Louis & the Big Bands: 1928–30

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Symphonic Raps
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1928-07-05)
alto saxophone:
Bert Curry (am 1928-07-05) und Crawford Wethington (am 1928-07-05)
Banjo:
Mancy "Peck" Carr (am 1928-07-05)
Klarinette und Tenorsaxophon:
Jimmy Strong (am 1928-07-05)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1928-07-05)
Posaune:
Fred Robinson (American trombonist) (am 1928-07-05)
Schlagzeug:
Zutty Singleton (am 1928-07-05)
Trompete:
Louis Armstrong (am 1928-07-05) und Homer Hobson (am 1928-07-05)
Tuba:
Pete Briggs (am 1928-07-05)
3:15
2Savoyager’s Stomp
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1928-07-05)
alto saxophone:
Bert Curry (am 1928-07-05) und Crawford Wethington (am 1928-07-05)
Banjo:
Mancy "Peck" Carr (am 1928-07-05)
Klarinette und Tenorsaxophon:
Jimmy Strong (am 1928-07-05)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1928-07-05)
Posaune:
Fred Robinson (American trombonist) (am 1928-07-05)
Schlagzeug:
Zutty Singleton (am 1928-07-05)
Trompete:
Louis Armstrong (am 1928-07-05) und Homer Hobson (am 1928-07-05)
Tuba:
Pete Briggs (am 1928-07-05)
3:12
3(What Did I Do to Be So) Black and Blue
alto saxophone:
Bert Curry (am 1929-07-22) und Crawford Wethington (am 1929-07-22)
Banjo:
Mancy "Peck" Carr (am 1929-07-22)
Celesta [celeste]:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (am 1929-07-22)
Geige / Violine:
Carroll Dickerson (am 1929-07-22)
Posaune:
Fred Robinson (American trombonist) (am 1929-07-22)
Schlagzeug:
Zutty Singleton (am 1929-07-22)
Tenorsaxophon:
Jimmy Strong (am 1929-07-22)
Trompete:
Louis Armstrong (am 1929-07-22) und Homer Hobson (am 1929-07-22)
Tuba:
Pete Briggs (am 1929-07-22)
vocals:
Louis Armstrong (am 1929-07-22)
conductor:
Carroll Dickerson (am 1929-07-22)
recording of:
Black and Blue (am 1929-07-22)
Texter:
Harry Brooks (jazz pianist & songwriter) und Andy Razaf
Komponist(in):
Fats Waller
publisher:
Memory Lane Music Ltd. und Redwood Music Ltd. (Carlin)
3:12
4That Rhythm Man
alto saxophone:
Bert Curry (am 1929-07-22) und Crawford Wethington (am 1929-07-22)
Banjo:
Mancy "Peck" Carr (am 1929-07-22)
Geige / Violine:
Carroll Dickerson (am 1929-07-22)
Klarinette:
Jimmy Strong (am 1929-07-22)
Klavier:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (am 1929-07-22)
Posaune:
Fred Robinson (American trombonist) (am 1929-07-22)
Schlagzeug:
Zutty Singleton (am 1929-07-22)
Trompete:
Louis Armstrong (am 1929-07-22) und Homer Hobson (am 1929-07-22)
Tuba:
Pete Briggs (am 1929-07-22)
vocals:
Louis Armstrong (am 1929-07-22)
Orchester:
Louis Armstrong and His Orchestra (in 1929)
conductor:
Carroll Dickerson (am 1929-07-22)
recording of:
That Rhythm Man (am 1929-07-22)
Verfasser(in):
Harry Brooks (jazz pianist & songwriter), Andy Razaf und Thomas Waller (Fats Waller)
3:13
5Sweet Savannah Sue
alto saxophone:
Bert Curry (am 1929-07-22) und Crawford Wethington (am 1929-07-22)
Banjo:
Mancy "Peck" Carr (am 1929-07-22)
Geige / Violine:
Carroll Dickerson (am 1929-07-22)
Klavier:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (am 1929-07-22)
Posaune:
Fred Robinson (American trombonist) (am 1929-07-22)
Schlagzeug:
Zutty Singleton (am 1929-07-22)
Tenorsaxophon:
Jimmy Strong (am 1929-07-22)
Trompete:
Louis Armstrong (am 1929-07-22) und Homer Hobson (am 1929-07-22)
Tuba:
Pete Briggs (am 1929-07-22)
vocals:
Louis Armstrong (am 1929-07-22)
conductor:
Carroll Dickerson (am 1929-07-22)
recording of:
Sweet Savannah Sue (am 1929-07-22)
Texter:
Andy Razaf
Komponist(in):
Harry Brooks (jazz pianist & songwriter), Andy Razaf und Fats Waller
3:17
6Some of These Days
recording of:
Some of These Days
Texter und Komponist(in):
Shelton Brooks
Verfasser(in):
Spencer Williams (US jazz composer, pianist & singer)
3:17
7When You’re Smiling
3:01
8After You’re Gone
recording of:
After You’ve Gone
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
3:26
9My Sweet
recorded in:
New York, New York, Vereinigte Staaten (am 1930-04-05)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-04-05) und Ted McCord (am 1930-04-05)
Gitarre:
Bernard Addison (am 1930-04-05)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-04-05) und Buck Washington (am 1930-04-05)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-04-05)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-04-05)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-04-05)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-04-05) und Louis Armstrong (am 1930-04-05)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-04-05)
Vibraphon:
Unknown, probably Joe Turner ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1930-04-05)
vocals:
Louis Armstrong (am 1930-04-05)
recording of:
My Sweet (am 1930-04-05)
Texter:
Stuart Gorrell
Komponist(in):
Hoagy Carmichael
3:25
10I Can’t Believe That You’re in Love With Me
recorded in:
New York, New York, Vereinigte Staaten (am 1930-04-05)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-04-05) und Ted McCord (am 1930-04-05)
Gitarre:
Bernard Addison (am 1930-04-05)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-04-05)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-04-05)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-04-05)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-04-05)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-04-05) und Louis Armstrong (am 1930-04-05)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-04-05)
vocals:
Louis Armstrong (am 1930-04-05)
recording of:
I Can’t Believe That You’re in Love With Me (am 1930-04-05)
Texter:
Clarence Gaskill
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
3:13
11Indian Love Call
3:03
12Exactly Like You
recorded in:
New York, New York, Vereinigte Staaten (am 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-05-04) und Ted McCord (am 1930-05-04)
Gitarre:
Bernard Addison (am 1930-05-04)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-05-04)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-05-04)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-05-04)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-05-04)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-05-04) und Louis Armstrong (am 1930-05-04)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-05-04)
Vibraphon:
Unknown, probably Joe Turner ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1930-05-04)
vocals:
Louis Armstrong (am 1930-05-04)
recording of:
Exactly Like You (am 1930-05-04)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1930)
Verfasser(in):
Fritz Löhner-Beda (librettist, lyricist, writer)
Komponist(in):
Jimmy McHugh (songwriter) (in 1930)
3:34
13Dinah
recorded in:
New York, New York, Vereinigte Staaten (am 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-05-04) und Ted McCord (am 1930-05-04)
Gitarre:
Bernard Addison (am 1930-05-04)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-05-04)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-05-04)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-05-04)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-05-04)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-05-04) und Louis Armstrong (am 1930-05-04)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-05-04)
vocals:
Louis Armstrong (am 1930-05-04)
recording of:
Dinah (am 1930-05-04)
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
3:23
14Tiger Rag
recorded in:
New York, New York, Vereinigte Staaten (am 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-05-04) und Ted McCord (am 1930-05-04)
Gitarre:
Bernard Addison (am 1930-05-04)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-05-04)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-05-04)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-05-04)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-05-04)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-05-04) und Louis Armstrong (am 1930-05-04)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-05-04)
recording of:
Tiger Rag (original 1917 instrumental version) (am 1930-05-04)
Komponist(in):
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro und Larry Shields
publisher:
Leo Feist, Inc.
sub-publisher:
EMI Music Publishing France
3:15
15I Can’t Give You Anything but Love
cover recording of:
I Can’t Give You Anything but Love, Baby
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:34
16I Ain’t Got Nobody
recording of:
I Ain’t Got Nobody (am 1929-12-10)
Texter:
Roger Graham
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
2:48
17Dallas Blues
3:19
18St. Louis Blues
recording of:
St. Louis Blues
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
3:05
19Rockin’ Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song)
Texter:
Hoagy Carmichael
Komponist(in):
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
3:24
20Song of the Islands
recording of:
Song of the Islands (Na Lei O Hawaii)
Texter und Komponist(in):
Charles E. King (known as the composer of “Ke kali nei au”)
3:32
21Bessie Couldn’t Help It
recorded in:
New York, New York, Vereinigte Staaten (am 1930-02-01)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1930-02-01) und William Thornton Blue (American jazz reed player) (am 1930-02-01)
Gitarre:
Will Johnson (jazz musician) (am 1930-02-01)
Klavier:
Luis Russell (am 1930-02-01)
Kontrabass:
George "Pops" Foster (am 1930-02-01)
Posaune:
J.C. Higginbotham (am 1930-02-01)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1930-02-01)
Tenorsaxophon:
Teddy Hill (am 1930-02-01)
Trompete:
Henry “Red” Allen (jazz musician) (am 1930-02-01), Louis Armstrong (am 1930-02-01) und Otis Johnson (trumpet) (am 1930-02-01)
vocals:
Louis Armstrong (am 1930-02-01)
Orchester:
Louis Armstrong and His Orchestra (in 1930)
recording of:
Bessie Couldn’t Help It (am 1930-02-01)
Verfasser(in):
Charles A. Bayha, Jacques Richmond (songwriter) und Byron Warner (active in the 1960's)
3:24
22Blue Turning Grey Over You
recorded in:
New York, New York, Vereinigte Staaten (am 1930-02-01)
Gitarre:
Will Johnson (jazz musician) (am 1930-02-01)
Klarinette:
Teddy Hill (am 1930-02-01), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1930-02-01) und William Thornton Blue (American jazz reed player) (am 1930-02-01)
Klavier:
Luis Russell (am 1930-02-01)
Kontrabass:
George "Pops" Foster (am 1930-02-01)
Posaune:
J.C. Higginbotham (am 1930-02-01)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1930-02-01)
Trompete:
Henry “Red” Allen (jazz musician) (am 1930-02-01), Louis Armstrong (am 1930-02-01) und Otis Johnson (trumpet) (am 1930-02-01)
vocals:
Louis Armstrong (am 1930-02-01)
recording of:
Blue, Turning Grey Over You (am 1930-02-01)
Texter:
Andy Razaf
Komponist(in):
Thomas Waller (Fats Waller)
3:26

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Veröffentlichung

ASIN:US: B000000PGM [Info]