Erfreue dich, mein Herz" (in 1984-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
Johann Sebastian Bach1:03
10Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": 3. Aria (Alto) "In Jesu Demut kann ich Trost"
alto vocals:
Paul Esswood (countertenor) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": III. Aria (Alt) "In Jesu Demut kann ich Trost" (in 1984-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
Johann Sebastian Bach5:55
11Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": 4. Recitativo (Tenore) "Du teurer Gottessohn"
tenor vocals:
Kurt Equiluz (tenor) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": IV. Recitativo (Tenor) "Du teurer Gottessohn" (in 1984-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
Johann Sebastian Bach0:49
12Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt": 5. Choral (Coro) "Heut schleußt er wieder auf die Tür"
choir vocals:
Collegium Vocale Gent (in 1984-01) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
chorus master:
Heinz Hennig (conductor) (in 1984-01) and Philippe Herreweghe (Belgian conductor) (in 1984-01)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": V. Choral "Heut schleußt er wieder auf die Tür" (in 1984-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Nikolaus Hermann (in 1560)
part of:
Breitkopf 389 Choralgesänge (number: 235)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
Johann Sebastian Bach0:46
13Cantata, BWV 152 "Tritt auf die Glaubensbahn": 1. Concerto
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": I. Sinfonia
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach3:33
14Cantata, BWV 152 "Tritt auf die Glaubensbahn": 2. Aria (Basso/Jesus) "Tritt auf die Glaubensbahn"
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": II. Aria (Basso) "Tritt auf die Glaubensbahn"
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach3:25
15Cantata, BWV 152 "Tritt auf die Glaubensbahn": 3. Recitativo (Basso) "Der Heiland ist gesetzt"
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": III. Recitativo (Basso) "Der Heiland ist gesetzt"
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach2:03
16Cantata, BWV 152 "Tritt auf die Glaubensbahn": 4. Aria (Soprano/Seele) "Stein, der über alle Schätze"
treble vocals:
Christoph Wegmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": IV. Aria (Sopran) "Stein, der über alle Schätze"
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach4:14
17Cantata, BWV 152 "Tritt auf die Glaubensbahn": 5. Recitativo (Basso) "Es ärgre sich die kluge Welt"
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": V. Recitativo (Bass) "Es ärgre sich die kluge Welt"
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach1:28
18Cantata, BWV 152 "Tritt auf die Glaubensbahn": 6. Duetto (Soprano, Basso) "Wie soll ich dich, Liebster der Seelen, umfassen?"
bass vocals:
Thomas Hampson (baritone)
treble vocals:
Christoph Wegmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto (Soprano, Basso) "Wie soll ich dich, Liebster der Seelen, umfassen?"
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach4:31
19Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind": 1. Choral (Coro) "Schau, lieber Gott, wie meine Feind"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": I. Choral "Schau lieber Gott, wie meine Feind"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
David Denicke
part of:
Breitkopf 389 Choralgesänge (number: 5)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
Johann Sebastian Bach1:02
20Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind": 2. Recitativo (Alto) "Mein liebster Gott"
alto vocals:
Stefan Rampf
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": II. Recitativo (Alt) "Mein liebster Gott, ach laß dichs doch erbarmen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
Johann Sebastian Bach0:33
21Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind": 3. Aria (Basso) "Fürchte dich nicht, ich bin mit dir"
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": III. Arioso (Bass) "Fürchte dich nicht, ich bin mit dir"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Jesaja 41, 10 (Biblical personage)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
Johann Sebastian Bach1:40
22Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind": 4. Recitativo (Tenore) "Du sprichst zwar, lieber Gott"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IV. Recitativo (Tenor) "Du sprichst zwar, lieber Gott"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
Johann Sebastian Bach1:33
23Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind": 5. Choral (Coro) "Und ob gleich alle Teufel"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": V. Choral "Und ob gleich alle Teufel"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Paul Gerhardt (17th century hymn writer)
part of:
Breitkopf 389 Choralgesänge (number: 160)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
Johann Sebastian Bach1:05
24Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind": 6. Aria (Tenore) "Stürmt nur, stürmt, ihr Trübsalswetter"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VI. Aria (Tenor) "Stürmt nur, stürmt, ihr Trübsalswetter"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
Johann Sebastian Bach2:56
25Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind": 7. Recitativo (Basso) "Getrost! mein Herz, erdulde deinen Schmerz"
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VII. Recitativo (Bass) "Getrost! mein Herz"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
Johann Sebastian Bach1:38
26Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind": 8. Aria (Alto) "Soll ich meinen Lebenslauf"
alto vocals:
Stefan Rampf
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VIII. Aria (Alt) "Soll ich meinen Lebenslauf"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
Johann Sebastian Bach2:55
27Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind": 9. Choral (Coro) "Drum will ich, weil ich lebe noch"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IX. Choral "Drum will ich, weil ich lebe noch"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Moller (german poet)
part of:
Breitkopf 389 Choralgesänge (number: 9)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
Johann Sebastian Bach1:44