Bernstein klassieke iconen

~ Release by Leonard Bernstein (see all versions of this release, 1 available)

Annotation

CD1
Joseph Haydn 1732-1809
Sinfonia Concertante in Bes gr.t., Hob.I :105
1 I Allegro 9’31”
2 II Andante 5’46”
3 III Allegro con spirito 6’04”

Rainer Küchl violino principale
Franz Bartolomey violoncello obbligato
Walter Lehmayer oboe I obbligato
Michael Werba fagotto obbligato
Wiener Philharmoniker
Leonard Bernstein
Opname oktober 1984, Grosser Saal Musikverein, Vienna
(p) 1986 Deutsche Grammophon GmbH, Berlin

Wolfgang Amadeus Mozart 1756-1791
Concert voor klarinet en orkest in A, K.622
4 I Allegro 12’40”
5 II Adagio 8’16”
6 III Rondo. Allegro 8’55”

Peter Schmidl klarinet
Wiener Philharmoniker
Leonard Bernstein
LIVE opname september 1987, Grosser Saal Konzerthaus, Vienna
(p) 1990 Deutsche Grammophon GmbH, Berlin

Symfonie Nr. 35 in D gr.t., K.385 ‘Haffner’
7 I Allegro con spirito 5’48”
8 II Andante 7’10”
9 III Menuetto - Trio 3’46”
10 IV Presto 3’36”

Wiener Philharmoniker
Leonard Bernstein
LIVE opname oktober 1984, Grosser Saal Musikverein, Vienna
(p) 1985 Deutsche Grammophon GmbH, Berlin

CD2
Ludwig van Beethoven 1770-1827
Symfonie Nr. 9 in d kl.t., Op.125
1 I Allegro ma non troppo, un poco maestoso 18’05”
2 II Molto vivace 10’44”
3 III Adagio molto e cantabile 20’14”
4 IV Presto – Allegro assai 28’57”

June Anderson sopraan
Sarah Walker mezzosopraan
Klaus König tenor
Jan-Hendrik Rootering bas
Koor van de Bayerischen Rundfunk
Kinderkoor van de Philharmonie in Dresden
Koorleider : Wolfgang Seeliger
Symphonie-Orchester des Bayerischen Rundfunks
Leden van de volgende orkesten :
Staatskapelle Dresden
Orkest van het Kirov Theater, St. Petersburg
London Symphony Orchestra
New York Philharmonic
Orchestre de Paris
Leonard Bernstein
LIVE opname 25 december 1989, Schauspielhaus, Berlin
(p) 1990 Deutsche Grammophon GmbH, Berlin

CD3
Franz Schubert 1797-1828
Symfonie Nr. 8 in b kl.t., D 759 ‘Onvoltooide’
1 I Allegro moderato 13’45”
2 II Andante con moto 12’51”

Symfonie Nr. 9 in C gr.t., D 944 ‘De Grote’
3 I Andante – Allegro ma non troppo 13’23”
4 II Andante con moto 14’37”
5 III Scherzo. Allegro vivace - Trio 10’39”
6 IV Finale. Allegro vivace 11’30”

Koninklijk Concertgebouworkest
Leonard Bernstein
LIVE opname oktober 1987, Grote Zaal Concertgebouw Amsterdam
(p) 1989 Deutsche Grammophon GmbH, Berlin

CD4
Georges Bizet 1838-1875
Carmen
Highlights
1 Prélude 4’19”
Acte I
2 1. Introduction
‘Sur la place chacun passe’ 6’02”
Soldats, Moralès, Micaëla
3 2. Chœur des gamins
‘Avec la garde montante’ 2’30”
Chœur des gamins
4 4. Havanaise
‘L’amour est un oiseau rebelle’ 4’52”
Carmen, chœur
5 9. Chanson et duo
‘Près des remparts de Seville’ 4’57”
Carmen, Don José
6 Entr’acte
Acte II
7 11. Chanson
‘Les tringles des sistres tintaient’ 4’51”
Carmen, Frasquita, Mercédès
8 13. Couplet
‘Votre toast...je peux vous rendre’ 5’37”
Escamillo, chœur, Frasquita, Mercédès, Carmen
9 14. Quintette
‘Nous avons en tête une affaire’ 4’28”
Dancaïre, Frasquita, Mercédès, Carmen, Remendado
10 16. ‘La fleur que tu m’avais jetée’ 4’00”
Don José
Acte III
11 19. Trio
‘Mêlons ! Coupons’ 7’37”
Frasquita, Mercédès, Carmen, Dancaïre, Remendado, Don José
12 21. Air
‘Je dis qui rien ne m’epouvante’ 5’22”
Micaëla
13 Entr’acte
Acte IV
14 25. ‘Carmen, un bon conseil’ 1’53”
Frasquita, Carmen, Mercédès
26. Duo final
‘C’est toi ? – C’est moi !’ 9’15”
Carmen, Don José, choeur

Marilyn Horne Carmen
James McCracken Don José
Tom Krause Escamillo
Adriana Maliponte Micaëla
Colette Boky Frasquita
Marcia Baldwin Mercédès
Andrea Velis Remendado
Russell Christopher Dancaïre
Raymond Gibbs Moralès
The Metropolitan Opera Orchestra an Children’s Chorus
The Manhattan Opera Chorus
Leonard Bernstein
Opname september/oktober 1973, Manhattan Centre, New York
(p) 1973 Deutsche Grammophon GmbH, Berlin

CD5
Gustav Mahler 1860-1911
Symfonie Nr. 4
1 I Bedächtig. Nicht eilen 17’35”
2 II In gemächlicher Bewegung. Ohne Hast 10’08”
3 III Ruhevoll 20’32”
4 IV Sehr behaglich 8’44”
tekst uit ‘Des Knaben Wunderhorn’

Helmut Wittek sopraan (Tölzer Knabenchor)
Jaap van Zweden soloviool
Koninklijk Concertgebouworkest
Leonard Bernstein
LIVE opname juni 1987, Grote Zaal Concertgebouw Amsterdam
(p) 1988 Deutsche Grammophon GmbH, Berlin

CD6 confirmed toc
Gustav Mahler
Lieder eines fahrenden Gesellen
Liederzyklus nach Texten von Gustav Mahler
1 I Wenn mein Schatz Hochzeit macht 4’25”
Schneller – Sanft bewegt
2 II Ging heut’ morgen übers Feld 4’07”
In gemächlicher Bewegung
3 III Ich hab’ ein glühend Messer 3’20”
Stürmisch, wild
4 IV Die zwei blauen Augen 5’34”
Alla Marcia. Mit geheimnisvoll schwermütigem Ausdruck
– Ohne Sentimentalität

Kindertotenlieder
Liederzyklus nach Texten von Friedrich Rückert
5 I Nun will die Sonn’ so hell aufgehn 5’59”
Langsam und schwermütig; nicht schleppend
6 II Nun seh’ ich wohl, warum so dunkle Flammen 5’12”
Ruhig, nicht schleppend
7 III Wenn mein Mütterlein 6’03”
Schwer, dumpf
8 IV Oft denk’ ich, sie sind nur ausgegangen 3’31”
Ruhig bewegt, ohne zu eilen
9 V In diesem Wetter, in diesem Braus 7’24”
Mit ruhelos schmerzvollem Ausdruck

5 Lieder
Liederzyklus nach Texten von Friedrich Rückert
10 I Liebst du um Schönheit 2’44”
Innig
11 II Blicke mir nicht in die Lieder 1’30”
Ruhig, nicht schleppend
12 III Ich atmet’ einen linden Duft 3’00”
Sehr zart und innig
13 IV Um Mitternacht 7’23”
Ruhig, gleichmassig
14 V Ich bin der Welt abhanden gekommen 7’47”
Äusserst langsam und zurückhaltend

Thomas Hampson bariton
Wiener Philharmoniker
Leonard Bernstein
LIVE opname februari 1990 en oktober 1988 (Kindertotenlieder), Musikverein, Wien
(p) 1991/1989 (Kindertotenlieder) Deutsche Grammophon GmbH, Berlin

CD7
Dmitri Shostakovich 1906-1975
Symfonie Nr. 6 in b kl.t., Op.54
1 I Largo 22’29”
2 II Allegro 7’53”
3 III Presto 7’32”

Symfonie Nr. 9 in Es gr.t., Op.70
4 I Allegro 5’21”
5 II Moderato 9’19”
6 III Presto 3’25”
7 IV Largo 3’15”
8 V Allegretto 5’49”

Wiener Philharmoniker
Leonard Bernstein
Opname oktober 1985 (Nr.9) en oktober 1986 (Nr.6), Musikverein, Wien
(p) 1987 Deutsche Grammophon GmbH, Berlin

CD8
Igor Stravinsky 1882-1971
L’Oiseau de feu – Suite 1919
1 Introduction 3’36”
2 L’oiseau de feu et sa danse 0’15”
3 Variation de l’Oiseau de feu 1’19”
4 Ronde des princesses 5’34”
5 Danse infernale de Kastcheï 4’18”
6 Berceuse 3’55”
7 Finale

Pétrouchka 1947
Scènes burlesques en 4 tableaux d’Igor Stravinsky et Alexandre Benois
Premier Tableau
8 Fête populaire de a semaine grasse 7’09”
9 Le tour de passe-passe – Danse russe 2’46”
Second Tableau
10 Chez Pétrouchka 4’17”
Troisième Tableau
11 Chez le Maure – Danse de la Ballerine 3’26”
12 Valse : La Ballerine et le Maure 3’19”
Quatrième Tableau
13 Fête populaire de la semaine grasse (vers le soir) 1’05”
14 Danse des nounous 2’40”
15 L’ours et un paysan 1’28”
16 Un marchand fêtard avec deux tziganes 1’10”
17 Danse des cochers et des palefreniers 2’06”
18 Les déguisés 1’29”
19 La rixe: Le Maure et Pétrouchka 0’45”
20 Mort de Pétrouchka 0’45”
21 La police et le charlatan 1’15”
22 Apparition du double de Pétrouchka 0’50”
Boris Berman, piano

Pulcinella – Suite 1949
23 I Sinfonia (Ouverture) Allegro moderato 2’14”
24 II Serenata Larghetto 2’57”
25 III a Scherzino 4’39”
b Allegro
c Andantino
26 IV Tarantella gepunkteerde halve noot = 88 1’59”
27 V Toccata Allegro 0’59”
28 VI Gavotta Allegro moderato 4’07”
Variazione I Allegretto
Variazione II Allegro più tosto moderato
29 VII Vivo 1’27”
20 VIII a Minuetto Molto moderato 4’18”
b Finale Allegro assai

Israel Philharmonic Orchestra
Leonard Bernstein
Opname april 1982 (Pétrouchka), mei 1982 (Oiseau), mei 1984 (Pulcinella), Frederic A. Mann Auditorum, Tel Aviv
(p) 1984, 1985 Deutsche Grammophon GmbH, Berlin

CD9
George Gershwin 1898-1937
1 Rhapsody in Blue 17’09”
Orch. Ferde Grofé

Leonard Bernstein piano & directie
Los Angeles Philharmonic Orchestra
Opname juli 1982, Davies Symphony Hall, San Francisco
(p) 1983 Deutsche Grammophon GmbH, Berlin

Charles Ives 1874-1954
2 Hymn: Largo Cantabile 3’43"
from ‘A Set of Three Short Pieces’ for String Orchestra

3 Hallowe’en 1’57"
Allegretto to Presto
from ‘Three Outdoor Scenes’

4 The Unanswered Question 6’10"
Largo molto sempre

New York Philharmonic
Leonard Bernstein
Opname november 1988, Avery Fisher Hall, New York
(p) 1990 Deutsche Grammophon GmbH, Berlin

Leonard Bernstein 1918-1990
Serenade (1954)
after Plato’s’Symposium’ for solo violin, string orchestra, hapr and percussion
5 I Phaedrus - Pausianas 6’44"
Lento – Allegro marcato
6 II Aristophanes 4’11"
Allegretto
7 III Erixymachus 1’30"
Presto
8 IV Agathon 6’31"
Adagio
9 V Socrates – Alcibiades 10’28"
Molto tenuto – Allegro molto vivace

Gidon Kremer viool
Israel Philharmonic Orchestra
Leonard Bernstein
LIVE opname oktober 1979, Frederic A. Mann Auditorum, Tel Aviv
(p) 1990 Deutsche Grammophon GmbH, Berlin

Chichester Psalms (1965)
For mixed choir, boy soloist and orchestra
10 I Psalm 108 (verse 2); Psalm 100 (complete) 3’38"
Maestoso ma energico – Allegro molto
11 II Psalm 23 (complete); Psalm 2 (verse 1-4) 5’36"
Andante con moto, ma tranquillo – Allegro feroce
12 III Psalm 131 (complete); Psalm 133 (verse 1) 9’45"
Prelude – Sostenuto molto – Peacefully flowing

Soloist from the Vienna Boys’ Choir
Wiener Sängerknaben
Israel Philharmonic Orchestra
Leonard Bernstein
Opname augustus 1977, Philharmonie, Berlin
(p) 1978 Deutsche Grammophon GmbH, Berlin

CD10
Leonard Bernstein 1918-1990
West Side Story
based on a conception of Jerome Robbins
Book by Arthur Laurents
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
Orchestration by Leonard Bernstein with Sid Ramin and Irwin Kostal

ACT I
1 1 Prologue 4’07”
Instrumental
2 2 Jet Song 3’13”
Riff and Jets
3 3 Something’s Coming 2’35”
Tony
4 The Dance at the Gym 4’07”
Instrumental
4 Blues 1’46”
5 Promenade 0’27”
6 Mambo 2’23”
7 Cha-Cha 0’53”
8 Meeting Scene 1’27”
Tony and Maria
9 Jump 0’51”
10 5 Maria 2’58”
Tony
11 6 Balcony Scene Tonight 7’33”
Tony and Maria
12 7 America 4’49”
Anita, Rosalia and Girls
13 8 Cool 4’40”
Riff and Jets
14 9 One Hand, One Heart 5’40”
Tony and Maria
15 10 Tonight Ensemble 3’43”
Riff, Bernardo, Anita, Tony, Maria, Sharks, Jets
16 11 The Rumble 3’03”
Instrumental

ACT II
17 12 I Feel Pretty 3’25”
Maria and Girls
18 13 Ballet Sequence 1’06”
(beginning)
Tony and Maria
19 Transition to Scherzo 0’29”
Instrumental
20 Scherzo 1’31”
Instrumental
21 Somewhere 2’37”
A Girl
22 Procession and Nightmare 3’14”
Entire Company
23 14 Gee, Officer Krupke 4’20”
Jets
24 15 A Boy Like That 2’06”
Anita and Maria
25 I Have a Love 3’30”
Maria and Anita
26 16 Taunting Scene 1’25”
Instrumental
27 17 Finale 2’36”
Maria and Tony

Kiri Te Kanawa Maria
José Carreras Tony
Tatiana Troyanos Anita
Kurt Ollmann Riff
Marilyn Horne zingt ‘Somewhere’

Louise Edeiken Rosalia | Angelina Réaux Francisca | Stella Zambalis Consuelo | David Livingston Action | Marty Nelson Diesel | Stephen Bogardus Baby John | Peter Thom A-rab | Todd Lester Snowboy | Richard Harrell Bernardo

Dialoog : Nina Bernstein Maria & Alexander Bernstein Tony
Leonard Bernstein
Opname september 1984, RCA Studio, New York
(p) 1985 Deutsche Grammophon GmbH, Berlin

Annotation last modified on 2017-10-22 11:28 UTC.

Tracklist

1CD
2CD
3CD
4CD
5CD
6CD
7CD
8CD
9CD
10CD
#TitleRatingLength
1Prologue
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Prologue (on 1984-09-07)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
West Side Story
part of:
West Side Story (Swedish version)
4:07
2Jet Song
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
baritone vocals [Riff]:
Kurt Ollmann (baritone) (on 1984-09-07)
vocals:
Stephen Bogardus (on 1984-09-07), David Livingston (on 1984-09-07) and Peter Thom (musical theatre actor) (on 1984-09-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Jet Song (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
West Side Story
3:13
3Something's Coming
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Something’s Coming (Tony) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and G. Schirmer Inc.
part of:
West Side Story
2:35
4The Dance at the Gym - Blues
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: The Dance at the Gym: Blues (on 1984-09-07)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
West Side Story: The Dance at the Gym
1:46
5The Dance at the Gym - Promenade
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: The Dance at the Gym: Promenade (on 1984-09-07)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
West Side Story: The Dance at the Gym
0:27
6The Dance at the Gym - Mambo
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: The Dance at the Gym: Mambo (on 1984-09-07)
composer:
Leonard Bernstein (American conductor, composer, pianist)
arranger:
Michael Sweeney (American composer)
part of:
West Side Story: The Dance at the Gym
2:23
7The Dance at the Gym - Cha-Cha
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: The Dance at the Gym: Cha-Cha (on 1984-09-07)
composer:
Leonard Bernstein (American conductor, composer, pianist)
quotes music from:
West Side Story: Maria (Tony)
part of:
West Side Story: The Dance at the Gym
0:53
8The Dance at the Gym - Meeting Scene
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
spoken vocals [Maria]:
Nina Bernstein (on 1984-09-07)
spoken vocals [Tony]:
Alexander Bernstein (actor/composer) (on 1984-09-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: The Dance at the Gym: Meeting Scene (on 1984-09-07)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
West Side Story: The Dance at the Gym
1:27
9The Dance at the Gym - Jump
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: The Dance at the Gym: Jump (on 1984-09-07)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
West Side Story: The Dance at the Gym
0:50
10Maria
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Maria (Tony) (on 1984-09-07)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story
2:58
11Balcony Scene, Tonight
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
spoken vocals [Maria]:
Nina Bernstein (on 1984-09-07)
spoken vocals [Tony]:
Alexander Bernstein (actor/composer) (on 1984-09-07)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Tonight (Maria, Tony) (on 1984-09-07)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
7:33
12America
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
mezzo-soprano vocals [Anita]:
Tatiana Troyanos (mezzo-soprano) (on 1984-09-07)
mezzo-soprano vocals [Rosalia]:
Louise Edeiken (mezzo-soprano) (on 1984-09-07)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1984-09-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: America (Anita, Shark Girls) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Jalni Publications Inc., Universal/MCA Music (music publisher; do not use as release label!) and The Leonard Bernstein Music Publishing Company LLC (in 1957)
part of:
West Side Story
4:49
13Cool
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
baritone vocals [Riff]:
Kurt Ollmann (baritone) (on 1984-09-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Cool (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
West Side Story
4:40
14One Hand, One Heart
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: One Hand, One Heart (Tony, Maria) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
version of:
One (early version of "One Hand, One Heart" from West Side Story)
part of:
West Side Story
5:40
15Tonight (Ensemble)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
baritone vocals [Riff]:
Kurt Ollmann (baritone) (on 1984-09-07)
mezzo-soprano vocals [Anita]:
Tatiana Troyanos (mezzo-soprano) (on 1984-09-07)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
vocals:
Richard Harrell (on 1984-09-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Tonight Quintet (Jets, Sharks, Anita, Tony, Maria, Riff, Bernardo) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
West Side Story
3:43
16The Rumble
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: The Rumble (on 1984-09-07)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
West Side Story
3:03
17I Feel Pretty
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
mezzo-soprano vocals [Rosalia]:
Louise Edeiken (mezzo-soprano) (on 1984-09-07)
soprano vocals [Consuela]:
Stella Zambalis (spinto soprano) (on 1984-09-07)
soprano vocals [Francisca]:
Angelina Réaux (US soprano) (on 1984-09-07)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: I Feel Pretty (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
3:25
18Ballet Sequence
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Ballet Sequence: Intro to Ballet (Tony and Maria) (on 1984-09-07)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
West Side Story: Ballet Sequence
1:06
19Ballet Sequence - Transition to Scherzo
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Ballet Sequence: Transition to Scherzo (instrumental) (on 1984-09-07)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
West Side Story: Ballet Sequence
0:38
20Ballet Sequence - Scherzo
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Ballet Sequence: Scherzo (instrumental) (on 1984-09-07)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
West Side Story: Ballet Sequence
1:31
21Ballet Sequence - Somewhere
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (on 1984-09-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story: Ballet Sequence
2:37
22Ballet Sequence - Procession and Nightmare
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Ballet Sequence: Procession and Nightmare (Jets, Sharks) (on 1984-09-07)
composer:
Leonard Bernstein (American conductor, composer, pianist)
quotes lyrics from:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company)
quotes music from:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company)
quotes music from:
West Side Story: I Have a Love (Maria, Anita)
part of:
West Side Story: Ballet Sequence
3:14
23Gee, Officer Krupke
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
vocals:
Stephen Bogardus (on 1984-09-07), Todd Lester (on 1984-09-07), David Livingston (on 1984-09-07), Marty Nelson (on 1984-09-07) and Peter Thom (musical theatre actor) (on 1984-09-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Gee, Officer Krupke! (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
West Side Story
4:20
24A Boy Like That
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
mezzo-soprano vocals [Anita]:
Tatiana Troyanos (mezzo-soprano) (on 1984-09-07)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: A Boy Like That (Anita, Maria) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
West Side Story
2:06
25I Have a Love
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
mezzo-soprano vocals [Anita]:
Tatiana Troyanos (mezzo-soprano) (on 1984-09-07)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: I Have a Love (Maria, Anita) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
3:30
26Taunting Scene
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Taunting Scene (on 1984-09-07)
composer:
Leonard Bernstein (American conductor, composer, pianist)
quotes music from:
West Side Story: America (Anita, Shark Girls)
quotes music from:
West Side Story: The Dance at the Gym: Mambo
part of:
West Side Story
1:25
27Finale
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf‐Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1984-09-07)
orchestrator:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Finale (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
quotes music from:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company)
quotes music from:
West Side Story: I Have a Love (Maria, Anita)
part of:
West Side Story
part of:
West Side Story (Swedish version)
2:36